The young Lady to whom this was addressed was my Sister. It was
composed at school, and during my two first College vacations.
There is not an image in it which I have not observed; and now, in
my seventy-third year, I recollect the time and place where most
of them were noticed. I will confine myself to one instance:

"Waving his hat, the shepherd, from the vale,
Directs his winding dog the cliffs to scale,--
The dog, loud barking, 'mid the glittering rocks,
Hunts, where his master points, the intercepted flocks."

I was an eye-witness of this for the first time while crossing the
Pass of Dunmail Raise. Upon second thought, I will mention another
image:

"And, fronting the bright west, yon oak entwines
Its darkening boughs and leaves, in stronger lines."

This is feebly and imperfectly expressed, but I recollect
distinctly the very spot where this first struck me. It was in the
way between Hawkshead and Ambleside, and gave me extreme pleasure.
The moment was important in my poetical history; for I date from
it my consciousness of the infinite variety of natural appearances
which had been unnoticed by the poets of any age or country, so
far as I was acquainted with them; and I made a resolution to
supply, in some degree, the deficiency. I could not have been at
that time above fourteen years of age. The description of the
swans, that follows, was taken from the daily opportunities I had
of observing their habits, not as confined to the gentleman's
park, but in a state of nature. There were two pairs of them that
divided the lake of Esthwaite and its in-and-out-flowing streams
between them, never trespassing a single yard upon each other's
separate domain. They were of the old magnificent species, bearing
in beauty and majesty about the same relation to the Thames swan
which that does to the goose. It was from the remembrance of those
noble creatures I took, thirty years after, the picture of the
swan which I have discarded from the poem of Dion. While I was a
schoolboy, the late Mr. Curwen introduced a little fleet of those
birds, but of the inferior species, to the lake of Windermere.
Their principal home was about his own island; but they sailed
about into remote parts of the lake, and, either from real or
imagined injury done to the adjoining fields, they were got rid of
at the request of the farmers and proprietors, but to the great
regret of all who had become attached to them, from noticing their
beauty and quiet habits. I will conclude my notice of this poem by
observing that the plan of it has not been confined to a
particular walk or an individual place,--a proof (of which I was
unconscious at the time) of my unwillingness to submit the poetic
spirit to the chains of fact and real circumstance. The country is
idealised rather than described in any one of its local aspects.

General Sketch of the Lakes--Author's regret of his youth which
was passed amongst them--Short description of Noon--Cascade--
Noontide Retreat--Precipice and sloping Lights--Face of Nature as
the Sun declines--Mountain-farm, and the Cock--Slate-quarry--
Sunset--Superstition of the Country connected with that moment--
Swans--Female Beggar--Twilight-sounds--Western Lights--Spirits--
Night--Moonlight--Hope--Night-sounds--Conclus ion.

FAR from my dearest Friend, 'tis mine to rove
Through bare grey dell, high wood, and pastoral cove;
Where Derwent rests, and listens to the roar
That stuns the tremulous cliffs of high Lodore;
Where peace to Grasmere's lonely island leads,
To willowy hedge-rows, and to emerald meads;
Leads to her bridge, rude church, and cottaged grounds,
Her rocky sheepwalks, and her woodland bounds;
Where, undisturbed by winds, Winander sleeps
'Mid clustering isles, and holly-sprinkled steeps;
Where twilight glens endear my Esthwaite's shore,
And memory of departed pleasures, more.
Fair scenes, erewhile, I taught, a happy child,
The echoes of your rocks my carols wild:
The spirit sought not then, in cherished sadness,
A cloudy substitute for failing gladness,
In youth's keen eye the livelong day was bright,
The sun at morning, and the stars at night,
Alike, when first the bittern's hollow bill
Was heard, or woodcocks roamed the moonlight hill.
In thoughtless gaiety I coursed the plain,
And hope itself was all I knew of pain;
For then, the inexperienced heart would beat
At times, while young Content forsook her seat,
And wild Impatience, pointing upward, showed,
Through passes yet unreached, a brighter road.
Alas! the idle tale of man is found
Depicted in the dial's moral round;
Hope with reflection blends her social rays
To gild the total tablet of his days;
Yet still, the sport of some malignant power,
He knows but from its shade the present hour.
But why, ungrateful, dwell on idle pain?
To show what pleasures yet to me remain,
Say, will my Friend, with unreluctant ear,
The history of a poet's evening hear?
When, in the south, the wan noon, brooding still,
Breathed a pale steam around the glaring hill,
And shades of deep-embattled clouds were seen,
Spotting the northern cliffs with lights between;
When crowding cattle, checked by rails that make
A fence far stretched into the shallow lake,
Lashed the cool water with their restless tails,
Or from high points of rock looked out for fanning gales:
When school-boys stretched their length upon the green;
And round the broad-spread oak, a glimmering scene,
In the rough fern-clad park, the herded deer
Shook the still-twinkling tail and glancing ear;
When horses in the sunburnt intake stood,
And vainly eyed below the tempting flood,
Or tracked the passenger, in mute distress,
With forward neck the closing gate to press--
Then, while I wandered where the huddling rill
Brightens with water-breaks the hollow ghyll
As by enchantment, an obscure retreat
Opened at once, and stayed my devious feet.
While thick above the rill the branches close,
In rocky basin its wild waves repose,
Inverted shrubs, and moss of gloomy green,
Cling from the rocks, with pale wood-weeds between;
And its own twilight softens the whole scene,
Save where aloft the subtle sunbeams shine
On withered briars that o'er the crags recline;
Save where, with sparkling foam, a small cascade
Illumines, from within, the leafy shade;
Beyond, along the vista of the brook,
Where antique roots its bustling course o'erlook,
The eye reposes on a secret bridge
Half grey, half shagged with ivy to its ridge;
There, bending o'er the stream, the listless swain
Lingers behind his disappearing wain.
--Did Sabine grace adorn my living line,
Blandusia's praise, wild stream, should yield to thine!
Never shall ruthless minister of death
'Mid thy soft glooms the glittering steel unsheath;
No goblets shall, for thee, be crowned with flowers,
No kid with piteous outcry thrill thy bowers;
The mystic shapes that by thy margin rove
A more benignant sacrifice approve--
A mind, that, in a calm angelic mood
Of happy wisdom, meditating good,
Beholds, of all from her high powers required,
Much done, and much designed, and more desired,--
Harmonious thoughts, a soul by truth refined,
Entire affection for all human kind.
Dear Brook, farewell! To-morrow's noon again
Shall hide me, wooing long thy wildwood strain;
But now the sun has gained his western road,
And eve's mild hour invites my steps abroad.
While, near the midway cliff, the silvered kite
In many a whistling circle wheels her flight;
Slant watery lights, from parting clouds, apace
Travel along the precipice's base;
Cheering its naked waste of scattered stone,
By lichens grey, and scanty moss, o'ergrown;
Where scarce the foxglove peeps, or thistle's beard;
And restless stone-chat, all day long, is heard.
How pleasant, as the sun declines, to view
The spacious landscape change in form and hue!
Here, vanish, as in mist, before a flood 0
Of bright obscurity, hill, lawn, and wood;