The 'utopia' Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCDE FGHDIIIJIKLM DIINIOPD QRQIS TIQ UIVW IXIFGYIFZIA2 B2C2D2E2 F2IG2GH2II2FJ2K2L2Q M2M2N2D O2IGThe table was filled with many objects | A |
- | |
The wild tribesmen in the hills | B |
whose very robes were decorated with designs | C |
of a strangeness upsetting beauty | D |
that went much further than the richly coloured silks embroidered there could ever suggest | E |
- | |
There were piles of books yet each one | F |
was of a different size and binding | G |
The leathers were so finely dyed The blues | H |
purples contrasting with the deceptive simplicity | D |
of the 'natural' tans | I |
And this prism arrangement of colours | I |
cannot be set down the fresh arrangements | I |
angles possible can only point through a door | J |
to the word 'infinite' made of white puffy clouds | I |
floating high in a blue summer sky | K |
this has been written there by a small airplane | L |
that is now returning to its green landing field | M |
- | |
The table is very old made of fine mahogany | D |
polished by generations of servants | I |
And through the windows the summer blue skies | I |
white clouds spelling a puffy word | N |
And on the table the books examples | I |
of embroidery of the wild hill tribesmen | O |
many large small objects all of which | P |
could not help but rouse a curiosity | D |
- | |
There are at times people in this room | Q |
some go to the table things are moved | R |
but the atmosphere here is always that of quiet catm | Q |
no one could disturb this | I |
And though the people are the only real threat | S |
- | |
they are all too well trained and aware | T |
to ever introduce the least clumsiness | I |
or disturbing element into the room | Q |
- | |
At times it is hard to believe | U |
what is before one's eyes | I |
there is no answer to this except the room itself | V |
maybe the white clouds seen through the window | W |
- | |
No one in the house was sure of the frontiers | I |
the beautiful atlas gilded and bound with blue silk | X |
was only of antiquarian interest quite useless | I |
for the new questions The whole situation | F |
was like a painting within a painting | G |
that within another so on so on | Y |
until everyone had lost sight of their original landmarks | I |
The heath melted into the sky on the horizon | F |
And the questions of definition contrast | Z |
only brought on a series of fruitless searches | I |
examinations that made everyone irritable exhausted | A2 |
- | |
Once the surveyors had abandoned their project | B2 |
the objects once more took over | C2 |
It would be false to deny the sigh of relief | D2 |
there was when this happened calm returned | E2 |
- | |
The bus bumped down the avenue | F2 |
ahead were the mountains the woods | I |
that burst into flower as spring settled | G2 |
The plan the heavy revolver were all quite in keeping | G |
with this despite the apparent superficial | H2 |
difference clash of worlds | I |
there was really only one world | I2 |
It wasn't easy admittedly someone | F |
had to stay behind | J2 |
The word in the sky had slowly dissolved | K2 |
was now nowhere to he seen | L2 |
But instead the sun was flooding the whole room | Q |
- | |
everything took on a golden aura | M2 |
this meant we were even aware of the | M2 |
band of horsemen now riding through the forest | N2 |
that surrounded the valley | D |
- | |
The many details may appear evasive | O2 |
but the purpose of the total was obvious | I |
uncompromising | G |
Lee Harwood
(1)
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