The Ring And The Book Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHIJKLMNOPLQJR SAJTUVVWGAVJ VJJJVXJJVYVZA2VB2JMC 2GLVJVJJGVJD2MJJE2F2 G2H2VH2VI2JVJ2WMVVJK 2L2K E2JJJVM2J JLVVVVVN2JJVJVKVO2B2 P2VQ2JR2E2S2VJT2XJJV VP2JU2VMJE2JJ JVZJV2W2VX2J JJT2JJVJVJJVMY2JZ2JV VJMH2A3F2JB3JE2JJJVL 2C3JMMD3JE3F3JVJJJVJ JG3H3VMVJVI3F3JWJK2P 2JJJZJBJF3JB2F3JMV2F 3JU2J3JJK3L3MJJJMM3F 3F3N3O3JJJJP3JQ3JE2Y 2F3F3MJJEA3J F3JJJR3I3S3H3V2JO3F3 T3U3MJ MF3O3F3MV3W3F3JJMJ3X 3MMF3F3JL3O3JK2F3Q2O 3J KO3F3O3Y3H2JJF3Z3JF3 F3A4O3JMF3K2G2F3K2F3 B4O3JK2JJF3O3JC3JMP2 JF3JF3U3C3JJJO3ZJO3 P2F3K2JJJF3MMJJ2JF3S 2AO3JF3K2W3 T2C4JF3K2H2F2O3F3JMX F3D4K2MJJF3Y2K2O3JF3 RK2ZF3JO3JJJJJU2F3R3 F3JO3E4O3F3F3K2 JK2JT2JW3JMMF3AK2F4O 3F3F3MJB3JJT2G4F3JF3 JJF3H2XF3JJJJJH4K2I3 JMO3I4MK2A3 MJ4F3JJF3MO3JMJK4K2J JJJH2JJJJJS2MMMF3F3J T2JJF3JO3JJJO3JF3JL4 N2F3JJJF3R3F3K3JJF3R 3JF3O3MJF3F3O3O3F3JJ W3W3F3JF3JJL4MJF3K2M 4N3F3O3F3K2E2MF3JMF3 R3JO3MW3Y3E2JO3T2JF3 JJO3MJO3MO3ML4JF3AE2 MF3JN4O3JJO4JP4JF3O3 N3K2F3T2O3K2F3F3O3JO 3Q2Z3Q4E2JK2JO3MJR4J JQ4JJF3T2B3JF4H2JJF3 JF3F3P2E2F3F3F3O3Y2K 2JO3MF3F3JJF3JH4F3F3 JXKJO3F4S4JJK2F3O3T4 AO3JJJF3JJK2O3XJF3F3 JF3JM F3K2MJT2JU4O3MF3JF3F 3JJO3XF3M JF3O3KMF3JO3U4 JJT2MB3AT4O3V4T2F3JF 3K2O3F3MK2O3F3K2R3E2 K2F3F3K2AHJT2H2F3K2M JT2JB3F3O3F3T2H3JMF3 R3MJJJF3F3F3R3V4JU4F 3F3H2F3E2JM F3F3JH2O3F3O3 E2O3JJO3X2E2JF3F3JE2 JT2O3JJF3E2E4T2JJJJF 3JJJK2O3E2JF3O3JH2JM JJJO3H2 E2H3JF3JF3F3E2JF3E2J O3J JJJF3MU4JU4O3T2H2F3O 3K2JF3JK2JF3W4MH4JO3 JXU4JJMJJJJE2X4JMJF3 JF3F3F3 MF3E3K2JI3F3Y4K2O3JJ G3F3F3JF3JU4JJO3F3K2 JH2T2 O3F3JT2F3JJF3O3E2F3J E2JF3MF3F3F3JMQ4JF3E 2MZ4JAK4JU4F3 JO3JO3JF3JF3JT2U4JJJ F3JJJH2Z4F3H3JJJO3JJ F3K3JK2K2F3JMT2H2Q2K 2MF3JE2F3JK2F3JE2T2O 3O3MF3MF3E2F3MF3T2O3 MF3ME2JE2JF4 JMO3F3F3O3JJO3F3JMJF 3JJJH2O3K2JF3H2E2JMJ MF3H2MF3K3JJMF3T2K2E 2F3JF3JH2MJE2E2H3G3F 3F3E2JF3F3 JF3JJK2JK2K2F3JK2MF3 JF3K2E2I4U4MK2F3T2JF 3JO3XK2 H2S4F3JF3E2MF3JR4MJJ X2X2JJF3F3JF3Y4F3MH2 F3Q2MF3U4T2F3T2JQ2O3 MF3JO3E2MJJJE2T2MMJJ H2J2F3O3AJJF3JU4JF3F 3H2O3MF3T2O3W4F3K2E2 MJME2JO3MF3U4F3MMH2E 2K3JO3F3JE2F3MO3MMF3 JMQ2JO3T2JJO3H2JT2JJ F3F3JQ2JO3JQ4E2O3T2H 2JMF3MO3JJMJQ2JJH2F3 JQ2JF3F3MJT2K2JJO3H2 O3MJT2JJJJ H2E2K2ME2F3MF3E2JJK2 MF3MME2F3MK4MF3JJO3M E2F3JMJE2JMO3F3E2JMT 2JJO3JF3JH2ME2JJJU4O 3JU4MH2 JJMJT2F3MJE2F3JF3JF3 O3JA3F3 E2O3JH2F3H2K2O3JF3T2 JK2O3JJF3K2JJJJJJF3J JJE2F3F3 JO3JE2F3JJJMF3A E2 JO3E2MF3JT2ME2JQ2JMJ JQ2JMJE2JQ4H2JMDo you see this Ring | A |
'Tis Rome work made to match | B |
By Castellani's imitative craft | C |
Etrurian circlets found some happy morn | D |
After a dropping April found alive | E |
Spark like 'mid unearthed slope side figtree roots | F |
That roof old tombs at Chiusi soft you see | G |
Yet crisp as jewel cutting There's one trick | H |
Craftsmen instruct me one approved device | I |
And but one fits such slivers of pure gold | J |
As this was such mere oozings from the mine | K |
Virgin as oval tawny pendent tear | L |
At beehive edge when ripened combs o'erflow | M |
To bear the file's tooth and the hammer's tap | N |
Since hammer needs must widen out the round | O |
And file emboss it fine with lily flowers | P |
Ere the stuff grow a ring thing right to wear | L |
That trick is the artificer melts up wax | Q |
With honey so to speak he mingles gold | J |
With gold's alloy and duly tempering both | R |
Effects a manageable mass then works | S |
But his work ended once the thing a ring | A |
Oh there's repristination Just a spirt | J |
O' the proper fiery acid o'er its face | T |
And forth the alloy unfastened flies in fume | U |
While self sufficient now the shape remains | V |
The rondure brave the lilied loveliness | V |
Gold as it was is shall be evermore | W |
Prime nature with an added artistry | G |
No carat lost and you have gained a ring | A |
What of it 'Tis a figure a symbol say | V |
A thing's sign now for the thing signified | J |
- | |
Do you see this square old yellow Book I toss | V |
I' the air and catch again and twirl about | J |
By the crumpled vellum covers pure crude fact | J |
Secreted from man's life when hearts beat hard | J |
And brains high blooded ticked two centuries since | V |
Examine it yourselves I found this book | X |
Gave a lira for it eightpence English just | J |
Mark the predestination when a Hand | J |
Always above my shoulder pushed me once | V |
One day still fierce 'mid many a day struck calm | Y |
Across a Square in Florence crammed with booths | V |
Buzzing and blaze noontide and market time | Z |
Toward Baccio's marble ay the basement ledge | A2 |
O' the pedestal where sits and menaces | V |
John of the Black Bands with the upright spear | B2 |
'Twixt palace and church Riccardi where they lived | J |
His race and San Lorenzo where they lie | M |
This book precisely on that palace step | C2 |
Which meant for lounging knaves o' the Medici | G |
Now serves re venders to display their ware | L |
'Mongst odds and ends of ravage picture frames | V |
White through the worn gilt mirror sconces chipped | J |
Bronze angel heads once knobs attached to chests | V |
Handled when ancient dames chose forth brocade | J |
Modern chalk drawings studies from the nude | J |
Samples of stone jet breccia porphyry | G |
Polished and rough sundry amazing busts | V |
In baked earth broken Providence be praised | J |
A wreck of tapestry proudly purposed web | D2 |
When reds and blues were indeed red and blue | M |
Now offered as a mat to save bare feet | J |
Since carpets constitute a cruel cost | J |
Treading the chill scagliola bedward then | E2 |
A pile of brown etched prints two crazie each | F2 |
Stopped by a conch a top from fluttering forth | G2 |
Sowing the Square with works of one and the same | H2 |
Master the imaginative Sienese | V |
Great in the scenic backgrounds name and fame | H2 |
None of you know nor does he fare the worse | V |
From these Oh with a Lionard going cheap | I2 |
If it should prove as promised that Joconde | J |
Whereof a copy contents the Louvre these | V |
I picked this book from Five compeers in flank | J2 |
Stood left and right of it as tempting more | W |
A dog's eared Spicilegium the fond tale | M |
O' the Frail One of the Flower by young Dumas | V |
Vulgarised Horace for the use of schools | V |
The Life Death Miracles of Saint Somebody | J |
Saint Somebody Else his Miracles Death and Life | K2 |
With this one glance at the lettered back of which | L2 |
And Stall cried I a lira made it mine | K |
- | |
Here it is this I toss and take again | E2 |
Small quarto size part print part manuscript | J |
A book in shape but really pure crude fact | J |
Secreted from man's life when hearts beat hard | J |
And brains high blooded ticked two centuries since | V |
Give it me back The thing's restorative | M2 |
I' the touch and sight | J |
- | |
That memorable day | J |
June was the month Lorenzo named the Square | L |
I leaned a little and overlooked my prize | V |
By the low railing round the fountain source | V |
Close to the statue where a step descends | V |
While clinked the cans of copper as stooped and rose | V |
Thick ankled girls who brimmed them and made place | V |
For marketmen glad to pitch basket down | N2 |
Dip a broad melon leaf that holds the wet | J |
And whisk their faded fresh And on I read | J |
Presently though my path grew perilous | V |
Between the outspread straw work piles of plait | J |
Soon to be flapping each o'er two black eyes | V |
And swathe of Tuscan hair on festas fine | K |
Through fire irons tribes of tongs shovels in sheaves | V |
Skeleton bedsteads wardrobe drawers agape | O2 |
Rows of tall slim brass lamps with dangling gear | B2 |
And worse cast clothes a sweetening in the sun | P2 |
None of them took my eye from off my prize | V |
Still read I on from written title page | Q2 |
To written index on through street and street | J |
At the Strozzi at the Pillar at the Bridge | R2 |
Till by the time I stood at home again | E2 |
In Casa Guidi by Felice Church | S2 |
Under the doorway where the black begins | V |
With the first stone slab of the staircase cold | J |
I had mastered the contents knew the whole truth | T2 |
Gathered together bound up in this book | X |
Print three fifths written supplement the rest | J |
Romana Homicidiorum nay | J |
Better translate A Roman murder case | V |
Position of the entire criminal cause | V |
Of Guido Franceschini nobleman | P2 |
With certain Four the cutthroats in his pay | J |
Tried all five and found guilty and put to death | U2 |
By heading or hanging as befitted ranks | V |
At Rome on February Twenty Two | M |
Since our salvation Sixteen Ninety Eight | J |
Wherein it is disputed if and when | E2 |
Husbands may kill adulterous wives yet 'scape | J |
The customary forfeit | J |
- | |
Word for word | J |
So ran the title page murder or else | V |
Legitimate punishment of the other crime | Z |
Accounted murder by mistake just that | J |
And no more in a Latin cramp enough | V2 |
When the law had her eloquence to launch | W2 |
