In A Balcony Poem Rhyme Scheme and Analysis
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Constance and Norbert | B |
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Norbert | B |
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Now | C |
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Constance | D |
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Not now | C |
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Norbert | B |
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Give me them again those hands | E |
Put them upon my forehead how it throbs | E |
Press them before my eyes the fire comes through | F |
You cruellest you dearest in the world | G |
Let me the Queen must grant whate'er I ask | H |
How can I gain you and not ask the Queen | I |
There she stays waiting for me here stand you | F |
Some time or other this was to be asked | J |
Now is the one time what I ask I gain | K |
Let me ask now Love | L |
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Constance | E |
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Do and ruin us | E |
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Norbert | B |
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Let it be now Love All my soul breaks forth | M |
How I do love you give my love its way | N |
A man can have but one life and one death | O |
One heaven one hell Let me fulfil my fate | P |
Grant me my heaven now Let me know you mine | Q |
Prove you mine write my name upon your brow | C |
Hold you and have you and then die away | N |
If God please with completion in my soul | R |
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Constance | E |
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I am not yours then how content this man | S |
I am not his who change into himself | T |
Have passed into his heart and beat its beats | E |
Who give my hands to him my eyes my hair | U |
Give all that was of me away to him | V |
So well that now my spirit turned his own | W |
Takes part with him against the woman here | X |
Bids him not stumble at so mere a straw | Y |
As caring that the world be cognisant | P |
How he loves her and how she worships him | V |
You have this woman not as yet that world | P |
Go on I bid nor stop to care for me | Z |
By saving what I cease to care about | P |
The courtly name and pride of circumstance | E |
The name you'll pick up and be cumbered with | A2 |
Just for the poor parade's sake nothing more | B2 |
Just that the world may slip from under you | F |
Just that the world may cry So much for him | V |
The man predestined to the heap of crowns | E |
There goes his chance of winning one at least | P |
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Norbert | P |
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The world | P |
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Constance | E |
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You love it Love me quite as well | C2 |
And see if I shall pray for this in vain | K |
Why must you ponder what it knows or thinks | E |
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Norbert | P |
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You pray for what in vain | K |
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Constance | E |
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Oh my heart's heart | P |
How I do love you Norbert that is right | P |
But listen or I take my hands away | N |
You say let it be now you would go now | C |
And tell the Queen perhaps six steps from us | E |
You love me so you do thank God | P |
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Norbert | P |
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Thank God | P |
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Constance | E |
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Yes Norbert but you fain would tell your love | L |
And what succeeds the telling ask of her | D2 |
My hand Now take this rose and look at it | P |
Listening to me You are the minister | D2 |
The Queen's first favourite nor without a cause | E |
To night completes your wonderful year's work | E2 |
This palace feast is held to celebrate | P |
Made memorable by her life's success | E |
That junction of two crowns on her sole head | P |
Her house had only dreamed of anciently | C2 |
That this mere dream is grown a stable truth | F2 |
To night's feast makes authentic Whose the praise | E |
Whose genius patience energy achieved | P |
What turned the many heads and broke the hearts | E |
You are the fate your minute's in the heaven | G2 |
Next comes the Queen's turn Name your own reward | P |
With leave to clench the past chain the to come | H2 |
Put out an arm and touch and take the sun | G2 |
And fix it ever full faced on your earth | I2 |
Possess yourself supremely of her life | J2 |
You choose the single thing she will not grant | P |
The very declaration of which choice | E |
Will turn the scale and neutralise your work | E2 |
At best she will forgive you if she can | S |
You think I'll let you choose her cousin's hand | P |
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Norbert | P |
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Wait First do you retain your old belief | K2 |
The Queen is generous nay is just | P |
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Constance | E |
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There there | U |
So men make women love them while they know | L2 |
No more of women's hearts than look you here | X |
You that are just and generous beside | P |
Make it your own case For example now | C |
I'll say I let you kiss me and hold my hands | E |
Why do you know why I'll instruct you then | M2 |
The kiss because you have a name at court | P |
This hand and this that you may shut in each | N2 |
A jewel if you please to pick up such | O2 |
That's horrible Apply it to the Queen | I |
Suppose I am the Queen to whom you speak | P2 |
I was a nameless man you needed me | Z |
Why did I proffer you my aid there stood | P |
A certain pretty Cousin by your side | P |
Why did I make such common cause with you | F |
Access to her had not been easy else | E |
You give my labours here abundant praise | E |
'Faith labour while she overlooked grew play | C2 |
How shall your gratitude discharge itself | T |
Give me her hand | P |
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Norbert | P |
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And still I urge the same | Q2 |
Is the Queen just just generous or no | L2 |
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Constance | E |
