Aglaia: A Pastoral Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCCDDEEFGHHIIHHHH JJKKEELLMBNNOPJJQQRR HHJJSSJJJJJJEETUAAQQ VNWXJJBBYYJJZA2B2B2C 2D2QQB2ISylvan Muses can ye sing | A |
Of the beauty of the Spring | A |
Have ye seen on earth that sun | B |
That a heavenly course hath run | B |
Have ye lived to see those eyes | C |
Where the pride of beauty lies | C |
Have ye heard that heavenly voice | D |
That may make Love's heart rejoice | D |
Have ye seen Aglaia she | E |
Whom the world may joy to see | E |
If ye have not seen all these | F |
Then ye do but labour leese | G |
While ye tune your pipes to play | H |
But an idle roundelay | H |
And in sad Discomfort's den | I |
Everyone go bite her pen | I |
That she cannot reach the skill | H |
How to climb that blessed hill | H |
Where Aglaia's fancies dwell | H |
Where exceedings do excell | H |
And in simple truth confess | J |
She is that fair shepherdess | J |
To whom fairest flocks a field | K |
Do their service duly yield | K |
On whom never Muse hath gaz d | E |
But in musing is amaz d | E |
Where the honour is too much | L |
For their highest thoughts to touch | L |
Thus confess and get ye gone | M |
To your places every one | B |
And in silence only speak | N |
When ye find your speech too weak | N |
Bless d be Aglaia yet | O |
Though the Muses die for it | P |
Come abroad ye bless d Muses | J |
Ye that Pallas chiefly chooses | J |
When she would command a creature | Q |
In the honour of Love's nature | Q |
For the sweet Aglaia fair | R |
All to sweeten all the air | R |
Is abroad this bless d day | H |
Haste ye therefore come away | H |
And to kill Love's maladies | J |
Meet her with your melodies | J |
Flora hath been all about | S |
And hath brought her wardrobe out | S |
With her fairest sweetest flowers | J |
All to trim up all your bowers | J |
Bid the shepherds and their swains | J |
See the beauty of their plains | J |
And command them with their flocks | J |
To do reverence on the rocks | J |
Where they may so happy be | E |
As her shadow but to see | E |
Bid the birds in every bush | T |
Not a bird to be at hush | U |
But to sit and chirp and sing | A |
To the beauty of the Spring | A |
Call the sylvan nymphs together | Q |
Bid them bring their musicks hither | Q |
Trees their barky silence break | V |
Crack yet though they cannot speak | N |
Bid the purest whitest swan | W |
Of her feathers make her fan | X |
Let the hound the hare go chase | J |
Lambs and rabbits run at base | J |
Flies be dancing in the sun | B |
While the silk worm's webs are spun | B |
Hang a fish on every hook | Y |
As she goes along the brook | Y |
So with all your sweetest powers | J |
Entertain her in your bowers | J |
Where her ear may joy to hear | Z |
How ye make your sweetest quire | A2 |
And in all your sweetest vein | B2 |
Still Aglaia strike her strain | B2 |
But when she her walk doth turn | C2 |
Then begin as fast to mourn | D2 |
All your flowers and garlands wither | Q |
Put up all your pipes together | Q |
Never strike a pleasing strain | B2 |
Till she come abroad again | I |
Nicholas Breton
(1)
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