Marburg Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCD EFCF CGHI JKKK LMNM NNKN COPO QRSR MTQI UVWX YLZH NA2NA2 CB2HB2 C2KD2KI quivered I flared up and then was extinguished | A |
I shook I had made a proposal but late | B |
Too late I was scared and she had refused me | C |
I pity her tears am more blessed than a saint | D |
- | |
I stepped into the square I could be counted | E |
Among the twice born Every leaf on the lime | F |
Every brick was alive caring nothing for me | C |
And reared up to take leave for the last time | F |
- | |
The paving stones glowed and the street's brow was swarthy | C |
From under their lids the cobbles looked grim | G |
Scowled up at the sky and the wind like a boatman | H |
Was rowing through limes And each was an emblem | I |
- | |
Be that as it may I avoided their glances | J |
Averted my gaze from their greeting or scowling | K |
I wanted no news of their getting and spending | K |
I had to get out so as not to start howling | K |
- | |
The tiles were afloat and an unblinking noon | L |
Regarded the rooftops And someone somewhere | M |
In Marburg was whistling at work on a crossbow | N |
And someone else dressing for the Trinity fair | M |
- | |
Devouring the clouds the sand showed yellow | N |
A storm wind was rocking the bushes to and fro | N |
And the sky had congealed where it touched a sprig | K |
Of woundwort that staunched its flow | N |
- | |
Like any rep Romeo hugging his tragedy | C |
I reeled through the city rehearsing you | O |
I carried you all that day knew you by heart | P |
From the comb in your hair to the foot in your shoe | O |
- | |
And when in your room I fell to my knees | Q |
Embracing this mist this perfection of frost | R |
How lovely you are this smothering turbulence | S |
What were you thinking 'Be sensible ' Lost | R |
- | |
Here lived Martin Luther The Brothers Grimm there | M |
And all things remember and reach out to them | T |
The sharp taloned roofs The gravestones The trees | Q |
And each is alive And each is an emblem | I |
- | |
I shall not go tomorrow Refusal | U |
More final than parting We're quits ll is clear | V |
And if I abandon the streetlamps the banks | W |
Old pavingstones what will become of me here | X |
- | |
The mist on all sides will unpack its bags | Y |
In both windows will hang up a moon | L |
And melancholy will slide over the books | Z |
And settle with one on the ottoman | H |
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Then why am I scared Insomnia I know | N |
Like grammar by heart I have grown used to that | A2 |
In line with the four square panes of my window | N |
Dawn will lay out her diaphanous mat | A2 |
- | |
The nights now sit down to play chess with me | C |
Where ivory moonlight chequers the floor | B2 |
It smells of acacia the windows are open | H |
And passion a grey witness stands by the door | B2 |
- | |
The poplar is king I play with insomnia | C2 |
The queen is a nightingale I can hear calling | K |
I reach for the nightingale And the night wins | D2 |
The pieces make way for the white face of morning | K |
Boris Pasternak
(1)
Poem topics: , Print This Poem , Rhyme Scheme
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