Fra Lippo Lippi Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHIJKLMNEOKPQR STUVWXYZKA2BB2C2D2E2 A2F2KYG2H2NA2I2J2K2T L2A2D2A2M2N2N2O2O2A2 P2Q2A2A2A2R2S2A2T2A2 U2U2V2W2X2A2I2KA2A2S 2CY2A2A2TZ2A2A2A2A2T A3D2B3P2C3A2NKA2JKA2 D3K2A2A2A2E3F3A2S2S2 UG3H3I3J3K3A2I2V2A2L 3A2M3E3I2D3N3F3O3P3Q 3A2G2R3A2S3T3T3K3KA2 U3U3A2I2T3T3A2D2YS2T 2V3A2T3T3A2S2S2T3W3S 2A2K2A2KX3U3T3S2A2A2 T3Y3K2TZ3YA2K2I2V2A2 A4B4K2K2A2C4A2A2T3C3 T3A2S2U3A2P2A2U3T3A2 D4E4U3T3A2F4T3TI2A2K 2Z3T3T3A2T3A2T3T3A2T 3T3T3A2A2T3T3U3T2A2A 2F4A2K3K3YYG4A2A2H4T 3A2I2I2P2I4A2A2T3YC4 S2YU3T3S2I2A2K2A2D2A 2I2T3 YK2K3Y3TL3T3U3T3U3J4 U3A2P2T3K2YK3S2A2A2K 4A2T3A2C3T3A2A2V2S2A 2K2T3A2YY2U3B2L4T3YT T3A2U3D2M4T3T3T3A2K2 T3K2G2T3T3A2A2N4G4O4 F4A2T3 A2A2T3K3Y2T3S2T3T3T3 T3A2A4A2A2A2P2TT3A2A 2U3T3T3H4A2A2NX3Y3U3 A2T3P4U3A2A2K2Q4I2A2 K2T3T3A2A2T3S2YU3U3A 2I2T3T3U3T3I am poor brother Lippo by your leave | A |
You need not clap your torches to my face | B |
Zooks what's to blame you think you see a monk | C |
What 'tis past midnight and you go the rounds | D |
And here you catch me at an alley's end | E |
Where sportive ladies leave their doors ajar | F |
The Carmine's my cloister hunt it up | G |
Do harry out if you must show your zeal | H |
Whatever rat there haps on his wrong hole | I |
And nip each softling of a wee white mouse | J |
Weke weke that's crept to keep him company | K |
Aha you know your betters Then you'll take | L |
Your hand away that's fiddling on my throat | M |
And please to know me likewise Who am I | N |
Why one sir who is lodging with a friend | E |
Three streets off he's a certain how d'ye call | O |
Master a Cosimo of the Medici | K |
I' the house that caps the corner Boh you were best | P |
Remember and tell me the day you're hanged | Q |
How you affected such a gullet's gripe | R |
But you sir it concerns you that your knaves | S |
Pick up a manner nor discredit you | T |
Zooks are we pilchards that they sweep the streets | U |
And count fair price what comes into their net | V |
He's Judas to a tittle that man is | W |
Just such a face Why sir you make amends | X |
Lord I'm not angry Bid your hang dogs go | Y |
Drink out this quarter florin to the health | Z |
Of the munificent House that harbours me | K |
And many more beside lads more beside | A2 |
And all's come square again I'd like his face | B |
His elbowing on his comrade in the door | B2 |
With the pike and lantern for the slave that holds | C2 |
John Baptist's head a dangle by the hair | D2 |
With one hand Look you now as who should say | E2 |
And his weapon in the other yet unwiped | A2 |
It's not your chance to have a bit of chalk | F2 |
A wood coal or the like or you should see | K |
Yes I'm the painter since you style me so | Y |
What brother Lippo's doings up and down | G2 |
You know them and they take you like enough | H2 |
I saw the proper twinkle in your eye | N |
'Tell you I liked your looks at very first | A2 |
Let's sit and set things straight now hip to haunch | I2 |
Here's spring come and the nights one makes up bands | J2 |
To roam the town and sing out carnival | K2 |
And I've been three weeks shut within my mew | T |
A painting for the great man saints and saints | L2 |
And saints again I could not paint all night | A2 |
Ouf I leaned out of window for fresh air | D2 |
There came a hurry of feet and little feet | A2 |
A sweep of lute strings laughs and whifts of song | M2 |
Flower o' the broom | N2 |
Take away love and our earth is a tomb | N2 |
Flower o' the quince | O2 |
I let Lisa go and what good in life since | O2 |
Flower o' the thyme and so on Round they went | A2 |
Scarce had they turned the corner when a titter | P2 |
Like the skipping of rabbits by moonlight three slim shapes | Q2 |
And a face that looked up zooks sir flesh and blood | A2 |
That's all I'm made of Into shreds it went | A2 |
Curtain and counterpane and coverlet | A2 |
All the bed furniture a dozen knots | R2 |
There was a ladder Down I let myself | S2 |
Hands and feet scrambling somehow and so dropped | A2 |
And after them I came up with the fun | T2 |
Hard by Saint Laurence hail fellow well met | A2 |
