Epilogue To Lessing's Laocooen Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCCDDEEFF GGHHIJIBBKKLMFFNNOOP PB QQFFRRIICCFFFSSBBTTU DVWX LMIIYYRRZZA2A2B2B2HH C2C2SD2E2E2F2G2XXH2H 2 CCBBI2I2J2J2K2K2L2L2 M2M2BBC N2N2FFSD2O2O2P2P2IIQ 2Q2R2R2NNQ2Q2SD2 Q2Q2B2B2S2S2I2I2T2T2 XXBBU2U2V2W2X2X2SSY2 Z2 QQQ2Q2NNQ2Q2U2U2 A3A3B3B3B2B2C3C3FFB2 B2S2D3E3E3D2D2FD2XXG GF3F3 D2D2Q2Q2C3CG3G3BBD2D 2FFG3G3H3H3G3G3BOne morn as through Hyde Park we walk'd | A |
My friend and I by chance we talk'd | A |
Of Lessing's famed Laocooen | B |
And after we awhile had gone | B |
In Lessing's track and tried to see | C |
What painting is what poetry | C |
Diverging to another thought | D |
'Ah ' cries my friend 'but who hath taught | D |
Why music and the other arts | E |
Oftener perform aright their parts | E |
Than poetry why she than they | F |
Fewer fine successes can display | F |
- | |
'For 'tis so surely Even in Greece | G |
Where best the poet framed his piece | G |
Even in that Phoebus guarded ground | H |
Pausanias on his travels found | H |
Good poems if he look'd more rare | I |
Though many than good statues were | J |
For these in truth were everywhere | I |
Of bards full many a stroke divine | B |
In Dante's Petrarch's Tasso's line | B |
The land of Ariosto show'd | K |
And yet e'en there the canvas glow'd | K |
With triumphs a yet ampler brood | L |
Of Raphael and his brotherhood | M |
And nobly perfect in our day | F |
Of haste half work and disarray | F |
Profound yet touching sweet yet strong | N |
Hath risen Goethe's Wordsworth's song | N |
Yet even I and none will bow | O |
Deeper to these must needs allow | O |
They yield us not to soothe our pains | P |
Such multitude of heavenly strains | P |
As from the kings of sound are blown | B |
Mozart Beethoven Mendelssohn ' | - |
- | |
While thus my friend discoursed we pass | Q |
Out of the path and take the grass | Q |
The grass had still the green of May | F |
And still the unblackan'd elms were gay | F |
The kine were resting in the shade | R |
The flies a summer murmur made | R |
Bright was the morn and south the air | I |
The soft couch'd cattle were as fair | I |
As those which pastured by the sea | C |
That old world morn in Sicily | C |
When on the beach the Cyclops lay | F |
And Galatea from the bay | F |
Mock'd her poor lovelorn giant's lay | F |
'Behold ' I said 'the painter's sphere | S |
The limits of his art appear | S |
The passing group the summer morn | B |
The grass the elms that blossom'd thorn | B |
Those cattle couch'd or as they rise | T |
Their shining flanks their liquid eyes | T |
These or much greater things but caught | U |
Like these and in one aspect brought | D |
In outward semblance he must give | V |
A moment's life of things that live | W |
Then let him choose his moment well | X |
With power divine its story tell ' | - |
- | |
Still we walk'd on in thoughtful mood | L |
And now upon the bridge we stood | M |
Full of sweet breathings was the air | I |
Of sudden stirs and pauses fair | I |
Down o'er the stately bridge the breeze | Y |
Came rustling from the garden trees | Y |
And on the sparkling waters play'd | R |
Light plashing waves an answer made | R |
And mimic boats their haven near'd | Z |
Beyond the Abbey towers appear'd | Z |
By mist and chimneys unconfined | A2 |
Free to the sweep of light and wind | A2 |
While through their earth moor'd nave below | B2 |
Another breath of wind doth blow | B2 |
Sound as of wandering breeze but sound | H |
In laws by human artists bound | H |
- | |
'The world of music ' I exclaimed | C2 |
'This breeze that rustles by that famed | C2 |
Abbey recall it what a sphere | S |
Large and profound hath genius here | D2 |
The inspired musician what a range | E2 |
What power of passion wealth of change | E2 |
Some source of feeling he must choose | F2 |
And its lock'd fount of beauty use | G2 |
And through the stream of music tell | X |
Its else unutterable spell | X |
To choose it rightly is his part | H2 |
And press into its inmost heart | H2 |
- | |
' Miserere Domine | C |
The words are utter'd and they flee | C |
Deep is their penitential moan | B |
Mighty their pathos but 'tis gone | B |
They have declared the spirit's sore | I2 |
Sore load and words can do no more | I2 |
Beethoven takes them then those two | J2 |
Poor bounded words and makes them new | J2 |
Infinite makes them makes them young | K2 |
Transplants them to another tongue | K2 |
Where they can now without constraint | L2 |
Pour all the soul of their complaint | L2 |
And roll adown a channel large | M2 |
