The Phases Of The Moon Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFG H IJKLMNOPQRSTM UVWPXI YZA2 B2 FC2A2ND2JE2F2G2H2I2M A2IJ2K2L2PM2B2N2KFO2 P2 Q2N2 R2R2S2T2U2T2 R2A2 V2 V2W2X2Y2Z2O2R2 A3 B3KJ2 C3G2NR2D3E3F3S2G3B3 H3NI FO2I3J3H2K3R2L3 G2T2 WM3E2N3O3A2J P3A2 OQ3R3S3T3U3MV3W3X3 I Y3Z3B2 A4 Z2C2B4C4KD4M S3O3D2E4F4G4N2H4I4FJ 4Q2 I2J4E3K4An old man cocked his car upon a bridge | A |
He and his friend their faces to the South | B |
Had trod the uneven road Their hoots were soiled | C |
Their Connemara cloth worn out of shape | D |
They had kept a steady pace as though their beds | E |
Despite a dwindling and late risen moon | F |
Were distant still An old man cocked his ear | G |
- | |
Aherne What made that Sound | H |
- | |
Robartes A rat or water hen | I |
Splashed or an otter slid into the stream | J |
We are on the bridge that shadow is the tower | K |
And the light proves that he is reading still | L |
He has found after the manner of his kind | M |
Mere images chosen this place to live in | N |
Because it may be of the candle light | O |
From the far tower where Milton's Platonist | P |
Sat late or Shelley's visionary prince | Q |
The lonely light that Samuel Palmer engraved | R |
An image of mysterious wisdom won by toil | S |
And now he seeks in book or manuscript | T |
What he shall never find | M |
- | |
Ahernc Why should not you | U |
Who know it all ring at his door and speak | V |
Just truth enough to show that his whole life | W |
Will scarcely find for him a broken crust | P |
Of all those truths that are your daily bread | X |
And when you have spoken take the roads again | I |
- | |
Robartes He wrote of me in that extravagant style | Y |
He had learnt from pater and to round his tale | Z |
Said I was dead and dead I choose to be | A2 |
- | |
Aherne Sing me the changes of the moon once more | B2 |
True song though speech mine author sung it me ' | - |
- | |
Robartes Twenty and eight the phases of the moon | F |
The full and the moon's dark and all the crescents | C2 |
Twenty and eight and yet but six and twenty | A2 |
The cradles that a man must needs be rocked in | N |
For there's no human life at the full or the dark | D2 |
From the first crescent to the half the dream | J |
But summons to adventure and the man | E2 |
Is always happy like a bird or a beast | F2 |
But while the moon is rounding towards the full | G2 |
He follows whatever whim's most difficult | H2 |
Among whims not impossible and though scarred | I2 |
As with the cat o' nine tails of the mind | M |
His body moulded from within his body | A2 |
Grows comelier Eleven pass and then | I |
Athene takes Achilles by the hair | J2 |
Hector is in the dust Nietzsche is born | K2 |
Because the hero's crescent is the twelfth | L2 |
And yet twice born twice buried grow he must | P |
Before the full moon helpless as a worm | M2 |
The thirteenth moon but sets the soul at war | B2 |
In its own being and when that war's begun | N2 |
There is no muscle in the arm and after | K |
Under the frenzy of the fourteenth moon | F |
The soul begins to tremble into stillness | O2 |
To die into the labyrinth of itself | P2 |
- | |
Aherne Sing out the song sing to the end and sing | Q2 |
The strange reward of all that discipline | N2 |
- | |
Robartes All thought becomes an image and the soul | R2 |
Becomes a body that body and that soul | R2 |
Too perfect at the full to lie in a cradle | S2 |
Too lonely for the traffic of the world | T2 |
Body and soul cast out and cast away | U2 |
Beyond the visible world | T2 |
- | |
Aherne All dreams of the soul | R2 |
End in a beautiful man's or woman's body | A2 |
- | |
Robartes Have you not always known it | V2 |
- | |
Aherne The song will have it | V2 |
That those that we have loved got their long fingers | W2 |
From death and wounds or on Sinai's top | X2 |
