The Firemen's Ball Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BBCCDDEFDEGGDDDCHHBB BBBIBEJKJDDLMNMCODOD OFPQBRQBRCSTSCUVWVXV ODODOFPQBRQBRDDDCDDD DDDDO Y DOD WDWZA2ZAB2ADC2LC2QAQ CD2E2D2CF2DF2F2G2SWD G2PQH2F2QH2F2I2I2F2G 2J2G2F2BCSCSK2OI2I2O O DA2H2G2JH2G2SG2L2M2F 2N2CDCM2O2DO2AF2F2BF 2F2G2BPQBF2QBF2DP2P2 F2DDDDDDODO D F2C PDDF2Q2M2A F2CCR2CF2O2F2O2CCF2C L2O2F2O2CCM2 CF2O2YO2F2F2S2T2T2CF 2BF2BBBIBF2F2U2U2V2W 2U2DDDDDDSection One | A |
- | |
Give the engines room | B |
Give the engines room | B |
Louder faster | C |
The little band master | C |
Whips up the fluting | D |
Hurries up the tooting | D |
He thinks that he stands | E |
To be read or chanted with the heavy buzzing bass | F |
of fire engines pumping | D |
The reins in his hands | E |
In the fire chief's place | G |
In the night alarm chase | G |
The cymbals whang | D |
The kettledrums bang | D |
In this passage the reading or chanting | D |
is shriller and higher | C |
Clear the street | H |
Clear the street | H |
Clear the street Boom boom | B |
In the evening gloom | B |
In the evening gloom | B |
Give the engines room | B |
Give the engines room | B |
Lest souls be trapped | I |
In a terrible tomb | B |
The sparks and the pine brands | E |
Whirl on high | J |
From the black and reeking alleys | K |
To the wide red sky | J |
Hear the hot glass crashing | D |
Hear the stone steps hissing | D |
Coal black streams | L |
Down the gutters pour | M |
There are cries for help | N |
From a far fifth floor | M |
For a longer ladder | C |
Hear the fire chief call | O |
Listen to the music | D |
Of the firemen's ball | O |
Listen to the music | D |
Of the firemen's ball | O |
To be read or chanted in a heavy bass | F |
'Tis the | P |
NIGHT | Q |
Of doom | B |
Say the ding dong doom bells | R |
NIGHT | Q |
Of doom | B |
Say the ding dong doom bells | R |
Faster faster | C |
The red flames come | S |
Hum grum say the engines | T |
Hum grum grum | S |
Shriller and higher | C |
Buzz buzz | U |
Says the crowd | V |
See see | W |
Calls the crowd | V |
Look out | X |
Yelps the crowd | V |
And the high walls fall | O |
Listen to the music | D |
Of the firemen's ball | O |
Listen to the music | D |
Of the firemen's ball | O |
Heavy bass | F |
'Tis the | P |
NIGHT | Q |
Of doom | B |
Say the ding dong doom bells | R |
NIGHT | Q |
Of doom | B |
Say the ding dong doom bells | R |
Whangaranga whangaranga | D |
Whang whang whang | D |
Clang clang clangaranga | D |
Bass much slower | C |
Clang clang clang | D |
Clang a ranga | D |
Clang a ranga | D |
Clang | D |
Clang | D |
Clang | D |
Listen to the music | D |
Of the firemen's ball | O |
- | |
- | |
Section Two | Y |
- | |
Many's the heart that's breaking | D |
If we could read them all | O |
After the ball is over An old song | D |
- | |
- | |
To be read or sung slowly and softly | W |
in the manner of lustful insinuating music | D |
Scornfully gaily | W |
The bandmaster sways | Z |
Changing the strain | A2 |
That the wild band plays | Z |
With a red and royal intoxication | A |
A tangle of sounds | B2 |
And a syncopation | A |
Sweeping and bending | D |
From side to side | C2 |
Master of dreams | L |
With a peacock pride | C2 |
A lord of the delicate flowers of delight | Q |
He drives compunction | A |
Back through the night | Q |
Dreams he's a soldier | C |
Plumed and spurred | D2 |
And valiant lads | E2 |
Arise at his word | D2 |
Flaying the sober | C |
Thoughts he hates | F2 |
Driving them back | D |
From the dream town gates | F2 |
How can the languorous | F2 |
Dancers know | G2 |
The red dreams come | S |
To be read or chanted slowly and softly | W |
in the manner of lustful insinuating music | D |
When the good dreams go | G2 |
'Tis the | P |
NIGHT | Q |
Of love | H2 |
Call the silver joy bells | F2 |
NIGHT | Q |
Of love | H2 |
Call the silver joy bells | F2 |
Honey and wine | I2 |
Honey and wine | I2 |
Sing low now violins | F2 |
Sing sing low | G2 |
Blow gently wood wind | J2 |
