Marmion: Introduction To Canto V. Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCCDDEEFFGGHHIIJJ KGLMNNOIPPQQRRNNSSTU VWXXYZZA2A2B2B2C2C2X XD2D2KKAAE2E2F2F2G2G 2G2H2H2I2I2E2E2QQJ2K 2I2I2NNL2L2NNM2M2M2M 2N2GL2L2O2O2I2I2L2L2 M2M2I2I2I2I2AAM2M2P2 P2L2L2D2D2NNQ2NNNPPM 2M2FFD2D2L2L2L2L2M2M 2L2L2P2P2M2M2R2R2YYP 2P2S2S2JJL2L2AAM2M2M 2M2M2M2M2M2M2S2S2T2T 2P2P2M2M2L2L2L2L2M2M 2L2L2NNL2L2M2M2U2U2D 2D2| When dark December glooms the day | A |
| And takes our autumn joys away | A |
| When short and scant the sunbeam throws | B |
| Upon the weary waste of snows | B |
| A cold and profitless regard | C |
| Like patron on a needy bard | C |
| When silvan occupation's done | D |
| And o'er the chimney rests the gun | D |
| And hang in idle trophy near | E |
| The game pouch fishing rod and spear | E |
| When wiry terrier rough and grim | F |
| And greyhound with his length of limb | F |
| And pointer now employed no more | G |
| Cumber our parlour's narrow floor | G |
| When in his stall the impatient steed | H |
| Is long condemned to rest and feed | H |
| When from our snow encircled home | I |
| Scarce cares the hardiest step to roam | I |
| Since path is none save that to bring | J |
| The needful water from the spring | J |
| When wrinkled news page thrice conned o'er | K |
| Beguiles the dreary hour no more | G |
| And darkling politican crossed | L |
| Inveighs against the lingering post | M |
| And answering housewife sore complains | N |
| Of carriers' snow impeded wains | N |
| When such the country cheer I come | O |
| Well pleased to seek our city home | I |
| For converse and for books to change | P |
| The Forest's melancholy range | P |
| And welcome with renewed delight | Q |
| The busy day and social night | Q |
| Not here need my desponding rhyme | R |
| Lament the ravages of time | R |
| As erst by Newark's riven towers | N |
| And Ettrick stripped of forest bowers | N |
| True Caledonia's Queen is changed | S |
| Since on her dusky summit ranged | S |
| Within its steepy limits pent | T |
| By bulwark line and battlement | U |
| And flanking towers and laky flood | V |
| Guarded and garrisoned she stood | W |
| Denying entrance or resort | X |
| Save at each tall embattled port | X |
| Above whose arch suspended hung | Y |
| Portcullis spiked with iron prong | Z |
| That long is gone but not so long | Z |
| Since early closed and opening late | A2 |
| Jealous revolved the studded gate | A2 |
| Whose task from eve to morning tide | B2 |
| A wicket churlishly supplied | B2 |
| Stern then and steel girt was thy brow | C2 |
| Dunedin Oh how altered now | C2 |
| When safe amid thy mountain court | X |
| Thou sitt'st like empress at her sport | X |
| And liberal unconfined and free | D2 |
| Flinging thy white arms to the sea | D2 |
| For thy dark cloud with umbered lower | K |
| That hung o'er cliff and lake and tower | K |
| Thou gleam'st against the western ray | A |
| Ten thousand lines of brighter day | A |
| Not she the championess of old | E2 |
| In Spenser's magic tale enrolled | E2 |
| She for the charmed spear renowned | F2 |
| Which forced each knight to kiss the ground | F2 |
| Not she more changed when placed at rest | G2 |
| What time she was Malbecco's guest | G2 |
| She gave to flow her maiden vest | G2 |
| When from the corslet's grasp relieved | H2 |
| Free to the sight her bosom heaved | H2 |
| Sweet was her blue eye's modest smile | I2 |
| Erst hidden by the aventayle | I2 |
| And down her shoulders graceful rolled | E2 |
| Her locks profuse of paly gold | E2 |
| They who whilom in midnight fight | Q |
| Had marvelled at her matchless might | Q |
| No less her maiden charms approved | J2 |
| But looking liked and liking loved | K2 |
| The sight could jealous pangs beguile | I2 |
| And charm Malbecco's cares a while | I2 |
| And he the wandering squire of dames | N |
| Forgot his Columbella's claims | N |
| And passion erst unknown could gain | L2 |
| The breast of blunt Sir Satyrane | L2 |
| Nor durst light Paridel advance | N |
| Bold as he was a looser glance | N |
| She charmed at once and tamed the heart | M2 |
| Incomparable Britomarte | M2 |
| So thou fair city disarrayed | M2 |
| Of battled wall and rampart's aid | M2 |
| As stately seem'st but lovelier far | N2 |
| Than in that panoply of war | G |
| Nor deem that from thy fenceless throne | L2 |
| Strength and security are flown | L2 |