Or from some bloody whip in their own hands | Y2 |
They ran from cradle to cradle till at last | Z2 |
Their beauty dropped out of the loneliness | O2 |
Of body and soul | R2 |
- | |
Robartes The lover's heart knows that | A3 |
- | |
Aherne It must be that the terror in their eyes | B3 |
Is memory or foreknowledge of the hour | K |
When all is fed with light and heaven is bare | J2 |
- | |
Robartes When the moon's full those creatures of the | C3 |
full | G2 |
Are met on the waste hills by countrymen | N |
Who shudder and hurry by body and soul | R2 |
Estranged amid the strangeness of themselves | D3 |
Caught up in contemplation the mind's eye | E3 |
Fixed upon images that once were thought | F3 |
For separate perfect and immovable | S2 |
Images can break the solitude | G3 |
Of lovely satisfied indifferent eyes | B3 |
- | |
And thereupon with aged high pitched voice | H3 |
Aherne laughed thinking of the man within | N |
His sleepless candle and lahorious pen | I |
- | |
Robartes And after that the crumbling of the moon | F |
The soul remembering its loneliness | O2 |
Shudders in many cradles all is changed | I3 |
It would be the world's servant and as it serves | J3 |
Choosing whatever task's most difficult | H2 |
Among tasks not impossible it takes | K3 |
Upon the body and upon the soul | R2 |
The coarseness of the drudge | L3 |
- | |
Aherne Before the full | G2 |
It sought itself and afterwards the world | T2 |
- | |
Robartes Because you are forgotten half out of life | W |
And never wrote a book your thought is clear | M3 |
Reformer merchant statesman learned man | E2 |
Dutiful husband honest wife by turn | N3 |
Cradle upon cradle and all in flight and all | O3 |
Deformed because there is no deformity | A2 |
But saves us from a dream | J |
- | |
Aherne And what of those | P3 |
That the last servile crescent has set free | A2 |
- | |
Robartes Because all dark like those that are all light | O |
They are cast beyond the verge and in a cloud | Q3 |
Crying to one another like the bats | R3 |
And having no desire they cannot tell | S3 |
What's good or bad or what it is to triumph | T3 |
At the perfection of one's own obedience | U3 |
And yet they speak what's blown into the mind | M |
Deformed beyond deformity unformed | V3 |
Insipid as the dough before it is baked | W3 |
They change their bodies at a word | X3 |
- | |
Aherne And then | I |
- | |
Rohartes When all the dough has been so kneaded up | Y3 |
That it can take what form cook Nature fancies | Z3 |
The first thin crescent is wheeled round once more | B2 |
- | |
Aherne But the escape the song's not finished yet | A4 |
- | |
Robartes Hunchback and Saint and Fool are the last | Z2 |
crescents | C2 |
The burning bow that once could shoot an arrow | B4 |
Out of the up and down the wagon wheel | C4 |
Of beauty's cruelty and wisdom's chatter | K |
Out of that raving tide is drawn betwixt | D4 |
Deformity of body and of mind | M |
- | |
Aherne Were not our beds far off I'd ring the bell | S3 |
Stand under the rough roof timbers of the hall | O3 |
Beside the castle door where all is stark | D2 |
Austerity a place set out for wisdom | E4 |
That he will never find I'd play a part | F4 |
He would never know me after all these years | G4 |
But take me for some drunken countryman | N2 |
I'd stand and mutter there until he caught | H4 |
Hunchback and Sant and Fool ' and that they came | I4 |
Under the three last crescents of the moon | F |
And then I'd stagger out He'd crack his wits | J4 |
Day after day yet never find the meaning | Q2 |
- | |
And then he laughed to think that what seemed hard | I2 |
Should be so simple a bat rose from the hazels | J4 |
And circled round him with its squeaky cry | E3 |
The light in the tower window was put out | K4 |
William Butler Yeats
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