An Evening Walk, Addressed To A Young Lady Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDE FFGG HIJ GG KHILGGMNHOGNGGPQGHHG IRISTIUHGVGG WXGIYGZ A2A2IIGGGGGGIIB2B2GG C2C2D2D2E2E2F2F2G2G2 H2H2GGIIE2E2IID2D2I2 I2J2J2GGI2I2IIK2L2GG D2D2F2F2GGI2I2I2M2M2 XXN2N2O2O2E2E2M2M2P2 P2GGA2Q2R2K2S2S2T2T2 U2E2G2V2C2C2GGW2W2X2 S2MML2K2The young Lady to whom this was addressed was my Sister It was | A |
composed at school and during my two first College vacations | B |
There is not an image in it which I have not observed and now in | C |
my seventy third year I recollect the time and place where most | D |
of them were noticed I will confine myself to one instance | E |
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Waving his hat the shepherd from the vale | F |
Directs his winding dog the cliffs to scale | F |
The dog loud barking 'mid the glittering rocks | G |
Hunts where his master points the intercepted flocks | G |
- | |
I was an eye witness of this for the first time while crossing the | H |
Pass of Dunmail Raise Upon second thought I will mention another | I |
image | J |
- | |
And fronting the bright west yon oak entwines | G |
Its darkening boughs and leaves in stronger lines | G |
- | |
This is feebly and imperfectly expressed but I recollect | K |
distinctly the very spot where this first struck me It was in the | H |
way between Hawkshead and Ambleside and gave me extreme pleasure | I |
The moment was important in my poetical history for I date from | L |
it my consciousness of the infinite variety of natural appearances | G |
which had been unnoticed by the poets of any age or country so | G |
far as I was acquainted with them and I made a resolution to | M |
supply in some degree the deficiency I could not have been at | N |
that time above fourteen years of age The description of the | H |
swans that follows was taken from the daily opportunities I had | O |
of observing their habits not as confined to the gentleman's | G |
park but in a state of nature There were two pairs of them that | N |
divided the lake of Esthwaite and its in and out flowing streams | G |
between them never trespassing a single yard upon each other's | G |
separate domain They were of the old magnificent species bearing | P |
in beauty and majesty about the same relation to the Thames swan | Q |
which that does to the goose It was from the remembrance of those | G |
noble creatures I took thirty years after the picture of the | H |
swan which I have discarded from the poem of Dion While I was a | H |
schoolboy the late Mr Curwen introduced a little fleet of those | G |
birds but of the inferior species to the lake of Windermere | I |
Their principal home was about his own island but they sailed | R |
about into remote parts of the lake and either from real or | I |
imagined injury done to the adjoining fields they were got rid of | S |
at the request of the farmers and proprietors but to the great | T |
regret of all who had become attached to them from noticing their | I |
beauty and quiet habits I will conclude my notice of this poem by | U |
observing that the plan of it has not been confined to a | H |
particular walk or an individual place a proof of which I was | G |
unconscious at the time of my unwillingness to submit the poetic | V |
spirit to the chains of fact and real circumstance The country is | G |
idealised rather than described in any one of its local aspects | G |
- | |
General Sketch of the Lakes Author's regret of his youth which | W |
was passed amongst them Short description of Noon Cascade | X |
Noontide Retreat Precipice and sloping Lights Face of Nature as | G |
the Sun declines Mountain farm and the Cock Slate quarry | I |
Sunset Superstition of the Country connected with that moment | Y |
Swans Female Beggar Twilight sounds Western Lights Spirits | G |
Night Moonlight Hope Night sounds Conclus ion | Z |
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FAR from my dearest Friend 'tis mine to rove | A2 |
Through bare grey dell high wood and pastoral cove | A2 |
Where Derwent rests and listens to the roar | I |
That stuns the tremulous cliffs of high Lodore | I |
Where peace to Grasmere's lonely island leads | G |
To willowy hedge rows and to emerald meads | G |
Leads to her bridge rude church and cottaged grounds | G |
Her rocky sheepwalks and her woodland bounds | G |
Where undisturbed by winds Winander sleeps | G |
'Mid clustering isles and holly sprinkled steeps | G |
Where twilight glens endear my Esthwaite's shore | I |
And memory of departed pleasures more | I |
