Sir Peter Harpdon's End Poem Rhyme Scheme and Analysis
Rhyme Scheme: A B CDEF G HI B AA G JK B JL G BMAB B F ANM O PEN F G AQAB B G G RBB B S G BABT B B G QGBAUAVWBGXBYAGAAZAB AA2WP B B2BPC2HD2 G ME2 B M O G AD2GAD2D2D2F2PHAAAD2 AD2ZG2 MASH2AABD2GYPI2D2D2A BD2D2GABGAD2G2P D2 APGAP ACF2J2AAAG2AAG2GCYAK 2 G2BAAAAAF2L2G H AAGBAAAAPM2AAA B G B AG2 G AAA B B G BGN2AG| In an English Castle in Poictou Sir Peter Harpdon a Gascon knight in the English service and John Curzon his lieutenant | A |
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| John Curzon | B |
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| Of those three prisoners that before you came | C |
| We took down at St John's hard by the mill | D |
| Two are good masons we have tools enough | E |
| And you have skill to set them working | F |
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| Sir Peter | G |
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| So | H |
| What are their names | I |
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| John Curzon | B |
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| Why Jacques Aquadent | A |
| And Peter Plombiere but | A |
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| Sir Peter | G |
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| What colour'd hair | J |
| Has Peter now has Jacques got bow legs | K |
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| John Curzon | B |
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| Why sir you jest what matters Jacques' hair | J |
| Or Peter's legs to us | L |
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| Sir Peter | G |
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| O John John John | B |
| Throw all your mason's tools down the deep well | M |
| Hang Peter up and Jacques they're no good | A |
| We shall not build man | B |
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| John Curzon | B |
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| going | F |
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| Shall I call the guard | A |
| To hang them sir and yet sir for the tools | N |
| We'd better keep them still sir fare you well | M |
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| Muttering as he goes | O |
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| What have I done that he should jape at me | P |
| And why not build the walls are weak enough | E |
| And we've two masons and a heap of tools | N |
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| Goes still muttering | F |
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| Sir Peter | G |
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| To think a man should have a lump like that | A |
| For his lieutenant I must call him back | Q |
| Or else as surely as St George is dead | A |
| He'll hang our friends the masons here John John | B |
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| John Curzon | B |
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| At your good service sir | G |
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| Sir Peter | G |
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| Come now and talk | R |
| This weighty matter out there we've no stone | B |
| To mend our walls with neither brick nor stone | B |
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| John Curzon | B |
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| There is a quarry sir some ten miles off | S |
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| Sir Peter | G |
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| We are not strong enough to send ten men | B |
| Ten miles to fetch us stone enough to build | A |
| In three hours' time they would be taken or slain | B |
| The cursed Frenchmen ride abroad so thick | T |
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| John Curzon | B |
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| But we can send some villaynes to get stone | B |
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| Sir Peter | G |
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| Alas John that we cannot bring them back | Q |
| They would go off to Clisson or Sanxere | G |
| And tell them we were weak in walls and men | B |
| Then down go we for look you times are changed | A |
| And now no longer does the country shake | U |
| At sound of English names our captains fade | A |
| From off our muster rolls At Lusac Bridge | V |
| I daresay you may even yet see the hole | W |
| That Chandos beat in dying far in Spain | B |
| Pembroke is prisoner Phelton prisoner here | G |
| Manny lies buried in the Charterhouse | X |
| Oliver Clisson turn'd these years agone | B |
| The Captal died in prison and over all | Y |
| Edward the prince lies underneath the ground | A |
| Edward the king is dead at Westminster | G |
| The carvers smooth the curls of his long beard | A |
| Everything goes to rack eh and we too | A |
| Now Curzon listen if they come these French | Z |
| Whom have I got to lean on here but you | A |
| A man can die but once will you die then | B |
| Your brave sword in your hand thoughts in your heart | A |
| Of all the deeds we have done here in France | A2 |
| And yet may do So God will have your soul | W |
| Whoever has your body | P |
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| John Curzon | B |
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| Why sir I | B2 |
| Will fight till the last moment until then | B |
| Will do whate'er you tell me Now I see | P |
| We must e'en leave the walls well well perhaps | C2 |
| They're stronger than I think for pity though | H |
| For some few tons of stone if Guesclin comes | D2 |
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| Sir Peter | G |
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| Farewell John pray you watch the Gascons well | M |
| I doubt them | E2 |
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| John Curzon | B |
