Hymn To The Naiads Poem Rhyme Scheme and Analysis
Rhyme Scheme: A B CDEFGHIJKLMNOPQJRQHS T UQQVWQXYZQDA2QWWJWB2 QC2Q D2E2F2G2LH2QI2J2NK2L 2KM2QMN2O2OQP2QQW Q2JQQR2QS2EW DT2QOLQQQNQU2V2W2U2Q 2WMWOX2QQQY2QU2QQNL2 Z2QWQQQA3WCQB3QC3QE2 D2OQWT QQX2QQL2F2QQQD3QDQE2 QQE3F3QQQD2U2G3H3QWQ QL2U2QQQF2F3I3WX2E2W F3QQQ2QC2QQQNQQQCQQJ 3K3L3QM3QN3O3P3JQQ3E R3QS3CT3QQI QF3QH3C2WTQU3H2C2QQE 2F3S2V3QQSSQ2D2QE2W2 W3S3F2A3X3 WOQQC2DF3QY3SWQZ3O2Y QK2A4B4G3QQA3X2IC4QQ D4QZ3C4QE4L3QG2E2QC2 QA3F2E2E2QE2WUQZ3Z3F 4QG4QQH4XE2I4QJ4QK4A 3QE4OQH2E2QQVQZQLL4Q QZ3EQE2Z3E2QH2QK2QD4 Z3ARGUMENT | A |
- | |
The Nymphs who preside over springs and rivulets are addressed at day break in honor of their several functions and of the relations which they bear to the natural and to the moral world Their origin is deduced from the first allegorical deities or powers of nature according to the doctrine of the old mythological poets concerning the generation of the gods and the rise of things They are then successively considered as giving motion to the air and exciting summer breezes as nourishing and beautifying the vegetable creation as contributing to the fullness of navigable rivers and consequently to the maintenance of commerce and by that means to the maritime part of military power Next is represented their favourable influence upon health when assisted by rural exercise which introduces their connection with the art of physic and the happy effects of mineral medicinal springs Lastly they are celebrated for the friendship which the Muses bear them and for the true inspiration which temperance only can receive in opposition to the enthusiasm of the more licentious poets | B |
- | |
- | |
- | |
- | |
O'er yonder eastern hill the twilight pale | C |
Walks forth from darkness and the God of day | D |
With bright Astraea seated by his side | E |
Waits yet to leave the ocean Tarry Nymphs | F |
Ye Nymphs ye blue ey'd progeny of Thames | G |
Who now the mazes of this rugged heath | H |
Trace with your fleeting steps who all night long | I |
Repeat amid the cool and tranquil air | J |
Your lonely murmurs tarry and receive | K |
My offer'd lay To pay you homage due | L |
I leave the gates of sleep nor shall my lyre | M |
Too far into the splendid hours of morn | N |
Ingage your audience my observant hand | O |
Shall close the strain ere any sultry beam | P |
Approach you To your subterranean haunts | Q |
Ye then may timely steal to pace with care | J |
The humid sands to loosen from the soil | R |
The bubbling sources to direct the rills | Q |
To meet in wider channels or beneath | H |
Some grotto's dripping arch at height of noon | S |
To slumber shelter'd from the burning heaven | T |
- | |
Where shall my song begin ye Nymphs or end | U |
Wide is your praise and copious First of things | Q |
First of the lonely powers ere Time arose | Q |
Were Love and Chaos Love the sire of Fate | V |
Elder than Chaos Born of Fate was Time | W |
Who many sons and many comely births | Q |
Devour'd relentless father 'till the child | X |
Of Rhea drove him from the upper sky | Y |
And quell'd his deadly might Then social reign'd | Z |
The kindred powers Tethys and reverend Ops | Q |
And spotless Vesta while supreme of sway | D |
Remain'd the cloud compeller From the couch | A2 |
Of Tethys sprang the sedgy crowned race | Q |
Who from a thousand urns o'er every clime | W |
Send tribute to their parent and from them | W |
Are ye o Naiads Arethusa fair | J |
And tuneful Aganippe that sweet name | W |
Bandusia that soft family which dwelt | B2 |
With Syrian Daphne and the honour'd tribes | Q |
Belov'd of Paeon Listen to my strain | C2 |
Daughters of Tethys listen to your praise | Q |
- | |
You Nymphs the winged offspring which of old | D2 |
Aurora to divine Astraeus bore | E2 |
Owns and your aid beseecheth When the might | F2 |
Of Hyper on from his noontide throne | G2 |
Unbends their languid pinions aid from you | L |
They ask Favonius and the mild South west | H2 |
From you relief implore Your sallying streams | Q |
Fresh vigour to their weary wings impart | I2 |
Again they fly disporting from the mead | J2 |
Half ripen'd and the tender blades of corn | N |
To sweep the noxious mildew or dispel | K2 |
Contagious steams which oft the parched earth | L2 |
Breathes on her fainting sons From noon to eve | K |
Along the river and the paved brook | M2 |
Ascend the cheerful breezes hail'd of bards | Q |
Who fast by learned Cam the olian lyre | M |
Sollicit nor unwelcome to the youth | N2 |