Flower o' the rose | U2 |
If I've been merry what matter who knows | U2 |
And so as I was stealing back again | V2 |
To get to bed and have a bit of sleep | W2 |
Ere I rise up to morrow and go work | X2 |
On Jerome knocking at his poor old breast | A2 |
With his great round stone to subdue the flesh | I2 |
You snap me of the sudden Ah I see | K |
Though your eye twinkles still you shake your head | A2 |
Mine's shaved a monk you say the sting 's in that | A2 |
If Master Cosimo announced himself | S2 |
Mum's the word naturally but a monk | C |
Come what am I a beast for tell us now | Y2 |
I was a baby when my mother died | A2 |
And father died and left me in the street | A2 |
I starved there God knows how a year or two | T |
On fig skins melon parings rinds and shucks | Z2 |
Refuse and rubbish One fine frosty day | A2 |
My stomach being empty as your hat | A2 |
The wind doubled me up and down I went | A2 |
Old Aunt Lapaccia trussed me with one hand | A2 |
Its fellow was a stinger as I knew | T |
And so along the wall over the bridge | A3 |
By the straight cut to the convent Six words there | D2 |
While I stood munching my first bread that month | B3 |
So boy you're minded quoth the good fat father | P2 |
Wiping his own mouth 'twas refection time | C3 |
To quit this very miserable world | A2 |
Will you renounce the mouthful of bread thought I | N |
By no means Brief they made a monk of me | K |
I did renounce the world its pride and greed | A2 |
Palace farm villa shop and banking house | J |
Trash such as these poor devils of Medici | K |
Have given their hearts to all at eight years old | A2 |
Well sir I found in time you may be sure | D3 |
'Twas not for nothing the good bellyful | K2 |
The warm serge and the rope that goes all round | A2 |
And day long blessed idleness beside | A2 |
Let's see what the urchin's fit for that came next | A2 |
Not overmuch their way I must confess | E3 |
Such a to do They tried me with their books | F3 |
Lord they'd have taught me Latin in pure waste | A2 |
Flower o' the clove | S2 |
All the Latin I construe is amo I love | S2 |
But mind you when a boy starves in the streets | U |
Eight years together as my fortune was | G3 |
Watching folk's faces to know who will fling | H3 |
The bit of half stripped grape bunch he desires | I3 |
And who will curse or kick him for his pains | J3 |
Which gentleman processional and fine | K3 |
Holding a candle to the Sacrament | A2 |
Will wink and let him lift a plate and catch | I2 |
The droppings of the wax to sell again | V2 |
Or holla for the Eight and have him whipped | A2 |
How say I nay which dog bites which lets drop | L3 |
His bone from the heap of offal in the street | A2 |
Why soul and sense of him grow sharp alike | M3 |
He learns the look of things and none the less | E3 |
For admonition from the hunger pinch | I2 |
I had a store of such remarks be sure | D3 |
Which after I found leisure turned to use | N3 |
I drew men's faces on my copy books | F3 |
Scrawled them within the antiphonary's marge | O3 |
Joined legs and arms to the long music notes | P3 |
Found eyes and nose and chin for A's and B's | Q3 |
And made a string of pictures of the world | A2 |
Betwixt the ins and outs of verb and noun | G2 |
On the wall the bench the door The monks looked black | R3 |
Nay quoth the Prior turn him out d'ye say | A2 |
In no wise Lose a crow and catch a lark | S3 |
What if at last we get our man of parts | T3 |
We Carmelites like those Camaldolese | T3 |
And Preaching Friars to do our church up fine | K3 |
And put the front on it that ought to be | K |
And hereupon he bade me daub away | A2 |
Thank you my head being crammed the walls a blank | U3 |
Never was such prompt disemburdening | U3 |
First every sort of monk the black and white | A2 |
I drew them fat and lean then folk at church | I2 |
From good old gossips waiting to confess | T3 |
Their cribs of barrel droppings candle ends | T3 |
To the breathless fellow at the altar foot | A2 |
Fresh from his murder safe and sitting there | D2 |
