The Widening Spell Of The Leaves Poem Rhyme Scheme and Analysis
Rhyme Scheme: AA BCDEFGHIJKLMNOPQRSHH TKUVWXAYZA2RB2C2YD2E 2F2XKG2H2I2J2K2L2M2N 2JO2P2IQ2CR2S2AYT2U2 V2W2X2E2Y2Z2A3OR2B3C 3D3Z2E3HF3G3R2H3AI3J 3K3L3O2M3N3HO3SR2MAM P3Y2Q3AR3S3S3S3T3U3U 3V3W3S3S3S3O2X3S3S3Y 3S3S3Z3A4S3S3S3A4B4C 4A4S3A4A4A4D4A4A4AS3 S3O2A4A4ME4A4S3S3S3S 3S3S3F4N2G4AS3S3S3A4 AC3JS3H4S3I4U3A4J4Y2 K2JS3A4S3K2K4S3S3OThe Carpathian Frontier October | A |
for my brother | A |
- | |
Once in a foreign country I was suddenly ill | B |
I was driving south toward a large city famous | C |
For so little it had a replica in concrete | D |
In two thirds scale of the Arc de Triomphe stuck | E |
In the midst of traffic amp obstructing it | F |
But the city was hours away beyond the hills | G |
Shaped like the bodies of sleeping women | H |
Often I had to slow down for herds of goats | I |
Or cattle milling on those narrow roads amp for | J |
The narrower lost stone streets of villages | K |
I passed through The pains in my stomach had grown | L |
Gradually sharper amp more frequent as the day | M |
Wore on amp now a fever had set up house | N |
In the villages there wasn't much point in asking | O |
Anyone for help In those places where tanks | P |
Were bivouacked in shade on their way back | Q |
From some routine exercise along | R |
The Danube even food was scarce that year | S |
And the languages shifted for no clear reason | H |
From two hard quarries of Slavic into German | H |
Then to a shred of Latin spliced with oohs | T |
And hisses Even when I tried the simplest phrases | K |
The peasants passing over those uneven stones | U |
Paused just long enough to look up once | V |
Uncomprehendingly Then they turned | W |
Quickly away vanishing quietly into that | X |
Moment like bark chips whirled downriver | A |
It was autumn Beyond each village the wind | Y |
Threw gusts of yellowing leaves across the road | Z |
The goats I passed were thin gray their hind legs | A2 |
Caked with dried shit seesawed along | R |
Not even mild contempt in their expressionless | B2 |
Pale eyes amp their brays like the scraping of metal | C2 |
Except for one village that had a kind | Y |
Of museum where I stopped to rest amp saw | D2 |
A dead Scythian soldier under glass | E2 |
Turning to dust while holding a small sword | F2 |
At attention forever there wasn't much to look at | X |
Wind leaves goats the higher passes | K |
Locked in stone the peasants with their fate | G2 |
Embroidering a stillness into them | H2 |
And a spell over all things in that landscape | I2 |
Like | J2 |
That was the trouble it couldn't be | K2 |
Compared to anything else not even the sleep | L2 |
Of some asylum at a wood's edge with the sound | M2 |
Of a pond's spillway beside it But as each cramp | N2 |
Grew worse amp lasted longer than the one before | J |
It was hard to keep myself aloof from the threadbare | O2 |
World walking on that road After all | P2 |
Even as they moved the peasants the herds of goats | I |
And cattle the spiralling leaves at least were part | Q2 |
Of that spell that stillness | C |
After a while | R2 |
The villages grew even poorer then thinned out | S2 |
Then vanished entirely An hour later | A |
There were no longer even the goats only wind | Y |
Then more amp more leaves blown over the road sometimes | T2 |
Covering it completely for a second | U2 |
And yet except for a random oak or some brush | V2 |
Writhing out of the ravine I drove beside | W2 |
The trees had thinned into rock into large | X2 |
Tough blonde rosettes of fading pasture grass | E2 |
Then that gave out in a bare plateau And then | Y2 |
Easing the Dacia down a winding grade | Z2 |
In second gear rounding a long funneled curve | A3 |
In a complete stillness of yellow leaves filling | O |
A wide field like something thoughtlessly | R2 |
Mistakenly erased the road simply ended | B3 |
I stopped the car There was no wind now | C3 |
I expected that amp though I was sick amp lost | D3 |
I wasn't afraid I should have been afraid | Z2 |
To this day I don't know why I wasn't | E3 |
I could hear time cease the field quietly widen | H |
I could feel the spreading stillness of the place | F3 |
Moving like something I'd witnessed as a child | G3 |
Like the ancient armored leisure of some reptile | R2 |
Gliding gray yellow into the slightly tepid | H3 |
Unidentical gray brown stillness of the water | A |
Something blank amp unresponsive in its tough | I3 |
Pimpled skin seen only a moment then unseen | J3 |
As it submerged to rest on mud or glided just | K3 |
Beneath the lustreless calm yellow leaves | L3 |
That clustered along a log or floated there | O2 |
