CONTEMPORARY POEMS
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Sunt Leones
The lions who ate the Christians on the sands of the arena
By indulging native appetites played was now been seen a
Not entirely negligible part
In consolidating at the very start
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Stevie Smith
Poems - The New Edition - Preface
In two small volumes of Poems, published anonymously, one in 1849, the other in 1852, many of the Poems which compose the present volume have already appeared. The rest are now published for the first time.
I have, in the present collection, omitted the Poem from which the volume published in 1852 took its title. I have done so, not because the subject of it was a Sicilian Greek born between two and three thousand years ago, although many persons would think this a sufficient reason. Neither have I done so because I had, in my own opinion, failed in the delineation which I intended to effect. I intended to delineate the feelings of one of the last of the Greek religious philosophers, one of the family of Orpheus and Musaeus, having survived his fellows, living on into a time when the habits of Greek thought and feeling had begun fast to change, character to dwindle, the influence of the Sophists to prevail. Into the feelings of a man so situated there entered much that we are accustomed to consider as exclusively modern; how much, the fragments of Empedocles himself which remain to us are sufficient at least to indicate. What those who are familiar only with the great monuments of early Greek genius suppose to be its exclusive characteristics, have disappeared; the calm, the cheerfulness, the disinterested objectivity have disappeared: the dialogue of the mind with itself has commenced; modern problems have presented themselves; we hear already the doubts, we witness the discouragement, of Hamlet and of Faust.
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Matthew Arnold
To A Contemporary Bunkshooter
You come along… tearing your shirt… yelling about Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
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Carl Sandburg
John Hancock Otis
As to democracy, fellow citizens,
Are you not prepared to admit
That I, who inherited riches and was to the manner born,
Was second to none in Spoon River
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Edgar Lee Masters
To A Noisy Contemporary
Your egoâ??s bad dream drums that vision
Encountered on page one, pages three to eighty-nine.
Count the wound-up places where we went aground.
As an entertainment, zero. Hero horror. Try the line
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Weldon Kees
Eureka - A Prose Poem (an Essay On The Material And Spiritual Universe)
It is with humility really unassumed, it is with a sentiment even of awe, that I pen the opening sentence of this work: for of all conceivable subjects I approach the reader with the most solemn, the most comprehensive, the most difficult, the most august.
What terms shall I find sufficiently simple in their sublimity -- sufficiently sublime in their simplicity, for the mere enunciation of my theme?
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Edgar Allan Poe
For You, Mother
I have a dream for you, Mother,
Like a soft thick fringe to hide your eyes.
I have a surprise for you, Mother,
Shaped like a strange butterfly.
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Hilda Conkling
Hongree And Mahry
The sun was setting in its wonted west,
When HONGREE, Sub-Lieutenant of Chassoores,
Met MAHRY DAUBIGNY, the Village Rose,
Under the Wizard's Oak - old trysting-place
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William Schwenck Gilbert
Starting From Paumanok
STARTING from fish-shape Paumanok, where I was born,
Well-begotten, and rais'd by a perfect mother;
After roaming many lands--lover of populous pavements;
Dweller in Mannahatta, my city--or on
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Walt Whitman
To The Memory Of Walter Savage Landor
I NOW DEDICATE, WITH EQUAL AFFECTION, REVERENCE, AND REGRET, A POEM
INSCRIBED TO HIM WHILE YET ALIVE IN WORDS WHICH ARE NOW RETAINED
BECAUSE THEY WERE LAID BEFORE HIM; AND TO WHICH, RATHER THAN CANCEL
THEM, I HAVE ADDED SUCH OTHERS AS WERE EVOKED BY THE NEWS OF HIS DEATH:
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Algernon Charles Swinburne
The Nutbrown Maid
The Text is from Arnold's Chronicle, of the edition which, from typographical evidence, is said to have been printed at Antwerp in 1502 by John Doesborowe. Each stanza is there printed in six long lines. Considerable variations appear in later editions. There is also a Balliol MS. (354), which contains a contemporary version, and the Percy Folio contains a corrupt version.
This should not be considered as a ballad proper; it is rather a 'dramatic lyric.' Its history, however, is quite as curious as that of many ballads. It occurs, as stated above, in the farrago known as the Chronicle of Richard Arnold, inserted between a list of the 'tolls' due on merchandise entering or leaving the port of Antwerp, and a table giving Flemish weights and moneys in terms of the corresponding English measures. Why such a poem should be printed in such incongruous surroundings, what its date or who its author was, are questions impossible to determine. Its position here is perhaps almost as incongruous as in its original place.
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Frank Sidgwick
Ocean Is My Name
Coming from somewhere as I stepped into this world, it gave
me a name unasked. From then on, all the steps I have made carrying
the weight of all my pleasures and pains are the faltering steps in
quest of an expression – a journey of mine to find a name for
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Seshendra Sharma
Awaken Talker
The leaver and shaft move counter clock wise
the variety of souls when will you see is damage
control abuse for our land in African pride
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Plantard Dacull
Extraordinary
My friends wonder where
he started this amazing drawing.
I was inherently a baggy
when he started making my sketch,
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Gabriel Orji
Part Of Seeds
Movement that's equivalent to the stars acknowledged to
saints uplifted to those sign pale and violent in secondary
Souls contacted our families uplifted a personality
we have created a platforms and a playground
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Plantard Dacull
Captain Car
The Text is from a Cottonian MS. of the sixteenth century in the British Museum (Vesp. A. xxv. fol. 178). It is carelessly written, and words are here and there deleted and altered. I have allowed myself the liberty of choosing readings from several alternatives or possibilities.
The Story.--There seems to be no doubt that this ballad is founded upon an historical incident of 1571. The Scottish variants are mostly called Edom o' Gordon, i.e. Adam Gordon, who was brother to George Gordon, Earl of Huntly. Adam was a bold soldier; and, his clan being at variance with the Forbeses--on religious grounds,--he encountered them twice in the autumn of 1571, and inflicted severe defeat on them at the battles of Tuiliangus and Crabstane. In November he approached the castle of Towie, a stronghold of the Forbes clan; but the lady occupying it obstinately refused to yield it up, and it was burnt to the ground.
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Frank Sidgwick
Sir Hugh, Or The Jew's Daughter
The Text is given from Jamieson's Popular Ballads, as taken down by him from Mrs. Brown's recitation.
The Story of the ballad is told at length in at least two ancient monastic records; in the Annals of the Monastery of Waverley, the first Cistercian house in England, near Farnham, Surrey (edited by Luard, vol. ii. p. 346, etc., from MS. Cotton Vesp, A. xvi. fol. 150, etc.); more fully in the Annals of the Monastery at Burton-on-Trent, Staffordshire (edited by Luard, vol. i. pp. 340, etc., from MS. Cotton Vesp. E. iii. fol. 53, etc.). Both of these give the date as 1255, the latter adding July 31. Matthew Paris also tells the tale as a contemporary event. The details may be condensed as follows.
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Frank Sidgwick