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Butterflies are white and blue
In this field we wander through.
Suffer me to take your hand.
Death comes in a day or two.
Edna St. Vincent Millay
Same night you met me in the park
We laughed, told stories not nightmares
Brought you next to my heart
You know my sweater still smells like you
It is blue-butterfly day here in spring,
And with these sky-flakes down in flurry on flurry
There is more unmixed color on the wing
Than flowers will show for days unless they hurry.
The Voice Of Spring
I am coming, I am coming!
Hark! the honey bee is humming;
See, the lark is soaring high
In the blue and sunny sky,
In The Garden
Aylmer's Garden, near the Lake. LAURENCE RABY and ESTELLE.
Come to the bank where the boat is moor'd to the willow-tree low;
Adam Lindsay Gordon
Auguries Of Innocence
To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
Thine emulous fond flowers are dead, too,
And the daft sun-assaulter, he
That frightened thee so oft, is fled or dead:
Save only me
Good Things Come With Time
Close enough the call to light,
I'd rather duck under my bed tonight.
The cold chills but the shimmers delight,
The mornings of a dark spell so right.
Very beautiful, just like a dream,
Gives us awesome things, as sweet as cream.
Nature gives us many things,
'THOUGH logic-choppers rule the town,
And every man and maid and boy
Has marked a distant object down,
An aimless joy is a pure joy,'
William Butler Yeats
The skies are blue above my head,
The prairie green below,
And flickering o'er the tufted grass
The shifting shadows go,
Of The Boy And Butterfly
Behold, how eager this our little boy
Is for a butterfly, as if all joy,
All profits, honours, yea, and lasting pleasures,
Were wrapped up in her, or the richest treasures
In Praise Of Limestone
If it form the one landscape that we, the inconstant ones,
Are consistently homesick for, this is chiefly
Because it dissolves in water. Mark these rounded slopes
With their surface fragrance of thyme and, beneath,
W. H. Auden
Oh! To be a flower
Nodding in the sun,
Bending, then upspringing
As the breezes run;
â??COME hither, my Sparrows,
My little arrows.
If a tear or a smile
Will a man beguile,
Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
THE Butterfly, an idle thing,
Nor honey makes, nor yet can sing,
As do the bee and bird;
Nor does it, like the prudent ant,
Under an arch of glorious leaves I passed
Out of the wood and saw the sickle moon
Floating in daylight o'er the pale green sea.
I like the way you wear your wings.
Show me their colors,
For the light is going.
and I will not
No, I cannot love you less
Like the flower to the butterfly
"Arcturus" is his other nameâ??
I'd rather call him "Star."
It's very mean of Science
To go and interfere!
Among the taller wood with ivy hung,
The old fox plays and dances round her young.
She snuffs and barks if any passes by
And swings her tail and turns prepared to fly.
To The Butterfly.
Lovely insect, haste away,
Greet once more the sunny day;
Leave, O leave the murky barn,
Ere trapping spiders thee discern;
Endymion: Book Iv
Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
Have ye seen the caterpillar
Foully warking in his nest?
'T is the poor man getting siller,
Without cleanness, without rest.
Ralph Waldo Emerson
A book which needs to be written is one dealing
with the childhood of authors. It would be
not only interesting, but instructive; not merely
profitable in a general way, but practical in a
When I asked my mother why they were called sand tarts,
she couldn't answer me-
perhaps this ravenous curiosity causes my brother
The Poetic Principle (essay)
In speaking of the Poetic Principle, I have no design to be either thorough or profound. While discussing, very much at random, the essentiality of what we call Poetry, my principal purpose will be to cite for consideration, some few of those minor English or American poems which best suit my own taste, or which, upon my own fancy, have left the most definite impression. By "minor poems" I mean, of course, poems of little length. And here, in the beginning, permit me to say a few words in regard to a somewhat peculiar principle, which, whether rightfully or wrongfully, has always had its influence in my own critical estimate of the poem. I hold that a long poem does not exist. I maintain that the phrase, "a long poem," is simply a flat contradiction in terms.
I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement. But all excitements are, through a psychal necessity, transient. That degree of excitement which would entitle a poem to be so called at all, cannot be sustained throughout a composition of any great length. After the lapse of half an hour, at the very utmost, it flags fails a revulsion ensues and then the poem is, in effect, and in fact, no longer such.
Edgar Allan Poe