But interfilleted with Italian streaks | V |
When testimony stooped to mother tongue | X2 |
That was this old square yellow book about | J |
- | |
Now as the ingot ere the ring was forged | J |
Lay gold beseech you hold that figure fast | J |
So in this book lay absolutely truth | T2 |
Fanciless fact the documents indeed | J |
Primary lawyer pleadings for against | J |
The aforesaid Five real summed up circumstance | V |
Adduced in proof of these on either side | J |
Put forth and printed as the practice was | V |
At Rome in the Apostolic Chamber's type | J |
And so submitted to the eye o' the Court | J |
Presided over by His Reverence | V |
Rome's Governor and Criminal Judge the trial | M |
Itself to all intents being then as now | Y2 |
Here in the book and nowise out of it | J |
Seeing there properly was no judgment bar | Z2 |
No bringing of accuser and accused | J |
And whoso judged both parties face to face | V |
Before some court as we conceive of courts | V |
There was a Hall of Justice that came last | J |
For justice had a chamber by the hall | M |
Where she took evidence first summed up the same | H2 |
Then sent accuser and accused alike | A3 |
In person of the advocate of each | F2 |
To weigh that evidence' worth arrange array | J |
The battle 'Twas the so styled Fisc began | B3 |
Pleaded and since he only spoke in print | J |
The printed voice of him lives now as then | E2 |
The public Prosecutor Murder's proved | J |
With five what we call qualities of bad | J |
Worse worst and yet worse still and still worse yet | J |
Crest over crest crowning the cockatrice | V |
That beggar hell's regalia to enrich | L2 |
Count Guido Franceschini punish him | C3 |
Thus was the paper put before the court | J |
In the next stage no noisy work at all | M |
To study at ease In due time like reply | M |
Came from the so styled Patron of the Poor | D3 |
Official mouthpiece of the five accused | J |
Too poor to fee a better Guido's luck | E3 |
Or else his fellows' which I hardly know | F3 |
An outbreak as of wonder at the world | J |
A fury fit of outraged innocence | V |
A passion of betrayed simplicity | J |
Punish Count Guido For what crime what hint | J |
O' the colour of a crime inform us first | J |
Reward him rather Recognise we say | V |
In the deed done a righteous judgment dealt | J |
All conscience and all courage there's our Count | J |
Charactered in a word and what's more strange | G3 |
He had companionship in privilege | H3 |
Found four courageous conscientious friends | V |
Absolve applaud all five as props of law | M |
Sustainers of society perchance | V |
A trifle over hasty with the hand | J |
To hold her tottering ark had tumbled else | V |
But that's a splendid fault whereat we wink | I3 |
Wishing your cold correctness sparkled so | F3 |
Thus paper second followed paper first | J |
Thus did the two join issue nay the four | W |
Each pleader having an adjunct True he killed | J |
So to speak in a certain sort his wife | K2 |
But laudably since thus it happed quoth one | P2 |
Whereat more witness and the case postponed | J |
Thus it happed not since thus he did the deed | J |
And proved himself thereby portentousest | J |
Of cutthroats and a prodigy of crime | Z |
As the woman that he slaughtered was a saint | J |
Martyr and miracle quoth the other to match | B |
Again more witness and the case postponed | J |
A miracle ay of lust and impudence | F3 |
Hear my new reasons interposed the first | J |
Coupled with more of mine pursued his peer | B2 |
Beside the precedents the authorities | F3 |
From both at once a cry with an echo that | J |
That was a firebrand at each fox's tail | M |
Unleashed in a cornfield soon spread flare enough | V2 |
As hurtled thither and there heaped themselves | F3 |
From earth's four corners all authority | J |
And precedent for putting wives to death | U2 |
Or letting wives live sinful as they seem | J3 |
How legislated now in this respect | J |
Solon and his Athenians Quote the code | J |
Of Romulus and Rome Justinian speak | K3 |
Nor modern Baldo Bartolo be dumb | L3 |
The Roman voice was potent plentiful | M |
Cornelia de Sicariis hurried to help | J |
Pompeia de Parricidiis Julia de | J |
Something or other jostled Lex this and that | J |
King Solomon confirmed Apostle Paul | M |
That nice decision of Dolabella eh | M3 |
That pregnant instance of Theodoric oh | F3 |
Down to that choice example lian gives | F3 |
An instance I find much insisted on | N3 |
Of the elephant who brute beast though he were | O3 |
Yet understood and punished on the spot | J |
His master's naughty spouse and faithless friend | J |
A true tale which has edified each child | J |
Much more shall flourish favoured by our court | J |
Pages of proof this way and that way proof | P3 |
And always once again the case postponed | J |
Thus wrangled brangled jangled they a month | Q3 |
Only on paper pleadings all in print | J |
Nor ever was except i' the brains of men | E2 |
More noise by word of mouth than you hear now | Y2 |
Till the court cut all short with Judged your cause | F3 |
Receive our sentence Praise God We pronounce | F3 |
Count Guido devilish and damnable | M |
His wife Pompilia in thought word and deed | J |
Was perfect pure he murdered her for that | J |
As for the Four who helped the One all Five | E |
Why let employer and hirelings share alike | A3 |
In guilt and guilt's reward the death their due | J |
- | |
So was the trial at end do you suppose | F3 |
Guilty you find him death you doom him to | J |
Ay were not Guido more than needs a priest | J |
Priest and to spare this was a shot reserved | J |
I learn this from epistles which begin | R3 |
Here where the print ends see the pen and ink | I3 |
Of the advocate the ready at a pinch | S3 |
My client boasts the clerkly privilege | H3 |
Has taken minor orders many enough | V2 |
Shows still sufficient chrism upon his pate | J |
To neutralise a blood stain presbyter | O3 |
Primoe tonsuroe subdiaconus | F3 |
Sacerdos so he slips from underneath | T3 |
Your power the temporal slides inside the robe | U3 |
Of mother Church to her we make appeal | M |
By the Pope the Church's head | J |
- | |
A parlous plea | M |
Put in with noticeable effect it seems | F3 |
Since straight resumes the zealous orator | O3 |
Making a friend acquainted with the facts | F3 |
Once the word 'clericality' let fall | M |
Procedure stopped and freer breath was drawn | V3 |
By all considerate and responsible Rome | W3 |
Quality took the decent part of course | F3 |
Held by the husband who was noble too | J |
Or for the matter of that a churl would side | J |
With too refined susceptibility | M |
And honour which tender in the extreme | J3 |
Stung to the quick must roughly right itself | X3 |
At all risks not sit still and whine for law | M |
As a Jew would if you squeezed him to the wall | M |
Brisk trotting through the Ghetto Nay it seems | F3 |
Even the Emperor's Envoy had his say | F3 |
To say on the subject might not see unmoved | J |
Civility menaced throughout Christendom | L3 |
By too harsh measure dealt her champion here | O3 |
Lastly what made all safe the Pope was kind | J |
From his youth up reluctant to take life | K2 |
If mercy might be just and yet show grace | F3 |
Much more unlikely then in extreme age | Q2 |
To take a life the general sense bade spare | O3 |
'Twas plain that Guido would go scatheless yet | J |
- | |
But human promise oh how short of shine | K |
How topple down the piles of hope we rear | O3 |
How history proves nay read Herodotus | F3 |
Suddenly starting from a nap as it were | O3 |
A dog sleep with one shut one open orb | Y3 |
Cried the Pope's great self Innocent by name | H2 |
And nature too and eighty six years old | J |
Antonio Pignatelli of Naples Pope | J |
Who had trod many lands known many deeds | F3 |
Probed many hearts beginning with his own | Z3 |
And now was far in readiness for God | J |
'Twas he who first bade leave those souls in peace | F3 |
Those Jansenists re nicknamed Molinists | F3 |
'Gainst whom the cry went like a frowsy tune | A4 |
Tickling men's ears the sect for a quarter of an hour | O3 |
I' the teeth of the world which clown like loves to chew | J |
Be it but a straw 'twixt work and whistling while | M |
Taste some vituperation bite away | F3 |
Whether at marjoram sprig or garlic clove | K2 |
Aught it may sport with spoil and then spit forth | G2 |
Leave them alone bade he those Molinists | F3 |
Who may have other light than we perceive | K2 |
Or why is it the whole world hates them thus | F3 |
Also he peeled off that last scandal rag | B4 |
Of Nepotism and so observed the poor | O3 |
That men would merrily say Halt deaf and blind | J |
Who feed on fat things leave the master's self | K2 |
To gather up the fragments of his feast | J |
These be the nephews of Pope Innocent | J |