Who on the heights of Tibur all inclin'd | O2 |
O'er rushing Anio with a pious hand | O |
The reverend scene delineates broken fanes | Q |
Or tombs or pillar'd aqueducts the pomp | P2 |
Of ancient Time and haply while he scans | Q |
The ruins with a silent tear revolves | Q |
The fame and fortune of imperious Rome | W |
- | |
You too o Nymphs and your unenvious aid | Q2 |
The rural powers confess and still prepare | J |
For you their choicest treasures Pan commands | Q |
Oft as the Delian king with Sirius holds | Q |
The central heavens the father of the grove | R2 |
Commands his Dryads over your abodes | Q |
To spread their deepest umbrage well the god | S2 |
Remembereth how indulgent ye supplied | E |
Your genial dews to nurse them in their prime | W |
- | |
Pales the pasture's queen where'er ye stray | D |
Pursues your steps delighted and the path | T2 |
With living verdure clothes Around your haunts | Q |
The laughing Chloris with profusest hand | O |
Throws wide her blooms her odors Still with you | L |
Pomona seeks to dwell and o'er the lawns | Q |
And o'er the vale of Richmond where with Thames | Q |
Ye love to wander Amalthea pours | Q |
Well pleas'd the wealth of that Ammonian horn | N |
Her dower unmindful of the fragrant isles | Q |
Nysaean or Atlantic Nor can'st thou | U2 |
Albeit oft ungrateful thou dost mock | V2 |
The beverage of the sober Naiad's urn | W2 |
O Bromius o Lenaean nor can'st thou | U2 |
Disown the powers whose bounty ill repaid | Q2 |
With nectar feeds thy tendrils Yet from me | W |
Yet blameless Nymphs from my delighted lyre | M |
Accept the rites your bounty well may claim | W |
Nor heed the scoffings of the Edonian band | O |
For better praise awaits you Thames your sire | X2 |
As down the verdant slope your duteous rills | Q |
Descend the tribute stately Thames receives | Q |
Delighted and your piety applauds | Q |
And bids his copious tide roll on secure | Y2 |
For faithful are his daughters and with words | Q |
Auspicious gratulates the bark which now | U2 |
His banks forsaking her adventurous wings | Q |
Yields to the breeze with Albion's happy gifts | Q |
Extremest isles to bless And oft at morn | N |
When Hermes from Olympus bent o'er earth | L2 |
To bear the words of Jove on yonder hill | Z2 |
Stoops lightly sailing oft intent your springs | Q |
He views and waving o'er some new born stream | W |
His blest pacific wand And yet he cries | Q |
Yet cries the son of Maia though recluse | Q |
And silent be your stores from you fair Nymphs | Q |
Flows wealth and kind society to men | A3 |
By you my function and my honor'd name | W |
Do I possess while o'er the Boetic vale | C |
Or through the towers of Memphis or the palms | Q |
By sacred Ganges water'd I conduct | B3 |
The English merchant with the buxom fleece | Q |
Of fertile Ariconium while I clothe | C3 |
Sarmatian kings or to the household gods | Q |
Of Syria from the bleak Cornubian shore | E2 |
Dispense the mineral treasure which of old | D2 |
Sidonian pilots sought when this fair land | O |
Was yet unconscious of those generous arts | Q |
Which wise Phoenicia from their native clime | W |
Transplanted to a more indulgent heaven | T |
- | |
Such are the words of Hermes such the praise | Q |
O Naiads which from tongues coelestial waits | Q |
Your bounteous deeds From bounty issueth power | X2 |
And those who sedulous in prudent works | Q |
Relieve the wants of nature Jove repays | Q |
With noble wealth and his own seat on earth | L2 |
Fit judgements to pronounce and curb the might | F2 |
Of wicked men Your kind unfailing urns | Q |
Not vainly to the hospitable arts | Q |
Of Hermes yield their store For o ye Nymphs | Q |
Hath he not won the unconquerable queen | D3 |
Of arms to court your friendship You she owns | Q |
The fair associates who extend her sway | D |
Wide o'er the mighty deep and grateful things | Q |
Of you she uttereth oft as from the shore | E2 |
Of Thames or Medway's vale or the green banks | Q |
Of Vecta she her thundering navy leads | Q |
To Calpe's foaming channel or the rough | E3 |
Cantabrian surge her auspices divine | F3 |
Imparting to the senate and the prince | Q |
Of Albion to dismay barbaric kings | Q |
The Iberian or the Celt The pride of kings | Q |
Was ever scorn'd by Pallas and of old | D2 |
Rejoic'd the virgin from the brazen prow | U2 |
Of Athens o'er gina's gloomy surge | G3 |
To drive her clouds and storms o'erwhelming all | H3 |
The Persian's promis'd glory when the realms | Q |
