1827; Or, The Poet's Last Poem Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCCCCDDDDEEFFGGHI JJDD KKDDLLMMNNDDDDGGDD OOPPQRSSTTDDDDDDGGGG DDUU VVDDLLWWDDDDKKLLXXDD DD GGRRGGYYDDZZDDUM LLGGCCPPDDDDA2B2C2C2 CC CCLLDDDDD2D2MMDDB2B2 DDB2B2PP E2CB2B2DDLLB2B2MMF2F 2DD DDB2B2B2B2DDGGG2G2| Ye Bards in all your thousand dens | A |
| Great souls with fewer pence than pens | A |
| Sublime adorers of Apollo | B |
| With folios full and purses hollow | B |
| Whose very souls with rapture glisten | C |
| When you can find a fool to listen | C |
| Who if a debt were paid by pun | C |
| Would never be completely done | C |
| Ye bright inhabitants of garrets | D |
| Whose dreams are rich in ports and clarets | D |
| Who in your lofty paradise | D |
| See aldermanic banquets rise | D |
| And though the duns around you troop | E |
| Still float in seas of turtle soup | E |
| I here forsake the tuneful trade | F |
| Where none but lordlings now are paid | F |
| Or where some northern rogue sits puling | G |
| The curse of universal schooling | G |
| A ploughman to his country lost | H |
| An author to his printer's cost | I |
| A slave to every man who'll buy him | J |
| A knave to every man who'll try him | J |
| Yet let him take the pen at once | D |
| The laurel gathers round his sconce | D |
| - | |
| On every subject superseded | K |
| My favorite topics all invaded | K |
| I scarcely dip my pen in praise | D |
| When fifty bardlings grasp my bays | D |
| Or let me touch a drop of satire | L |
| I once knew something of the matter | L |
| Just fifty bardlings take the trouble | M |
| To be my tuneful worship's double | M |
| Fine similies that nothing fit | N |
| Joe Miller's that must pass for wit | N |
| The dull dry brain besieging jokes | D |
| The humour that no laugh provokes | D |
| The nameless worthless witless rancours | D |
| The rage that souls of scribblers cankers | D |
| Administer'd in gall go thick | G |
| It makes even Sunday critic's sick | G |
| Disgust my passion fill my place | D |
| And snatch my prize before my face | D |
| - | |
| If then I take the brilliant pen | O |
| And scorning measures talk of men | O |
| There Luttrel steps 'twixt me and fame | P |
| So like egad we're just the same | P |
| I never half squeeze out a thought | Q |
| But jumps its fellow on the spot | R |
| My tenderest dreams my fondest touch | S |
| Are victims to his ready clutch | S |
| The whirling waltz the gay costume | T |
| The porcelain tooth the gallic bloom | T |
| The vapid smiles the lisping loves | D |
| Of turtles never meant for doves | D |
| The dreary stuff that fills the ears | D |
| Where all the orators are peers | D |
| The hides reveal'd through ball room dresses | D |
| Where all the parties are peer esses | D |
| The dulness of the toujours gai | G |
| The yawning night the sleepy day | G |
| The visages of cheese and chalk | G |
| The drowsy dreamy languid talk | G |
| The fifty other horrid things | D |
| That strip old Time of both his wings | D |
| There's not a topic of them all | U |
| But comes hey presto at his call | U |
| - | |
| Or when I turn my pen to love | V |
| A theme that fits me like my glove | V |
| A pang I've borne these twenty years | D |
| With ten times twenty several dears | D |
| Each glance a dart each smile a quiver | L |
| Stinging their bard from lungs to liver | L |
| To work my ruin or my cure | W |
| Up starts thy pen Anacreon Moore | W |
| In vain I pour my shower of roses | D |
| On which the matchless fair one dozes | D |
| And plant around her conch the graces | D |
| While jealous Venus breaks her laces | D |
| To see a younger face promoted | K |
| To see her own old face out voted | K |
| And myrtle branches twisting o'er her | L |
| Bow down each turn'd a true adorer | L |
| Up starts the Irish Bard in vain | X |
| I write 'tis all against the grain | X |
| In vain I talk of smiles or sighs | D |
| The girls all have him in their eyes | D |
| And not a soul mamma or miss | D |