His own meal costs but five carlines a day | F3 |
Poor priest's allowance for he claims no more | O3 |
He cried of a sudden this great good old Pope | J |
When they appealed in last resort to him | C3 |
I have mastered the whole matter I nothing doubt | J |
Though Guido stood forth priest from head to heel | M |
Instead of as alleged a piece of one | P2 |
And further were he from the tonsured scalp | J |
To the sandaled sole of him my son and Christ's | F3 |
Instead of touching us by finger tip | J |
As you assert and pressing up so close | F3 |
Only to set a blood smutch on our robe | U3 |
I and Christ would renounce all right in him | C3 |
Am I not Pope and presently to die | J |
And busied how to render my account | J |
And shall I wait a day ere I decide | J |
On doing or not doing justice here | O3 |
Cut off his head to morrow by this time | Z |
Hang up his four mates two on either hand | J |
And end one business more | O3 |
- | |
So said so done | P2 |
Rather so writ for the old Pope bade this | F3 |
I find with his particular chirograph | K2 |
His own no such infirm hand Friday night | J |
And next day February Twenty Two | J |
Since our salvation Sixteen Ninety Eight | J |
Not at the proper head and hanging place | F3 |
On bridge foot close by Castle Angelo | M |
Where custom somewhat staled the spectacle | M |
'Twas not so well i' the way of Rome beside | J |
The noble Rome the Rome of Guido's rank | J2 |
But at the city's newer gayer end | J |
The cavalcading promenading place | F3 |
Beside the gate and opposite the church | S2 |
Under the Pincian gardens green with Spring | A |
'Neath the obelisk 'twixt the fountains in the Square | O3 |
Did Guido and his fellows find their fate | J |
All Rome for witness and my writer adds | F3 |
Remonstrant in its universal grief | K2 |
Since Guido had the suffrage of all Rome | W3 |
- | |
This is the bookful thus far take the truth | T2 |
The untempered gold the fact untampered with | C4 |
The mere ring metal ere the ring be made | J |
And what has hitherto come of it Who preserves | F3 |
The memory of this Guido and his wife | K2 |
Pompilia more than Ademollo's name | H2 |
The etcher of those prints two crazie each | F2 |
Saved by a stone from snowing broad the Square | O3 |
With scenic backgrounds Was this truth of force | F3 |
Able to take its own part as truth should | J |
Sufficient self sustaining Why if so | M |
Yonder's a fire into it goes my book | X |
As who shall say me nay and what the loss | F3 |
You know the tale already I may ask | D4 |
Rather than think to tell you more thereof | K2 |
Ask you not merely who were he and she | M |
Husband and wife what manner of mankind | J |
But how you hold concerning this and that | J |
Other yet unnamed actor in the piece | F3 |
The young frank handsome courtly Canon now | Y2 |
The priest declared the lover of the wife | K2 |
He who no question did elope with her | O3 |
For certain bring the tragedy about | J |
Giuseppe Caponsacchi his strange course | F3 |
I' the matter was it right or wrong or both | R |
Then the old couple slaughtered with the wife | K2 |
By the husband as accomplices in crime | Z |
Those Comparini Pietro and his spouse | F3 |
What say you to the right or wrong of that | J |
When at a known name whispered through the door | O3 |
Of a lone villa on a Christmas night | J |
It opened that the joyous hearts inside | J |
Might welcome as it were an angel guest | J |
Come in Christ's name to knock and enter sup | J |
And satisfy the loving ones he saved | J |
And so did welcome devils and their death | U2 |
I have been silent on that circumstance | F3 |
Although the couple passed for close of kin | R3 |
To wife and husband were by some accounts | F3 |
Pompilia's very parents you know best | J |
Also that infant the great joy was for | O3 |
That Gaetano the wife's two weeks' babe | E4 |
The husband's first born child his son and heir | O3 |
Whose birth and being turned his night to day | F3 |
Why must the father kill the mother thus | F3 |
Because she bore his son and saved himself | K2 |
- | |
Well British Public ye who like me not | J |
God love you and will have your proper laugh | K2 |
At the dark question laugh it I laugh first | J |
Truth must prevail the proverb vows and truth | T2 |
Here is it all i' the book at last as first | J |
There it was all i' the heads and hearts of Rome | W3 |
Gentle and simple never to fall nor fade | J |
Nor be forgotten Yet a little while | M |
The passage of a century or so | M |
Decads thrice five and here's time paid his tax | F3 |
Oblivion gone home with her harvesting | A |
And left all smooth again as scythe could shave | K2 |
Far from beginning with you London folk | F4 |
I took my book to Rome first tried truth's power | O3 |
On likely people Have you met such names | F3 |
Is a tradition extant of such facts | F3 |
Your law courts stand your records frown a row | M |
What if I rove and rummage Why you'll waste | J |
Your pains and end as wise as you began | B3 |
Every one snickered names and facts thus old | J |
Are newer much than Europe news we find | J |
Down in to day's Diario Records quotha | T2 |
Why the French burned them what else do the French | G4 |
The rap and rending nation And it tells | F3 |
Against the Church no doubt another gird | J |
At the Temporality your Trial of course | F3 |
Quite otherwise this time submitted I | J |
Clean for the Church and dead against the world | J |
The flesh and the devil does it tell for once | F3 |
The rarer and the happier All the same | H2 |
Content you with your treasure of a book | X |
And waive what's wanting Take a friend's advice | F3 |
It's not the custom of the country Mend | J |
Your ways indeed and we may stretch a point | J |
Go get you manned by Manning and new manned | J |
By Newman and mayhap wise manned to boot | J |
By Wiseman and we'll see or else we won't | J |
Thanks meantime for the story long and strong | H4 |
A pretty piece of narrative enough | K2 |
Which scarce ought so to drop out one would think | I3 |
From the more curious annals of our kind | J |
Do you tell the story now in off hand style | M |
Straight from the book Or simply here and there | O3 |
The while you vault it through the loose and large | I4 |
Hang to a hint Or is there book at all | M |
And don't you deal in poetry make believe | K2 |
And the white lies it sounds like | A3 |
- | |
Yes and no | M |
From the book yes thence bit by bit I dug | J4 |
The lingot truth that memorable day | F3 |
Assayed and knew my piecemeal gain was gold | J |
Yes but from something else surpassing that | J |
Something of mine which mixed up with the mass | F3 |
Made it bear hammer and be firm to file | M |
Fancy with fact is just one fact the more | O3 |
To wit that fancy has informed transpierced | J |
Thridded and so thrown fast the facts else free | M |
As right through ring and ring runs the djereed | J |
And binds the loose one bar without a break | K4 |
I fused my live soul and that inert stuff | K2 |
Before attempting smithcraft on the night | J |
After the day when truth thus grasped and gained | J |
The book was shut and done with and laid by | J |
On the cream coloured massive agate broad | J |
'Neath the twin cherubs in the tarnished frame | H2 |
O' the mirror tall thence to the ceiling top | J |
And from the reading and that slab I leant | J |
My elbow on the while I read and read | J |
I turned to free myself and find the world | J |
And stepped out on the narrow terrace built | J |
Over the street and opposite the church | S2 |
And paced its lozenge brickwork sprinkled cool | M |
Because Felice church side stretched a glow | M |
Through each square window fringed for festival | M |
Whence came the clear voice of the cloistered ones | F3 |
Chanting a chant made for midsummer nights | F3 |
I know not what particular praise of God | J |
It always came and went with June Beneath | T2 |
I' the street quick shown by openings of the sky | J |
When flame fell silently from cloud to cloud | J |
Richer than that gold snow Jove rained on Rhodes | F3 |
The townsmen walked by twos and threes and talked | J |
Drinking the blackness in default of air | O3 |
A busy human sense beneath my feet | J |
While in and out the terrace plants and round | J |
One branch of tall datura waxed and waned | J |
The lamp fly lured there wanting the white flower | O3 |
Over the roof o' the lighted church I looked | J |
A bowshot to the street's end north away | F3 |
Out of the Roman gate to the Roman road | J |
By the river till I felt the Apennine | L4 |
And there would lie Arezzo the man's town | N2 |
The woman's trap and cage and torture place | F3 |
Also the stage where the priest played his part | J |
A spectacle for angels ay indeed | J |
There lay Arezzo Farther then I fared | J |
Feeling my way on through the hot and dense | F3 |