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Yes just You love a rose no harm in that | P |
But was it for the rose's sake or mine | Q |
You put it in your bosom mine you said | P |
Then mine you still must say or else be false | E |
You told the Queen you served her for herself | T |
If so to serve her was to serve yourself | T |
She thinks for all your unbelieving face | E |
I know her In the hall six steps from us | E |
One sees the twenty pictures there's a life | J2 |
Better than life and yet no life at all | C2 |
Conceive her born in such a magic dome | R2 |
Pictures all round her why she sees the world | P |
Can recognise its given things and facts | E |
The fight of giants or the feast of gods | E |
Sages in senate beauties at the bath | S2 |
Chaces and battles the whole earth's display | C2 |
Landscape and sea piece down to flowers and fruit | P |
And who shall question that she knows them all | C2 |
In better semblance than the things outside | P |
Yet bring into the silent gallery | Z |
Some live thing to contrast in breath and blood | P |
Some lion with the painted lion there | U |
You think she'll understand composedly | C2 |
Say that's his fellow in the hunting piece | E |
Yonder I've turned to praise a hundred times | E |
Not so Her knowledge of our actual earth | I2 |
Its hopes and fears concerns and sympathies | E |
Must be too far too mediate too unreal | C2 |
The real exists for us outside not her | D2 |
How should it with that life in these four walls | E |
That father and that mother first to last | P |
No father and no mother friends a heap | T2 |
Lovers no lack a husband in due time | U2 |
And everyone of them alike a lie | C2 |
Things painted by a Rubens out of nought | P |
Into what kindness friendship love should be | Z |
All better all more grandiose than life | J2 |
Only no life mere cloth and surface paint | P |
You feel while you admire How should she feel | C2 |
And now that she has stood thus fifty years | E |
The sole spectator in that gallery | Z |
You think to bring this warm real struggling love | L |
In to her of a sudden and suppose | E |
She'll keep her state untroubled Here's the truth | F2 |
She'll apprehend its value at a glance | E |
Prefer it to the pictured loyalty | Z |
You only have to say so men are made | P |
For this they act the thing has many names | E |
But this the right one and now Queen be just | P |
And life slips back you lose her at the word | P |
You do not even for amends gain me | Z |
He will not understand oh Norbert Norbert | P |
Do you not understand | P |
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Norbert | P |
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The Queen's the Queen | I |
I am myself no picture but alive | V2 |
In every nerve and every muscle here | X |
At the palace window or in the people's street | P |
As she in the gallery where the pictures glow | C2 |
The good of life is precious to us both | W2 |
She cannot love what do I want with rule | C2 |
When first I saw your face a year ago | C2 |
I knew my life's good my soul heard one voice | E |
The woman yonder there's no use of life | J2 |
But just to obtain her heap earth's woes in one | G2 |
And bear them make a pile of all earth's joys | E |
And spurn them as they help or help not here | X |
Only obtain her How was it to be | Z |
I found she was the cousin of the Queen | I |
I must then serve the Queen to get to her | D2 |
No other way Suppose there had been one | G2 |
And I by saying prayers to some white star | X2 |
With promise of my body and my soul | C2 |
Might gain you should I pray the star or no | C2 |
Instead there was the Queen to serve I served | P |
And did what other servants failed to do | P |
Neither she sought nor I declared my end | P |
Her good is hers my recompense be mine | Q |
And let me name you as that recompense | E |
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She dreamed that such a thing could never be | Z |
Let her wake now She thinks there was some cause | E |
The love of power of fame pure loyalty | Z |
Perhaps she fancies men wear out their lives | E |
Chasing such shades Then I've a fancy too | P |
I worked because I want you with my soul | C2 |
I therefore ask your hand Let it be now | C |
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Constance | E |
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Had I not loved you from the very first | P |
Were I not yours could we not steal out thus | E |
So wickedly so wildly and so well | C2 |
You might be thus impatient What's conceived | P |
Of us without here by the folks within | Y2 |
Where are you now immersed in cares of state | P |
Where am I now intent on festal robes | E |
We two embracing under death's spread hand | P |
What was this thought for what this scruple of yours | E |
Which broke the council up to bring about | P |
One minute's meeting in the corridor | D2 |
And then the sudden sleights long secresies | E |
The plots inscrutable deep telegraphs | E |
Long planned chance meetings hazards of a look | Z2 |
Does she know does she not know saved or lost | P |
A year of this compression's ecstasy | E |
All goes for nothing you would give this up | A3 |
For the old way the open way the world's | E |
His way who beats and his who sells his wife | J2 |
What tempts you their notorious happiness | E |
That you're ashamed of ours The best you'll get | P |
Will be the Queen grants all that you require | D2 |
Concedes the cousin and gets rid of you | P |
And her at once and gives us ample leave | B3 |
To live as our five hundred happy friends | E |
The world will show us with officious hand | P |
Our chamber entry and stand sentinel | C2 |
When we so oft have stolen across her traps | E |
Get the world's warrant ring the falcon's foot | P |
And make it duty to be bold and swift | P |
When long ago 'twas nature Have it so | E |
He never hawked by rights till flung from fist | P |
Oh the man's thought no woman's such a fool | C2 |
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Norbert | P |
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Yes the man's thought and my thought which is more | B2 |
One made to love you let the world take note | P |
Have I done worthy work be love's the praise | E |
Though hampered by restrictions barred against | P |
By set forms blinded by forced secresies | E |
Set free my love and see what love will do | P |
Shown in my life what work will spring from that | P |
The world is used to have its business done | G2 |
On other grounds find great effects produced | P |
For power's sake fame's sake motives you have named | P |
