Spirea Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFFGCCHIJKCLMNDO DPQFFFRESTPUVWXYTZDT DA2VB2PIC2VVVD2E2DF2 G2H2YI2DIJ2DTK2DVL2M 2DN2 O2P2VTQ2DVR2TS2T2U2V 2VT2PTCW2DW2VVTX2VY2 TVZ2W2TW2VW2VPA3VU2W 2W2VW2W2Q2B3VDW2VC3V D3VW2E3 VVA3VVW2VV VVH2DD W2W2VTCW2F3W2VDW2W2W 2W2Z2DW2W2M2V| Then she came the sybil out through the doors | A |
| of The Bell the single drinking establishment | B |
| permitted in that narrow little country town | C |
| she came out neither staggering nor collapsing | D |
| but gliding not carefully one step at a time | E |
| like a tight rope walker but recklessly wantonly | F |
| as someone oblivious to danger who knows already | F |
| what lies ahead and has nothing to fear | G |
| Down | C |
| the wooden steps of the board walkway on down | C |
| into the dust and refuse of the street the rinds | H |
| and horse droppings and they watched her go | I |
| without really noticing since they saw this | J |
| every evening now that warm weather had come | K |
| when she ventured out to wander in the town | C |
| and the fact that she was barefooted that | L |
| she wore only a blue shirtwaist that her hair | M |
| hung the length of her back and was never combed | N |
| or pinned up that she seldom stopped talking | D |
| to herself that all her relatives were dead | O |
| that she had no place to stay owned nothing | D |
| needed nothing harmed no one | P |
| these facts | Q |
| were accepted known throughout the community | F |
| were discussed by the ladies' aid society | F |
| by the minister and by the township trustee | F |
| and yet none of them could contain her not | R |
| the bartender who told her when it was time | E |
| to leave not the old rag buyer who reined in | S |
| his horse when he saw her and called to her | T |
| asking her to come sit beside him in the wagon | P |
| and he would take her home for none of them | U |
| would she turn back even when they pleaded | V |
| and called out her name | W |
| Each time she went forth | X |
| when she walked through the streets the alleys | Y |
| in the twilight some of them encountered her | T |
| the husbands out watering their lawns the wives | Z |
| with their children the young people pausing | D |
| at the corner with their bicycles watching her | T |
| seeing her go by Many avoided her passing | D |
| many were afraid unable to return her bright gaze | A2 |
| A light shone from her eyes Something glimmered | V |
| when she moved There was about her a presence | B2 |
| an immanence that announced a way a direction | P |
| most of them could not imagine would never know | I |
| She walked on heedless muttering to herself | C2 |
| leaving them far behind | V |
| In this way she journeyed | V |
| through the summer evenings and into the night | V |
| while all around her doors were closing lamps | D2 |
| were dimmed the world was preparing for sleep | E2 |
| Always she moved in a straight line pausing | D |
| for no obstacle respecting no property line | F2 |
| through backyards over fences across gardens | G2 |
| managing to steer nightly by a different star | H2 |
| by Venus smoldering low above the line of trees | Y |
| by Mars or Saturn in stark opposition to the moon | I2 |
| by whatever brightness seemed most beckoning | D |
| however faint or furious its glow | I |
| In this way | J2 |
| she traversed all points of the town stopping | D |
| sometimes to speak to whomever or whatever | T |
| she encountered whether house tree horse | K2 |
| or child but invariably moving on walking | D |
| on through the streets and into the countryside | V |
| walking out among the fields the gravel roads | L2 |
| walking until she collapsed against a stone wall | M2 |
| under a hedge or in a barn with rain falling | D |
| walking until she lost her way among dark dreams | N2 |
| - | |
| In this manner on the first evening in May drawn | O2 |
| by an unknown star she leaves the tavern and comes | P2 |
| eventually to the edge of town to the side yard | V |
| to the croquet court actually of a professor | T |
| of physics at the college who nightly sets up | Q2 |
| his reflecting telescope and who on this evening | D |
| has trained it on an elusive entity | V |
| a nebula | R2 |
| thousands of light years away a great star cluster | T |
| tilted on one side displaying vast spiral arms | S2 |