Romeward until I found the wayside inn | R3 |
By Castelnuovo's few mean hut like homes | F3 |
Huddled together on the hill foot bleak | K3 |
Bare broken only by that tree or two | J |
Against the sudden bloody splendour poured | J |
Cursewise in his departure by the day | F3 |
On the low house roof of that squalid inn | R3 |
Where they three for the first time and the last | J |
Husband and wife and priest met face to face | F3 |
Whence I went on again the end was near | O3 |
Step by step missing none and marking all | M |
Till Rome itself the ghastly goal I reached | J |
Why all the while how could it otherwise | F3 |
The life in me abolished the death of things | F3 |
Deep calling unto deep as then and there | O3 |
Acted itself over again once more | O3 |
The tragic piece I saw with my own eyes | F3 |
In Florence as I trod the terrace breathed | J |
The beauty and the fearfulness of night | J |
How it had run this round from Rome to Rome | W3 |
Because you are to know they lived at Rome | W3 |
Pompilia's parents as they thought themselves | F3 |
Two poor ignoble hearts who did their best | J |
Part God's way part the other way than God's | F3 |
To somehow make a shift and scramble through | J |
The world's mud careless if it splashed and spoiled | J |
Provided they might so hold high keep clean | L4 |
Their child's soul one soul white enough for three | M |
And lift it to whatever star should stoop | J |
What possible sphere of purer life than theirs | F3 |
Should come in aid of whiteness hard to save | K2 |
I saw the star stoop that they strained to touch | M4 |
And did touch and depose their treasure on | N3 |
As Guido Franceschini took away | F3 |
Pompilia to be his for evermore | O3 |
While they sang Now let us depart in peace | F3 |
Having beheld thy glory Guido's wife | K2 |
I saw the star supposed but fog o' the fen | E2 |
Gilded star fashion by a glint from hell | M |
Having been heaved up haled on its gross way | F3 |
By hands unguessed before invisible help | J |
From a dark brotherhood and specially | M |
Two obscure goblin creatures fox faced this | F3 |
Cat clawed the other called his next of kin | R3 |
By Guido the main monster cloaked and caped | J |
Making as they were priests to mock God more | O3 |
Abate Paul Canon Girolamo | M |
These who had rolled the starlike pest to Rome | W3 |
And stationed it to suck up and absorb | Y3 |
The sweetness of Pompilia rolled again | E2 |
That bloated bubble with her soul inside | J |
Back to Arezzo and a palace there | O3 |
Or say a fissure in the honest earth | T2 |
Whence long ago had curled the vapour first | J |
Blown big by nether fires to appal day | F3 |
It touched home broke and blasted far and wide | J |
I saw the cheated couple find the cheat | J |
And guess what foul rite they were captured for | O3 |
Too fain to follow over hill and dale | M |
That child of theirs caught up thus in the cloud | J |
And carried by the Prince o' the Power of the Air | O3 |
Whither he would to wilderness or sea | M |
I saw them in the potency of fear | O3 |
Break somehow through the satyr family | M |
For a grey mother with a monkey mien | L4 |
Mopping and mowing was apparent too | J |
As confident of capture all took hands | F3 |
And danced about the captives in a ring | A |
Saw them break through breathe safe at Rome again | E2 |
Saved by the selfish instinct losing so | M |
Their loved one left with haters These I saw | F3 |
In recrudescency of baffled hate | J |
Prepare to wring the uttermost revenge | N4 |
From body and soul thus left them all was sure | O3 |
Fire laid and cauldron set the obscene ring traced | J |
The victim stripped and prostrate what of God | J |
The cleaving of a cloud a cry a crash | O4 |
Quenched lay their cauldron cowered i' the dust the crew | J |
As in a glory of armour like Saint George | P4 |
Out again sprang the young good beauteous priest | J |
Bearing away the lady in his arms | F3 |
Saved for a splendid minute and no more | O3 |
For whom i' the path did that priest come upon | N3 |
He and the poor lost lady borne so brave | K2 |
Checking the song of praise in me had else | F3 |
Swelled to the full for God's will done on earth | T2 |
Whom but a dusk misfeatured messenger | O3 |
No other than the angel of this life | K2 |
Whose care is lest men see too much at once | F3 |
He made the sign such God glimpse must suffice | F3 |
Nor prejudice the Prince o' the Power of the Air | O3 |
Whose ministration piles us overhead | J |
What we call first earth's roof and last heaven's floor | O3 |
Now grate o' the trap then outlet of the cage | Q2 |
So took the lady left the priest alone | Z3 |
And once more canopied the world with black | Q4 |
But through the blackness I saw Rome again | E2 |
And where a solitary villa stood | J |
In a lone garden quarter it was eve | K2 |
The second of the year and oh so cold | J |
Ever and anon there flittered through the air | O3 |
A snow flake and a scanty couch of snow | M |
Crusted the grass walk and the garden mould | J |
All was grave silent sinister when ha | R4 |
Glimmeringly did a pack of were wolves pad | J |
The snow those flames were Guido's eyes in front | J |
And all five found and footed it the track | Q4 |
To where a threshold streak of warmth and light | J |
Betrayed the villa door with life inside | J |
While an inch outside were those blood bright eyes | F3 |
And black lips wrinkling o'er the flash of teeth | T2 |
And tongues that lolled Oh God that madest man | B3 |
They parleyed in their language Then one whined | J |
That was the policy and master stroke | F4 |
Deep in his throat whispered what seemed a name | H2 |
Open to Caponsacchi Guido cried | J |
Gabriel cried Lucifer at Eden gate | J |
Wide as a heart opened the door at once | F3 |
Showing the joyous couple and their child | J |
The two weeks' mother to the wolves the wolves | F3 |
To them Close eyes And when the corpses lay | F3 |
Stark stretched and those the wolves their wolf work done | P2 |
Were safe embosomed by the night again | E2 |
I knew a necessary change in things | F3 |
As when the worst watch of the night gives way | F3 |
And there comes duly to take cognisance | F3 |
The scrutinising eye point of some star | O3 |
And who despairs of a new daybreak now | Y2 |
Lo the first ray protruded on those five | K2 |
It reached them and each felon writhed transfixed | J |
Awhile they palpitated on the spear | O3 |
Motionless over Tophet stand or fall | M |
I say the spear should fall should stand I say | F3 |
Cried the world come to judgment granting grace | F3 |
Or dealing doom according to world's wont | J |
Those world's bystanders grouped on Rome's cross road | J |
At prick and summons of the primal curse | F3 |
Which bids man love as well as make a lie | J |
There prattled they discoursed the right and wrong | H4 |
Turned wrong to right proved wolves sheep and sheep wolves | F3 |
So that you scarce distinguished fell from fleece | F3 |
Till out spoke a great guardian of the fold | J |
Stood up put forth his hand that held the crook | X |
And motioned that the arrested point decline | K |
Horribly off the wriggling dead weight reeled | J |
Rushed to the bottom and lay ruined there | O3 |
Though still at the pit's mouth despite the smoke | F4 |
O' the burning tarriers turned again to talk | S4 |
And trim the balance and detect at least | J |
A touch of wolf in what showed whitest sheep | J |
A cross of sheep redeeming the whole wolf | K2 |
Vex truth a little longer less and less | F3 |
Because years came and went and more and more | O3 |
Brought new lies with them to be loved in turn | T4 |
Till all at once the memory of the thing | A |
The fact that wolves or sheep such creatures were | O3 |
Which hitherto however men supposed | J |
Had somehow plain and pillar like prevailed | J |
I' the midst of them indisputably fact | J |
Granite time's tooth should grate against not graze | F3 |
Why this proved standstone friable fast to fly | J |
And give its grain away at wish o' the wind | J |
Ever and ever more diminutive | K2 |
Base gone shaft lost only entablature | O3 |
Dwindled into no bigger than a book | X |
Lay of the column and that little left | J |
By the roadside 'mid the ordure shards and weeds | F3 |
Until I haply wandering that way | F3 |
Kicked it up turned it over and recognised | J |
For all the crumblement this abacus | F3 |
This square old yellow book could calculate | J |
By this the lost proportions of the style | M |
- | |
This was it from my fancy with those facts | F3 |
I used to tell the tale turned gay to grave | K2 |
But lacked a listener seldom such alloy | M |
Such substance of me interfused the gold | J |
Which wrought into a shapely ring therewith | T2 |
Hammered and filed fingered and favoured last | J |
Lay ready for the renovating wash | U4 |
O' the water How much of the tale was true | O3 |