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| Truly sir I will watch well | M |
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| Goes | O |
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| Sir Peter | G |
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| Farewell good lump and yet when all is said | A |
| 'Tis a good lump Why then if Guesclin comes | D2 |
| Some dozen stones from his petrariae | G |
| And under shelter of his crossbows just | A |
| An hour's steady work with pickaxes | D2 |
| Then a great noise some dozen swords and glaives | D2 |
| A playing on my basnet all at once | D2 |
| And little more cross purposes on earth | F2 |
| For me | P |
| Now this is hard a month ago | H |
| And a few minutes' talk had set things right | A |
| 'Twixt me and Alice if she had a doubt | A |
| As may Heaven bless her I scarce think she had | A |
| 'Twas but their hammer hammer in her ears | D2 |
| Of 'how Sir Peter fail'd at Lusac Bridge ' | - |
| And 'how he was grown moody of late days ' | - |
| And 'how Sir Lambert think now 'his dear friend | A |
| His sweet dear cousin could not but confess | D2 |
| That Peter's talk tended towards the French | Z |
| Which he' for instance Lambert 'was glad of | G2 |
| Being' Lambert you see on the French side ' | - |
| Well | M |
| If I could but have seen her on that day | A |
| Then when they sent me off | S |
| I like to think | H2 |
| Although it hurts me makes my head twist what | A |
| If I had seen her what I should have said | A |
| What she my darling would have said and done | B |
| As thus perchance | D2 |
| To find her sitting there | G |
| In the window seat not looking well at all | Y |
| Crying perhaps and I say quietly | P |
| 'Alice ' she looks up chokes a sob looks grave | I2 |
| Changes from pale to red but ere she speaks | D2 |
| Straightway I kneel down there on both my knees | D2 |
| And say O lady have I sinn'd your knight | A |
| That still you ever let me walk alone | B |
| In the rose garden that you sing no songs | D2 |
| When I am by that ever in the dance | D2 |
| You quietly walk away when I come near | G |
| Now that I have you will you go think you | A |
| Ere she could answer I would speak again | B |
| Still kneeling there | G |
| 'What they have frighted you | A |
| By hanging burs and clumsily carven puppets | D2 |
| Round my good name but afterwards my love | G2 |
| I will say what this means this moment see | P |
| Do I kneel here and can you doubt me Yea ' | - |
| For she would put her hands upon my face | D2 |
| 'Yea that is best yea feel love am I changed ' | - |
| And she would say Good knight come kiss my lips ' | - |
| And afterwards as I sat there would say | A |
| 'Please a poor silly girl by telling me | P |
| What all those things they talk of really were | G |
| For it is true you did not help Chandos | A |
| And true poor love you could not come to me | P |
| When I was in such peril ' | - |
| I should say | A |
| 'I am like Balen all things turn to blame | C |
| I did not come to you At Bergerath | F2 |
| The Constable had held us close shut up | J2 |
| If from the barriers I had made three steps | A |
| I should have been but slain at Lusac too | A |
| We struggled in a marish half the day | A |
| And came too late at last you know my love | G2 |
| How heavy men and horses are all arm'd | A |
| All that Sir Lambert said was pure unmix'd | A |
| Quite groundless lies as you can think sweet love' | G2 |
| She holding tight my hand as we sat there | G |
| Started a little at Sir Lambert's name | C |
| But otherwise she listen'd scarce at all | Y |
| To what I said Then with moist weeping eyes | A |
| And quivering lips that scarcely let her speak | K2 |
| She said 'I love you ' | - |
| Other words were few | G2 |
| The remnant of that hour her hand smooth'd down | B |
| My foolish head she kiss'd me all about | A |
| My face and through the tangles of my beard | A |
| Her little fingers crept | A |
| O God my Alice | A |
| Not this good way my lord but sent and said | A |
| That Lambert's sayings were taken at their worth | F2 |
| Therefore that day I was to start and keep | L2 |
| This hold against the French and I am here | G |
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| Looks out of the window | H |
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| A sprawling lonely gard with rotten walls | A |
| And no one to bring aid if Guesclin comes | A |
| Or any other | G |
| There's a pennon now | B |
| At last | A |
| But not the Constable's whose arms | A |
| I wonder does it bear Three golden rings | A |
| On a red ground my cousin's by the rood | A |
| Well I should like to kill him certainly | P |
| But to be kill'd by him | M2 |
| A trumpet sounds | A |
| That's for a herald | A |
| I doubt this does not mean assaulting yet | A |
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| Enter John Curzon | B |
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| What says the herald of our cousin sir | G |
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| John Curzon | B |
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| So please you sir concerning your estate | A |
| He has good will to talk with you | G2 |
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| Sir Peter | G |
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| Outside | A |
| I'll talk with him close by the gate St Ives | A |
| Is he unarm'd | A |
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| John Curzon | B |
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| Yea sir in a long gown | B |
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| Sir Peter | G |
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| Then bid them bring me hither my furr'd gown | B |
| With the long sleeves and under it I'll wear | G |
| By Lambert's leave a secret coat of mail | N2 |
| And will you lend me John your little axe | A |
| I mean the one with Paul wr | G |
William Morris
(2)
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