Of Indus and the soft Ionian clime | W |
When Libya's torrid champain and the rocks | Q |
Of cold Ima s join'd their servile bands | Q |
To sweep the sons of liberty from earth | L2 |
In vain Minerva on the bounding prow | U2 |
Of Athens stood and with the thunder's voice | Q |
Denounc'd her terrors on their impious heads | Q |
And shook her burning aegis Xerxes saw | Q |
From Heracl um on the mountain's height | F2 |
Thron'd in his golden car he knew the sign | F3 |
Coelestial felt unrighteous hope forsake | I3 |
His faultering heart and turn'd his face with shame | W |
Hail ye who share the stern Minerva's power | X2 |
Who arm the hand of liberty for war | E2 |
And give to the renown'd Britannic name | W |
To awe contending monarchs yet benign | F3 |
Yet mild of nature to the works of peace | Q |
More prone and lenient of the many ills | Q |
Which wait on human life Your gentle aid | Q2 |
Hygeia well can witness she who saves | Q |
From poisonous cates and cups of pleasing bane | C2 |
The wretch devoted to the intangling snares | Q |
Of Bacchus and of Comus Him she leads | Q |
To Cynthia's lonely haunts To spread the toils | Q |
To beat the coverts with the jovial horn | N |
At dawn of day to summon the loud hounds | Q |
She calls the lingering sluggard from his dreams | Q |
And where his breast may drink the mountain breeze | Q |
And where the fervor of the sunny vale | C |
May beat upon his brow through devious paths | Q |
Beckons his rapid courser Nor when ease | Q |
Cool ease and welcome slumbers have becalm'd | J3 |
His eager bosom does the queen of health | K3 |
Her pleasing care withhold His decent board | L3 |
She guards presiding and the frugal powers | Q |
With joy sedate leads in and while the brown | M3 |
Ennaean dame with Pan presents her stores | Q |
While changing still and comely in the change | N3 |
Vertumnus and the Hours before him spread | O3 |
The garden's banquet you to crown his feast | P3 |
To crown his feast o Naiads you the fair | J |
Hygeia calls and from your shelving seats | Q |
And groves of poplar plenteous cups ye bring | Q3 |
To slake his veins 'till soon a purer tide | E |
Flows down those loaded channels washeth off | R3 |
The dregs of luxury the lurking seeds | Q |
Of crude disease and through the abodes of life | S3 |
Sends vigour sends repose Hail Naiads hail | C |
Who give to labour health to stooping age | T3 |
The joys which youth had squander'd Oft your urns | Q |
Will I invoke and frequent in your praise | Q |
Abash the frantic Thyrsus with my song | I |
- | |
For not estrang'd from your benignant arts | Q |
Is he the god to whose mysterious shrine | F3 |
My youth was sacred and my votive cares | Q |
Belong the learned Paeon Oft when all | H3 |
His cordial treasures he hath search'd in vain | C2 |
When herbs and potent trees and drops of balm | W |
Rich with the genial influence of the sun | T |
To rouse dark fancy from her plantive dreams | Q |
To brace the nerveless arm with food to win | U3 |
Sick appetite or hush the unquiet breast | H2 |
Which pines with silent passion he in vain | C2 |
Hath prov'd to your deep mansions he descends | Q |
Your gates of humid rock your dim arcades | Q |
He entereth where impurpled veins of ore | E2 |
Gleam on the roof where through the rigid mine | F3 |
Your trickling rills insinuate There the god | S2 |
From your indulgent hands the streaming bowl | V3 |
Wafts to his pale ey'd suppliants wafts the seeds | Q |
Metallic and the elemental salts | Q |
Wash'd from the pregnant glebe They drink and soon | S |
Flies pain flies inauspicious care and soon | S |
The social haunt or unfrequented shade | Q2 |
Hears Io Io Paean as of old | D2 |
When Python fell And o propitious Nymphs | Q |
Oft as for hapless mortals I implore | E2 |
Your salutary springs through every urn | W2 |
Oh shed your healing treasures With the first | W3 |
And finest breath which from the genial strife | S3 |
Of mineral fermentation springs like light | F2 |
O'er the fresh morning's vapours lustrate then | A3 |
The fountain and inform the rising wave | X3 |
- | |
My lyre shall pay your bounty Scorn not ye | W |
That humble tribute Though a mortal hand | O |
Excite the strings to utterance yet for themes | Q |
Not unregarded of coelestial powers | Q |
I frame their language and the Muses deign | C2 |
To guide the pious tenor of my lay | D |
The Muses sacred be their gifts divine | F3 |
In early days did to my wondering sense | Q |
Their secrets oft reveal oft my rais'd ear | Y3 |