So good But let my low ground shame their high | C2 |
Truth is the strong thing Let man's life be true | P |
And love's the truth of mine Time prove the rest | P |
I choose to have you stamped all over me | E |
Your name upon my forehead and my breast | P |
You from the sword's blade to the ribbon's edge | C3 |
That men may see all over you in me | E |
That pale loves may die out of their pretence | E |
In face of mine shames thrown on love fall off | D3 |
Permit this Constance Love has been so long | E3 |
Subdued in me eating me through and through | P |
That now it's all of me and must have way | C2 |
Think of my work that chaos of intrigues | E |
Those hopes and fears surprises and delays | E |
That long endeavour earnest patient slow | E |
Trembling at last to its assured result | P |
Then think of this revulsion I resume | F3 |
Life after death it is no less than life | J2 |
After such long unlovely labouring days | E |
And liberate to beauty life's great need | P |
Of the beautiful which while it prompted work | E2 |
Supprest itself erewhile This eve's the time | U2 |
This eve intense with yon first trembling star | X2 |
We seem to pant and reach scarce ought between | I |
The earth that rises and the heaven that bends | E |
All nature self abandoned every tree | E |
Flung as it will pursuing its own thoughts | E |
And fixed so every flower and every weed | P |
No pride no shame no victory no defeat | P |
All under God each measured by itself | T |
These statues round us each abrupt distinct | P |
The strong in strength the weak in weakness fixed | P |
The Muse for ever wedded to her lyre | G3 |
The Nymph to her fawn the Silence to her rose | E |
And God's approval on his universe | E |
Let us do so aspire to live as these | E |
In harmony with truth ourselves being true | P |
Take the first way and let the second come | H2 |
My first is to possess myself of you | P |
The music sets the march step forward then | M2 |
And there's the Queen I go to claim you of | L |
The world to witness wonder and applaud | P |
Our flower of life breaks open No delay | C2 |
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Constance | E |
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And so shall we be ruined both of us | E |
Norbert I know her to the skin and bone | W |
You do not know her were not born to it | P |
To feel what she can see or cannot see | E |
Love she is generous ay despite your Smile | C2 |
Generous as you are For in that thin frame | Q2 |
Pain twisted punctured through and through with cares | E |
There lived a lavish soul until it starved | P |
Debarred all healthy food Look to the soul | C2 |
Pity that stoop to that ere you begin | Y2 |
The true man's way on justice and your rights | E |
Exactions and acquittance of the past | P |
Begin so see what justice she will deal | C2 |
We women hate a debt as men a gift | P |
Suppose her some poor keeper of a school | C2 |
Whose business is to sit thro' summer months | E |
And dole out children's leave to go and play | C2 |
Herself superior to such lightness she | E |
In the arm chair's state and p dagogic pomp | H3 |
To the life the laughter sun and youth outside | P |
We wonder such an one looks black on us | E |
I do not bid you wake her tenderness | E |
That were vain truly none is left to wake | I3 |
But let her think her justice is engaged | P |
To take the shape of tenderness and mark | J3 |
If she'll not coldly do its warmest deed | P |
Does she love me I ask you not a whit | P |
Yet thinking that her justice was engaged | P |
To help a kinswoman she took me up | A3 |
Did more on that bare ground than other loves | E |
Would do on greater argument For me | E |
I have no equivalent of that cold kind | P |
To pay her with my love alone to give | K3 |
If I give anything I give her love | L |
I feel I ought to help her and I will | C2 |
So for her sake as yours I tell you twice | E |
That women hate a debt as men a gift | P |
If I were you I could obtain this grace | E |
Would lay the whole I did to love's account | P |
Nor yet be very false as courtiers go | E |
Declare that my success was recompense | E |
It would be so in fact what were it else | E |
And then once loosed her generosity | E |
As you will mark it then were I but you | P |
To turn it let it seem to move itself | T |
And make it give the thing I really take | I3 |
Accepting so in the poor cousin's hand | P |
All value as the next thing to the queen | I |
Since none loves her directly none dares that | P |
A shadow of a thing a name's mere echo | E |
Suffices those who miss the name and thing | L3 |
You pick up just a ribbon she has worn | M3 |
To keep in proof how near her breath you came | Q2 |
Say I'm so near I seem a piece of her | D2 |
Ask for me that way oh you understand | P |
And find the same gift yielded with a grace | E |
Which if you make the least show to extort | P |
You'll see and when you have ruined both of us | E |
Dis s ertate on the Queen's ingratitude | P |
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Norbert | P |
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Then if I turn it that way you consent | P |
'Tis not my way I have more hope in truth | F2 |
Still if you won't have truth why this indeed | P |
Is scarcely false I'll so express the sense | E |
Will you remain here | X |
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Constance | E |
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O best heart of mine | Q |
How I have loved you then you take my way | C2 |
Are mine as you have been her minister | D2 |
Work out my thought give it effect for me | E |
Paint plain my poor conceit and make it serve | N3 |
I owe that withered woman everything | L3 |
Life fortune you remember Take my part | P |
Help me to pay her Stand upon your rights | E |
You with my rose my hands my heart on you | P |
Your rights are mine you have no rights but mine | Q |
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Norbert | P |
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Remain here How you know me | E |
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Constance | E |
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Ah but still | C2 |
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He breaks from her she remains | E |
Dance music from within | Y2 |
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SECOND PART | P |
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Enter the Queen | I |
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Queen | I |
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Constance She is here as he said Speak quick | O3 |