| it is this same man this professor who notices | T2 |
| behind him something struggling through the hedge | U2 |
| through the arms of the spirea called bridal veil | V2 |
| through that pale maze of blossoming that thicket | V |
| of lush damp drooping spiraling white branches | T2 |
| not far away in the twilight he hears someone | P |
| coming toward him then recognizes this wanderer | T |
| from the town | C |
| watches her shoulder aside the canes | W2 |
| bursting at last onto the level lawn then stopping | D |
| righting herself reaching to touch and feel the welts | W2 |
| along her arms her shoulders the thin red cut | V |
| on her cheek observes her peer about slowly | V |
| at the house the arbor the herbs in their ladder | T |
| her gaze turning at last to the well dressed man | X2 |
| with his celluloid collar his knotted silk tie | V |
| where he stands with one hand on the telescope | Y2 |
| - | |
| Is he young and handsome is this semester | T |
| his first in the town has he only recently | V |
| accepted a position at the little college | Z2 |
| Does he turn the heads of the young ladies | W2 |
| does he sing bass in the Baptist church choir | T |
| is he one of the town's leading bachelors | W2 |
| Or is he a white haired gentleman stooped | V |
| round shouldered has he been there for years | W2 |
| taught generations of young people outlived | V |
| an affectionate wife sent forth children | P |
| lived to see grandchildren does he reside alone | A3 |
| at the edge of town on a wide brick street | V |
| in a gas boom mansion with a massive hedge | U2 |
| of spirea enclosing the property on three sides | W2 |
| a front gate of cast iron tipped with arrowheads | W2 |
| Does it matter now whether he is young or old | V |
| Does he know himself about any of these things | W2 |
| on a night like this at the moment she emerges | W2 |
| from the spirea's whiteness as though swum up | Q2 |
| through a heavy pounding surf | B3 |
| Her shirtwaist | V |
| is torn she is hardened by incessant walking | D |
| and wandering by being out in all weathers | W2 |
| her breasts and her gaunt body have emerged | V |
| androgynous and gleaming she is aglow now | C3 |
| dusted with shattered blossom as though prepared | V |
| for some elusive ritual and as she gazes at him | D3 |
| she continues to mutter to murmur has in fact | V |
| never ceased to speak to utter strange syllables | W2 |
| whether she understands the words he cannot tell | E3 |
| - | |
| He waits beside the telescope the gleaming shaft | V |
| poised on its tripod which earlier he pointed | V |
| up into the wealth of stars earlier alone | A3 |
| far from the interference of artificial light | V |
| he had come out he had set up the equipment | V |
| he carried chalkboard in hand for observations | W2 |
| he began to search to locate to gaze into | V |
| the huge glimmering hearth of the night sky | V |
| - | |
| and only moments ago he had found it had | V |
| checked his coordinates had seen distinctly | V |
| he had looked up and into looked out far | H2 |
| toward those myriad outflung arms that turning | D |
| that vast still immeasurable unfolding | D |
| - | |
| and the visitor strangely silenced now begins | W2 |
| to come his way across the fresh cut grass | W2 |
| she approaches strides toward him unhesitant | V |
| and unafraid reaches to touch the viewing aperture | T |
| already in perfect focus smiles and leans down | C |
| fragments of white blossom living particles | W2 |
| of sundered veil cling to her long hair drip | F3 |
| from her forearms her rough hands she sees | W2 |
| she looks for a long time There is no sound | V |
| except her slight breathing | D |
| Finally she begins | W2 |
| she raises her head the light is in her eyes | W2 |
| the shining and she speaks what comes He bows | W2 |
| as though in prayer knowing there is no difference | W2 |
| it is the far galaxy great orb and afterimage | Z2 |
| in his brain it is the milk white hedge cresting | D |
| all around them it is the unsummoned presence | W2 |
| come at last and always up through the waves | W2 |
| it is the voice speaking through all to all | M2 |
| here now in the darkness in the starlight | V |
Jared Carter
(1)
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