Peinture. A Panegyrick To The Best Picture Of Friendship, Mr. Pet. Lilly. Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDBBEEFFGG HIJJKKLLBBMMBBGGNNBB GGGOPPQQGGRRGGQQOODD SSTTBBUEVVOOWXYYZZQQ A2A2BBB2B2C2C2D2D2E2 E2F2G2H2I2BBJ2J2DDK2 K2J2J2L2L2MMM2M2J2J2 BBL2L2J2J2A2A2J2J2If Pliny Lord High Treasurer of al | A |
Natures exchequer shuffled in this our ball | B |
Peinture her richer rival did admire | C |
And cry'd she wrought with more almighty fire | D |
That judg'd the unnumber'd issue of her scrowl | B |
Infinite and various as her mother soul | B |
That contemplation into matter brought | E |
Body'd Ideas and could form a thought | E |
Why do I pause to couch the cataract | F |
And the grosse pearls from our dull eyes abstract | F |
That pow'rful Lilly now awaken'd we | G |
This new creation may behold by thee | G |
- | |
To thy victorious pencil all that eyes | H |
And minds call reach do bow The deities | I |
Bold Poets first but feign'd you do and make | J |
And from your awe they our devotion take | J |
Your beauteous pallet first defin'd Love's Queen | K |
And made her in her heav'nly colours seen | K |
You strung the bow of the Bandite her son | L |
And tipp'd his arrowes with religion | L |
Neptune as unknown as his fish might dwell | B |
But that you seat him in his throne of shell | B |
The thunderers artillery and brand | M |
You fancied Rome in his fantastick hand | M |
And the pale frights the pains and fears of hell | B |
First from your sullen melancholy fell | B |
Who cleft th' infernal dog's loath'd head in three | G |
And spun out Hydra's fifty necks by thee | G |
As prepossess'd w' enjoy th' Elizian plain | N |
Which but before was flatter'd in our brain | N |
Who ere yet view'd airs child invisible | B |
A hollow voice but in thy subtile skill | B |
Faint stamm'ring Eccho you so draw that we | G |
The very repercussion do see | G |
Cheat HOCUS POCUS Nature an assay | G |
O' th' spring affords us praesto and away | O |
You all the year do chain her and her fruits | P |
Roots to their beds and flowers to their roots | P |
Have not mine eyes feasted i' th' frozen Zone | Q |
Upon a fresh new grown collation | Q |
Of apples unknown sweets that seem'd to me | G |
Hanging to tempt as on the fatal tree | G |
So delicately limn'd I vow'd to try | R |
My appetite impos'd upon my eye | R |
You sir alone fame and all conqu'ring rime | G |
File the set teeth of all devouring time | G |
When beauty once thy vertuous paint hath on | Q |
Age needs not call her to vermilion | Q |
Her beams nere shed or change like th' hair of day | O |
She scatters fresh her everlasting ray | O |
Nay from her ashes her fair virgin fire | D |
Ascends that doth new massacres conspire | D |
Whilst we wipe off the num'rous score of years | S |
And do behold our grandsire s as our peers | S |
With the first father of our house compare | T |
We do the features of our new born heir | T |
For though each coppied a son they all | B |
Meet in thy first and true original | B |
Sacred luxurious what princesse not | U |
But comes to you to have her self begot | E |
As when first man was kneaded from his side | V |
Is born to's hand a ready made up bride | V |
He husband to his issue then doth play | O |
And for more wives remove the obstructed way | O |
So by your art you spring up in two noons | W |
What could not else be form'd by fifteen suns | X |
Thy skill doth an'mate the prolifick flood | Y |
And thy red oyl assimilates to blood | Y |
Where then when all the world pays its respect | Z |
Lies our transalpine barbarous neglect | Z |
When the chast hands of pow'rful Titian | Q |
Had drawn the scourges of our God and man | Q |
And now the top of th' altar did ascend | A2 |
To crown the heav'nly piece with a bright end | A2 |
Whilst he who in seven languages gave law | B |
And always like the Sun his subjects saw | B |
Did in his robes imperial and gold | B2 |
The basis of the doubtful ladder hold | B2 |
O Charls a nobler monument than that | C2 |
Which thou thine own executor wert at | C2 |
When to our huffling Henry there complain'd | D2 |
A grieved earl that thought his honor stain'd | D2 |
Away frown'd he for your own safeties hast | E2 |
In one cheap hour ten coronets I'l cast | E2 |
But Holbeen's noble and prodigious worth | F2 |
Onely the pangs of an whole age brings forth | G2 |
Henry a word so princely saving said | H2 |
It might new raise the ruines thou hast made | I2 |
O sacred Peincture that dost fairly draw | B |
What but in mists deep inward Poets saw | B |
'Twixt thee and an Intelligence no odds | J2 |
That art of privy council to the gods | J2 |
By thee unto our eyes they do prefer | D |
A stamp of their abstracted character | D |
Thou that in frames eternity dost bind | K2 |
And art a written and a body'd mind | K2 |
To thee is ope the Juncto o' th' abysse | J2 |
And its conspiracy detected is | J2 |
Whilest their cabal thou to our sense dost show | L2 |
And in thy square paint'st what they threat below | L2 |
Now my best Lilly let's walk hand in hand | M |
And smile at this un understanding land | M |
Let them their own dull counterfeits adore | M2 |
Their rainbow cloaths admire and no more | M2 |
Within one shade of thine more substance is | J2 |
Than all their varnish'd idol mistresses | J2 |
Whilst great Vasari and Vermander shall | B |
Interpret the deep mystery of all | B |
And I unto our modern Picts shall show | L2 |
What due renown to thy fair art they owe | L2 |
In the delineated lives of those | J2 |
By whom this everlasting lawrel grows | J2 |
Then if they will not gently apprehend | A2 |
Let one great blot give to their fame an end | A2 |
Whilst no poetick flower their herse doth dresse | J2 |
But perish they and their effigies | J2 |
Richard Lovelace
(1)
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