An Essay On Criticism Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCCDDEEFFGGHHIIJJ KK LLMMNNOOPQRRSSTTUUTT TTVVWW XX YYTTZZA2A2TTB2B2TTTT C2C2 TTD2D2HHC2C2B2B2 E2E2C2C2TT C2C2F2F2C2C2G2H2C2C2 I2I2 C2C2TTJ2J2B2B2TT TTK2K2TT TTL2L2M2M2C2C2N2O2C2 C2TTTT G2C2 C2C2P2P2VVTTQ2Q2 R2R2S2S2T2T2TT C2C2 U2U2 WWTTV2V2TTTTW2W2 TTTTTTTTX2X2Y2Z2 TTN2O2TTSSA3B3 TTC3C3SS C2C2C2C2TTD3D3C2C2H2 H2 C2C2SSPP TTQ2Q2E3E3LLTT P2P2SS'Tis hard to say if greater waste of time | A |
Is seen in writing or in reading rhyme | A |
But of the two less dangerous it appears | B |
To tire our own than poison others' ears | B |
Time was the owner of a peevish tongue | C |
The pebble of his wrath unheeding flung | C |
Saw the faint ripples touch the shore and cease | D |
And in the duckpond all again was peace | D |
But since that Science on our eyes hath laid | E |
The wondrous clay from her own spittle made | E |
We see the widening ripples pass beyond | F |
The pond becomes the world the world a pond | F |
All ether trembles when the pebble falls | G |
And a light word may ring in starry halls | G |
When first on earth the swift iambic ran | H |
Men here and there were found but nowhere Man | H |
From whencesoe'er their origin they drew | I |
Each on its separate soil the species grew | I |
And by selection natural or not | J |
Evolved a fond belief in one small spot | J |
The Greek himself with all his wisdom took | K |
For the wide world his bright Aegean nook | K |
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For fatherland a town for public all | L |
Who at one time could hear the herald bawl | L |
For him barbarians beyond his gate | M |
Were lower beings of a different date | M |
He never thought on such to spend his rhymes | N |
And if he did they never read the Times | N |
Now all is changed on this side and on that | O |
The Herald's learned to print and pass the hat | O |
His tone is so much raised that far or near | P |
All with a sou to spend his news may hear | Q |
And who but far or near the sou affords | R |
To learn the worst of foreigners and lords | R |
So comes the Pressman's heaven on earth wherein | S |
One touch of hatred proves the whole world kin | S |
Our rulers are the best and theirs the worst | T |
Our cause is always just and theirs accurst | T |
Our troops are heroes hirelings theirs or slaves | U |
Our diplomats but children theirs but knaves | U |
Our Press for independence justly prized | T |
Theirs bought or blind inspired or subsidized | T |
For the world's progress what was ever made | T |
Like to our tongue our Empire and our trade | T |
So chant the nations till at last you'd think | V |
Men could no nearer howl to folly's brink | V |
Yet some in England lately won renown | W |
By howling word for word but upside down | W |
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But where you cry could poets find a place | X |
If poets we possessed in this disgrace | X |
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Mails will be mails Reviews must be reviews | Y |
But why the Critic with the Bard confuse | Y |
Alas Apollo it must be confessed | T |
Has lately gone the way of all the rest | T |
No more alone upon the far off hills | Z |
With song serene the wilderness he fills | Z |
But in the forum now his art employs | A2 |
And what he lacks in knowledge gives in noise | A2 |
At first ere he began to feel his feet | T |
He begged a corner in the hindmost sheet | T |
Concealed with Answers and Acrostics lay | B2 |
And held aloof from Questions of the Day | B2 |
But now grown bold he dashes to the front | T |
Among the leaders bears the battle's brunt | T |
Takes steel in hand and cheaply unafraid | T |
Spurs a lame Pegasus on Jameson's Raid | T |
Or pipes the fleet in melodrama's tones | C2 |
To ram the Damned on their Infernal Thrones | C2 |
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Sure Scriblerus himself could scarce have guessed | T |
The Art of Sinking might be further pressed | T |
But while these errors almost tragic loom | D2 |
The Indian Drummer has but raised a boom | D2 |
So well I love my country that the man | H |
Who serves her can but serve her on my plan | H |
Be slim be stalky leave your Public Schools | C2 |
To muffs like Bobs and other flannelled fools | C2 |
The lordliest life since Buller made such hay | B2 |
Is killing men two thousand yards away | B2 |
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You shoot the pheasant but it costs too much | E2 |
And does not tend to decimate the Dutch | E2 |
Your duty plainly then before you stands | C2 |
Conscription is the law for seagirt lands | C2 |
Prate not of freedom Since I learned to shoot | T |
I itch to use my ammunition boot | T |
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An odd way this we thought to criticize | C2 |
This barrackyard Attention d your eyes | C2 |
But England smiled and lightly pardoned him | F2 |
For was he not her Mowgli and her Kim | F2 |
But now the neighbourhood remonstrance roars | C2 |
He's naughty still and naughty out of doors | C2 |
'Tis well enough that he should tell Mamma | G2 |
Her sons are tired of being what they are | H2 |
But to give friendly bears expecting buns | C2 |
A paper full of stale unwholesome Huns | C2 |
One might be led to think from all this work | I2 |
That little master's growing quite a Turk | I2 |
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O Rudyard Rudyard in our hours of ease | C2 |
Before the war you were not hard to please | C2 |
You loved a regiment whether fore or aft | T |
You loved a subaltern however daft | T |
You loved the very dregs of barrack life | J2 |
The amorous colonel and the sergeant's wife | J2 |
You sang the land where dawn across the Bay | B2 |
Comes up to waken queens in Mandalay | B2 |
The land where comrades sleep by Cabul ford | T |
And Valour brown or white is Borderlord | T |
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The secret Jungle life of child and beast | T |
And all the magic of the dreaming East | T |
These these we loved with you and loved still more | K2 |
The Seven Seas that break on Britain's shore | K2 |
The winds that know her labour and her pride | T |
And the Long Trail whereon our fathers died | T |