With the little children round him in a row | Y |
Of admiration half for his beard and half | S2 |
For that white anger of his victim's son | T2 |
Shaking a fist at him with one fierce arm | V3 |
Signing himself with the other because of Christ | A2 |
Whose sad face on the cross sees only this | T3 |
After the passion of a thousand years | T3 |
Till some poor girl her apron o'er her head | A2 |
Which the intense eyes looked through came at eve | S2 |
On tiptoe said a word dropped in a loaf | S2 |
Her pair of earrings and a bunch of flowers | T3 |
The brute took growling prayed and so was gone | W3 |
I painted all then cried 'Tis ask and have | S2 |
Choose for more's ready laid the ladder flat | A2 |
And showed my covered bit of cloister wall | K2 |
The monks closed in a circle and praised loud | A2 |
Till checked taught what to see and not to see | K |
Being simple bodies That's the very man | X3 |
Look at the boy who stoops to pat the dog | U3 |
That woman's like the Prior's niece who comes | T3 |
To care about his asthma it's the life | S2 |
But there my triumph's straw fire flared and funked | A2 |
Their betters took their turn to see and say | A2 |
The Prior and the learned pulled a face | T3 |
And stopped all that in no time How what's here | Y3 |
Quite from the mark of painting bless us all | K2 |
Faces arms legs and bodies like the true | T |
As much as pea and pea it's devil's game | Z3 |
Your business is not to catch men with show | Y |
With homage to the perishable clay | A2 |
But lift them over it ignore it all | K2 |
Make them forget there's such a thing as flesh | I2 |
Your business is to paint the souls of men | V2 |
Man's soul and it's a fire smoke no it's not | A2 |
It's vapour done up like a new born babe | A4 |
In that shape when you die it leaves your mouth | B4 |
It's well what matters talking it's the soul | K2 |
Give us no more of body than shows soul | K2 |
Here's Giotto with his Saint a praising God | A2 |
That sets us praising why not stop with him | C4 |
Why put all thoughts of praise out of our head | A2 |
With wonder at lines colours and what not | A2 |
Paint the soul never mind the legs and arms | T3 |
Rub all out try at it a second time | C3 |
Oh that white smallish female with the breasts | T3 |
She's just my niece Herodias I would say | A2 |
Who went and danced and got men's heads cut off | S2 |
Have it all out Now is this sense I ask | U3 |
A fine way to paint soul by painting body | A2 |
So ill the eye can't stop there must go further | P2 |
And can't fare worse Thus yellow does for white | A2 |
When what you put for yellow's simply black | U3 |
And any sort of meaning looks intense | T3 |
When all beside itself means and looks nought | A2 |
Why can't a painter lift each foot in turn | D4 |
Left foot and right foot go a double step | E4 |
Make his flesh liker and his soul more like | U3 |
Both in their order Take the prettiest face | T3 |
The Prior's niece patron saint is it so pretty | A2 |
You can't discover if it means hope fear | F4 |
Sorrow or joy won't beauty go with these | T3 |
Suppose I've made her eyes all right and blue | T |
Can't I take breath and try to add life's flash | I2 |
And then add soul and heighten them three fold | A2 |
Or say there's beauty with no soul at all | K2 |
I never saw it put the case the same | Z3 |
If you get simple beauty and nought else | T3 |
You get about the best thing God invents | T3 |
That's somewhat and you'll find the soul you have missed | A2 |
Within yourself when you return him thanks | T3 |
Rub all out Well well there's my life in short | A2 |
And so the thing has gone on ever since | T3 |
I'm grown a man no doubt I've broken bounds | T3 |
You should not take a fellow eight years old | A2 |
And make him swear to never kiss the girls | T3 |
I'm my own master paint now as I please | T3 |
Having a friend you see in the Corner house | T3 |
Lord it's fast holding by the rings in front | A2 |
Those great rings serve more purposes than just | A2 |
To plant a flag in or tie up a horse | T3 |
And yet the old schooling sticks the old grave eyes | T3 |
