Mazelli: Canto Iii Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BBCCDDEFEFFGGHIHIJJK LMNOOBIBIAAPPOOIQIQ A JRRSTTUVUVWWXXOYOYII ZZXXA2A2OOB2B2C2C2II ID2D2JSE2E2E2F2F2IIG 2G2OOAMANII A H2RH2RI2I2UUUUAAIIJ2 I2J2I2K2K2OL2M2L2OM2 ORROOOOI2I2 L2 N2O2QQP2P2QIZZIINMIN IOOBBXXUUUQ2Q2R2S2T2 T2B2B2KKRRE2E2IIM2M2 B2B2IIG2G2U2U2I2I2 I JI2JI2I2I2UUUAOOIV2V 2W2W2NNMIIL2L2I2I2I2 X2K2X2K2 A Y2Y2SSOI2I2OUUAIAZ2K U2U2L2L2 L2 AL2IL2K2L2Y2OE2E2K2K 2UUUI2NKLL2K2L2K2 I2I2K2K2BBK2K2U2U2K2 K2Y2OK2K2L2L2I | A |
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With plumes to which the dewdrops cling | B |
Wide waves the morn her golden wing | B |
With countless variegated beams | C |
The empurpled orient glows and gleams | C |
A gorgeous mass of crimson clouds | D |
The mountain's soaring summit shrouds | D |
Along the wave the blue mist creeps | E |
The towering forest trees are stirred | F |
By the low wind that o'er them sweeps | E |
And with the matin song of bird | F |
The hum of early bee is heard | F |
Hailing with his shrill tiny horn | G |
The coming of the bright eyed morn | G |
And with the day beam's earliest dawn | H |
Her couch the fair Mazelli quits | I |
And gaily fleetly as a fawn | H |
Along the wildwood paths she flits | I |
Hieing from leafy bower to bower | J |
Culling from each its bud and flower | J |
Of brightest hue and sweetest breath | K |
To weave them in her bridal wreath | L |
Now pausing in her way to hear | M |
The lay of some wild warbler near | N |
Repaying him in mocking tone | O |
With music sweeter than his own | O |
Now o'er some crystal stream low bending | B |
Her image in its waves to see | I |
With its sweet gurgled music blending | B |
A song of tenfold melody | I |
Now chasing the gay butterfly | A |
That o'er her pathway passed her by | A |
With grace as careless glee as wild | P |
As though she were some thoughtless child | P |
Now seated on some wayside stone | O |
With time's green messy veil o'ergrown | O |
In silent thoughtfulness she seems | I |
To hold communion with her heart | Q |
Beguiling fancy with the dreams | I |
That from its Pure recesses start | Q |
- | |
II | A |
- | |
There is a silent power that o'er | J |
Our bosoms wields a wizard might | R |
Restoring bygone years to light | R |
With the same vivid glow they wore | S |
Ere time had o'er their features cast | T |
The shadowy shroud that veils the past | T |
To those who walk in wisdom's way | U |
'Tis welcome as an angel's smile | V |
But those who from her counsels stray | U |
Whose hearts are full of craft and guile | V |
To them 'tis as a constant goad | W |
A weight that doubles Sorrow's load | W |
A silent searcher of the breast | X |
Which will not let the guilty rest | X |
In childhood's pleasant season born | O |
It haunts us in all after time | Y |
From youth's serene and sunny morn | O |
To manhood's stern meridian prime | Y |
From manhood till the weight of years | I |
And life's dull constant toil and tears | I |
And passion's ever raging storm | Z |
Have dimmed the eye and bowed the form | Z |
True youth of hope and love possessed | X |
By friends youth has no foes caressed | X |
Finds in the present happy boy | A2 |
Enough of gaiety and joy | A2 |
And man whose visionary brain | O |
Begets that idle phantom train | O |
Of shadows Power Wealth and Fame | B2 |
A scourge a bubble and a name | B2 |
So often and so vainly sought | C2 |
Has little time for peaceful thought | C2 |
And so they turn not back to gaze | I |
Where faithful memory displays | I |
Her record of departed days | I |
But oh how loves the eye of age | D2 |
To move along its pictured page | D2 |
To scan and number o'er and o'er | J |
The joys that may return no more | S |
The hopes that blighted in their bloom | E2 |
By disappointment's chilly gloom | E2 |
Were given sadly to the tomb | E2 |
The loves so wildly once enjoyed | F2 |
By time's unsparing hand destroyed | F2 |
The bright imaginative dreams | I |
Portrayed by restless fancy's beams | I |
By restless fancy's beams portrayed | G2 |
Alas but to delude and fade | G2 |
To count these o'er and o'er again | O |
Is age's sole resort from pain | O |