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In that Day's Work be sure you gained my friend | T |
If not the critic's name at least his end | T |
Your song and story might have roused a slave | L2 |
To see life bodily and see it brave | L2 |
With voice so genial and so long of reach | M2 |
To your Own People you the Law could preach | M2 |
And even now and then without offence | C2 |
To Lesser Breeds expose their lack of sense | C2 |
Return return and let us hear again | N2 |
The ringing engines and the deep sea rain | O2 |
The roaring chanty of the shore wind's verse | C2 |
Too bluff to bicker and too strong to curse | C2 |
Let us again with hearts serene behold | T |
The coastwise beacons that we knew of old | T |
So shall you guide us when the stars are veiled | T |
And stand among the Lights that never Failed | T |
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Le Byron de Nos Jours or The | G2 |
English Bar and Cross Reviewers | C2 |
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Still must I hear while Austin prints his verse | C2 |
And Satan's sorrows fill Corelli's purse | C2 |
Must I not write lest haply some K C | P2 |
To flatter Tennyson should sneer at me | P2 |
Or must the Angels of the Darker Ink | V |
No longer tell the public what to think | V |
Must lectures and reviewing all be stayed | T |
Until they're licensed by the Board of Trade | T |
Prepare for rhyme I'll risk it bite or bark | Q2 |
I'll stop the press for neither Gosse nor Clarke | Q2 |
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O sport most noble when two cocks engage | R2 |
With equal blindness and with equal rage | R2 |
When each intent to pick the other's eye | S2 |
Sees not the feathers from himself that fly | S2 |
And fired to scorch his rival's every bone | T2 |
Ignores the inward heat that grills his own | T2 |
Until self plucked self spitted and self roast | T |
Each to the other serves himself on toast | T |
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But stay but stay you've pitched the key my Muse | C2 |
A semi tone too low for great Reviews | C2 |
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Such penny whistling suits the cockpit's hum | U2 |
But here's a scene deserves the biggest drum | U2 |
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Behold where high above the clamorous town | W |
The vast Cathedral towers in peace look down | W |
Hark to the entering crowd's incessant tread | T |
They bring their homage to the mighty dead | T |
Who in silk gown and fullest bottomed wig | V2 |
Approaches yonder with emotion big | V2 |
Room for Sir Edward now we shall be told | T |
Which shrines are tin which silver and which gold | T |
'Tis done and now by life long habit bound | T |
He turns to prosecute the crowd around | T |
Indicts and pleads sums up the pro and con | W2 |
The verdict finds and puts the black cap on | W2 |
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Prisoners attend of Queen Victoria's day | T |
I am the Glory you are the Decay | T |
You cannot think like Tennyson deceased | T |
You do not sing like Browning in the least | T |
Of Tennyson I sanction every word | T |
Browning I cut to something like one third | T |
Though mind you this immoral he is not | T |
Still quite two thirds I hope will be forgot | T |
He was to poetry a Tom Carlyle | X2 |
And that reminds me Thomas too was vile | X2 |
He wrote a life or two but parts I'm sure | Y2 |
Compared with other parts are very poor | Z2 |
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Now Dickens most extraordinary dealt | T |
In fiction with what people really felt | T |
That proves his genius Thackeray again | N2 |
Is so unequal as to cause me pain | O2 |
And last of all with History to conclude | T |
I've read Macaulay and I've heard of Froude | T |
That list with all deductions Gentlemen | S |
Will show that 'now' is not the same as 'then' | S |
If you believe the plaintiff you'll declare | A3 |
That English writers are not what they were | B3 |
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Down sits Sir Edward with a glowing breast | T |
And some applause is instantly suppressed | T |
Now up the nave of that majestic church | C3 |
A quick uncertain step is heard to lurch | C3 |
Who is it no one knows but by his mien | S |
He's the head verger if he's not the Dean | S |
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What fellow's this that dares to treat us so | C2 |
This is no place for lawyers out you go | C2 |
He is a brawler Sir who here presumes | C2 |
To move our laurels and arrange our tombs | C2 |
Suppose that Meredith or Stephen said | T |
Or do you think those gentlemen are dead | T |
This age has borne no advocates of rank | D3 |
Would not your face in turn be rather blank | D3 |
Come now I beg you go without a fuss | C2 |
And leave these high and heavenly things to us | C2 |
You may perhaps be some one at the Bar | H2 |
But you are not in Orders and we are | H2 |
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Sir Edward turns to go but as he wends | C2 |
One swift irrelevant retort he sends | C2 |
Your logic and your taste I both disdain | S |
You've quoted wrong from Jonson and Montaigne | S |
The shaft goes home and somewhere in the rear | P |
Birrell in smallest print is heard to cheer | P |
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And yet and yet conviction's not complete | T |
There was a time when Milton walked the street | T |
And Shakespeare singing in a tavern dark | Q2 |
Would not have much impressed Sir Edward Clarke | Q2 |
To be alive ay there's the damning thing | E3 |
For who will buy a bird that's on the wing | E3 |
Catch kill and stuff the creature once for all | L |
And he may yet adorn Sir Edward's hall | L |
But while he's free to go his own wild way | T |
He's not so safe as birds of yesterday | T |
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In fine if I must choose although I see | P2 |
That both are wrong Great Gosse I'd rather be | P2 |
A critic suckled in an age outworn | S |
Than a blind horse that starves knee deep in corn | S |
Henry John Newbolt, Sir
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