In slumber felt their music oft at noon | S |
Or hour of sunset by some lonely stream | W |
In field or shady grove they taught me words | Q |
Of power from death and envy to preserve | Z3 |
The good man's name whence yet with grateful mind | O2 |
And offerings unprofan'd by ruder eye | Y |
My vows I send my homage to the seats | Q |
Of rocky Cirrha where with you they dwell | K2 |
Where you their chaste companions they admit | A4 |
Through all the hallow'd scene where oft intent | B4 |
And leaning o'er Castalia's mossy verge | G3 |
They mark the cadence of your confluent urns | Q |
How tuneful yielding gratefullest repose | Q |
To their consorted measure 'till again | A3 |
With emulation all the sounding choir | X2 |
And bright Apollo leader of the song | I |
Their voices through the liquid air exalt | C4 |
And sweep their lofty strings those powerful strings | Q |
That charm the mind of gods that fill the courts | Q |
Of wide Olympus with oblivion sweet | D4 |
Of evils with immortal rest from cares | Q |
Assuage the terrors of the throne of Jove | Z3 |
And quench the formidable thunderbolt | C4 |
Of unrelenting fire With slacken'd wings | Q |
While now the solemn concert breathes around | E4 |
Incumbent o'er the sceptre of his lord | L3 |
Sleeps the stern eagle by the number'd notes | Q |
Possess'd and satiate with the melting tone | G2 |
Sovereign of birds The furious god of war | E2 |
His darts forgetting and the winged wheels | Q |
That bear him vengeful o'er the embattled plain | C2 |
Relents and sooths his own fierce heart to ease | Q |
Most welcome ease The sire of gods and men | A3 |
In that great moment of divine delight | F2 |
Looks down on all that live and whatsoe'er | E2 |
He loves not o'er the peopled earth and o'er | E2 |
The interminated ocean he beholds | Q |
Curs'd with abhorrence by his doom severe | E2 |
And troubled at the sound Ye Naiads ye | W |
With ravish'd ears the melody attend | U |
Worthy of sacred silence But the slaves | Q |
Of Bacchus with tempestuous clamours strive | Z3 |
To drown the heavenly strains of highest Jove | Z3 |
Irreverent and by mad presumption fir'd | F4 |
Their own discordant raptures to advance | Q |
With hostile emulation Down they rush | G4 |
From Nysa's vine impurpled cliff the dames | Q |
Of Thrace the Satyrs and the unruly Fauns | Q |
With old Silenus reeling through the crowd | H4 |
Which gambols round him in convulsions wild | X |
Tossing their limbs and brandishing in air | E2 |
The ivy mantled thyrsus or the torch | I4 |
Through black smoke flaming to the Phrygian pipe's | Q |
Shrill voice and to the clashing cymbals mix'd | J4 |
With shrieks and frantic uproar May the gods | Q |
From every unpolluted ear avert | K4 |
Their orgies If within the seats of men | A3 |
Within the walls the gates where Pallas holds | Q |
The guardian key if haply there be found | E4 |
Who loves to mingle with the revel band | O |
And hearken to their accents who aspires | Q |
From such instructors to inform his breast | H2 |
With verse let him fit votarist implore | E2 |
Their inspiration He perchance the gifts | Q |
Of young Lyaeus and the dread exploits | Q |
May sing in aptest numbers he the fate | V |
Of sober Pentheus he the Paphian rites | Q |
And naked Mars with Cytherea chain'd | Z |
And strong Alcides in the spinster's robes | Q |
May celebrate applauded But with you | L |
O Naiads far from that unhallow'd rout | L4 |
Must dwell the man whoe'er to praised themes | Q |
Invokes the immortal Muse the immortal Muse | Q |
To your calm habitations to the cave | Z3 |
Corycian or the Delphic mount will guide | E |
His footsteps and with your unsullied streams | Q |
His lips will bathe whether the eternal lore | E2 |
Of Themis or the majesty of Jove | Z3 |
To mortals he reveal or teach his lyre | E2 |
The unenvied guerdon of the patriot's toils | Q |
In those unfading islands of the bless'd | H2 |
Where sacred bards abide Hail honor'd Nymphs | Q |
Thrice hail for You the Cyrenac shell | K2 |
Behold I touch revering To my songs | Q |
Be present ye with favorable feet | D4 |
And all profaner audience far remove | Z3 |
Mark Akenside
(1)
Poem topics: , Print This Poem , Rhyme Scheme
Submit Spanish Translation
Submit German Translation
Submit French Translation
<< To The Country Gentlemen Of England Poem
To William Hall, Esquire: With The Works Of Chaulieu Poem>>
Write your comment about Hymn To The Naiads poem by Mark Akenside
Best Poems of Mark Akenside