The Improvisatore Poem Rhyme Scheme and Analysis
Rhyme Scheme: A B CDEF GH CCII JKL C MCNOPF QR E S T GC U RVW X GGFAY Z CCA2 GB2ZC GC2 E GZ D2 A G E2 F2G2H2GGI2LGJ2K2L2M2 E2R CN2 CX GGO2P2Q2R2XFF2JFRO2G RS2GGQ2T2T2F G G CSU2GGV2FL2CCV2FW2N2 JX2RALE2Y2A Z2GF CVA3Scene A spacious drawing room with music room adjoining | A |
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Katharine What are the words | B |
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Eliza Ask our friend the Improvisatore here he comes Kate has a favour | C |
to ask of you Sir it is that you will repeat the ballad Believe me if | D |
all those endearing young charms EHC's note that Mr sang so | E |
sweetly | F |
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Friend It is in Moore's Irish Melodies but I do not recollect the | G |
words distinctly The moral of them however I take to be this | H |
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Love would remain the same if true | C |
When we were neither young nor new | C |
Yea and in all within the will that came | I |
By the same proofs would show itself the same | I |
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Eliza What are the lines you repeated from Beaumont and Fletcher which my | J |
mother admired so much It begins with something about two vines so close | K |
that their tendrils intermingle | L |
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Friend You mean Charles' speech to Angelina in The Elder Brother | C |
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We'll live together like two neighbour vines | M |
Circling our souls and loves in one another | C |
We'll spring together and we'll bear one fruit | N |
One joy shall make us smile and one grief mourn | O |
One age go with us and one hour of death | P |
Shall close our eyes and one grave make us happy | F |
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Katharine A precious boon that would go far to reconcile one to old | Q |
age this love if true But is there any such true love | R |
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Friend I hope so | E |
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Katharine But do you believe it | S |
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Eliza eagerly I am sure he does | T |
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Friend From a man turned of fifty Katharine I imagine expects a | G |
less confident answer | C |
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Katharine A more sincere one perhaps | U |
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Friend Even though he should have obtained the nick name of | R |
Improvisatore by perpetrating charades and extempore verses at | V |
Christmas times | W |
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Eliza Nay but be serious | X |
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Friend Serious Doubtless A grave personage of my years giving a | G |
Love lecture to two young ladies cannot well be otherwise The | G |
difficulty I suspect would be for them to remain so It will be | F |
asked whether I am not the elderly gentleman' who sate despairing | A |
beside a clear stream' with a willow for his wig block | Y |
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Eliza Say another word and we will call it downright affectation | Z |
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Katharine No we will be affronted drop a courtesy and ask pardon for | C |
our presumption in expecting that Mr would waste his sense on two | C |
insignificant girls | A2 |
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Friend Well well I will be serious Hem Now then commences the | G |
discourse Mr Moore's song being the text Love as distinguished | B2 |
from Friendship on the one hand and from the passion that too often | Z |
usurps its name on the other | C |
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Lucius Eliza's brother who had just joined the trio in a whisper to the | G |
Friend But is not Love the union of both | C2 |
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Friend aside to Lucius He never loved who thinks so | E |
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Eliza Brother we don't want you There Mrs H cannot arrange the | G |
flower vase without you Thank you Mrs Hartman | Z |
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Lucius I'll have my revenge I know what I will say | D2 |
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Eliza Off Off Now dear Sir Love you were saying | A |
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Friend Hush Preaching you mean Eliza | G |
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Eliza impatiently Pshaw | E2 |
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Friend Well then I was saying that Love truly such is itself not | F2 |
the most common thing in the world and that mutual love still less | G2 |
so But that enduring personal attachment so beautifully delineated | H2 |
by Erin's sweet melodist and still more touchingly perhaps in the | G |
well known ballad John Anderson my Jo John ' in addition to a | G |
depth and constancy of character of no every day occurrence supposes | I2 |
a peculiar sensibility and tenderness of nature a constitutional | L |
communicativeness and utterancy of heart and soul a delight in the | G |
detail of sympathy in the outward and visible signs of the sacrament | J2 |
within to count as it were the pulses of the life of love But | K2 |
above all it supposes a soul which even in the pride and summer tide | L2 |
of life even in the lustihood of health and strength had felt | M2 |
oftenest and prized highest that which age cannot take away and which | E2 |
in all our lovings is the Love | R |
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Eliza There is something here pointing to her heart that seems to | C |
understand you but wants the word that would make it understand itself | N2 |
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Katharine I too seem to feel what you mean Interpret the feeling for | C |
us | X |
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Friend I mean that willing sense of the insufficingness of the | G |
self for itself which predisposes a generous nature to see in the | G |
total being of another the supplement and completion of its own | O2 |
that quiet perpetual seeking which the presence of the beloved | P2 |
object modulates not suspends where the heart momently finds and | Q2 |
finding again seeks on lastly when life's changeful orb has | R2 |
pass'd the full' a confirmed faith in the nobleness of humanity thus | X |
brought home and pressed as it were to the very bosom of hourly | F |
experience it supposes I say a heartfelt reverence for worth not | F2 |
the less deep because divested of its solemnity by habit by | J |
familiarity by mutual infirmities and even by a feeling of modesty | F |
which will arise in delicate minds when they are conscious of | R |
possessing the same or the correspondent excellence in their own | O2 |
characters In short there must be a mind which while it feels the | G |
beautiful and the excellent in the beloved as its own and by right of | R |
love appropriates it can call Goodness its Playfellow and dares | S2 |
make sport of time and infirmity while in the person of a | G |
thousand foldly endeared partner we feel for aged Virtue the | G |
caressing fondness that belongs to the Innocence of childhood and | Q2 |
repeat the same attentions and tender courtesies which had been | T2 |
dictated by the same affection to the same object when attired in | T2 |
feminine loveliness or in manly beauty | F |
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Eliza What a soothing what an elevating idea | G |
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Katharine If it be not only an idea | G |
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Friend At all events these qualities which I have enumerated are | C |
rarely found united in a single individual How much more rare must it | S |
be that two such individuals should meet together in this wide world | U2 |
under circumstances that admit of their union as Husband and Wife A | G |
person may be highly estimable on the whole nay amiable as a | G |
neighbour friend housemate in short in all the concentric circles | V2 |
of attachment save only the last and inmost and yet from how many | F |
causes be estranged from the highest perfection in this Pride | L2 |
coldness or fastidiousness of nature worldly cares an anxious or | C |
ambitious disposition a passion for display a sullen temper one or | C |
the other too often proves the dead fly in the compost of spices' | V2 |
and any one is enough to unfit it for the precious balm of unction | F |
For some mighty good sort of people too there is not seldom a sort | W2 |
of solemn saturnine or if you will ursine vanity that keeps itself | N2 |
alive by sucking the paws of its own self importance And as this high | J |
sense or rather sensation of their own value is for the most part | X2 |
grounded on negative qualities so they have no better means of | R |
preserving the same but by negatives that is but not doing or saying | A |
any thing that might be put down for fond silly or nonsensical | L |
or to use their own phrase by never forgetting themselves which | E2 |
some of their acquaintance are uncharitable enough to think the most | Y2 |
worthless object they could be employed in remembering | A |
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Eliza in answer to a whisper from Katharine To a hair He must have | Z2 |
sate for it himself Save me from such folks But they are out of the | G |
question | F |
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Friend True but the same effect is produced in thousands by the too | C |
general insensibility to a very important truth this namely that | V |
the MISERY of human life is made up of la | A3 |
Samuel Taylor Coleridge
(1)
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