An Epithalamy To Sir Thomas Southwell And His Lady Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BBCCDDEFGG A HHIIIIJJII A KLMMNNIIII O IIAHPPQRII H IISSTTUUII A IIVVOOWWOO O IIXYZZYYII O IIYYUUA2B2C2C2 Y D2D2IIIIE2E2F2F2 Y G2G2IIAAYYC2C2 Y YYIIIIQH2II Y I2I2UUJ2J2YYYY Y YYK2K2IIYYL2L2 O M2N2C2C2IIOOUU O B2B2YYO2O2P2P2II O YYOOIIIIII O Q2Q2IIIIYYR2R2| I | A |
| - | |
| Now now's the time so oft by truth | B |
| Promis'd should come to crown your youth | B |
| Then fair ones do not wrong | C |
| Your joys by staying long | C |
| Or let love's fire go out | D |
| By lingering thus in doubt | D |
| But learn that time once lost | E |
| Is ne'er redeem'd by cost | F |
| Then away come Hymen guide | G |
| To the bed the bashful bride | G |
| - | |
| - | |
| II | A |
| - | |
| Is it sweet maid your fault these holy | H |
| Bridal rites go on so slowly | H |
| Dear is it this you dread | I |
| The loss of maidenhead | I |
| Believe me you will most | I |
| Esteem it when 'tis lost | I |
| Then it no longer keep | J |
| Lest issue lie asleep | J |
| Then away come Hymen guide | I |
| To the bed the bashful bride | I |
| - | |
| - | |
| III | A |
| - | |
| These precious pearly purling tears | K |
| But spring from ceremonious fears | L |
| And 'tis but native shame | M |
| That hides the loving flame | M |
| And may a while control | N |
| The soft and am'rous soul | N |
| But yet love's fire will waste | I |
| Such bashfulness at last | I |
| Then away come Hymen guide | I |
| To the bed the bashful bride | I |
| - | |
| - | |
| IV | O |
| - | |
| Night now hath watch'd herself half blind | I |
| Yet not a maidenhead resign'd | I |
| 'Tis strange ye will not fly | A |
| To love's sweet mystery | H |
| Might yon full moon the sweets | P |
| Have promised to your sheets | P |
| She soon would leave her sphere | Q |
| To be admitted there | R |
| Then away come Hymen guide | I |
| To the bed the bashful bride | I |
| - | |
| - | |
| V | H |
| - | |
| On on devoutly make no stay | I |
| While Domiduca leads the way | I |
| And Genius who attends | S |
| The bed for lucky ends | S |
| With Juno goes the Hours | T |
| And Graces strewing flowers | T |
| And the boys with sweet tunes sing | U |
| Hymen O Hymen bring | U |
| Home the turtles Hymen guide | I |
| To the bed the bashful bride | I |
| - | |
| - | |
| VI | A |
| - | |
| Behold how Hymen's taper light | I |
| Shows you how much is spent of night | I |
| See see the bridegroom's torch | V |
| Half wasted in the porch | V |
| And now those tapers five | O |
| That show the womb shall thrive | O |
| Their silv'ry flames advance | W |
| To tell all prosp'rous chance | W |
| Still shall crown the happy life | O |
| Of the goodman and the wife | O |
| - | |
| - | |
| VII | O |
| - | |
| Move forward then your rosy feet | I |
| And make whate'er they touch turn sweet | I |
| May all like flowery meads | X |
| Smell where your soft foot treads | Y |
| And everything assume | Z |
| To it the like perfume | Z |
| As Zephyrus when he 'spires | Y |
| Through woodbine and sweetbriars | Y |
| Then away come Hymen guide | I |
| To the bed the bashful bride | I |
| - | |
| - | |
| VIII | O |
| - | |
| And now the yellow veil at last | I |
| Over her fragrant cheek is cast | I |
| Now seems she to express | Y |
| A bashful willingness | Y |
| Showing a heart consenting | U |
| As with a will repenting | U |
| Then gently lead her on | A2 |
| With wise suspicion | B2 |
| For that matrons say a measure | C2 |
| Of that passion sweetens pleasure | C2 |
| - | |
| - | |
| IX | Y |
| - | |
| You you that be of her nearest kin | D2 |
| Now o'er the threshold force her in | D2 |
| But to avert the worst | I |
| Let her her fillets first | I |
| Knit to the posts this point | I |
| Remembering to anoint | I |
| The sides for 'tis a charm | E2 |
| Strong against future harm | E2 |