I disappeared the book grew all in all | M |
The lawyers' pleadings swelled back to their size | F3 |
Doubled in two the crease upon them yet | J |
For more commodity of carriage see | F3 |
And these are letters veritable sheets | F3 |
That brought posthaste the news to Florence writ | J |
At Rome the day Count Guido died we find | J |
To stay the craving of a client there | O3 |
Who bound the same and so produced my book | X |
Lovers of dead truth did ye fare the worse | F3 |
Lovers of live truth found ye false my tale | M |
- | |
Well now there's nothing in nor out o' the world | J |
Good except truth yet this the something else | F3 |
What's this then which proves good yet seems untrue | O3 |
This that I mixed with truth motions of mine | K |
That quickened made the inertness mallealable | M |
O' the gold was not mine what's your name for this | F3 |
Are means to the end themselves in part the end | J |
Is fiction which makes fact alive fact too | O3 |
The somehow may be thishow | U4 |
- | |
I find first | J |
Writ down for very A B C of fact | J |
In the beginning God made heaven and earth | T2 |
From which no matter with what lisp I spell | M |
And speak out a consequence that man | B3 |
Man as befits the made the inferior thing | A |
Purposed since made to grow not make in turn | T4 |
Yet forced to try and make else fail to grow | O3 |
Formed to rise reach at if not grasp and gain | V4 |
The good beyond him which attempt is growth | T2 |
Repeats God's process in man's due degree | F3 |
Attaining man's proportionate result | J |
Creates no but resuscitates perhaps | F3 |
Inalienable the arch prerogative | K2 |
Which turns thought act conceives expresses too | O3 |
No less man bounded yearning to be free | F3 |
May so project his surplusage of soul | M |
In search of body so add self to self | K2 |
By owning what lay ownerless before | O3 |
So find so fill full so appropriate forms | F3 |
That although nothing which had never life | K2 |
Shall get life from him be not having been | R3 |
Yet something dead may get to live again | E2 |
Something with too much life or not enough | K2 |
Which either way imperfect ended once | F3 |
An end whereat man's impulse intervenes | F3 |
Makes new beginning starts the dead alive | K2 |
Completes the incomplete and saves the thing | A |
Man's breath were vain to light a virgin wick | H |
Half burned out all but quite quenched wicks o' the lamp | J |
Stationed for temple service on this earth | T2 |
These indeed let him breathe on and relume | H2 |
For such man's feat is in the due degree | F3 |
Mimic creation galvanism for life | K2 |
But still a glory portioned in the scale | M |
Why did the mage say feeling as we are wont | J |
For truth and stopping midway short of truth | T2 |
And resting on a lie I raise a ghost | J |
Because he taught adepts man makes not man | B3 |
Yet by a special gift an art of arts | F3 |
More insight and more outsight and much more | O3 |
Will to use both of these than boast my mates | F3 |
I can detach from me commission forth | T2 |
Half of my soul which in its pilgrimage | H3 |
O'er old unwandered waste ways of the world | J |
May chance upon some fragment of a whole | M |
Rag of flesh scrap of bone in dim disuse | F3 |
Smoking flax that fed fire once prompt therein | R3 |
I enter spark like put old powers to play | M |
Push lines out to the limit lead forth last | J |
By a moonrise through a ruin of a crypt | J |
What shall be mistily seen murmuringly heard | J |
Mistakenly felt then write my name with Faust's | F3 |
Oh Faust why Faust Was not Elisha once | F3 |
Who bade them lay his staff on a corpse face | F3 |
There was no voice no hearing he went in | R3 |
Therefore and shut the door upon them twain | V4 |
And prayed unto the Lord and he went up | J |
And lay upon the corpse dead on the couch | U4 |
And put his mouth upon its mouth his eyes | F3 |
Upon its eyes his hands upon its hands | F3 |
And stretched him on the flesh the flesh waxed warm | H2 |
And he returned walked to and fro the house | F3 |
And went up stretched him on the flesh again | E2 |
And the eyes opened 'Tis a credible feat | J |
With the right man and way | M |
- | |
Enough of me | F3 |
The Book I turn its medicinable leaves | F3 |
In London now till as in Florence erst | J |
A spirit laughs and leaps through every limb | H2 |
And lights my eye and lifts me by the hair | O3 |
Letting me have my will again with these | F3 |
How title I the dead alive once more | O3 |
- | |
Count Guido Franceschini the Aretine | E2 |
Descended of an ancient house though poor | O3 |
A beak nosed bushy bearded black haired lord | J |
Lean pallid low of stature yet robust | J |
Fifty years old having four years ago | O3 |
Married Pompilia Comparini young | X2 |
Good beautiful at Rome where she was born | E2 |
And brought her to Arezzo where they lived | J |
Unhappy lives whatever curse the cause | F3 |
This husband taking four accomplices | F3 |
Followed this wife to Rome where she was fled | J |
From their Arezzo to find peace again | E2 |
In convoy eight months earlier of a priest | J |
Aretine also of still nobler birth | T2 |
Giuseppe Caponsacchi and caught her there | O3 |
Quiet in a villa on a Christmas night | J |
With only Pietro and Violante by | J |
Both her putative parents killed the three | F3 |
Aged they seventy each and she seventeen | E2 |
And two weeks since the mother of his babe | E4 |
First born and heir to what the style was worth | T2 |
O' the Guido who determined dared and did | J |
This deed just as he purposed point by point | J |
Then bent upon escape but hotly pressed | J |
And captured with his co mates that same night | J |
He brought to trial stood on this defence | F3 |
Injury to his honour caused the act | J |
That since his wife was false as manifest | J |
By flight from home in such companionship | J |
Death punishment deserved of the false wife | K2 |
And faithless parents who abetted her | O3 |
I' the flight aforesaid wronged nor God nor man | E2 |
Nor false she nor yet faithless they replied | J |
The accuser cloaked and masked this murder glooms | F3 |
True was Pompilia loyal too the pair | O3 |
Out of the man's own heart this monster curled | J |
This crime coiled with connivancy at crime | H2 |
His victim's breast he tells you hatched and reared | J |
Uncoil we and stretch stark the worm of hell | M |
A month the trial swayed this way and that | J |
Ere judgment settled down on Guido's guilt | J |
Then was the Pope that good Twelfth Innocent | J |
Appealed to who well weighed what went before | O3 |
Affirmed the guilt and gave the guilty doom | H2 |
- | |
Let this old woe step on the stage again | E2 |
Act itself o'er anew for men to judge | H3 |
Not by the very sense and sight indeed | J |
Which take at best imperfect cognisance | F3 |
Since how heart moves brain and how both move hand | J |
What mortal ever in entirety saw | F3 |
No dose of purer truth than man digests | F3 |
But truth with falsehood milk that feeds him now | E2 |
Not strong meat he may get to bear some day | J |
To wit by voices we call evidence | F3 |
Uproar in the echo live fact deadened down | E2 |
Talked over bruited abroad whispered away | J |
Yet helping us to all we seem to hear | O3 |
For how else know we save by worth of word | J |
- | |
Here are the voices presently shall sound | J |
In due succession First the world's outcry | J |
Around the rush and ripple of any fact | J |
Fallen stonewise plumb on the smooth face of things | F3 |
The world's guess as it crowds the bank o' the pool | M |
At what were figure and substance by their splash | U4 |
Then by vibrations in the general mind | J |
At depth of deed already out of reach | U4 |
This threefold murder of the day before | O3 |
Say Half Rome's feel after the vanished truth | T2 |
Honest enough as the way is all the same | H2 |
Harbouring in the centre of its sense | F3 |
A hidden germ of failure shy but sure | O3 |
Should neutralise that honesty and leave | K2 |
That feel for truth at fault as the way is too | J |
Some prepossession such as starts amiss | F3 |
By but a hair's breadth at the shoulder blade | J |
The arm o' the feeler dip he ne'er so brave | K2 |
And so leads waveringly lets fall wide | J |
O'the mark his finger meant to find and fix | F3 |
Truth at the bottom that deceptive speck | W4 |
With this Half Rome the source of swerving call | M |
Over belief in Guido's right and wrong | H4 |
Rather than in Pompilia's wrong and right | J |
Who shall say how who shall say why 'Tis there | O3 |
The instinctive theorising whence a fact | J |
Looks to the eye as the eye likes the look | X |
Gossip in a public place a sample speech | U4 |
Some worthy with his previous hint to find | J |
A husband's side the safer and no whit | J |
Aware he is not acus the while | M |
How such an one supposes and states fact | J |