| But vows he's the sole Bard of Bliss | D |
| - | |
| Since first I dipp'd in the romantic | G |
| A hundred thousand have run frantic | G |
| There's not a hideous highland spot | R |
| Long fallowed to the core by Scott | R |
| No rill through rack and thistle dribbling | G |
| But has its deadlier crop of scribbling | G |
| Each fen and flat and flood and fell | Y |
| Gives birth to verses by the ell | Y |
| There Wordsworth for his muse's sallies | D |
| Claims all the ponds the lanes and alleys | D |
| There Coleridge swears none else shall tune | Z |
| A bag pipe to the list'ning moon | Z |
| On come in clouds the scribbling columns | D |
| Each prowling for his next three volumes | D |
| I scorn the rascal tribe and spurn all | U |
| The yearly monthly and diurnal | M |
| - | |
| I write the finest things that ever | L |
| Made duchess fond or marquiss clever | L |
| Although I'd rather half turn Turk | G |
| The thing's such monstrous up hill work | G |
| My ton's the very cream of fashion | C |
| My passion the sublimest passion | C |
| My rage satanic love the same | P |
| Of all blue flames the bluest flame | P |
| My piety perpetual matins | D |
| A quaker propp'd on double pattens | D |
| My lovely girls the most precocious | D |
| My beaus delightfully atrocious | D |
| Yet scarcely have I play'd my card | A2 |
| When up comes politician Ward | B2 |
| Before my face he trumps my trump | C2 |
| Sweeps off my honours in the lump | C2 |
| And never asking my permission | C |
| Talks sermons to the third edition | C |
| - | |
| Or Boulogne Highway Byeway Grattan | C |
| The Pyrenees begin to flatten | C |
| A feast denied to storm and shower | L |
| The pen's the wonder working power | L |
| Or Smith the master of Addresses | D |
| Carves history out in modern messes | D |
| Tells how gay Charles cook'd up his collops | D |
| How fleeced his friends how paid his trollops | D |
| How pledged his soul and pawn'd his oath | D2 |
| 'Till none would give a straw for both | D2 |
| And touching paupers for the Evil | M |
| Touch'd England half way to the devil | M |
| Or Hook picks up my favorite hits | D |
| For when was friendship between wits | D |
| Or Lyster doubly dandyfied | B2 |
| Fidgets his donkey by my side | B2 |
| Or Bulwer rambles back from Greece | D |
| Woolgathering from the Golden fleece | D |
| Or forty volumes piping hot | B2 |
| Come blazing from volcano Scott | B2 |
| When pens like their's play all my game | P |
| The tasteless world must bear the blame | P |
| - | |
| I had a budget full of fan | E2 |
| But here again I'm lost undone | C |
| I'm so forestall'd that faith I could | B2 |
| Half quarrel with my lively Hood | B2 |
| For odd it is my Oddities | D |
| Are even all the same with his | D |
| Would Sherwood him of Paternoster | L |
| Assist my pilferings to foster | L |
| I'd turn free booter nay I would | B2 |
| E'en play the part of robbing Hood | B2 |
| But brother Wits should never quarrel | M |
| Nor try to pluck each other's laurel | M |
| And tho' my income's scarce enough | F2 |
| To find friend Petersham with snuff | F2 |
| Here's peace to all and kind regards | D |
| And Brother Hood among the Bards | D |
| - | |
| So all friends countrymen and lovers | D |
| With one or one and twenty covers | D |
| Farewell to all my glories past | B2 |
| I pen my lay my sweetest last | B2 |
| Another Phoenix build my nest | B2 |
| Of spices Phoebus' very best | B2 |
| Concentrating in these gay pages | D |
| Wit worth the wit of all the stages | D |
| Love tender as the midnight talk | G |
| In softest summer's midnight walk | G |
| With leave to all earth's fools to spurn 'em | G2 |
| Nay if they first will buy to burn 'em | G2 |
Thomas Gent
(1)
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About 1827; Or, The Poet's Last Poem
1827; Or, The Poet's Last Poem is a poem by Thomas Gent. This page includes the poem text, poet information, related topics, comments, and similar poems.