In broken ringlets held by a gray froth | M3 |
On the opaque unbroken surface of the pond | N3 |
Which reflected nothing no one | H |
And then I remembered | O3 |
When I was a child our neighbors would disappear | S |
And there wasn't a pond of crocodiles at all | R2 |
And they hadn't moved They couldn't move They | M |
Lived in the small fenced off backwater | A |
Of a canal I'd never seen them alive They | M |
Were in still photographs taken on the Ivory Coast | P3 |
I saw them only once in a studio when | Y2 |
I was a child in a city I once loved | Q3 |
I was afraid until our neighbor a photographer | A |
Explained it all to me explained how far | R3 |
Away they were how harmless how they were praised | S3 |
In rituals as quot powers quot But they had no quot powers quot | S3 |
He said The next week he vanished I thought | S3 |
Someone had cast a spell amp that the crocodiles | T3 |
Swam out of the pictures on the wall amp grew | U3 |
Silently amp multiplied amp then turned into | U3 |
Shadows resting on the banks of lakes amp streams | V3 |
Or took the shapes of fallen logs in campgrounds | W3 |
In the mountains They ate our neighbor Mr Hirata | S3 |
They ate his whole family That is what I believed | S3 |
Then that someone had cast a spell I did not | S3 |
Know childhood was a spell or that then there | O2 |
Had been another spell too quiet to hear | X3 |
Entering my city entering the dust we ate | S3 |
No one knew it then No one could see it | S3 |
Though it spread through lawnless miles of housing tracts | Y3 |
And the new bare treeless streets it slipped | S3 |
Into the vacant rows of warehouses amp picked | S3 |
The padlocked doors of working class bars | Z3 |
And union halls amp shuttered empty diners | A4 |
And how it clung forever if one had noticed | S3 |
To the brothel with the pastel tassels on the shade | S3 |
Of an unlit table lamp Farther in it feasted | S3 |
On the decaying light of failing shopping centers | A4 |
It spilled into the older tree lined neighborhoods | B4 |
Into warm houses sealing itself into books | C4 |
Of bedtime stories read each night by fathers | A4 |
The books lying open to the flat neglected | S3 |
Light of dawn amp it settled like dust on windowsills | A4 |
Downtown filling the smug caf eacute s schools | A4 |
Banks offices taverns gymnasiums hotels | A4 |
Newsstands courtrooms opium parlors Basque | D4 |
Restaurants Armenian steam baths | A4 |
French bakeries amp two of the florists' shops | A4 |
Their plate glass windows smashed forever | A |
Finally it tried to infiltrate the exact | S3 |
Center of my city a small square bordered | S3 |
With palm trees olives cypresses a square | O2 |
Where no one gathered not even thieves or lovers | A4 |
It was a place which no longer had any purpose | A4 |
But held itself aloof I thought the way | M |
A deaf aunt might from opinions styles gossip | E4 |
I liked it there It was completely lifeless | A4 |
Sad amp clear in what seemed always a perfect | S3 |
Windless noon I saw it first as a child | S3 |
Looking down at it from that as yet | S3 |
Unvandalized makeshift studio | S3 |
I remember leaning my right cheek against | S3 |
A striped beach ball so that Mr Hirata | S3 |
Who was Japanese who would be sent the next week | F4 |
To a place called Manzanar a detention camp | N2 |
Hidden in stunted pines almost above | G4 |
The Sierra timberline could take my picture | A |
I remember the way he lovingly relished | S3 |
Each camera angle the unwobbling tripod | S3 |
The way he checked each aperture against | S3 |
The light meter in love with all things | A4 |
That were not accidental amp I remember | A |
The care he took when focusing how | C3 |
He tried two different lens filters before | J |
He found the one appropriate for that | S3 |
Sensual late slow blush of afternoon | H4 |
Falling through the one broad bay window | S3 |
I remember holding still amp looking down | I4 |
Into the square because he asked me to | U3 |
Because my mother amp father had asked me please | A4 |
To obey amp be patient amp allow the man | J4 |
Whose business was failing anyway by then | Y2 |
To work as long as he wished to without any | K2 |
Irritations or annoyances before | J |
He would have to spend these years my father said | S3 |
Far away in snow amp without his cameras | A4 |
But Mr Hirata did not work He played | S3 |
His toys gleamed there That much was clear to me | K2 |
That was the day I decided I would never work | K4 |
It felt like a conversion Play was sacred | S3 |
My father waited behind us on a sofa made | S3 |
From car seats One spring | O |
Larry Levis
(1)
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