Is it so is it true or false One word | P |
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Constance | E |
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True | P |
Queen | I |
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Mercifullest Mother thanks to thee | E |
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Constance | E |
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Madam | H2 |
Queen | I |
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I love you Constance from my soul | C2 |
Now say once more with any words you will | C2 |
'Tis true all true as true as that I speak | P2 |
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Constance | E |
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Why should you doubt it | P |
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Queen | I |
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Ah why doubt why doubt | P |
Dear make me see it Do you see it so | E |
None see themselves another sees them best | P |
You say why doubt it you see him and me | E |
It is because the Mother has such grace | E |
That if we had but faith wherein we fail | C2 |
Whate'er we yearn for would be granted us | E |
Howbeit we let our whims prescribe despair | U |
Our very fancies thwart and cramp our will | C2 |
And so accepting life abjure ourselves | E |
Constance I had abjured the hope of love | L |
And of being loved as truly as yon palm | P3 |
The hope of seeing Egypt from that turf | Q3 |
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Constance | E |
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Heaven | G2 |
Queen | I |
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But it was so Constance it was so | E |
Men say or do men say it fancies say | C2 |
Stop here your life is set you are grown old | P |
Too late no love for you too late for love | L |
Leave love to girls Be queen let Constance love | L |
One takes the hint half meets it like a child | P |
Ashamed at any feelings that oppose | E |
Oh love true never think of love again | M2 |
I am a queen I rule not love indeed | P |
So it goes on so a face grows like this | E |
Hair like this hair poor arms as lean as these | E |
Till nay it does not end so I thank God | P |
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Constance | E |
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I cannot understand | P |
Queen | I |
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The happier you | P |
Constance I know not how it is with men | M2 |
For women I am a woman now like you | P |
There is no good of life but love but love | L |
What else looks good is some shade flung from love | L |
Love gilds it gives it worth Be warned by me | E |
Never you cheat yourself one instant Love | L |
Give love ask only love and leave the rest | P |
O Constance how I love you | P |
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Constance | E |
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I love you | P |
Queen | I |
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I do believe that all is come through you | P |
I took you to my heart to keep it warm | R3 |
When the last chance of love seemed dead in me | E |
I thought your fresh youth warmed my withered heart | P |
Oh I am very old now am I not | P |
Not so it is true and it shall be true | P |
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Constance | E |
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Tell it me let me judge if true or false | E |
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Queen | I |
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Ah but I fear you you will look at me | E |
And say she's old she's grown unlovely quite | P |
Who ne'er was beauteous men want beauty still | C2 |
Well so I feared the curse so I felt sure | S3 |
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Constance | E |
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Be calm And now you feel not sure you say | C2 |
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Queen | I |
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Constance he came the coming was not strange | T3 |
Do not I stand and see men come and go | E |
I turned a half look from my pedestal | C2 |
Where I grow marble one young man the more | B2 |
He will love some one that is nought to me | E |
What would he with my marble stateliness | C2 |
Yet this seemed somewhat worse than heretofore | B2 |
The man more gracious youthful like a god | P |
And I still older with less flesh to change | T3 |
We two those dear extremes that long to touch | O2 |
It seemed still harder when he first began | S |
Absorbed to labour at the state affairs | C2 |
The old way for the old end interest | P |
Oh to live with a thousand beating hearts | C2 |
Around you swift eyes serviceable hands | C2 |
Professing they've no care but for your cause | C2 |
Thought but to help you love but for yourself | T |
And you the marble statue all the time | U2 |
They praise and point at as preferred to life | J2 |
Yet leave for the first breathing woman's cheek | P2 |
First dancer's gypsy's or street baladine's | C2 |
Why how I have ground my teeth to hear men's speech | N2 |
Stifled for fear it should alarm my ear | X |
Their gait subdued lest step should startle me | E |
Their eyes declined such queendom to respect | P |
Their hands alert such treasure to preserve | N3 |
While not a man of these broke rank and spoke | U3 |
Or wrote me a vulgar letter all of love | L |
Or caught my hand and pressed it like a hand | P |
There have been moments if the sentinel | C2 |
Lowering his halbert to salute the queen | I |
Had flung it brutally and clasped my knees | C2 |
I would have stooped and kissed him with my soul | C2 |
- | |
Constance | C2 |
- | |
Who could have comprehended | P |
- | |
Queen | I |
- | |
Ay who who | P |
Why no one Constance but this one who did | P |
Not they not you not I Even now perhaps | C2 |
it comes too late would you but tell the truth | F2 |
- | |
Constance | C2 |
- | |
I wait to tell it | P |
- | |
Queen | I |
- | |
Well you see he came | Q2 |
Outfaced the others did a work this year | V3 |
Exceeds in value all was ever done | G2 |
You know it is not I who say it all | C2 |
Say it And so a second pang and worse | C2 |
I grew aware not only of what he did | P |
But why so wondrously Oh never work | E2 |
Like his was done for work's ignoble sake | I3 |
It must have finer aims to spur it on | W3 |
I felt I saw he loved loved somebody | E |
And Constance my dear Constance do you know | E |
I did believe this while 'twas you he loved | P |
- | |
Constance | C2 |