Are peeping o'er my shoulder as I work | U3 |
The heads shake still It's art's decline my son | T2 |
You're not of the true painters great and old | A2 |
Brother Angelico's the man you'll find | A2 |
Brother Lorenzo stands his single peer | F4 |
Fag on at flesh you'll never make the third | A2 |
Flower o' the pine | K3 |
You keep your mistr manners and I'll stick to mine | K3 |
I'm not the third then bless us they must know | Y |
Don't you think they're the likeliest to know | Y |
They with their Latin So I swallow my rage | G4 |
Clench my teeth suck my lips in tight and paint | A2 |
To please them sometimes do and sometimes don't | A2 |
For doing most there's pretty sure to come | H4 |
A turn some warm eve finds me at my saints | T3 |
A laugh a cry the business of the world | A2 |
Flower o' the peach | I2 |
Death for us all and his own life for each | I2 |
And my whole soul revolves the cup runs over | P2 |
The world and life's too big to pass for a dream | I4 |
And I do these wild things in sheer despite | A2 |
And play the fooleries you catch me at | A2 |
In pure rage The old mill horse out at grass | T3 |
After hard years throws up his stiff heels so | Y |
Although the miller does not preach to him | C4 |
The only good of grass is to make chaff | S2 |
What would men have Do they like grass or no | Y |
May they or mayn't they all I want's the thing | U3 |
Settled for ever one way As it is | T3 |
You tell too many lies and hurt yourself | S2 |
You don't like what you only like too much | I2 |
You do like what if given you at your word | A2 |
You find abundantly detestable | K2 |
For me I think I speak as I was taught | A2 |
I always see the garden and God there | D2 |
A making man's wife and my lesson learned | A2 |
The value and significance of flesh | I2 |
I can't unlearn ten minutes afterwards | T3 |
- | |
You understand me I'm a beast I know | Y |
But see now why I see as certainly | K2 |
As that the morning star's about to shine | K3 |
What will hap some day We've a youngster here | Y3 |
Comes to our convent studies what I do | T |
Slouches and stares and lets no atom drop | L3 |
His name is Guidi he'll not mind the monks | T3 |
They call him Hulking Tom he lets them talk | U3 |
He picks my practice up he'll paint apace | T3 |
I hope so though I never live so long | U3 |
I know what's sure to follow You be judge | J4 |
You speak no Latin more than I belike | U3 |
However you're my man you've seen the world | A2 |
The beauty and the wonder and the power | P2 |
The shapes of things their colours lights and shades | T3 |
Changes surprises and God made it all | K2 |
For what Do you feel thankful ay or no | Y |
For this fair town's face yonder river's line | K3 |
The mountain round it and the sky above | S2 |
Much more the figures of man woman child | A2 |
These are the frame to What's it all about | A2 |
To be passed over despised or dwelt upon | K4 |
Wondered at oh this last of course you say | A2 |
But why not do as well as say paint these | T3 |
Just as they are careless what comes of it | A2 |
God's works paint any one and count it crime | C3 |
To let a truth slip Don't object His works | T3 |
Are here already nature is complete | A2 |
Suppose you reproduce her which you can't | A2 |
There's no advantage you must beat her then | V2 |
For don't you mark we're made so that we love | S2 |
First when we see them painted things we have passed | A2 |
Perhaps a hundred times nor cared to see | K2 |
And so they are better painted better to us | T3 |
Which is the same thing Art was given for that | A2 |
God uses us to help each other so | Y |
Lending our minds out Have you noticed now | Y2 |
Your cullion's hanging face A bit of chalk | U3 |
And trust me but you should though How much more | B2 |
If I drew higher things with the same truth | L4 |
That were to take the Prior's pulpit place | T3 |
Interpret God to all of you Oh oh | Y |
It makes me mad to see what men shall do | T |
And we in our graves This world's no blot for us | T3 |
Nor blank it means intensely and means good | A2 |
