Paul's Wife Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGAHIJKCLMNOPQE RSTGUGVWXMGYZMA2SGXY I B2C2D2WE2FF2G2H2XI2J 2CK2L2XEM2N2O2XXP2Q2 XGXR2XS2R2T2U2U2V2W2 X2X2CY2MO2Z2A3SYXXK2 B3C3O2XD3A3M2K2E3X2X F3A2ZG3H3I3J3JMXAAK3 AL3CM3N3MZO3 P3Q3YO2X2R3GS3X2T3CJ 3V2X2U3X2M2A2X2N2X2M X2CMV3CM2M2T3M2M2MCX| to say to him | A |
| 'How is the wife Paul ' and he'd disappear | B |
| Some said it was because be bad no wife | C |
| And hated to be twitted on the subject | D |
| Others because he'd come within a day | E |
| Or so of having one and then been Jilted | F |
| Others because he'd had one once a good one | G |
| Who'd run away with someone else and left him | A |
| And others still because he had one now | H |
| He only had to be reminded of | I |
| He was all duty to her in a minute | J |
| He had to run right off to look her up | K |
| As if to say 'That's so how is my wife | C |
| I hope she isn't getting into mischief ' | L |
| No one was anxious to get rid of Paul | M |
| He'd been the hero of the mountain camps | N |
| Ever since just to show them he bad slipped | O |
| The bark of a whole tamarack off whole | P |
| As clean as boys do off a willow twig | Q |
| To make a willow whistle on a Sunday | E |
| April by subsiding meadow brooks | R |
| They seemed to ask him just to see him go | S |
| 'How is the wife Paul ' and he always went | T |
| He never stopped to murder anyone | G |
| Who asked the question He just disappeared | U |
| Nobody knew in what direction | G |
| Although it wasn't usually long | V |
| Before they beard of him in some new camp | W |
| The same Paul at the same old feats of logging | X |
| The question everywhere was why should Paul | M |
| Object to being asked a civil question | G |
| A man you could say almost anything to | Y |
| Short of a fighting word You have the answers | Z |
| And there was one more not so fair to Paul | M |
| That Paul had married a wife not his equal | A2 |
| Paul was ashamed of her To match a hero | S |
| She would have had to be a heroine | G |
| Instead of which she was some half breed squaw | X |
| But if the story Murphy told was true | Y |
| She wasn't anything to be ashamed of | I |
| - | |
| You know Paul could do wonders Everyone's | B2 |
| Heard how he thrashed the horses on a load | C2 |
| That wouldn't budge until they simply stretched | D2 |
| Their rawhide harness from the load to camp | W |
| Paul told the boss the load would be all right | E2 |
| 'The sun will bring your load in' and it did | F |
| By shrinking the rawhide to natural length | F2 |
| That's what is called a stretcher But I guess | G2 |
| The one about his jumping so's to land | H2 |
| With both his feet at once against the ceiling | X |
| And then land safely right side up again | I2 |
| Back on the floor is fact or pretty near fact | J2 |
| Well this is such a yarn Paul sawed his wife | C |
| Out of a white pine log Murphy was there | K2 |
| And as you might say saw the lady born | L2 |
| Paul worked at anything in lumbering | X |
| He'd been bard at it taking boards away | E |
| For I forget the last ambitious sawyer | M2 |
| To want to find out if he couldn't pile | N2 |
| The lumber on Paul till Paul begged for mercy | O2 |
| They'd sliced the first slab off a big butt log | X |
| And the sawyer had slammed the carriage back | X |
| To slam end on again against the saw teeth | P2 |
| To judge them by the way they caught themselves | Q2 |
| When they saw what had happened to the log | X |
| They must have had a guilty expectation | G |
| Something was going to go with their slambanging | X |
| Something bad left a broad black streak of grease | R2 |
| On the new wood the whole length of the log | X |
| Except perhaps a foot at either end | S2 |
| But when Paul put his finger in the grease | R2 |
| It wasn't grease at all but a long slot | T2 |
| The log was hollow They were sawing pine | U2 |
| 'First time I ever saw a hollow pine | U2 |
| That comes of having Paul around the place | V2 |
| Take it to bell for me ' the sawyer said | W2 |
| Everyone had to have a look at it | X2 |