- | |
Me madam | H2 |
- | |
Queen | I |
- | |
It did seem to me your face | C2 |
Met him where'er he looked and whom but you | P |
Was such a man to love it seemed to me | E |
You saw he loved you and approved the love | L |
And that you both were in intelligence | C2 |
You could not loiter in the garden step | X3 |
Into this balcony but I straight was stung | Y3 |
And forced to understand It seemed so true | P |
So right so beautiful so like you both | W2 |
That all this work should have been done by him | V |
Not for the vulgar hope of recompense | C2 |
But that at last suppose some night like this | C2 |
Borne on to claim his due reward of me | E |
He might say Give her hand and pay me so | E |
And I O Constance you shall love me now | C |
I thought surmounting all the bitterness | C2 |
And he shall have it I will make her blest | P |
My flower of youth my woman's self that was | C2 |
My happiest woman's self that might have been | Y2 |
These two shall have their joy and leave me here | X |
Yes yes | C2 |
- | |
Constance | C2 |
- | |
Thanks | C2 |
Queen | I |
- | |
And the word was on my lips | C2 |
When he burst in upon me I looked to hear | X |
A mere calm statement of his just desire | D2 |
In payment of his labour When O Heaven | G2 |
How can I tell you cloud was on my eyes | C2 |
And thunder in my ears at that first word | P |
Which told 'twas love of me of me did all | C2 |
He loved me from the first step to the last | P |
Loved me | E |
- | |
Constance | C2 |
- | |
You did not hear you thought he spoke | U3 |
Of love what if you should mistake | I3 |
Queen | I |
- | |
No no | E |
No mistake Ha there shall be no mistake | I3 |
He had not dared to hint the love he felt | P |
You were my reflex how I understood | P |
He said you were the ribbon I had worn | M3 |
He kissed my hand he looked into my eyes | C2 |
And love love was the end of every phrase | C2 |
Love is begun this much is come to pass | C2 |
The rest is easy Constance I am yours | C2 |
I will learn I will place my life on you | P |
But teach me how to keep what I have won | G2 |
Am I so old this hair was early grey | C2 |
But joy ere now has brought hair brown again | M2 |
And joy will bring the cheek's red back I feel | C2 |
I could sing once too that was in my youth | F2 |
Still when men paint me they declare me yes | C2 |
Beautiful for the last French Painter did | P |
I know they flatter somewhat you are frank | Z3 |
I trust you How I loved you from the first | P |
Some queens would hardly seek a cousin out | P |
And set her by their side to take the eye | C2 |
I must have felt that good would come from you | P |
I am not generous like him like you | P |
But he is not your lover after all | C2 |
It was not you he looked at Saw you him | V |
You have not been mistaking words or looks | C2 |
He said you were the reflex of myself | T |
And yet he is not such a paragon | W3 |
To you to younger women who may choose | C2 |
Among a thousand Norberts Speak the truth | F2 |
You know you never named his name to me | E |
You know I cannot give him up all God | P |
Not up now even to you | P |
- | |
Constance | C2 |
- | |
Then calm yourself | T |
- | |
Queen | I |
- | |
See I am old look here you happy girl | C2 |
I will not play the fool deceive myself | T |
'Tis all gone put your cheek beside my cheek | P2 |
Ah what a contrast does the moon behold | P |
But then I set my life upon one chance | C2 |
The last chance and the best am I not left | P |
My soul myself All women love great men | M2 |
If young or old it is in all the tales | C2 |
Young beauties love old poets who can love | L |
Why thould not he the poems in my soul | C2 |
The love the passionate faith the sacrifice | C2 |
The constancy I throw them at his feet | P |
Who cares to see the fountain's very shape | A4 |
And whether it be a Triton's or a Nymph's | C2 |
That pours the foam makes rainbows all around | P |
You could not praise indeed the empty conch | B4 |
But I'll pour floods of love and hide myself | T |
How I will love him cannot men love love | L |
Who was a queen and loved a poet once | C2 |
Humpbacked a dwarf all women can do that | P |
Well but men too at least they tell you so | C2 |
They love so many women in their youth | F2 |
And even in age they all love whom they please | C2 |
And yet the best of them confide to friends | C2 |
That 'tis not beauty makes the lasting love | L |
They spend a day with such and tire the next | P |
They like soul well then they like phantasy | C2 |
Novelty even Let us confess the truth | F2 |
Horrible though it be that prejudice | C2 |
Prescription Curses they will love a queen | I |
They will they do And will not does not he | E |
- | |
Constance | C2 |
- | |
How can he You are wedded 'tis a name | Q2 |
We know but still a bond Your rank remains | C2 |
His rank remains How can he nobly souled | P |
As you believe and I incline to think | C4 |
Aspire to be your favourite shame and all | C2 |
- | |
Queen | I |
- | |
Hear her there there now could she love like me | E |
What did I say of smooth cheeked youth and grace | C2 |
See all it does or could do I so youth loves | C2 |
Oh tell him Constance you could never do | P |
What I will you it was not born in I | C2 |
Will drive these difficulties far and fast | P |
As yonder mists curdling before the moon | D4 |
I'll use my light too gloriously retrieve | B3 |
My youth from its enforced calamity | E |
Dissolve that hateful marriage and be his | C2 |
His own in the eyes alike of God and man | S |
- | |
Constance | C2 |
- | |
You will do dare do Pause on what you say | C2 |
- | |
Queen | I |
- | |
Hear her I thank you Sweet for that surprise | C2 |
You have the fair face for the soul see mine | Q |
I have the strong soul let me teach you here | X |
I think I have borne enough and long enough | E4 |
And patiently enough the world remarks | C2 |
To have my own way now unblamed by all | C2 |
It does so happen I rejoice for it | P |
This most unhoped for issue cuts the knot | P |
There's not a better way of settling claims | C2 |
Than this God sends the accident express | C2 |
And were it for my subjects' good no more | B2 |
'Twere best thus ordered I am thankful now | C |
Mute passive acquiescent I receive | B3 |
And bless God simply or should almost fear | V3 |
To walk so smoothly to my ends at last | P |
Why how I baffle obstacles spurn fate | P |
How strong I am could Norbert see me now | C |
- | |
Constance | C2 |
- | |
Let me consider It is all too strange | T3 |
- | |
Queen | I |
- | |
You Constance learn of me do you like me | E |
You are young beautiful my own best girl | C2 |