Then stranger marvel not that I | A |
Have claimed so long thy listening ear | M |
I could not pass in silence by | A |
Themes to my memory so dear | N |
As those which make my story's close | I |
Mazelli's love Mazelli's woes | I |
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III | A |
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Ascending from the golden east | H2 |
The sun had gained his zenith height | R |
The guests were gathered to the feast | H2 |
Prepared to grace the marriage rite | R |
The youthful and the old were there | I2 |
The rustic swain and bashful fair | I2 |
The aged reverend and gray | U |
Yet hale and garrulous and gay | U |
Each told to while the time away | U |
Some tale of his own wedding day | U |
The youthful timorous and shy | A |
Spoke less with lip than tell tale eye | A |
That in its stolen glances sends | I |
The language Love best comprehends | I |
The noontide hour goes by and yet | J2 |
The bridegroom tarries why and where | I2 |
Sure he could not his vows forget | J2 |
When she who loves him is so fair | I2 |
And then his honour faith and pride | K2 |
Had bound him to a meaner bride | K2 |
If once his promise had been given | O |
But she so pure so far above | L2 |
The common forms of earthly mould | M2 |
So like the incarnate shapes of love | L2 |
Conceived and born and nursed in heaven | O |
His love for her could ne'er grow cold | M2 |
And yet he comes not Half way now | O |
From where at his meridian height | R |
He pours his fullest warmest light | R |
To where at eve in his decline | O |
The day god sinks into the brine | O |
When his diurnal task is done | O |
Descends his ever burning throne | O |
And still the bridegroom is not there | I2 |
Say why yet tarries he and where | I2 |
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IV | L2 |
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Within an arbour rudely reared | N2 |
But to the maiden's heart endeared | O2 |
By every tie that binds the heart | Q |
By hope's and love's and memory's art | Q |
For it was here he first poured out | P2 |
In words the love she could not doubt | P2 |
Mazelli silent sits apart | Q |
Did ever dreaming devotee | I |
Whose restless fancy fond and warm | Z |
Shapes out the bright ideal form | Z |
To which he meekly bends the knee | I |
Conceive of aught so fair as she | I |
The holiest seraph of the sphere | N |
Most holy if by chance led here | M |
Might drink such light from those soft eyes | I |
That he would hold them far more dear | N |
Than all the treasures of the skies | I |
Yet o'er her bright and beauteous brow | O |
Shade after shade is passing now | O |
Like clouds across the pale moon glancing | B |
As thought on rapid thought advancing | B |
Thrills through the maiden's trembling breast | X |
Not doubting and yet not at rest | X |
Not doubting Man may turn away | U |
And scoff at shrines where yesterday | U |
He knelt in earnest faith to pray | U |
And wealth may lose its charm for him | Q2 |
And fame's alluring star grow dim | Q2 |
Devotion avarice glory all | R2 |
The pageantries of earth may pall | S2 |
But love is of a higher birth | T2 |
Than these the earth born things of earth | T2 |
A spark from the eternal flame | B2 |
Like it eternally the same | B2 |
It is not subject to the breath | K |
Of chance or change of life or death | K |
And so doubt has no power to blight | R |
Its bloom or quench its deathless light | R |
A deathless light a peerless bloom | E2 |
That beams and glows beyond the tomb | E2 |
Go tell the trusting devotee | I |
His worship is idolatry | I |
Say to the searcher after gold | M2 |
The prize he seeks is dull and cold | M2 |
Assure the toiler after fame | B2 |
That won 'tis but a worthless name | B2 |
A mocking shade a phantasy | I |
And they perchance may list to thee | I |
But say not to the trusting maid | G2 |
Her love is scorned her faith betrayed | G2 |
As soon thy words may lull the gale | U2 |
As gain her credence to the tale | U2 |
And still the bridegroom is not there | I2 |
Oh why yet tarries he and where | I2 |
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V | I |
