Those Graves In Rome Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHGIJKEKLGEMNM OPQRSTUGOLVWXVYZGGA2 RGB2C2D2E2F2G2GH2I2J 2GOVVVXOGK2L2QM2GN2D O2P2Q2 VThere are places where the eye can starve | A |
But not here Here for example is | B |
The Piazza Navona amp here is his narrow room | C |
Overlooking the Steps amp the crowds of sunbathing | D |
Tourists And here is the Protestant Cemetery | E |
Where Keats amp Joseph Severn join hands | F |
Forever under a little shawl of grass | G |
And where Keats's name isn't even on | H |
His gravestone because it is on Severn's | G |
And Joseph Severn's infant son is buried | I |
Two modest grassy steps behind them both | J |
But you'd have to know the story how bedridden | K |
Keats wanted the inscription to be | E |
Simple amp unbearable quot Here lies one | K |
Whose name is writ in water quot On a warm day | L |
I stood here with my two oldest friends | G |
I thought then that the three of us would be | E |
Indissoluble at the end amp also that | M |
We would all die of course And not die | N |
And maybe we should have joined hands at that | M |
Moment We didn't All we did was follow | O |
A lame man in a rumpled suit who climbed | P |
A slight incline of graves blurring into | Q |
The passing marble of other graves to visit | R |
The vacant home of whatever is not left | S |
Of Shelley amp Trelawney That walk uphill must | T |
Be hard if you can't walk At the top the man | U |
Wheezed for breath sweat beaded his face | G |
And his wife wore a look of concern so | O |
Habitual it seemed more like the way | L |
Our bodies someday will have to wear stone | V |
Later that night the three of us strolled | W |
Our arms around each other through the Via | X |
Del Corso amp toward the Piazza di Espagna | V |
As each street grew quieter until | Y |
Finally we heard nothing at the end | Z |
Except the occasional scrape of our own steps | G |
And so said good bye Among such friends | G |
Who never allowed anything still alive | A2 |
To die I'd almost forgotten that what | R |
Most people leave behind them disappears | G |
Three days later staying alone in a cheap | B2 |
Hotel in Naples I noticed a child's smeared | C2 |
Fingerprint on a bannister It | D2 |
Had been indifferently preserved beneath | E2 |
A patina of varnish applied I guessed after | F2 |
The last war It seemed I could almost hear | G2 |
His shout years later on that street But this | G |
Is speculation amp no doubt the simplest fact | H2 |
Could shame me Perhaps the child was from | I2 |
Calabria amp went back to it with | J2 |
A mother who failed to find work amp perhaps | G |
The child died there twenty years ago | O |
Of malaria It was so common then | V |
The children crying to the doctors for quinine | V |
And to the tourists who looked like doctors for quinine | V |
It was so common you did not expect an aria | X |
And not much on a gravestone either although | O |
His name is on it amp weathered stone still wears | G |
His name not the way a girl might wear | K2 |
The too large faded blue workshirt of | L2 |
A lover as she walks thoughtfully through | Q |
The Via Fratelli to buy bread shrimp | M2 |
And wine for the evening meal with candles | G |
The laughter of her friends amp later the sweet | N2 |
Enkindling of desire but something else something | D |
Cut simply in stone by hand amp meant to last | O2 |
Because of the way a name any name | P2 |
Is empty And not empty And almost enough | Q2 |
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Anonymous submission | V |
Larry Levis
(1)
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