To whosoever of a multitude | J |
Will listen and perhaps prolong thereby | J |
The not unpleasant flutter at the breast | J |
Born of a certain spectacle shut in | E2 |
By the church Lorenzo opposite So they lounge | X4 |
Midway the mouth o' the street on Corso side | J |
'Twixt palace Fiano and palace Ruspoli | M |
Linger and listen keeping clear o' the crowd | J |
Yet wishful one could lend that crowd one's eyes | F3 |
So universal is its plague of squint | J |
And make hearts beat our time that flutter false | F3 |
All for the truth's sake mere truth nothing else | F3 |
How Half Rome found for Guido much excuse | F3 |
- | |
Next from Rome's other half the opposite feel | M |
For truth with a like swerve like unsuccess | F3 |
Or if success by no more skill but luck | E3 |
This time though rather siding with the wife | K2 |
However the fancy fit inclined that way | J |
Than with the husband One wears drab one pink | I3 |
Who wears pink ask him Which shall win the race | F3 |
Of coupled runners like as egg and egg | Y4 |
Why if I must choose he with the pink scarf | K2 |
Doubtless for some such reason choice fell here | O3 |
A piece of public talk to correspond | J |
At the next stage of the story just a day | J |
Let pass and new day bring the proper change | G3 |
Another sample speech i' the market place | F3 |
O' the Barberini by the Capucins | F3 |
Where the old Triton at his fountain sport | J |
Bernini's creature plated to the paps | F3 |
Puffs up steel sleet which breaks to diamond dust | J |
A spray of sparkles snorted from his conch | U4 |
High over the caritellas out o' the way | J |
O' the motley merchandising multitude | J |
Our murder has been done three days ago | O3 |
The frost is over and gone the south wind laughs | F3 |
And to the very tiles of each red roof | K2 |
A smoke i' the sunshine Rome lies gold and glad | J |
So listen how to the other half of Rome | H2 |
Pompilia seemed a saint and martyr both | T2 |
- | |
Then yet another day let come and go | O3 |
With pause prelusive still of novelty | F3 |
Hear a fresh speaker neither this nor that | J |
Half Rome aforesaid something bred of both | T2 |
One and one breed the inevitable three | F3 |
Such is the personage harangues you next | J |
The elaborated product tertium quid | J |
Rome's first commotion in subsidence gives | F3 |
The curd o' the cream flower o' the wheat as it were | O3 |
And finer sense o' the city Is this plain | E2 |
You get a reasoned statement of the case | F3 |
Eventual verdict of the curious few | J |
Who care to sift a business to the bran | E2 |
Nor coarsely bolt it like the simpler sort | J |
Here after ignorance instruction speaks | F3 |
Here clarity of candour history's soul | M |
The critical mind in short no gossip guess | F3 |
What the superior social section thinks | F3 |
In person of some man of quality | F3 |
Who breathing musk from lace work and brocade | J |
His solitaire amid the flow of frill | M |
Powdered peruke on nose and bag at back | Q4 |
And cane dependent from the ruffled wrist | J |
Harangues in silvery and selectest phrase | F3 |
'Neath waxlight in a glorified saloon | E2 |
Where mirrors multiply the girandole | M |
Courting the approbation of no mob | Z4 |
But Eminence This and All Illustrious That | J |
Who take snuff softly range in well bred ring | A |
Card table quitters for observance' sake | K4 |
Around the argument the rational word | J |
Still spite its weight and worth a sample speech | U4 |
How quality dissertated on the case | F3 |
- | |
So much for Rome and rumour smoke comes first | J |
Once the smoke risen untroubled we descry | O3 |
Clearlier what tongues of flame may spire and spit | J |
To eye and ear each with appropriate tinge | |
According to its food pure or impure | O3 |
The actors no mere rumours of the act | J |
Intervene First you hear Count Guido's voice | F3 |
In a small chamber that adjoins the court | J |
Where Governor and Judges summoned thence | F3 |
Tommati Venturini and the rest | J |
Find the accused ripe for declaring truth | T2 |
Soft cushioned sits he yet shifts seat shirks touch | U4 |
As with a twitchy brow and wincing lip | J |
And cheek that changes to all kinds of white | J |
He proffers his defence in tones subdued | J |
Near to mock mildness now so mournful seems | F3 |
The obtuser sense truth fails to satisfy | J |
Now moved from pathos at the wrong endured | J |
To passion for the natural man is roused | J |
At fools who first do wrong then pour the blame | H2 |
Of their wrong doing Satan like on Job | Z4 |
Also his tongue at times is hard to curb | |
Incisive nigh satiric bites the phrase | F3 |
Rough raw yet somehow claiming privilege | H3 |
It is so hard for shrewdness to admit | J |
Folly means no harm when she calls black white | J |
Eruption momentary at the most | J |
Modified forthwith by a fall o'the fire | O3 |
Sage acquiescence for the world's the world | J |
And what it errs in Judges rectify | J |
He feels he has a fist then folds his arms | F3 |
Crosswise and makes his mind up to be meek | K3 |
And never once does he detach his eye | J |
From those ranged there to slay him or to save | K2 |
But does his best man's service for himself | K2 |
Despite what twitches brow and makes lip wince | F3 |
His limbs' late taste of what was called the Cord | J |
Or Vigil torture more facetiously | M |
Even so they were wont to tease the truth | T2 |
Out of loath witness toying trifling time | H2 |
By torture 'twas a trick a vice of the age | Q2 |
Here there and everywhere what would you have | K2 |
Religion used to tell Humanity | M |
She gave him warrant or denied him course | F3 |
And since the course was much to his own mind | J |
Of pinching flesh and pulling bone from bone | E2 |
To unhusk truth a hiding in its hulls | F3 |
Nor whisper of a warning stopped the way | J |
He in their joint behalf the burly slave | K2 |
Bestirred him mauled and maimed all recusants | F3 |
While prim in place Religion overlooked | J |
And so had done till doomsday never a sign | E2 |
Nor sound of interference from her mouth | T2 |
But that at last the burly slave wiped brow | O3 |
Let eye give notice as if soul were there | O3 |
Muttered 'Tis a vile trick foolish more than vile | M |
Should have been counted sin I make it so | F3 |
At any rate no more of it for me | M |
Nay for I break the torture engine thus | F3 |
Then did Religion start up stare amain | E2 |
Look round for help and see none smile and say | F3 |
What broken is the rack Well done of thee | M |
Did I forget to abrogate its use | F3 |
Be the mistake in common with us both | T2 |
One more fault our blind age shall answer for | O3 |
Down in my book denounced though it must be | M |
Somewhere Henceforth find truth by milder means | F3 |
Ah but Religion did we wait for thee | M |
To ope the book that serves to sit upon | E2 |
And pick such place out we should wait indeed | J |
That is all history and what is not now | E2 |
Was then defendants found it to their cost | J |
How Guido after being tortured spoke | F4 |
- | |
Also hear Caponsacchi who comes next | J |
Man and priest could you comprehend the coil | M |
In days when that was rife which now is rare | O3 |
How mingling each its multifarious wires | F3 |
Now heaven now earth now heaven and earth at once | F3 |
Had plucked at and perplexed their puppet here | O3 |
Played off the young frank personable priest | J |
Sworn fast and tonsured plain heaven's celibate | J |
And yet earth's clear accepted servitor | O3 |
A courtly spiritual Cupid squire of dames | F3 |
By law of love and mandate of the mode | J |
The Church's own or why parade her seal | M |
Wherefore that chrism and consecrative work | |
Yet verily the world's or why go badged | J |
A prince of sonneteers and lutanists | F3 |
Show colour of each vanity in vogue | |
Borne with decorum due on blameless breast | J |
All that is changed now as he tells the court | J |
How he had played the part excepted at | J |
Tells it moreover now the second time | H2 |
Since for his cause of scandal his own share | O3 |
I' the flight from home and husband of the wife | K2 |
He has been censured punished in a sort | J |
By relegation exile we should say | F3 |
To a short distance for a little time | H2 |
Whence he is summoned on a sudden now | E2 |
Informed that she he thought to save is lost | J |
And in a breath bidden re tell his tale | M |
Since the first telling somehow missed effect | J |
And then advise in the matter There stands he | M |
While the same grim black panelled chamber blinks | F3 |
As though rubbed shiny with the sins of Rome | H2 |
Told the same oak for ages wave washed wall | M |
Whereto has set a sea of wickedness | F3 |
There where you yesterday heard Guido speak | K3 |
Speaks Caponsacchi and there face him too | J |
Tommati Venturini and the rest | J |