You will have many lovers and love one | G2 |
Light hair not hair like Norbert's to suit yours | C2 |
And taller than he is for you are tall | C2 |
Love him like me give all away to him | V |
Think never of yourself throw by your pride | P |
Hope fear your own good as you saw it once | C2 |
And love him simply for his very self | T |
Remember I and what am I to you | P |
Would give up all for one leave throne lose life | J2 |
Do all but just unlove him he loves me | E |
- | |
Constance | C2 |
- | |
He shall | C2 |
- | |
Queen | I |
- | |
You step inside my inmost heart | P |
Give me your own heart let us have one heart | P |
I'll come to you for counsel This he says | C2 |
This he does what should this amount to pray | C2 |
Beseech you change it into current coin | F4 |
Is that worth kisses shall I please him there | U |
And then we'll speak in turn of you what else | C2 |
Your love according to your beauty's worth | I2 |
For you shall have some noble love all gold | P |
Whom choose you we will get him at your choice | C2 |
Constance I leave you Just a minute since | C2 |
I felt as I must die or be alone | W |
Breathing my soul into an ear like yours | C2 |
Now I would face the world with my new life | J2 |
With my new crown I'll walk around the rooms | C2 |
And then come back and tell you how it feels | C2 |
How soon a smile of God can change the world | P |
How we are all made for happiness how work | E2 |
Grows play adversity a winning fight | P |
True I have lost so many years What then | M2 |
Many remain God has been very good | P |
You stay here 'Tis as different from dreams | C2 |
From the mind's cold calm estimate of bliss | C2 |
As these stone statues from the flesh and blood | P |
The comfort thou hast caused mankind God's moon | D4 |
- | |
She goes out Dance music from within | Y2 |
- | |
- | |
- | |
PART THIRD | P |
- | |
Norbert enters | C2 |
- | |
Norbert | P |
- | |
Well we have but one minute and one word | P |
- | |
Constance | C2 |
I am yours Norbert | P |
- | |
Norbert | P |
- | |
Yes mine | Q |
- | |
Constance | C2 |
- | |
Not till now | C |
You were mine Now I give myself to you | P |
- | |
Norbert | P |
- | |
Constance | C2 |
- | |
Constance | C2 |
- | |
Your own I know the thriftier way | C2 |
Of giving haply 'tis the wiser way | C2 |
Meaning to give a treasure I might dole | C2 |
Coin after coin out each as that were all | C2 |
With a new largess still at each despair | U |
And force you keep in sight the deed reserve | N3 |
Exhaustless till the end my part and yours | C2 |
My giving and your taking both our joys | C2 |
Dying together Is it the wiser way | C2 |
I choose the simpler I give all at once | C2 |
Know what you have to trust to trade upon | W3 |
Use it abuse it anything but say | C2 |
Hereafter Had I known she loved me so | C2 |
And what my means I might have thriven with it | P |
This is your means I give you all myself | T |
- | |
Norbert | P |
- | |
I take you and thank God | P |
- | |
Constance | C2 |
- | |
Look on through years | C2 |
We cannot kiss a second day like this | C2 |
Else were this earth no earth | I2 |
- | |
Norbert | P |
- | |
With this day's heat | P |
We shall go on through years of cold | P |
- | |
Constance | C2 |
- | |
So best | P |
I try to see those years I think I see | E |
You walk quick and new warmth comes you look back | G4 |
And lay all to the first glow not sit down | H4 |
For ever brooding on a day like this | C2 |
While seeing the embers whiten and love die | C2 |
Yes love lives best in its effect and mine | Q |
Full in its own life yearns to live in yours | C2 |
- | |
Norbert | P |
- | |
Just so I take and know you all at once | C2 |
Your soul is disengaged so easily | E |
Your face is there I know you give me time | U2 |
Let me be proud and think you shall know me | E |
My soul is slower in a life I roll | C2 |
The minute out in which you condense yours | C2 |
The whole slow circle round you I must move | I4 |
To be just you I look to a long life | J2 |
To decompose this minute prove its worth | I2 |
'Tis the sparks' long succession one by one | G2 |
Shall show you in the end what fire was crammed | P |
In that mere stone you struck you could not know | C2 |
If it lay ever unproved in your sight | P |
As now my heart lies your own warmth would hide | P |
Its coldness were it cold | P |
- | |
Constance | C2 |
- | |
But how prove how | C |
- | |
Norbert | P |
- | |
Prove in my life you ask | H |
- | |
Constance | C2 |
- | |
Quick Norbert how | C |
- | |
Norbert | P |
- | |
That's easy told I count life just a stuff | E4 |
To try the soul's strength on educe the man | S |
Who keeps one end in view makes all things serve | N3 |
As with the body he who hurls a lance | C2 |
Or heaps up stone on stone shows strength alike | J4 |
So I will seize and use all means to prove | I4 |
And show this soul of mine you crown as yours | C2 |
And justify us both | W2 |
- | |
Constance | C2 |
- | |
Could you write books | C2 |
Paint pictures one sits down in poverty | E |
And writes or paints with pity for the rich | K4 |
- | |
Norbert | P |
- | |
And loves one's painting and one's writing too | P |
And not one's mistress All is best believe | B3 |
And we best as no other than we are | X2 |
We live and they experiment on life | J2 |
Those poets painters all who stand aloof | L4 |
To overlook the farther Let us be | E |
The thing they look at I might take that face | C2 |
And write of it and paint it to what end | P |
For whom what pale dictatress in the air | U |
Feeds smiling sadly her fine ghost like form | R3 |
With earth's real blood and breath the beauteous life | J2 |
She makes despised for ever You are mine | Q |
Made for me not for others in the world | P |
Nor yet for that which I should call my art | P |
That cold calm power to see how fair you look | Z2 |
I come to you I leave you not to write | P |
Or paint You are I am Let Rubens there | U |
Paint us | C2 |
- | |
Constance | C2 |
So best | P |
- | |
Norbert | P |
- | |
I understand your soul | C2 |
You live and rightly sympathise with life | J2 |
With action power success this way is straight | P |
And days were short beside to let me change | T3 |
The craft my childhood learnt my craft shall serve | N3 |
Men set me here to subjugate enclose | C2 |
Manure their barren lives and force the fruit | P |
First for themselves and afterward for me | E |
In the due tithe the task of some one man | S |
By ways of work appointed by themselves | C2 |
I am not bid create they see no star | X2 |
Transfiguring my brow to warrant that | P |
But bind in one and carry out their wills | C2 |
So I began to night sees how I end | P |