To find its meaning is my meat and drink | U3 |
Ay but you don't so instigate to prayer | D2 |
Strikes in the Prior when your meaning's plain | M4 |
It does not say to folk remember matins | T3 |
Or mind you fast next Friday Why for this | T3 |
What need of art at all A skull and bones | T3 |
Two bits of stick nailed crosswise or what's best | A2 |
A bell to chime the hour with does as well | K2 |
I painted a Saint Laurence six months since | T3 |
At Prato splashed the fresco in fine style | K2 |
How looks my painting now the scaffold's down | G2 |
I ask a brother Hugely he returns | T3 |
Already not one phiz of your three slaves | T3 |
Who turn the Deacon off his toasted side | A2 |
But's scratched and prodded to our heart's content | A2 |
The pious people have so eased their own | N4 |
With coming to say prayers there in a rage | G4 |
We get on fast to see the bricks beneath | O4 |
Expect another job this time next year | F4 |
For pity and religion grow i' the crowd | A2 |
Your painting serves its purpose Hang the fools | T3 |
- | |
That is you'll not mistake an idle word | A2 |
Spoke in a huff by a poor monk God wot | A2 |
Tasting the air this spicy night which turns | T3 |
The unaccustomed head like Chianti wine | K3 |
Oh the church knows don't misreport me now | Y2 |
It's natural a poor monk out of bounds | T3 |
Should have his apt word to excuse himself | S2 |
And hearken how I plot to make amends | T3 |
I have bethought me I shall paint a piece | T3 |
There's for you Give me six months then go see | T3 |
Something in Sant' Ambrogio's Bless the nuns | T3 |
They want a cast o' my office I shall paint | A2 |
God in the midst Madonna and her babe | A4 |
Ringed by a bowery flowery angel brood | A2 |
Lilies and vestments and white faces sweet | A2 |
As puff on puff of grated orris root | A2 |
When ladies crowd to Church at midsummer | P2 |
And then i' the front of course a saint or two | T |
Saint John' because he saves the Florentines | T3 |
Saint Ambrose who puts down in black and white | A2 |
The convent's friends and gives them a long day | A2 |
And Job I must have him there past mistake | U3 |
The man of Uz and Us without the z | T3 |
Painters who need his patience Well all these | T3 |
Secured at their devotion up shall come | H4 |
Out of a corner when you least expect | A2 |
As one by a dark stair into a great light | A2 |
Music and talking who but Lippo I | N |
Mazed motionless and moonstruck I'm the man | X3 |
Back I shrink what is this I see and hear | Y3 |
I caught up with my monk's things by mistake | U3 |
My old serge gown and rope that goes all round | A2 |
I in this presence this pure company | T3 |
Where's a hole where's a corner for escape | P4 |
Then steps a sweet angelic slip of a thing | U3 |
Forward puts out a soft palm Not so fast | A2 |
Addresses the celestial presence nay | A2 |
He made you and devised you after all | K2 |
Though he's none of you Could Saint John there draw | Q4 |
His camel hair make up a painting brush | I2 |
We come to brother Lippo for all that | A2 |
Iste perfecit opus So all smile | K2 |
I shuffle sideways with my blushing face | T3 |
Under the cover of a hundred wings | T3 |
Thrown like a spread of kirtles when you're gay | A2 |
And play hot cockles all the doors being shut | A2 |
Till wholly unexpected in there pops | T3 |
The hothead husband Thus I scuttle off | S2 |
To some safe bench behind not letting go | Y |
The palm of her the little lily thing | U3 |
That spoke the good word for me in the nick | U3 |
Like the Prior's niece Saint Lucy I would say | A2 |
And so all's saved for me and for the church | I2 |
A pretty picture gained Go six months hence | T3 |
Your hand sir and good bye no lights no lights | T3 |
The street's hushed and I know my own way back | U3 |
Don't fear me There's the grey beginning Zooks | T3 |
Robert Browning
(1)
Poem topics: , Print This Poem , Rhyme Scheme
Submit Spanish Translation
Submit German Translation
Submit French Translation
Write your comment about Fra Lippo Lippi poem by Robert Browning
Best Poems of Robert Browning