Mellow and slow | G2 |
Like midnight poppies | F2 |
The sweethearts bloom | B |
Their eyes flash power | C |
Their lips are dumb | S |
Faster and faster | C |
Their pulses come | S |
Though softer now | K2 |
The drum beats fall | O |
Honey and wine | I2 |
Honey and wine | I2 |
'Tis the firemen's ball | O |
'Tis the firemen's ball | O |
- | |
With a climax of whispered mourning | D |
I am slain | A2 |
Cries true love | H2 |
There in the shadow | G2 |
And I die | J |
Cries true love | H2 |
There laid low | G2 |
When the fire dreams come | S |
The wise dreams go | G2 |
Suddenly interrupting To be read or sung in | L2 |
a heavy bass First eight lines as harsh as possible | M2 |
Then gradually musical and sonorous | F2 |
BUT HIS CRY IS DROWNED | N2 |
BY THE PROUD BAND MASTER | C |
And now great gongs whang | D |
Sharper faster | C |
And kettledrums rattle | M2 |
And hide the shame | O2 |
With a swish and a swirk | D |
In dead love's name | O2 |
Red and crimson | A |
And scarlet and rose | F2 |
Magical poppies | F2 |
The sweethearts bloom | B |
The scarlet stays | F2 |
When the rose flush goes | F2 |
And love lies low | G2 |
In a marble tomb | B |
'Tis the | P |
NIGHT | Q |
Of doom | B |
Call the ding dong doom bells | F2 |
NIGHT | Q |
Of Doom | B |
Call the ding dong doom bells | F2 |
Sharply interrupting in a very high key | D |
Hark how the piccolos still make cheer | P2 |
'Tis a moonlight night in the spring of the year | P2 |
Heavy bass | F2 |
CLANGARANGA CLANGARANGA | D |
CLANG CLANG CLANG | D |
CLANG A RANGA | D |
CLANG A RANGA | D |
CLANG CLANG CLANG | D |
LISTEN TO THE MUSIC | D |
OF THE FIREMEN'S BALL | O |
LISTEN TO THE MUSIC | D |
OF THE FIREMEN'S BALL | O |
- | |
- | |
Section Three | D |
- | |
In Which contrary to Artistic Custom the moral of the piece | F2 |
is placed before the reader | C |
- | |
From the first Khandaka of the Mahavagga There Buddha | P |
thus addressed his disciples 'Everything O mendicants is burning | D |
With what fire is it burning I declare unto you it is burning | D |
with the fire of passion with the fire of anger with the fire of ignorance | F2 |
It is burning with the anxieties of birth decay and death | Q2 |
grief lamentation suffering and despair A disciple | M2 |
becoming weary of all that divests himself of passion | A |
By absence of passion he is made free ' | - |
- | |
- | |
To be intoned after the manner of a priestly service | F2 |
I once knew a teacher | C |
Who turned from desire | C |
Who said to the young men | R2 |
Wine is a fire | C |
Who said to the merchants | F2 |
Gold is a flame | O2 |
That sears and tortures | F2 |
If you play at the game | O2 |
I once knew a teacher | C |
Who turned from desire | C |
Who said to the soldiers | F2 |
Hate is a fire | C |
Who said to the statesmen | L2 |
Power is a flame | O2 |
That flays and blisters | F2 |
If you play at the game | O2 |
I once knew a teacher | C |
Who turned from desire | C |
Who said to the lordly | M2 |
- | |
Pride is a fire | C |
Who thus warned the revellers | F2 |
Life is a flame | O2 |
Be cold as the dew | Y |
Would you win at the game | O2 |
With hearts like the stars | F2 |
With hearts like the stars | F2 |
Interrupting very loudly for the last time | S2 |
SO BEWARE | T2 |
SO BEWARE | T2 |
SO BEWARE OF THE FIRE | C |
Clear the streets | F2 |
BOOM BOOM | B |
Clear the streets | F2 |
BOOM BOOM | B |
GIVE THE ENGINES ROOM | B |
GIVE THE ENGINES ROOM | B |
LEST SOULS BE TRAPPED | I |
IN A TERRIBLE TOMB | B |
SAYS THE SWIFT WHITE HORSE | F2 |
TO THE SWIFT BLACK HORSE | F2 |
THERE GOES THE ALARM | U2 |
THERE GOES THE ALARM | U2 |
THEY ARE HITCHED THEY ARE OFF | V2 |
THEY ARE GONE IN A FLASH | W2 |
AND THEY STRAIN AT THE DRIVER'S IRON ARM | U2 |
CLANG A RANGA CLANG A RANGA | D |
CLANG CLANG CLANG | D |
CLANG A RANGA CLANG A RANGA | D |
CLANG CLANG CLANG | D |
CLANG A RANGA CLANG A RANGA | D |
CLANG CLANG CLANG | D |
Vachel Lindsay
(1)
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