What if it see too my first outbreak here | X |
Amid the warmth surprise and sympathy | E |
The instincts of the heart that teach the head | P |
What if the people have discerned in me | E |
The dawn of the next nature the new man | S |
Whose will they venture in the place of theirs | C2 |
And whom they trust to find them out new ways | C2 |
To the new heights which yet he only sees | C2 |
I felt it when you kissed me See this Queen | I |
This people in our phrase this mass of men | M2 |
See how the mass lies passive to my hand | P |
And how my hand is plastic and you by | C2 |
To make the muscles iron Oh an end | P |
Shall crown this issue as this crowns the first | P |
My will be on this people then the strain | K |
The grappling of the potter with his clay | C2 |
The long uncertain struggle the success | C2 |
In that uprising of the spirit work | E2 |
The vase shaped to the curl of the god's lip | M4 |
While rounded fair for lower men to see | E |
The Graces in a dance they recognise | E |
With turbulent applause and laughs of heart | P |
So triumph ever shall renew itself | T |
Ever to end in efforts higher yet | P |
Ever begun | G2 |
- | |
Constance | E |
- | |
I ever helping | L3 |
- | |
Norbert | P |
- | |
Thus | E |
- | |
As he embraces her enter the Queen | I |
- | |
Constance | E |
- | |
Hist madam so I have performed my part | P |
You see your gratitude's true decency | E |
Norbert a little slow in seeing it | P |
Begun to end the sooner What's a kiss | E |
- | |
Norbert | P |
- | |
Constance | E |
- | |
Constance | E |
- | |
Why must I teach it you again | M2 |
You want a witness to your dullness sir | D2 |
What was I saying these ten minutes long | E3 |
Then I repeat when some young handsome man | S |
Like you has acted out a part like yours | E |
Is pleased to fall in love with one beyond | P |
So very far beyond him as he says | E |
So hopelessly in love that but to speak | P2 |
Would prove him mad he thinks judiciously | E |
And makes some insignificant good soul | C2 |
Like me his friend adviser confidant | P |
And very stalking horse to cover him | V |
In following after what he dares not face | E |
When his end's gained sir do you understand | P |
When she he dares not face has loved him first | P |
May I not say so madam tops his hope | N4 |
And overpasses so his wildest dream | O4 |
With glad consent of all and most of her | D2 |
The confidant who brought the same about | P |
Why in the moment when such joy explodes | E |
I do say that the merest gentleman | G2 |
Will not start rudely from the stalking horse | E |
Dismiss it with a There enough of you | P |
Forget it show his back unmannerly | C2 |
But like a liberal heart will rather turn | P4 |
And say A tingling time of hope was ours | E |
Betwixt the fears and falterings we two lived | P |
A chanceful time in waiting for the prize | E |
The confidant the Constance served not ill | C2 |
And though I shall forget her in due time | U2 |
Her use being answered now as reason bids | E |
Nay as herself bids from her heart of hearts | E |
Still she has rights the first thanks go to her | D2 |
The first good praise goes to the prosperous tool | C2 |
And the first which is the last thankful kiss | E |
- | |
Norbert | P |
- | |
Constance it is a dream ah see you smile | C2 |
- | |
Constance | E |
- | |
So now his part being properly performed | P |
Madam I turn to you and finish mine | Q |
As duly I do justice in my turn | P4 |
Yes madam he has loved you long and well | C2 |
He could not hope to tell you so 'twas I | C2 |
Who served to prove your soul accessible | C2 |
I led his thoughts on drew them to their place | E |
When oft they had wandered out into despair | U |
And kept love constant toward its natural aim | Q2 |
Enough my part is played you stoop half way | C2 |
And meet us royally and spare our fears | E |
'Tis like yourself he thanks you so do I | C2 |
Take him with my full heart my work is praised | P |
By what comes of it Be you happy both | W2 |
Yourself the only one on earth who can | S |
Do all for him much more than a mere heart | P |
Which though warm is not useful in its warmth | Q4 |
As the silk vesture of a queen fold that | P |
Around him gently tenderly For him | V |
For him he knows his own part | P |
- | |
Norbert | P |
- | |
Have you done | G2 |
I take the jest at last Should I speak now | C |
Was yours the wager Constance foolish child | P |
Or did you but accept it Well at least | P |
You lose by it | P |
- | |
Constance | E |
- | |
Now madam 'tis your turn | P4 |
Restrain him still from speech a little more | B2 |
And make him happier and more confident | P |
Pity him madam he is timid yet | P |
Mark Norbert do not shrink now Here I yield | P |
My whole right in you to the Queen observe | N3 |
With her go put in practice the great schemes | E |
You teem with follow the career else closed | P |
Be all you cannot be except by her | D2 |
Behold her Madam say for pity's sake | I3 |
Anything frankly say you love him Else | E |
He'll not believe it there's more earnest in | Y2 |
His fear than you conceive I know the man | S |
- | |
Norbert | P |
- | |
I know the woman somewhat and confess | E |
I thought she had jested better she begins | E |
To overcharge her part I gravely wait | P |
Your pleasure madam where is my reward | P |
- | |
Queen | I |
- | |
Norbert this wild girl whom I recognise | E |
Scarce more than you do in her fancy fit | P |
Eccentric speech and variable mirth | I2 |
Not very wise perhaps and somewhat bold | P |
Yet suitable the whole night's work being strange | T3 |
May still be right I may do well to speak | P2 |
And make authentic what appears a dream | O4 |
To even myself For what she says is true | P |
Yes Norbert what you spoke but now of love | L |
Devotion stirred no novel sense in me | E |
But justified a warmth felt long before | B2 |
Yes from the first I loved you I shall say | E |
Strange but I do grow stronger now 'tis said | P |
Your courage helps mine you did well to speak | P2 |
To night the night that crowns your twelvemonths' toil | C2 |
But still I had not waited to discern | P4 |
Your heart so long believe me From the first | P |
The source of so much zeal was almost plain | K |
In absence even of your own words just now | C |
Which opened out the truth 'Tis very strange | T3 |
But takes a happy ending in your love | L |
Which mine meets be it so as you choose me | E |
So I choose you | P |
- | |
Norbert | P |
- | |
And worthily you choose | E |
I will not be unworthy your esteem | O4 |
No madam I do love you I will meet | P |
Your nature now I know it this was well | C2 |
I see you dare and you are justified | P |