Who eight months earlier scarce repressed the smile | M |
Forewent the wink waived recognition so | F3 |
Of peccadillos incident to youth | T2 |
Especially youth high born for youth means love | K2 |
Vows can't change nature priests are only men | E2 |
And love needs stratagem and subterfuge | |
Which age that once was youth should recognise | F3 |
May blame but needs not press too hard against | J |
Here sit the old Judges then but with no grace | F3 |
Of reverend carriage magisterial port | J |
For why The accused of eight months since same | H2 |
Who cut the conscious figure of a fool | M |
Changed countenance dropped bashful gaze to ground | J |
While hesitating for an answer then | E2 |
Now is grown judge himself terrifies now | E2 |
This now the other culprit called a judge | H3 |
Whose turn it is to stammer and look strange | G3 |
As he speaks rapidly angrily speech that smites | F3 |
And they keep silence bear blow after blow | F3 |
Because the seeming solitary man | E2 |
Speaking for God may have an audience too | J |
Invisible no discreet judge provokes | F3 |
How the priest Caponsacchi said his say | F3 |
- | |
Then a soul sights its lowest and its last | J |
After the loud ones so much breath remains | F3 |
Unused by the four day's dying for she lived | J |
Thus long miraculously long 'twas thought | J |
Just that Pompilia might defend herself | K2 |
How while the hireling and the alien stoop | J |
Comfort yet question since the time is brief | K2 |
And folk allowably inquisitive | K2 |
Encircle the low pallet where she lies | F3 |
In the good house that helps the poor to die | J |
Pompilia tells the story of her life | K2 |
For friend and lover leech and man of law | M |
Do service busy helpful ministrants | F3 |
As varied in their calling as their mind | J |
Temper and age and yet from all of these | F3 |
About the white bed under the arched roof | K2 |
Is somehow as it were evolved a one | E2 |
Small separate sympathies combined and large | I4 |
Nothings that were grown something very much | U4 |
As if the bystanders gave each his straw | M |
All he had though a trifle in itself | K2 |
Which plaited all together made a Cross | F3 |
Fit to die looking on and praying with | T2 |
Just as well as ivory or gold | J |
So to the common kindliness she speaks | F3 |
There being scarce more privacy at the last | J |
For mind than body but she is used to bear | O3 |
And only unused to the brotherly look | X |
How she endeavoured to explain her life | K2 |
- | |
Then since a Trial ensued a touch o' the same | H2 |
To sober us flustered with frothy talk | S4 |
And teach our common sense its helplessness | F3 |
For why deal simply with divining rod | J |
Scrape where we fancy secret sources flow | F3 |
And ignore law the recognised machine | E2 |
Elaborate display of pipe and wheel | M |
Framed to unchoak pump up and pour apace | F3 |
Truth in a flowery foam shall wash the world | J |
The patent truth extracting process ha | R4 |
Let us make all that mystery turn one wheel | M |
Give you a single grind of law at least | J |
One orator of two on either side | J |
Shall teach us the puissance of the tongue | X2 |
That is o' the pen which simulated tongue | X2 |
On paper and saved all except the sound | J |
Which ever was Law's speech beside law's thought | J |
That were too stunning too immense an odds | F3 |
That point of vantage law let nobly pass | F3 |
One lawyer shall admit us to behold | J |
The manner of the making out a case | F3 |
First fashion of a speech the chick in egg | Y4 |
And masterpiece law's bosom incubates | F3 |
How Don Giacinto of the Arcangeli | M |
Called Procurator of the Poor at Rome | H2 |
Now advocate for Guido and his mates | F3 |
The jolly learned man of middle age | Q2 |
Cheek and jowl all in laps with fat and law | M |
Mirthful as mighty yet as great hearts use | F3 |
Despite the name and fame that tempt our flesh | U4 |
Constant to that devotion of the hearth | T2 |
Still captive in those dear domestic ties | F3 |
How he having a cause to triumph with | T2 |
All kind of interests to keep intact | J |
More than one efficacious personage | Q2 |
To tranquillise conciliate and secure | O3 |
And above all public anxiety | M |
To quiet show its Guido in good hands | F3 |
Also as if such burdens were too light | J |
A certain family feast to claim his care | O3 |
The birthday banquet for the only son | E2 |
Paternity at smiling strife with law | M |
How he brings both to buckle in one bond | J |
And thick at throat with waterish under eye | J |
Turns to his task and settles in his seat | J |
And puts his utmost means to practice now | E2 |
Wheezes out law and whiffles Latin forth | T2 |
And just as though roast lamb would never be | M |
Makes logic levigate the big crime small | M |
Rubs palm on palm rakes foot with itchy foot | J |
Conceives and inchoates the argument | J |
Sprinkling each flower appropriate to the time | H2 |
Ovidian quip or Ciceronian crank | J2 |
A bubble in the larynx while he laughs | F3 |
As he had fritters deep down frying there | O3 |
How he turns twists and tries the oily thing | A |
Shall be first speech for Guido 'gainst the Fisc | |
Then with a skip as it were from heel to head | J |
Leaving yourselves fill up the middle bulk | |
O' the Trial reconstruct its shape august | J |
From such exordium clap we to the close | F3 |
Give you if we dare wing to such a height | J |
The absolute glory in some full grown speech | U4 |
On the other side some finished butterfly | J |
Some breathing diamond flake with leaf gold fans | F3 |
That takes the air no trace of worm it was | F3 |
Or cabbage bed it had production from | H2 |
Giovambattista o' the Bottini Fisc | |
Pompilia's patron by the chance of the hour | O3 |
To morrow her persecutor composite he | M |
As becomes who must meet such various calls | F3 |
Odds of age joined in him with ends of youth | T2 |
A man of ready smile and facile tear | O3 |
Improvised hopes despairs at nod and beck | W4 |
And language ah the gift of eloquence | F3 |
Language that goes as easy as a glove | K2 |
O'er good and evil smoothens both to one | E2 |
Rashness helps caution with him fires the straw | M |
In free enthusiastic careless fit | J |
On the first proper pinnacle of rock | |
Which happens as reward for all that zeal | M |
To lure some bark to founder and bring gain | E2 |
While calm sits Caution rapt with heavenward eye | J |
A true confessor's gaze amid the glare | O3 |
Beaconing to the breaker death and hell | M |
Well done thou good and faithful she approves | F3 |
Hadst thou let slip a faggot to the beach | U4 |
The crew had surely spied thy precipice | F3 |
And saved their boat the simple and the slow | M |
Who should have prompt forestalled the wrecker's fee | M |
Let the next crew be wise and hail in time | H2 |
Just so compounded is the outside man | E2 |
Blue juvenile pure eye and pippin cheek | K3 |
And brow all prematurely soiled and seamed | J |
With sudden age bright devastated hair | O3 |
Ah but you miss the very tones o' the voice | F3 |
The scrannel pipe that screams in heights of head | J |
As in his modest studio all alone | E2 |
The tall wight stands a tiptoe strives and strains | F3 |
Both eyes shut like the cockerel that would crow | M |
Tries to his own self amorously o'er | O3 |
What never will be uttered else than so | M |
To the four walls for Forum and Mars' Hill | M |
Speaks out the poesy which penned turns prose | F3 |
Clavecinist debarred his instrument | J |
He yet thrums shirking neither turn nor trill | M |
With desperate finger on dumb table edge | Q2 |
The sovereign rondo shall conclude his Suite | J |
Charm an imaginary audience there | O3 |
From old Corelli to young Haendel both | T2 |
I' the flesh at Rome ere he perforce go print | J |
The cold black score mere music for the mind | J |
The last speech against Guido and his gang | |
With special end to prove Pompilia pure | O3 |
How the Fisc vindicates Pompilia's fame | H2 |
Then comes the all but end the ultimate | J |
Judgment save yours Pope Innocent the Twelfth | T2 |
Simple sagacious mild yet resolute | J |
With prudence probity and what beside | J |
From the other world he feels impress at times | F3 |
Having attained to fourscore years and six | F3 |
How when the court found Guido and the rest | J |
Guilty but law supplied a subterfuge | Q2 |
And passed the final sentence to the Pope | J |
He bringing his intelligence to bear | O3 |
This last time on what ball behoves him drop | J |
In the urn or white or black does drop a black | Q4 |
Send five souls more to just precede his own | E2 |
Stand him in stead and witness if need were | O3 |
How he is wont to do God's work on earth | T2 |
The manner of his sitting out the dim | H2 |
Droop of a sombre February day | J |
In the plain closet where he does such work | |
