Rhymes On The Road. Extract Xv. Rome Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BBBB CDCDBCBCEFGHGHCCIJIK CCKKCJCJ LELFBBMNMNODPDCCQCQC RRSTSULLCCVVCNCNLWLW FECXCXXXYYZJZJ IXIXA2A2CCB2XB2B2XMary Magdalen Her Story Numerous Pictures of her Correggio Guido Raphael etc Canova's two exquisite Statues The Somariva Magdalen Chantrey's Admiration of Canova's Works | A |
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No wonder MARY that thy story | B |
Touches all hearts for there we see thee | B |
The soul's corruption and its glory | B |
Its death and life combine in thee | B |
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From the first moment when we find | C |
Thy spirit haunted by a swarm | D |
Of dark desires like demons shrined | C |
Unholily in that fair form | D |
Till when by touch of Heaven set free | B |
Thou camest with those bright locks of gold | C |
So oft the gaze of BETHANY | B |
And covering in their precious fold | C |
Thy Saviour's feet didst shed such tears | E |
As paid each drop the sins of years | F |
Thence on thro' all thy course of love | G |
To Him thy Heavenly Master Him | H |
Whose bitter death cup from above | G |
Had yet this cordial round the brim | H |
That woman's faith and love stood fast | C |
And fearless by Him to the last | C |
Till oh blest boon for truth like thine | I |
Thou wert of all the chosen one | J |
Before whose eyes that Face Divine | I |
When risen from the dead first shone | K |
That thou might'st see how like a cloud | C |
Had past away its mortal shroud | C |
And make that bright revealment known | K |
To hearts less trusting than thy own | K |
All is affecting cheering grand | C |
The kindliest record ever given | J |
Even under God's own kindly hand | C |
Of what repentance wins from Heaven | J |
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No wonder MARY that thy face | L |
In all its touching light of tears | E |
Should meet us in each holy place | L |
Where Man before his God appears | F |
Hopeless were he not taught to see | B |
All hope in Him who pardoned thee | B |
No wonder that the painter's skill | M |
Should oft have triumpht in the power | N |
Of keeping thee all lovely still | M |
Even in thy sorrow's bitterest hour | N |
That soft CORREGGIO should diffuse | O |
His melting shadows round thy form | D |
That GUIDO'S pale unearthly hues | P |
Should in portraying thee grow warm | D |
That all from the ideal grand | C |
Inimitable Roman hand | C |
Down to the small enameling touch | Q |
Of smooth CARLINO should delight | C |
In picturing her who loved so much | Q |
And was in spite of sin so bright | C |
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But MARY 'mong these bold essays | R |
Of Genius and of Art to raise | R |
A semblance of those weeping eyes | S |
A vision worthy of the sphere | T |
Thy faith has earned thee in the skies | S |
And in the hearts of all men here | U |
None e'er hath matched in grief or grace | L |
CANOVA'S day dream of thy face | L |
In those bright sculptured forms more bright | C |
With true expression's breathing light | C |
Than ever yet beneath the stroke | V |
Of chisel into life awoke | V |
The one portraying what thou wert | C |
In thy first grief while yet the flower | N |
Of those young beauties was unhurt | C |
By sorrow's slow consuming power | N |
And mingling earth's seductive grace | L |
With heaven's subliming thoughts so well | W |
We doubt while gazing in which place | L |
Such beauty was most formed to dwell | W |
The other as thou look'dst when years | F |
Of fasting penitence and tears | E |
Had worn thy frame and ne'er did Art | C |
With half such speaking power express | X |
The ruin which a breaking heart | C |
Spreads by degrees o'er loveliness | X |
Those wasting arms that keep the trace | X |
Even still of all their youthful grace | X |
That loosened hair of which thy brow | Y |
Was once so proud neglected now | Y |
Those features even in fading worth | Z |
The freshest bloom to others given | J |
And those sunk eyes now lost to earth | Z |
But to the last still full of heaven | J |
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Wonderful artist praise like mine | I |
Tho' springing from a soul that feels | X |
Deep worship of those works divine | I |
Where Genius all his light reveals | X |
How weak 'tis to the words that came | A2 |
From him thy peer in art and fame | A2 |
Whom I have known by day by night | C |
Hang o'er thy marble with delight | C |
And while his lingering hand would steal | B2 |
O'er every grace the taper's rays | X |
Give thee with all the generous zeal | B2 |
Such master spirits only feel | B2 |
That best of fame a rival's prize | X |
Thomas Moore
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