| And tell Paul what he ought to do about it | X2 |
| They treated it as his 'You take a jackknife | C |
| And spread the opening and you've got a dugout | Y2 |
| All dug to go a fishing in ' To Paul | M |
| The hollow looked too sound and clean and empty | O2 |
| Ever to have housed birds or beasts or bees | Z2 |
| There was no entrance for them to get in by | A3 |
| It looked to him like some new kind of hollow | S |
| He thought he'd better take his jackknife to | Y |
| So after work that evening be came back | X |
| And let enough light into it by cutting | X |
| To see if it was empty He made out in there | K2 |
| A slender length of pith or was it pith | B3 |
| It might have been the skin a snake had cast | C3 |
| And left stood up on end inside the tree | O2 |
| The hundred years the tree must have been growing | X |
| More cutting and he bad this in both hands | D3 |
| And looking from it to the pond nearby | A3 |
| Paul wondered how it would respond to water | M2 |
| Not a breeze stirred but just the breath of air | K2 |
| He made in walking slowly to the beach | E3 |
| Blew it once off his hands and almost broke it | X2 |
| He laid it at the edge where it could drink | X |
| At the first drink it rustled and grew limp | F3 |
| At the next drink it grew invisible | A2 |
| Paul dragged the shallows for it with his fingers | Z |
| And thought it must have melted It was gone | G3 |
| And then beyond the open water dim with midges | H3 |
| Where the log drive lay pressed against the boom | I3 |
| It slowly rose a person rose a girl | J3 |
| Her wet hair heavy on her like a helmet | J |
| Who leaning on a log looked back at Paul | M |
| And that made Paul in turn look back | X |
| To see if it was anyone behind him | A |
| That she was looking at instead of him | A |
| Murphy had been there watching all the time | K3 |
| But from a shed where neither of them could see him | A |
| There was a moment of suspense in birth | L3 |
| When the girl seemed too waterlogged to live | C |
| Before she caught her first breath with a gasp | M3 |
| And laughed Then she climbed slowly to her feet | N3 |
| And walked off talking to herself or Paul | M |
| Across the logs like backs of alligators | Z |
| Paul taking after her around the pond | O3 |
| - | |
| Next evening Murphy and some other fellows | P3 |
| Got drunk and tracked the pair up Catamount | Q3 |
| From the bare top of which there is a view | Y |
| TO other hills across a kettle valley | O2 |
| And there well after dark let Murphy tell it | X2 |
| They saw Paul and his creature keeping house | R3 |
| It was the only glimpse that anyone | G |
| Has had of Paul and her since Murphy saw them | S3 |
| Falling in love across the twilight millpond | X2 |
| More than a mile across the wilderness | T3 |
| They sat together halfway up a cliff | C |
| In a small niche let into it the girl | J3 |
| Brightly as if a star played on the place | V2 |
| Paul darkly like her shadow All the light | X2 |
| Was from the girl herself though not from a star | U3 |
| As was apparent from what happened next | X2 |
| All those great ruffians put their throats together | M2 |
| And let out a loud yell and threw a bottle | A2 |
| As a brute tribute of respect to beauty | X2 |
| Of course the bottle fell short by a mile | N2 |
| But the shout reached the girl and put her light out | X2 |
| She went out like a firefly and that was all | M |
| - | |
| So there were witnesses that Paul was married | X2 |
| And not to anyone to be ashamed of | C |
| Everyone had been wrong in judging Paul | M |
| Murphy told me Paul put on all those airs | V3 |
| About his wife to keep her to himself | C |
| Paul was what's called a terrible possessor | M2 |
| Owning a wife with him meant owning her | M2 |
| She wasn't anybody else's business | T3 |
| Either to praise her or much as name her | M2 |
| And he'd thank people not to think of her | M2 |
| Murphy's idea was that a man like Paul | M |
| Wouldn't be spoken to about a wife | C |
| In any way the world knew how to speak | X |
Robert Frost
(1)
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