A Classical Revival Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCBDEFECGHFG AHAHIIIH DJKLFJMLNOFNCPNP AHAHNNNH AQRQQQSNQNTFT AHAHUUUHAt the outset I may mention it's my sovereign intention | A |
To revive the classic memories of Athens at its best | B |
For my company possesses all the necessary dresses | C |
And a course of quiet cramming will supply us with the rest | B |
We've a choir hyporchematic that is ballet operatic | D |
Who respond to the CHOREUTAE of that cultivated age | E |
And our clever chorus master all but captious criticaster | F |
Would accept as the CHOREGUS of the early Attic stage | E |
This return to classic ages is considered in their wages | C |
Which are always calculated by the day or by the week | G |
And I'll pay 'em if they'll back me all in OBOLOI and DRACHMAE | H |
Which they'll get if they prefer it at the Kalends that are | F |
Greek | G |
- | |
At this juncture I may mention | A |
That this erudition sham | H |
Is but classical pretension | A |
The result of steady cram | H |
Periphrastic methods spurning | I |
To my readers all discerning | I |
I admit this show of learning | I |
Is the fruit of steady cram | H |
- | |
In the period Socratic every dining room was Attic | D |
Which suggests an architecture of a topsy turvy kind | J |
There they'd satisfy their twist on a RECHERCHE cold Greek text | K |
which cannot be reproduced | L |
Which is what they called their lunch and so may you if you're | F |
inclined | J |
As they gradually got on they'd Greek text which cannot be | M |
reproduced | L |
Which is Attic for a steady and a conscientious drink | N |
But they mixed their wine with water which I'm sure they didn't | O |
oughter | F |
And we Anglo Saxons know a trick worth two of that I think | N |
Then came rather risky dances under certain circumstances | C |
Which would shock that worthy gentleman the Licenser of Plays | P |
Corybantian maniAC kick Dionysiac or Bacchic | N |
And the Dithyrambic revels of those indecorous days | P |
- | |
And perhaps I'd better mention | A |
Lest alarming you I am | H |
That it isn't our intention | A |
To perform a Dithyramb | H |
It displays a lot of stocking | N |
Which is always very shocking | N |
And of course I'm only mocking | N |
At the prevalence of cram | H |
- | |
Yes on reconsideration there are customs of that nation | A |
Which are not in strict accordance with the habits of our day | Q |
And when I come to codify their rules I mean to modify | R |
Or Mrs Grundy p'r'aps may have a word or two to say | Q |
For they hadn't macintoshes or umbrellas or goloshes | Q |
And a shower with their dresses must have played the very deuce | Q |
And it must have been unpleasing when they caught a fit of | S |
sneezing | N |
For it seems of pocket handkerchiefs they didn't know the use | Q |
They wore little underclothing scarcely anything or no thing | N |
And their dress of Coan silk was quite transparent in design | T |
Well in fact in summer weather something like the altogether | F |
And it's THERE I rather fancy I shall have to draw the line | T |
- | |
And again I wish to mention | A |
That this erudition sham | H |
Is but classical pretension | A |
The result of steady cram | H |
Yet my classic love aggressive | U |
If you'll pardon the possessive | U |
Is exceedingly impressive | U |
When you're passing an exam | H |
William Schwenck Gilbert
(1)
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