| Still as of yore Queen of the North | O2 |
| Still canst thou send thy children forth | O2 |
| Ne'er readier at alarm bell's call | I2 |
| Thy burghers rose to man thy wall | I2 |
| Than now in danger shall be thine | L2 |
| Thy dauntless voluntary line | L2 |
| For fosse and turret proud to stand | M2 |
| Their breasts the bulwarks of the land | M2 |
| Thy thousands trained to martial toil | I2 |
| Full red would stain their native soil | I2 |
| Ere from thy mural crown there fell | I2 |
| The slightest knosp or pinnacle | I2 |
| And if it come as come it may | A |
| Dunedin that eventful day | A |
| Renowned for hospitable deed | M2 |
| That virtue much with Heaven may plead | M2 |
| In patriarchal times whose care | P2 |
| Descending angels deigned to share | P2 |
| That claim may wrestle blessings down | L2 |
| On those who fight for the good town | L2 |
| Destined in every age to be | D2 |
| Refuge of injured royalty | D2 |
| Since first when conquering York arose | N |
| To Henry meek she gave repose | N |
| Till late with wonder grief and awe | Q2 |
| Great Bourbon's relics sad she saw | N |
| Truce to these thoughts for as they rise | N |
| How gladly I avert mine eyes | N |
| Bodings or true or false to change | P |
| For Fiction's fair romantic range | P |
| Or for tradition's dubious light | M2 |
| That hovers 'twixt the day and night | M2 |
| Dazzling alternately and dim | F |
| Her wavering lamp I'd rather trim | F |
| Knights squires and lovely dames to see | D2 |
| Creation of my fantasy | D2 |
| Than gaze abroad on reeky fen | L2 |
| And make of mists invading men | L2 |
| Who love not more the night of June | L2 |
| Than dull December's gloomy noon | L2 |
| The moonlight than the fog of frost | M2 |
| And can we say which cheats the most | M2 |
| But who shall teach my harp to gain | L2 |
| A sound of the romantic strain | L2 |
| Whose Anglo Norman tones whilere | P2 |
| Could win the royal Henry's ear | P2 |
| Famed Beauclerc called for that he loved | M2 |
| The minstrel and his lay approved | M2 |
| Who shall these lingering notes redeem | R2 |
| Decaying on Oblivion's stream | R2 |
| Such notes as from the Breton tongue | Y |
| Marie translated Blondel sung | Y |
| O born Time's ravage to repair | P2 |
| And make the dying muse thy care | P2 |
| Who when his scythe her hoary foe | S2 |
| Was poising for the final blow | S2 |
| The weapon from his hand could wring | J |
| And break his glass and shear his wing | J |
| And bid reviving in his strain | L2 |
| The gentle poet live again | L2 |
| Thou who canst give to lightest lay | A |
| An unpedantic moral gay | A |
| Nor less the dullest theme bid flit | M2 |
| On wings of unexpected wit | M2 |
| In letters as in life approved | M2 |
| Example honoured and beloved | M2 |
| Dear Ellis to the bard impart | M2 |
| A lesson of thy magic art | M2 |
| To win at once the head and heart | M2 |
| At once to charm instruct and mend | M2 |
| My guide my pattern and my friend | M2 |
| Such minstrel lesson to bestow | S2 |
| Be long thy pleasing task but oh | S2 |
| No more by thy example teach | T2 |
| What few can practise all can preach | T2 |
| With even patience to endure | P2 |
| Lingering disease and painful cure | P2 |
| And boast affliction's pangs subdued | M2 |
| By mild and manly fortitude | M2 |
| Enough the lesson has been given | L2 |
| Forbid the repetition Heaven | L2 |
| Come listen then for thou hast known | L2 |
| And loved the minstrel's varying tone | L2 |
| Who like his Border sires of old | M2 |
| Waked a wild measure rude and bold | M2 |
| Till Windsor's oaks and Ascot plain | L2 |
| With wonder heard the Northern strain | L2 |
| Come listen bold in thy applause | N |
| The bard shall scorn pedantic laws | N |
| And as the ancient art could stain | L2 |
| Achievements on the storied pane | L2 |
| Irregularly traced and planned | M2 |
| But yet so glowing and so grand | M2 |
| So shall he strive in changeful hue | U2 |
| Field feast and combat to renew | U2 |
| And loves and arms and harpers' glee | D2 |
| And all the pomp of chivalry | D2 |
Sir Walter Scott
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About Marmion: Introduction To Canto V.
Marmion: Introduction To Canto V. is a poem by Sir Walter Scott. This page includes the poem text, poet information, related topics, comments, and similar poems.
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