One Word More Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCDE FGHFGIJFEAKFF GLMFBBNH GHLB C B H LOPQNRHFQKHBFI HSB DFHFD DTBURFDKBVDFBWB F RDXHYKDH B ZYA2DXFB2 H F RFC2Y B FH HDD2DE2F F KFBRBIK F FLBJZBHDFDFI BFFVFKFFBNFBCFF FCDCF2CDCCFDZ FHFFHBFCBHBDG2FFDBH2 CDFI2FTO E B B | A |
- | |
I | - |
- | |
There they are my fifty men and women | B |
Naming me the fifty poems finished | C |
Take them Love the book and me together | D |
Where the heart lies let the brain lie also | E |
- | |
- | |
II | - |
- | |
Rafael made a century of sonnets | F |
Made and wrote them in a certain volume | G |
Dinted with the silver pointed pencil | H |
Else he only used to draw Madonnas | F |
These the world might view but one the volume | G |
Who that one you ask Your heart instructs you | I |
Did she live and love it all her lifetime | J |
Did she drop his lady of the sonnets | F |
Die and let it drop beside her pillow | E |
Where it lay in place of Rafael's glory | A |
Rafael's cheek so duteous and so loving | K |
Cheek the world was wont to hail a painter's | F |
Rafael's cheek her love had turned a poet's | F |
- | |
- | |
III | - |
- | |
You and I would rather read that volume | G |
Taken to his beating bosom by it | L |
Lean and list the bosom beats of Rafael | M |
Would we not than wonder at Madonnas | F |
Her San Sisto names and Her Foligno | B |
Her that visits Florence in a vision | B |
Her that's left with lilies in the Louvre | N |
Seen by us and all the world in circle | H |
- | |
- | |
IV | - |
- | |
You and I will never read that volume | G |
Guido Reni like his own eye's apple | H |
Guarded long the treasure book and loved it | L |
Guido Reni dying all Bologna | B |
Cried and the world cried too 'Ours the treasure ' | - |
Suddenly as rare things will it vanished | C |
- | |
- | |
V | B |
- | |
Dante once prepared to paint an angel | H |
Whom to please You whisper 'Beatrice ' | - |
While he mused and traced it and retraced it | L |
Peradventure with a pen corroded | O |
Still by drops of that hot ink he dipped for | P |
When his left hand i' the hair o' the wicked | Q |
Back he held the brow and pricked its stigma | N |
Bit into the live man's flesh for parchment | R |
Loosed him laughed to see the writing rankle | H |
Let the wretch go festering through Florence | F |
Dante who loved well because he hated | Q |
Hated wickedness that hinders loving | K |
Dante standing studying his angel | H |
In there broke the folk of his Inferno | B |
Says he 'Certain people of importance' | F |
Such he gave his daily dreadful line to | I |
'Entered and would seize forsooth the poet ' | - |
Says the poet 'Then I stopped my painting ' | - |
- | |
- | |
VI | - |
- | |
You and I would rather see that angel | H |
Painted by the tenderness of Dante | S |
Would we not than read a fresh Inferno | B |
- | |
- | |
VII | - |
- | |
You and I will never see that picture | D |
While he mused on love and Beatrice | F |
While he softened o'er his outlined angel | H |
In they broke those 'people of importance' | F |
We and Bice bear the loss forever | D |
- | |
- | |
VIII | - |
- | |
What of Rafael's sonnets Dante's picture | D |
This no artist lives and loves that longs not | T |
Once and only once and for one only | B |
Ah the prize to find his love a language | U |
Fit and fair and simple and sufficient | R |
Using nature that's an art to others | F |
Not this one time art that's turned his nature | D |
Ay of all the artists living loving | K |
None but would forego his proper dowry | B |
Does he paint he fain would write a poem | V |
Does he write he fain would paint a picture | D |
Put to proof art alien to the artist's | F |
Once and only once and for one only | B |
So to be the man and leave the artist | W |
Gain the man's joy miss the artist's sorrow | B |
- | |
- | |
IX | F |
- | |
Wherefore Heaven's gift takes earth's abatement | R |
He who smites the rock and spreads the water | D |
Bidding drink and live a crowd beneath him | X |
Even he the minute makes immortal | H |
Proves perchance but mortal in the minute | Y |
Desecrates belike the deed in doing | K |
While he smites how can he but remember | D |
So he smote before in such a peril | H |
When they stood and mocked 'Shall smiting help us ' | - |
When they drank and sneered 'A stroke is easy ' | - |
When they wiped their mouths and went their journey | B |
Throwing him for thanks 'But drought was pleasant ' | - |
Thus old memories mar the actual triumph | - |
Thus the doing savors of disrelish | Z |
Thus achievement lacks a gracious somewhat | Y |
O'er importuned brows becloud the mandate | A2 |
Carelessness or consciousness the gesture | D |