Fair scenes erewhile I taught a happy child | B2 |
The echoes of your rocks my carols wild | B2 |
The spirit sought not then in cherished sadness | G |
A cloudy substitute for failing gladness | G |
In youth's keen eye the livelong day was bright | C2 |
The sun at morning and the stars at night | C2 |
Alike when first the bittern's hollow bill | D2 |
Was heard or woodcocks roamed the moonlight hill | D2 |
In thoughtless gaiety I coursed the plain | E2 |
And hope itself was all I knew of pain | E2 |
For then the inexperienced heart would beat | F2 |
At times while young Content forsook her seat | F2 |
And wild Impatience pointing upward showed | G2 |
Through passes yet unreached a brighter road | G2 |
Alas the idle tale of man is found | H2 |
Depicted in the dial's moral round | H2 |
Hope with reflection blends her social rays | G |
To gild the total tablet of his days | G |
Yet still the sport of some malignant power | I |
He knows but from its shade the present hour | I |
But why ungrateful dwell on idle pain | E2 |
To show what pleasures yet to me remain | E2 |
Say will my Friend with unreluctant ear | I |
The history of a poet's evening hear | I |
When in the south the wan noon brooding still | D2 |
Breathed a pale steam around the glaring hill | D2 |
And shades of deep embattled clouds were seen | I2 |
Spotting the northern cliffs with lights between | I2 |
When crowding cattle checked by rails that make | J2 |
A fence far stretched into the shallow lake | J2 |
Lashed the cool water with their restless tails | G |
Or from high points of rock looked out for fanning gales | G |
When school boys stretched their length upon the green | I2 |
And round the broad spread oak a glimmering scene | I2 |
In the rough fern clad park the herded deer | I |
Shook the still twinkling tail and glancing ear | I |
When horses in the sunburnt intake stood | K2 |
And vainly eyed below the tempting flood | L2 |
Or tracked the passenger in mute distress | G |
With forward neck the closing gate to press | G |
Then while I wandered where the huddling rill | D2 |
Brightens with water breaks the hollow ghyll | D2 |
As by enchantment an obscure retreat | F2 |
Opened at once and stayed my devious feet | F2 |
While thick above the rill the branches close | G |
In rocky basin its wild waves repose | G |
Inverted shrubs and moss of gloomy green | I2 |
Cling from the rocks with pale wood weeds between | I2 |
And its own twilight softens the whole scene | I2 |
Save where aloft the subtle sunbeams shine | M2 |
On withered briars that o'er the crags recline | M2 |
Save where with sparkling foam a small cascade | X |
Illumines from within the leafy shade | X |
Beyond along the vista of the brook | N2 |
Where antique roots its bustling course o'erlook | N2 |
The eye reposes on a secret bridge | O2 |
Half grey half shagged with ivy to its ridge | O2 |
There bending o'er the stream the listless swain | E2 |
Lingers behind his disappearing wain | E2 |
Did Sabine grace adorn my living line | M2 |
Blandusia's praise wild stream should yield to thine | M2 |
Never shall ruthless minister of death | P2 |
'Mid thy soft glooms the glittering steel unsheath | P2 |
No goblets shall for thee be crowned with flowers | G |
No kid with piteous outcry thrill thy bowers | G |
The mystic shapes that by thy margin rove | A2 |
A more benignant sacrifice approve | Q2 |
A mind that in a calm angelic mood | R2 |
Of happy wisdom meditating good | K2 |
Beholds of all from her high powers required | S2 |
Much done and much designed and more desired | S2 |
Harmonious thoughts a soul by truth refined | T2 |
Entire affection for all human kind | T2 |
Dear Brook farewell To morrow's noon again | U2 |
Shall hide me wooing long thy wildwood strain | E2 |
But now the sun has gained his western road | G2 |
And eve's mild hour invites my steps abroad | V2 |
While near the midway cliff the silvered kite | C2 |
In many a whistling circle wheels her flight | C2 |
Slant watery lights from parting clouds apace | G |
Travel along the precipice's base | G |
Cheering its naked waste of scattered stone | W2 |
By lichens grey and scanty moss o'ergrown | W2 |
Where scarce the foxglove peeps or thistle's beard | X2 |
And restless stone chat all day long is heard | S2 |
How pleasant as the sun declines to view | M |
The spacious landscape change in form and hue | M |
Here vanish as in mist before a flood | L2 |
Of bright obscurity hill lawn and wood | K2 |
William Wordsworth
(2)
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