A Toccata Of Galuppi's Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BBB A CCC A DED F GGG F HHH F III F F F J G GG G KKK G FFF G LLL G GGG F MMM F NNN GI | A |
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Oh Galuppi Baldassaro this is very sad to find | B |
I can hardly misconceive you it would prove me deaf and blind | B |
But although I take your meaning 'tis with such a heavy mind | B |
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II | A |
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Here you come with all your music and here's all the good it brings | C |
What they lived once thus at Venice where the merchants were the kings | C |
Where Saint Mark's is where the Doges used to wed the sea with rings | C |
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III | A |
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Ay because the sea's the street there and 'tis arched by what you call | D |
Shylock's bridge with houses on it where they kept the carnival | E |
I was never out of England it's as if I saw it all | D |
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IV | F |
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Did young people take their pleasure when the sea was warm in May | G |
Balls and masks begun at midnight burning ever to mid day | G |
When they made up fresh adventures for the morrow do you say | G |
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V | F |
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Was a lady such a lady cheeks so round and lips so red | H |
On her neck the small face buoyant like a bell flower on its bed | H |
O'er the breast's superb abundance where a man might base his head | H |
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VI | F |
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Well and it was graceful of them they'd break talk off and afford | I |
She to bite her mask's black velvet he to finger on his sword | I |
While you sat and played Toccatas stately at the clavichord | I |
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VII | F |
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What Those lesser thirds so plaintive sixths diminished sigh on sigh | F |
Told them something Those suspensions those solutions Must we die '' | - |
Those commiserating sevenths Life might last we can but try '' | - |
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VIII | F |
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Were you happy '' Yes '' And are you still as happy '' Yes And you '' | - |
Then more kisses '' Did I stop them when a million seemed so few '' | - |
Hark the dominant's persistence till it must be answered to | J |
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IX | G |
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So an octave struck the answer Oh they praised you I dare say | G |
Brave Galuppi that was music good alike at grave and gay | G |
I can always leave off talking when I hear a master play '' | - |
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X | G |
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Then they left you for their pleasure till in due time one by one | K |
Some with lives that came to nothing some with deeds as well undone | K |
Death stepped tacitly and took them where they never see the sun | K |
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XI | G |
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But when I sit down to reason think to take my stand nor swerve | F |
While I triumph o'er a secret wrung from nature's close reserve | F |
In you come with your cold music till I creep thro' every nerve | F |
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XII | G |
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Yes you like a ghostly cricket creaking where a house was burned | L |
Dust and ashes dead and done with Venice spent what Venice earned | L |
The soul doubtless is immortal where a soul can be discerned | L |
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XIII | G |
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Yours for instance you know physics something of geology | G |
Mathematics are your pastime souls shall rise in their degree | G |
Butterflies may dread extinction you'll not die it cannot be | G |
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XIV | F |
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As for Venice and her people merely born to bloom and drop | M |
Here on earth they bore their fruitage mirth and folly were the crop | M |
What of soul was left I wonder when the kissing had to stop | M |
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XV | F |
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Dust and ashes '' So you creak it and I want the heart to scold | N |
Dear dead women with such hair too what's become of all the gold | N |
Used to hang and brush their bosoms I feel chilly and grown old | N |
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An overture a touch piece | G |
Robert Browning
(1)
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