For he bears an ancient wrong about him | X |
Sees and knows again those phalanxed faces | F |
Hears yet one time more the 'customed prelude | B2 |
'How shouldst thou of all men smite and save us ' | - |
Guesses what is like to prove the sequel | H |
'Egypt's flesh pots nay the drought was better ' | - |
- | |
- | |
X | F |
- | |
Oh the crowd must have emphatic warrant | R |
Theirs the Sinai forhead's cloven brilliance | F |
Right arm's rod sweep tongue's imperial fiat | C2 |
Never dares the man put off the prophet | Y |
- | |
- | |
XI | B |
- | |
Did he love one face from out the thousands | F |
Were she Jethro's daughter white and wifely | H |
Were she but the AEthiopian bondslave | - |
He would envy yon dumb patient camel | H |
Keeping a reserve of scanty water | D |
Meant to save his own life in the desert | D2 |
Ready in the desert to deliver | D |
Kneeling down to let his breast be opened | E2 |
Hoard and life together for his mistress | F |
- | |
- | |
XII | F |
- | |
I shall never in the years remaining | K |
Paint you pictures no nor carve you statues | F |
Make you music that should all express me | B |
So it seems I stand on my attainment | R |
This of verse alone one life allows me | B |
Verse and nothing else have I to give you | I |
Other heights in other lives God willing | K |
All the gifts from all the heights your own Love | - |
- | |
- | |
XIII | F |
- | |
Yet a semblance of resource avails us | F |
Shade so finely touched love's sense must seize it | L |
Take these lines look lovingly and nearly | B |
Lines I write the first time and the last time | J |
He who works in fresco steals a hair brush | Z |
Curbs the liberal hand subservient proudly | B |
Cramps his spirit crowds its all in little | H |
Makes a strange art of an art familiar | D |
Fills his lady's missal marge with flowerets | F |
He who blows through bronze may breathe through silver | D |
Fitly serenade a slumbrous princess | F |
He who writes may write for once as I do | I |
- | |
- | |
XIV | - |
- | |
Love you saw me gather men and women | B |
Live or dead or fashioned by my fancy | F |
Enter each and all and use their service | F |
Speak from every mouth the speech a poem | V |
Hardly shall I tell my joys and sorrows | F |
Hopes and fears belief and disbelieving | K |
I am mine and yours the rest be all men's | F |
Karshish Cleon Norbert and the fifty | F |
Let me speak this once in my true person | B |
Not as Lippo Roland or Andrea | N |
Though the fruit of speech be just this sentence | F |
Pray you look on these my men and women | B |
Take and keep my fifty poems finished | C |
Where my heart lies let my brain lie also | F |
Poor the speech be how I speak for all things | F |
- | |
- | |
XV | - |
- | |
Not but that you know me Lo the moon's self | - |
Here in London yonder late in Florence | F |
Still we find her face the thrice transfigured | C |
Curving on a sky imbrued with color | D |
Drifted over Fiesole by twilight | C |
Came she our new crescent of a hair's breadth | F2 |
Full she flared it lamping Samminiato | C |
Rounder 'twixt the cypresses and rounder | D |
Perfect till the nightingales applauded | C |
Now a piece of her old self impoverished | C |
Hard to greet she traverses the house roofs | F |
Hurries with unhandsome thrift of silver | D |
Goes dispiritedly glad to finish | Z |
- | |
- | |
XVI | - |
- | |
What there's nothing in the moon noteworthy | F |
Nay for if that moon could love a mortal | H |
Use to charm him so to fit a fancy | F |
All her magic 'tis the old sweet mythos | F |
She would turn a new side to her mortal | H |
Side unseen of herdsman huntsman steersman | B |
Blank to Zoroaster on his terrace | F |
Blind to Galileo on his turret | C |
Dumb to Homer dumb to Keats him even | B |
Think the wonder of the moonstruck mortal | H |
When she turns round comes again in heaven | B |
Opens out anew for worse or better | D |
Proves she like some portent of an iceberg | G2 |
Swimming full upon the ship it founders | F |
Hungry with huge teeth of splintered crystals | F |
Proves she as the paved work of a sapphire | D |
Seen by Moses when he climbed the mountain | B |
Moses Aaron Nadab and Abihu | H2 |
Climbed and saw the very God the Highest | C |
Stand upon the paved work of a sapphire | D |
Like the bodied heaven in his clearness | F |
Shone the stone the sapphire of that paved work | I2 |
When they ate and drank and saw God also | F |
Robert Browning
(1)
Poem topics: , Print This Poem , Rhyme Scheme
Submit Spanish Translation
Submit German Translation
Submit French Translation
Write your comment about One Word More poem by Robert Browning
Best Poems of Robert Browning