But none had ventured such experiment | P |
Less versed than you in nobleness of heart | P |
Less confident of finding it in me | E |
I like that thus you test me ere you grant | P |
The dearest richest beauteousest and best | P |
Of women to my arms 'Tis like yourself | T |
So back again into my part's set words | E |
Devotion to the uttermost is yours | E |
But no you cannot madam even you | P |
Create in me the love our Constance does | E |
Or something truer to the tragic phrase | E |
Not yon magnolia bell superb with scent | P |
Invites a certain insect that's myself | T |
But the small eye flower nearer to the ground | P |
I take this lady | E |
- | |
Constance | E |
- | |
Stay not hers the trap | R4 |
Stay Norbert that mistake were worst of all | C2 |
He is too cunning madam it was I | C2 |
I Norbert who | P |
- | |
Norbert | P |
- | |
You was it Constance Then | M2 |
But for the grace of this divinest hour | D2 |
Which gives me you I should not pardon here | X |
I am the Queen's she only knows my brain | K |
She may experiment therefore on my heart | P |
And I instruct her too by the result | P |
But you sweet you who know me who so long | E3 |
Have told my heart beats over held my life | J2 |
In those white hands of yours it is not well | C2 |
- | |
Constance | E |
- | |
Tush I have said it did I not say it all | C2 |
The life for her the heart beats for her sake | I3 |
- | |
Norbert | P |
- | |
Enough my cheek grows red I think Your test | P |
There's not the meanest woman in the world | P |
Not she I least could love in all the world | P |
Whom did she love me did love prove itself | T |
I dared insult as you insult me now | C |
Constance I could say if it must be said | P |
Take back the soul you offer I keep mine | Q |
But Take the soul still quivering on your hand | P |
The soul so offered which I cannot use | E |
And please you give it to some friend of mine | Q |
For what's the trifle he requites me with | A2 |
I tempt a woman to amuse a man | S |
That two may mock her heart if it succumb | H2 |
No fearing God and standing 'neath his heaven | G2 |
I would not dare insult a woman so | E |
Were she the meanest woman in the world | P |
And he I cared to please ten emperors | E |
- | |
Constance | E |
- | |
Norbert | P |
- | |
Norbert | P |
- | |
I love once as I live but once | E |
What case is this to think or talk about | P |
I love you Would it mend the case at all | C2 |
Should such a step as this kill love in me | E |
Your part were done account to God for it | P |
But mine could murdered love get up again | M2 |
And kneel to whom you pleased to designate | P |
And make you mirth It is too horrible | C2 |
You did not know this Constance now you know | E |
That body and soul have each one life but one | G2 |
And here's my love here living at your feet | P |
- | |
Constance | E |
- | |
See the Queen Norbert this one more last word | P |
If thus you have taken jest for earnest thus | E |
Loved me in earnest | P |
- | |
Norbert | P |
- | |
Ah no jest holds here | X |
Where is the laughter in which jests break up | A3 |
And what this horror that grows palpable | C2 |
Madam why grasp you thus the balcony | E |
Have I done ill Have I not spoken the truth | F2 |
How could I other Was it not your test | P |
To try me and what my love for Constance meant | P |
Madam your royal soul itself approves | E |
The first that I should choose thus so one takes | E |
A beggar asks him what would buy his child | P |
And then approves the expected laugh of scorn | M3 |
Returned as something noble from the rags | E |
Speak Constance I'm the beggar Ha what's this | E |
You two glare each at each like panthers now | C |
Constance the world fades only you stand there | U |
You did not in to night's wild whirl of things | E |
Sell me your soul of souls for any price | E |
No no 'tis easy to believe in you | P |
Was it your love's mad trial to o'ertop | A3 |
Mine by this vain self sacrifice well still | C2 |
Though I should curse I love you I am love | L |
And cannot change love's self is at your feet | P |
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Queen goes out | P |
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Constance | E |
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Feel my heart let it die against your own | W |
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Norbert | P |
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Against my own explain not let this be | E |
This is life's height | P |
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Constance | E |
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Yours Yours Yours | E |
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Norbert | P |
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You and I | C2 |
Why care by what meanders we are here | X |
In the centre of the labyrinth men have died | P |
Trying to find this place out which we have found | P |
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Constance | E |
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Found found | P |
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Norbert | P |
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Sweet never fear what she can do | P |
We are past harm now | C |
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Constance | E |
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On the breast of God | P |
I thought of men as if you were a man | S |
Tempting him with a crown | H4 |
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Norbert | P |
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This must end here | X |
It is too perfect | P |
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Constance | E |
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There's the music stopped | P |
What measured heavy tread it is one blaze | E |
About me and within me | E |
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Norbert | P |
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Oh some death | O |
Will run its sudden finger round this spark | J3 |
And sever us from the rest | P |
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Constance | E |
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And so do well | C2 |
Now the doors open | G2 |
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Norbert | P |
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'Tis the guard comes | E |
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Constance | E |
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Kiss | E |
Robert Browning
(1)
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