An Evening Walk, Addressed To A Young Lady Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDE FFGG HIJ GG KHILGGMNHOGNGGPQGHHG IRISTIUHGVGG WXGIYGZ A2A2IIGGGGGGIIB2B2GG C2C2D2D2E2E2F2F2G2G2 H2H2GGIIE2E2IID2D2I2 I2J2J2GGI2I2IIK2L2GG D2D2F2F2GGI2I2I2M2M2 XXN2N2O2O2E2E2M2M2P2 P2GGA2Q2R2K2S2S2T2T2 U2E2G2V2C2C2GGW2W2X2 S2MML2K2| The young Lady to whom this was addressed was my Sister It was | A |
| composed at school and during my two first College vacations | B |
| There is not an image in it which I have not observed and now in | C |
| my seventy third year I recollect the time and place where most | D |
| of them were noticed I will confine myself to one instance | E |
| - | |
| Waving his hat the shepherd from the vale | F |
| Directs his winding dog the cliffs to scale | F |
| The dog loud barking 'mid the glittering rocks | G |
| Hunts where his master points the intercepted flocks | G |
| - | |
| I was an eye witness of this for the first time while crossing the | H |
| Pass of Dunmail Raise Upon second thought I will mention another | I |
| image | J |
| - | |
| And fronting the bright west yon oak entwines | G |
| Its darkening boughs and leaves in stronger lines | G |
| - | |
| This is feebly and imperfectly expressed but I recollect | K |
| distinctly the very spot where this first struck me It was in the | H |
| way between Hawkshead and Ambleside and gave me extreme pleasure | I |
| The moment was important in my poetical history for I date from | L |
| it my consciousness of the infinite variety of natural appearances | G |
| which had been unnoticed by the poets of any age or country so | G |
| far as I was acquainted with them and I made a resolution to | M |
| supply in some degree the deficiency I could not have been at | N |
| that time above fourteen years of age The description of the | H |
| swans that follows was taken from the daily opportunities I had | O |
| of observing their habits not as confined to the gentleman's | G |
| park but in a state of nature There were two pairs of them that | N |
| divided the lake of Esthwaite and its in and out flowing streams | G |
| between them never trespassing a single yard upon each other's | G |
| separate domain They were of the old magnificent species bearing | P |
| in beauty and majesty about the same relation to the Thames swan | Q |
| which that does to the goose It was from the remembrance of those | G |
| noble creatures I took thirty years after the picture of the | H |
| swan which I have discarded from the poem of Dion While I was a | H |
| schoolboy the late Mr Curwen introduced a little fleet of those | G |
| birds but of the inferior species to the lake of Windermere | I |
| Their principal home was about his own island but they sailed | R |
| about into remote parts of the lake and either from real or | I |
| imagined injury done to the adjoining fields they were got rid of | S |
| at the request of the farmers and proprietors but to the great | T |
| regret of all who had become attached to them from noticing their | I |
| beauty and quiet habits I will conclude my notice of this poem by | U |
| observing that the plan of it has not been confined to a | H |
| particular walk or an individual place a proof of which I was | G |
| unconscious at the time of my unwillingness to submit the poetic | V |
| spirit to the chains of fact and real circumstance The country is | G |
| idealised rather than described in any one of its local aspects | G |
| - | |
| General Sketch of the Lakes Author's regret of his youth which | W |
| was passed amongst them Short description of Noon Cascade | X |
| Noontide Retreat Precipice and sloping Lights Face of Nature as | G |
| the Sun declines Mountain farm and the Cock Slate quarry | I |
| Sunset Superstition of the Country connected with that moment | Y |
| Swans Female Beggar Twilight sounds Western Lights Spirits | G |
| Night Moonlight Hope Night sounds Conclus ion | Z |
| - | |
| FAR from my dearest Friend 'tis mine to rove | A2 |
| Through bare grey dell high wood and pastoral cove | A2 |
| Where Derwent rests and listens to the roar | I |
| That stuns the tremulous cliffs of high Lodore | I |
| Where peace to Grasmere's lonely island leads | G |
| To willowy hedge rows and to emerald meads | G |
| Leads to her bridge rude church and cottaged grounds | G |
| Her rocky sheepwalks and her woodland bounds | G |
| Where undisturbed by winds Winander sleeps | G |
| 'Mid clustering isles and holly sprinkled steeps | G |
| Where twilight glens endear my Esthwaite's shore | I |
| And memory of departed pleasures more | I |
| Fair scenes erewhile I taught a happy child | B2 |
| The echoes of your rocks my carols wild | B2 |
| The spirit sought not then in cherished sadness | G |