With from all Peter's treasury one stool | M |
One table and one lathen crucifix | F3 |
There sits the Pope his thoughts for company | M |
Grave but not sad nay something like a cheer | O3 |
Leaves the lips free to be benevolent | J |
Which all day long did duty firm and fast | J |
A cherishing there is of foot and knee | M |
A chafing loose skinned large veined hand with hand | J |
What steward but knows when stewardship earns its wage | Q2 |
May levy praise anticipate the lord | J |
He reads notes lays the papers down at last | J |
Muses then takes a turn about the room | H2 |
Unclasps a huge tome in an antique guise | F3 |
Primitive print and tongue half obsolete | J |
That stands him in diurnal stead opes page | Q2 |
Finds place where falls the passage to be conned | J |
According to an order long in use | F3 |
And as he comes upon the evening's chance | F3 |
Starts somewhat solemnises straight his smile | M |
Then reads aloud that portion first to last | J |
And at the end lets flow his own thoughts forth | T2 |
Likewise aloud for respite and relief | K2 |
Till by the dreary relics of the west | J |
Wan through the half moon window all his light | J |
He bows the head while the lips move in prayer | O3 |
Writes some three brief lines signs and seals the same | H2 |
Tinkles a hand bell bids the obsequious Sir | O3 |
Who puts foot presently o' the closet sill | M |
He watched outside of bear as superscribed | J |
That mandate to the Governor forthwith | T2 |
Then heaves abroad his cares in one good sigh | J |
Traverses corridor with no man's help | J |
And so to sup as a clear conscience should | J |
The manner of the judgment of the Pope | J |
- | |
Then must speak Guido yet a second time | H2 |
Satan's old saw being apt here skin for skin | E2 |
All a man hath that will he give for life | K2 |
While life was graspable and gainable free | M |
To bird like buzz her wings round Guido's brow | E2 |
Not much truth stiffened out the web of words | F3 |
He wove to catch her when away she flew | M |
And death came death's breath rivelled up the lies | F3 |
Left bare the metal thread the fibre fine | E2 |
Of truth i' the spinning the true words come last | J |
How Guido to another purpose quite | J |
Speaks and despairs the last night of his life | K2 |
In that New Prison by Castle Angelo | M |
At the bridge foot the same man another voice | F3 |
On a stone bench in a close fetid cell | M |
Where the hot vapour of an agony | M |
Struck into drops on the cold wall runs down | E2 |
Horrible worms made out of sweat and tears | F3 |
There crouch well nigh to the knees in dungeon straw | M |
Lit by the sole lamp suffered for their sake | K4 |
Two awe struck figures this a Cardinal | M |
That an Abate both of old styled friends | F3 |
Of the part man part monster in the midst | J |
So changed is Franceschini's gentle blood | J |
The tiger cat screams now that whined before | O3 |
That pried and tried and trod so gingerly | M |
Till in its silkiness the trap teeth join | E2 |
Then you know how the bristling fury foams | F3 |
They listen this wrapped in his folds of red | J |
While his feet fumble for the filth below | M |
The other as beseems a stouter heart | J |
Working his best with beads and cross to ban | E2 |
The enemy that comes in like a flood | J |
Spite of the standard set up verily | M |
And in no trope at all against him there | O3 |
For at the prison gate just a few steps | F3 |
Outside already in the doubtful dawn | E2 |
Thither from this side and from that slow sweep | J |
And settle down in silence solidly | M |
Crow wise the frightful Brotherhood of Death | T2 |
Black hatted and black hooded huddle they | J |
Black rosaries a dangling from each waist | J |
So take they their grim station at the door | O3 |
Torches alight and cross bones banner spread | J |
And that gigantic Christ with open arms | F3 |
Grounded Nor lacks there aught but that the group | J |
Break forth intone the lamentable psalm | H2 |
Out of the deeps Lord have I cried to thee | M |
When inside from the true profound a sign | E2 |
Shall bear intelligence that the foe is foiled | J |
Count Guido Franceschini has confessed | J |
And is absolved and reconciled with God | J |
Then they intoning may begin their march | U4 |
Make by the longest way for the People's Square | O3 |
Carry the criminal to his crime's reward | J |
A mob to cleave a scaffolding to reach | U4 |
Two gallows and Mannaia crowning all | M |
Now Guido made defence a second time | H2 |
- | |
Finally even as thus by step and step | J |
I led you from the level of to day | J |
Up to the summit of so long ago | M |
Here whence I point you the wide prospect round | J |
Let me by like steps slope you back to smooth | T2 |
Land you on mother earth no whit the worse | F3 |
To feed o' the fat o' the furrow free to dwell | M |
Taste our time's better things profusely spread | J |
For all who love the level corn and wine | E2 |
Much cattle and the many folded fleece | F3 |
Shall not my friends go feast again on sward | J |
Though cognisant of country in the clouds | F3 |
Higher than wistful eagle's horny eye | J |
Ever unclosed for 'mid ancestral crags | F3 |
When morning broke and Spring was back once more | O3 |
And he died heaven save by his heart unreached | J |
Yet heaven my fancy lifts to ladder like | A3 |
As Jack reached holpen of his beanstalk rungs | F3 |
- | |
A novel country I might make it mine | E2 |
By choosing which one aspect of the year | O3 |
Suited mood best and putting solely that | J |
On panel somewhere in the House of Fame | H2 |
Landscaping what I saved not what I saw | F3 |
Might fix you whether frost in goblin time | H2 |
Startled the moon with his abrupt bright laugh | K2 |
Or August's hair afloat in filmy fire | O3 |
She fell arms wide face foremost on the world | J |
Swooned there and so singed out the strength of things | F3 |
Thus were abolished Spring and Autumn both | T2 |
The land dwarfed to one likeness of the land | J |
Life cramped corpse fashion Rather learn and love | K2 |
Each facet flash of the revolving year | O3 |
Red green and blue that whirl into a white | J |
The variance now the eventual unity | J |
Which make the miracle See it for yourselves | F3 |
This man's act changeable because alive | K2 |
Action now shrouds now shows the informing thought | J |
Man like a glass ball with a spark a top | J |
Out of the magic fire that lurks inside | J |
Shows one tint at a time to take the eye | J |
Which let a finger touch the silent sleep | J |
Shifted a hair's breadth shoots you dark for bright | J |
Suffuses bright with dark and baffles so | F3 |
Your sentence absolute for shine or shade | J |
Once set such orbs white styled black stigmatised | J |
A rolling see them once on the other side | J |
Your good men and your bad men every one | E2 |
From Guido Franceschini to Guy Faux | F3 |
Oft would you rub your eyes and change your names | F3 |
- | |
Such British Public ye who like me not | J |
God love you whom I yet have laboured for | O3 |
Perchance more careful whoso runs may read | J |
Than erst when all it seemed could read who ran | E2 |
Perchance more careless whoso reads may praise | F3 |
Than late when he who praised and read and wrote | J |
Was apt to find himself the self same me | J |
Such labour had such issue so I wrought | J |
This arc by furtherance of such alloy | M |
And so by one spirt take away its trace | F3 |
Till justifiably golden rounds my ring | A |
- | |
A ring without a posy and that ring mine | E2 |
- | |
O lyric Love half angel and half bird | J |
And all a wonder and a wild desire | O3 |
Boldest of hearts that ever braved the sun | E2 |
Took sanctuary within the holier blue | M |
And sang a kindred soul out to his face | F3 |
Yet human at the red ripe of the heart | J |
When the first summons from the darkling earth | T2 |
Reached thee amid thy chambers blanched their blue | M |
And bared them of the glory to drop down | E2 |
To toil for man to suffer or to die | J |
This is the same voice can thy soul know change | Q2 |
Hail then and hearken from the realms of help | J |
Never may I commence my song my due | M |
To God who best taught song by gift of thee | J |
Except with bent head and beseeching hand | J |
That still despite the distance and the dark | |
What was again may be some interchange | Q2 |
Of grace some splendour once thy very thought | J |
Some benediction anciently thy smile | M |
Never conclude but raising hand and head | J |
Thither where eyes that cannot reach yet yearn | E2 |
For all hope all sustainment all reward | J |
Their utmost up and on so blessing back | Q4 |
In those thy realms of help that heaven thy home | H2 |
Some whiteness which I judge thy face makes proud | J |
Some wanness where I think thy foot may fall | M |
Robert Browning
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