Cito Pede Preterit Aetas - A Philosophical Dissertation Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABACBD EFEFGBGB HBHBIJIJ KLKLMBMB NONOBPBP QOROSBSB TUTUSOSO VOVOWOWO BXBXOYOY BZBZA2PA2P B2BB2BC2BC2B EYD2YE2F2E2F2 C2MC2MC2MC2M G2BG2BH2I2H2I2 A2C2A2A2J2A2J2A2 A2MA2MA2OA2O| Gillian's dead God rest her bier | A |
| How I loved her many years syne | B |
| Marion's married but I sit here | A |
| Alive and merry at three score year | C |
| Dipping my nose in Gascoigne wine | B |
| Wamba's Song Thackeray | D |
| - | |
| - | |
| A mellower light doth Sol afford | E |
| His meridian glare has pass'd | F |
| And the trees on the broad and sloping sward | E |
| Their length'ning shadows cast | F |
| Time flies The current will be no joke | G |
| If swollen by recent rain | B |
| To cross in the dark so I'll have a smoke | G |
| And then I'll be off again | B |
| - | |
| What's up old horse Your ears you prick | H |
| And your eager eyeballs glisten | B |
| 'Tis the wild dog's note in the tea tree thick | H |
| By the river to which you listen | B |
| With head erect and tail flung out | I |
| For a gallop you seem to beg | J |
| But I feel the qualm of a chilling doubt | I |
| As I glance at your fav'rite leg | J |
| - | |
| Let the dingo rest 'tis all for the best | K |
| In this world there's room enough | L |
| For him and you and me and the rest | K |
| And the country is awful rough | L |
| We've had our gallop in days of yore | M |
| Now down the hill we must run | B |
| Yet at times we long for one gallop more | M |
| Although it were only one | B |
| - | |
| Did our spirits quail at a new four rail | N |
| Could a double double bank us | O |
| Ere nerve and sinew began to fail | N |
| In the consulship of Plancus | O |
| When our blood ran rapidly and when | B |
| Our bones were pliant and limber | P |
| Could we stand a merry cross counter then | B |
| A slogging fall over timber | P |
| - | |
| Arcades ambo Duffers both | Q |
| In our best of days alas | O |
| I tell the truth though to tell it loth | R |
| 'Tis time we were gone to grass | O |
| The young leaves shoot the sere leaves fall | S |
| And the old gives way to the new | B |
| While the preacher cries 'tis vanity all | S |
| And vexation of spirit too | B |
| - | |
| Now over my head the vapours curl | T |
| From the bowl of the soothing clay | U |
| In the misty forms that eddy and whirl | T |
| My thoughts are flitting away | U |
| Yes the preacher's right 'tis vanity all | S |
| But the sweeping rebuke he showers | O |
| On vanities all may heaviest fall | S |
| On vanities worse than ours | O |
| - | |
| We have no wish to exaggerate | V |
| The worth of the sports we prize | O |
| Some toil for their Church and some for their State | V |
| And some for their merchandise | O |
| Some traffic and trade in the city's mart | W |
| Some travel by land and sea | O |
| Some follow science some cleave to art | W |
| And some to scandal and tea | O |
| - | |
| And some for their country and their queen | B |
| Would fight if the chance they had | X |
| Good sooth 'twere a sorry world I ween | B |
| If we all went galloping mad | X |
| Yet if once we efface the joys of the chase | O |
| From the land and outroot the Stud | Y |
| Good bye to the anglo saxon race | O |
| Farewell to the norman blood | Y |
| - | |
| Where the burn runs down to the uplands brown | B |
| From the heights of the snow clad range | Z |
| What anodyne drawn from the stifling town | B |
| Can be reckon'd a fair exchange | Z |
| For the stalker's stride on the mountain side | A2 |
| In the bracing northern weather | P |
| To the slopes where couch in their antler'd pride | A2 |
| The deer on the perfum'd heather | P |
| - | |
| Oh the vigour with which the air is rife | B2 |
| The spirit of joyous motion | B |
| The fever the fulness of animal life | B2 |
| Can be drain'd from no earthly potion | B |
| The lungs with the living gas grow light | C2 |
| And the limbs feel the strength of ten | B |
| While the chest expands with its madd'ning might | C2 |
| God's glorious oxygen | B |
| - | |
| Thus the measur'd stroke on elastic sward | E |
| Of the steed three parts extended | Y |
| Hard held the breath of his nostrils broad | D2 |
| With the golden ether blended | Y |
| Then the leap the rise from the springy turf | E2 |
| The rush through the buoyant air | F2 |
| And the light shock landing the veriest serf | E2 |
| Is an emperor then and there | F2 |
| - | |
| Such scenes sensation and sound and sight | C2 |
| To some undiscover'd shore | M |
| On the current of Time's remorseless flight | C2 |
| Have they swept to return no more | M |
| While like phantoms bright of the fever'd night | C2 |
| That have vex'd our slumbers of yore | M |
| You follow us still in your ghostly might | C2 |
| Dead days that have gone before | M |
| - | |
| Vain dreams again and again re told | G2 |
| Must you crowd on the weary brain | B |
| Till the fingers are cold that entwin'd of old | G2 |
| Round foil and trigger and rein | B |
| Till stay'd for aye are the roving feet | H2 |
| Till the restless hands are quiet | I2 |
| Till the stubborn heart has forgotten to beat | H2 |
| Till the hot blood has ceas'd to riot | I2 |
| - | |
| In Exeter Hall the saint may chide | A2 |
| The sinner may scoff outright | C2 |
| The Bacchanal steep'd in the flagon's tide | A2 |
| Or the sensual Sybarite | A2 |
| But Nolan's name will flourish in fame | J2 |
| When our galloping days are past | A2 |
| When we go to the place from whence we came | J2 |
| Perchance to find rest at last | A2 |
| - | |
| Thy riddles grow dark oh drifting cloud | A2 |
| And thy misty shapes grow drear | M |
| Thou hang'st in the air like a shadowy shroud | A2 |
| But I am of lighter cheer | M |
| Though our future lot is a sable blot | A2 |
| Though the wise ones of earth will blame us | O |
| Though our saddles will rot and our rides be forgot | A2 |
| Dum Vivimus Vivamus | O |
Adam Lindsay Gordon
(1)
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Cito Pede Preterit Aetas - A Philosophical Dissertation is a poem by Adam Lindsay Gordon. This page includes the poem text, poet information, related topics, comments, and similar poems.
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