The wealth divine they have in charge | M2 |
Page after page of music turn | B |
And still they live and still they burn | B |
Eternal passion fraught and free | C |
Miserere Domine ' | - |
- | |
Onward we moved and reach'd the Ride | N2 |
Where gaily flows the human tide | N2 |
Afar in rest the cattle lay | F |
We heard afar faint music play | F |
But agitated brisk and near | S |
Men with their stream of life were here | D2 |
Some hang upon the rails and some | O2 |
On foot behind them go and come | O2 |
This through the Ride upon his steed | P2 |
Goes slowly by and this at speed | P2 |
The young the happy and the fair | I |
The old the sad the worn were there | I |
Some vacant and some musing went | Q2 |
And some in talk and merriment | Q2 |
Nods smiles and greetings and farewells | R2 |
And now and then perhaps there swells | R2 |
A sigh a tear but in the throng | N |
All changes fast and hies along | N |
Hies ah from whence what native ground | Q2 |
And to what goal what ending bound | Q2 |
'Behold at last the poet's sphere | S |
But who ' I said 'suffices here | D2 |
- | |
'For ah so much he has to do | Q2 |
Be painter and musician too | Q2 |
The aspect of the moment show | B2 |
The feeling of the moment know | B2 |
The aspect not I grant express | S2 |
Clear as the painter's art can dress | S2 |
The feeling not I grant explore | I2 |
So deep as the musician's lore | I2 |
But clear as words can make revealing | T2 |
And deep as words can follow feeling | T2 |
But ah then comes his sorest spell | X |
Of toil he must life's movement tell | X |
The thread which binds it all in one | B |
And not its separate parts alone | B |
The movement he must tell of life | U2 |
Its pain and pleasure rest and strife | U2 |
His eye must travel down at full | V2 |
The long unpausing spectacle | W2 |
With faithful unrelaxing force | X2 |
Attend it from its primal source | X2 |
From change to change and year to year | S |
Attend it of its mid career | S |
Attend it to the last repose | Y2 |
And solemn silence of its close | Z2 |
- | |
'The cattle rising from the grass | Q |
His thought must follow where they pass | Q |
The penitent with anguish bow'd | Q2 |
His thought must follow through the crowd | Q2 |
Yes all this eddying motley throng | N |
That sparkles in the sun along | N |
Girl statesman merchant soldier bold | Q2 |
Master and servant young and old | Q2 |
Grave gay child parent husband wife | U2 |
He follows home and lives their life | U2 |
- | |
'And many many are the souls | A3 |
Life's movement fascinates controls | A3 |
It draws them on they cannot save | B3 |
Their feet from its alluring wave | B3 |
They cannot leave it they must go | B2 |
With its unconquerable flow | B2 |
But ah how few of all that try | C3 |
This mighty march do aught but die | C3 |
For ill endow'd for such a way | F |
Ill stored in strength in wits are they | F |
They faint they stagger to and fro | B2 |
And wandering from the stream they go | B2 |
In pain in terror in distress | S2 |
They see all round a wilderness | D3 |
Sometimes a momentary gleam | E3 |
They catch of the mysterious stream | E3 |
Sometimes a second's space their ear | D2 |
The murmur of its waves doth hear | D2 |
That transient glimpse in song they say | F |
But not of painter can pourtray | D2 |
That transient sound in song they tell | X |
But not as the musician well | X |
And when at last their snatches cease | G |
And they are silent and at peace | G |
The stream of life's majestic whole | F3 |
Hath ne'er been mirror'd on their soul | F3 |
- | |
'Only a few the life stream's shore | D2 |
With safe unwandering feet explore | D2 |
Untired its movement bright attend | Q2 |
Follow its windings to the end | Q2 |
Then from its brimming waves their eye | C3 |
Drinks up delighted ecstasy | C |
And its deep toned melodious voice | G3 |
For ever makes their ear rejoice | G3 |
They speak the happiness divine | B |
They feel runs o'er in every line | B |
Its spell is round them like a shower | D2 |
It gives them pathos gives them power | D2 |
No painter yet hath such a way | F |
Nor no musician made as they | F |
And gather'd on immortal knolls | G3 |
Such lovely flowers for cheering souls | G3 |
Beethoven Raphael cannot reach | H3 |
The charm which Homer Shakespeare teach | H3 |
To these to these their thankful race | G3 |
Gives then the first the fairest place | G3 |
And brightest is their glory's sheen | B |
For greatest hath their labour been ' | - |
Matthew Arnold
(1)
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