- | |
It was the holy vesper hour | J |
The time for rest and peace and prayer | I2 |
When falls the dew and folds the flower | J |
Its petals delicate and fair | I2 |
Against the chilly evening air | I2 |
And yet the bridegroom was not there | I2 |
The guests who lingered through the day | U |
Had glided one by one away | U |
And then with pale and pensive ray | U |
The moon began to climb the sky | A |
As from the forest dim and green | O |
A small and silent band was seen | O |
Emerging slow and solemnly | I |
With cautious step and measured tread | V2 |
They moved as those who bear the dead | V2 |
And by no lip a word was spoke | W2 |
Nor other sound the silence broke | W2 |
Save when low musical and clear | N |
The voice of waters passing near | N |
Was softly wafted to the ear | M |
And the cool fanning twilight breeze | I |
That lightly shook the forest trees | I |
And crept from leaf to trembling leaf | L2 |
Sighed like to one oppressed with grief | L2 |
Why move they with such cautious care | I2 |
What precious burden do they bear | I2 |
Hush questioner the dead are there | I2 |
The victim of revenge and hate | X2 |
Of fierce Ottali's fiery pride | K2 |
With that stern minister of fate | X2 |
As cold and lifeless by his side | K2 |
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VI | A |
- | |
Still onward solemnly and slow | Y2 |
And speaking not a word they go | Y2 |
Till pausing in their way before | S |
Mazelli's quiet cottage door | S |
They gently lay their burden down | O |
Whence comes that shriek of wild despair | I2 |
That rises wildly on the air | I2 |
Whose is the arm so fondly thrown | O |
Around the cold unconscious clay | U |
That cannot its caress repay | U |
Such wordless wo was in that cry | A |
Such pain such hopeless agony | I |
No soul excluded from the sky | A |
Whom unrelenting justice hath | Z2 |
Condemned to bear the second death | K |
E'er breathed upon the troubled gale | U2 |
A wilder or a sadder wail | U2 |
It rose all other sounds above | L2 |
The dirge of peace and hope and love | L2 |
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VII | L2 |
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And day on weary day went by | A |
And like the drooping autumn leaf | L2 |
She faded slow and silently | I |
In her deep uncomplaining grief | L2 |
For sick of life's vacuity | K2 |
She neither sought nor wished relief | L2 |
And daily from her cheek the glow | Y2 |
Departed and her virgin brow | O |
Was curtained with a mournful gloom | E2 |
A shade prophetic of the tomb | E2 |
And her clear eyes so blue and bright | K2 |
Shot forth a keen unearthly light | K2 |
As if the soul that in them lay | U |
Were weary of its garb of clay | U |
And prayed to pass from earth away | U |
Nor was that prayer vain for ere | I2 |
The frozen monarch of the year | N |
Had blighted with his icy breath | K |
A single bud in summer's wreath | L |
They shrouded her and made her grave | L2 |
And laid her down at Lodolph's side | K2 |
And by the wide Potomac's wave | L2 |
Repose the bridegroom and the bride | K2 |
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'Tis said that oft at summer midnight there | I2 |
When all is hushed and voiceless and the air | I2 |
Sweet soothing minstrel of the viewless hand | K2 |
Swells rippling through the aged trees that stand | K2 |
With their broad boughs above the wave depending | B |
With the low gurgle of the waters blending | B |
The rustle of their foliage a light boat | K2 |
Bearing two shadowy forms is seen to float | K2 |
Adown the stream without or oar or sail | U2 |
To break the wave or catch the driving gale | U2 |
Smoothly and steadily its course is steered | K2 |
Until the shadow of yon cliff is neared | K2 |
And then as if some barrier hid below | Y2 |
The river's breast had caught its gliding prow | O |
Awhile uncertain o'er its watery bed | K2 |
It hangs then vanishes and in its stead | K2 |
A wan pale light burns dimly o'er the wave | L2 |
That rolls and ripples by Mazelli's grave | L2 |
George W. Sands
(2)
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