| And the evil deads the which | F2 |
| There was hidden by the witch | F2 |
| - | |
| - | |
| X | Y |
| - | |
| O Venus thou to whom is known | G2 |
| The best way how to loose the zone | G2 |
| Of virgins tell the maid | I |
| She need not be afraid | I |
| And bid the youth apply | A |
| Close kisses if she cry | A |
| And charge he not forbears | Y |
| Her though she woo with tears | Y |
| Tell them now they must adventure | C2 |
| Since that love and night bid enter | C2 |
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| XI | Y |
| - | |
| No fatal owl the bedstead keeps | Y |
| With direful notes to fright your sleeps | Y |
| No furies here about | I |
| To put the tapers out | I |
| Watch or did make the bed | I |
| 'Tis omen full of dread | I |
| But all fair signs appear | Q |
| Within the chamber here | H2 |
| Juno here far off doth stand | I |
| Cooling sleep with charming wand | I |
| - | |
| - | |
| XII | Y |
| - | |
| Virgins weep not 'twill come when | I2 |
| As she so you'll be ripe for men | I2 |
| Then grieve her not with saying | U |
| She must no more a maying | U |
| Or by rosebuds divine | J2 |
| Who'll be her valentine | J2 |
| Nor name those wanton reaks | Y |
| You've had at barley breaks | Y |
| But now kiss her and thus say | Y |
| Take time lady while ye may | Y |
| - | |
| - | |
| XIII | Y |
| - | |
| Now bar the doors the bridegroom puts | Y |
| The eager boys to gather nuts | Y |
| And now both love and time | K2 |
| To their full height do climb | K2 |
| Oh give them active heat | I |
| And moisture both complete | I |
| Fit organs for increase | Y |
| To keep and to release | Y |
| That which may the honour'd stem | L2 |
| Circle with a diadem | L2 |
| - | |
| - | |
| XIV | O |
| - | |
| And now behold the bed or couch | M2 |
| That ne'er knew bride's or bridegroom's touch | N2 |
| Feels in itself a fire | C2 |
| And tickled with desire | C2 |
| Pants with a downy breast | I |
| As with a heart possesst | I |
| Shrugging as it did move | O |
| Ev'n with the soul of love | O |
| And oh had it but a tongue | U |
| Doves 'twould say ye bill too long | U |
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| - | |
| XV | O |
| - | |
| O enter then but see ye shun | B2 |
| A sleep until the act be done | B2 |
| Let kisses in their close | Y |
| Breathe as the damask rose | Y |
| Or sweet as is that gum | O2 |
| Doth from Panchaia come | O2 |
| Teach nature now to know | P2 |
| Lips can make cherries grow | P2 |
| Sooner than she ever yet | I |
| In her wisdom could beget | I |
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| - | |
| XVI | O |
| - | |
| On your minutes hours days months years | Y |
| Drop the fat blessing of the spheres | Y |
| That good which heav'n can give | O |
| To make you bravely live | O |
| Fall like a spangling dew | I |
| By day and night on you | I |
| May fortune's lily hand | I |
| Open at your command | I |
| With all lucky birds to side | I |
| With the bridegroom and the bride | I |
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| XVII | O |
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| Let bounteous Fate s your spindles full | Q2 |
| Fill and wind up with whitest wool | Q2 |
| Let them not cut the thread | I |
| Of life until ye bid | I |
| May death yet come at last | I |
| And not with desp'rate haste | I |
| But when ye both can say | Y |
| Come let us now away | Y |
| Be ye to the barn then borne | R2 |
| Two like two ripe shocks of corn | R2 |
Robert Herrick
(1)
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About An Epithalamy To Sir Thomas Southwell And His Lady
An Epithalamy To Sir Thomas Southwell And His Lady is a poem by Robert Herrick. This page includes the poem text, poet information, related topics, comments, and similar poems.
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