| A cloudy substitute for failing gladness | G |
| In youth's keen eye the livelong day was bright | C2 |
| The sun at morning and the stars at night | C2 |
| Alike when first the bittern's hollow bill | D2 |
| Was heard or woodcocks roamed the moonlight hill | D2 |
| In thoughtless gaiety I coursed the plain | E2 |
| And hope itself was all I knew of pain | E2 |
| For then the inexperienced heart would beat | F2 |
| At times while young Content forsook her seat | F2 |
| And wild Impatience pointing upward showed | G2 |
| Through passes yet unreached a brighter road | G2 |
| Alas the idle tale of man is found | H2 |
| Depicted in the dial's moral round | H2 |
| Hope with reflection blends her social rays | G |
| To gild the total tablet of his days | G |
| Yet still the sport of some malignant power | I |
| He knows but from its shade the present hour | I |
| But why ungrateful dwell on idle pain | E2 |
| To show what pleasures yet to me remain | E2 |
| Say will my Friend with unreluctant ear | I |
| The history of a poet's evening hear | I |
| When in the south the wan noon brooding still | D2 |
| Breathed a pale steam around the glaring hill | D2 |
| And shades of deep embattled clouds were seen | I2 |
| Spotting the northern cliffs with lights between | I2 |
| When crowding cattle checked by rails that make | J2 |
| A fence far stretched into the shallow lake | J2 |
| Lashed the cool water with their restless tails | G |
| Or from high points of rock looked out for fanning gales | G |
| When school boys stretched their length upon the green | I2 |
| And round the broad spread oak a glimmering scene | I2 |
| In the rough fern clad park the herded deer | I |
| Shook the still twinkling tail and glancing ear | I |
| When horses in the sunburnt intake stood | K2 |
| And vainly eyed below the tempting flood | L2 |
| Or tracked the passenger in mute distress | G |
| With forward neck the closing gate to press | G |
| Then while I wandered where the huddling rill | D2 |
| Brightens with water breaks the hollow ghyll | D2 |
| As by enchantment an obscure retreat | F2 |
| Opened at once and stayed my devious feet | F2 |
| While thick above the rill the branches close | G |
| In rocky basin its wild waves repose | G |
| Inverted shrubs and moss of gloomy green | I2 |
| Cling from the rocks with pale wood weeds between | I2 |
| And its own twilight softens the whole scene | I2 |
| Save where aloft the subtle sunbeams shine | M2 |
| On withered briars that o'er the crags recline | M2 |
| Save where with sparkling foam a small cascade | X |
| Illumines from within the leafy shade | X |
| Beyond along the vista of the brook | N2 |
| Where antique roots its bustling course o'erlook | N2 |
| The eye reposes on a secret bridge | O2 |
| Half grey half shagged with ivy to its ridge | O2 |
| There bending o'er the stream the listless swain | E2 |
| Lingers behind his disappearing wain | E2 |
| Did Sabine grace adorn my living line | M2 |
| Blandusia's praise wild stream should yield to thine | M2 |
| Never shall ruthless minister of death | P2 |
| 'Mid thy soft glooms the glittering steel unsheath | P2 |
| No goblets shall for thee be crowned with flowers | G |
| No kid with piteous outcry thrill thy bowers | G |
| The mystic shapes that by thy margin rove | A2 |
| A more benignant sacrifice approve | Q2 |
| A mind that in a calm angelic mood | R2 |
| Of happy wisdom meditating good | K2 |
| Beholds of all from her high powers required | S2 |
| Much done and much designed and more desired | S2 |
| Harmonious thoughts a soul by truth refined | T2 |
| Entire affection for all human kind | T2 |
| Dear Brook farewell To morrow's noon again | U2 |
| Shall hide me wooing long thy wildwood strain | E2 |
| But now the sun has gained his western road | G2 |
| And eve's mild hour invites my steps abroad | V2 |
| While near the midway cliff the silvered kite | C2 |
| In many a whistling circle wheels her flight | C2 |
| Slant watery lights from parting clouds apace | G |
| Travel along the precipice's base | G |
| Cheering its naked waste of scattered stone | W2 |
| By lichens grey and scanty moss o'ergrown | W2 |
| Where scarce the foxglove peeps or thistle's beard | X2 |
| And restless stone chat all day long is heard | S2 |
| How pleasant as the sun declines to view | M |
| The spacious landscape change in form and hue | M |
| Here vanish as in mist before a flood | L2 |
| Of bright obscurity hill lawn and wood | K2 |
William Wordsworth
(2)
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An Evening Walk, Addressed To A Young Lady is a poem by William Wordsworth. This page includes the poem text, poet information, related topics, comments, and similar poems.
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