Elegy For Whatever Had A Pattern In It Poem Rhyme Scheme and Analysis
Rhyme Scheme: AB CD E FGH I H IJ KLM N JO P QR B S TU CV WX HY ZA2B2 C2 D2 E2RA2 F2 A2A2 G2H2 A2 A2J A2 A2I2A2 G GJ2C2 K2 A2 L2A2 H2 RTN M2N2 H2O2 UP2 Q2 H2 A2J A2JA2 R2S2 H2 T2 U2 JS2 V2W2 X2 Y2NZ2 E2 A2A3 A2A2 J B3 A2 BA2N R W2 H2 C3M2I A2R A2 BS2 IB3B3 D3E3F3 G3 H3RS2 A2 I3J3 A2A2A2Now that the Summer of Love has become the moss of tunnels | A |
And the shadowy mouths of tunnels all the tunnels lead into the city | B |
- | |
I'm going to put the one largely forgotten swaying figure of Ediesto Huerta | C |
Right in front of you so you can watch him swamp fruit | D |
- | |
Out of an orchard in the heat of an August afternoon I'm going to let you | E |
- | |
Keep your eyes on him as he lifts swings fifty pound boxes of late | F |
Elberta peaches up to me where I'm standing on a flatbed trailer breathing in | G |
Tractor exhaust so thick it bends the air bends things seen through it | H |
- | |
So that they seem to swim through the air | I |
- | |
It is a lousy job no one has to do it we do it | H |
- | |
We do it so that I can show you even what isn't there | I |
What's hidden And signed by Time itself And set spinning | J |
- | |
And is only a spider after all with its net waiting for what falls | K |
For what flies into it ages turns gray in a matter of minutes The web | L |
Is nothing's blueprint bleached by the sun whitened by it it's what's left | M |
- | |
After we've vanished after we become what falls apart when anyone | N |
- | |
Touches it eyelash collarbone dissolving into air time touching | J |
The boxes we are wrapped in like gifts splintering them | O |
- | |
Into wood again at the edge of a wood | P |
- | |
- | |
Black Widow is a name no one ever tinkered with or tried to change | Q |
If you turn her on her back you can see the blood red hourglass figure | R |
- | |
She carries on her belly | B |
- | |
Small as the design of a pirate I saw once on a tab of blotter acid | S |
- | |
Before I took half of it a friend took the other then the two of us | T |
Walked down to the empty post office beside the lake to look | U |
- | |
For some reason at the wanted posters We liked a little drama | C |
In the ordinary then Now a spider's enough | V |
- | |
And this one in the legend she inhabits is famous the male dies | W |
She eats its head after the eggs are fertilized | X |
- | |
It's the hourglass on her belly I remember the way the figure of it | H |
Figure eight of Time Infinity looked like something designed | Y |
- | |
Etched or embossed upon the slick undershell the way there was | Z |
The first time I saw it a stillness in the pattern that was not | A2 |
The stillness of the leaves or the stillness of the sky over the leaves | B2 |
- | |
After the male dies she goes off the eggs | C2 |
- | |
Live in the fraying sail | D2 |
- | |
Of an abandoned web strung up in the corner of a picking box or beneath | E2 |
Some slowly yellowing grape leaf among hundreds of other | R |
Leaves in autumn the eggs smaller than the o in this typescript | A2 |
- | |
Or a handwritten apostrophe in ink | F2 |
- | |
What do they represent but emptiness some gold camp settlement | A2 |
In the Sierras swept clean by smallpox wind | A2 |
- | |
Canal school with its three rooms its bell the rope you rang it with | G2 |
And no one there in the empty sunlight ring after ring echo | H2 |
- | |
It magnifies I can't explain it | A2 |
- | |
Piedra Conejo Parlier Stars towns blown fire wind | A2 |
Deneb Altair invisible kindling nothing above nothing | J |
- | |
It magnifies I can't explain it | A2 |
- | |
- | |
Expressionless spinster carrying Time's signature preserved signed | A2 |
In blood hidden beneath you you move two steps | I2 |
To the right hold still then one step to the left | A2 |
- | |
And hold still again motionless as the web you wait in | G |
- | |
Motionless as the story you wait in inhabit but did not spin | G |
And did not repeat You wait in the beehive hairdo of the girl | J2 |
Sitting across from me in class wait in your eggs | C2 |
- | |
- | |
Wait in the hair the girl teases sprays once more at recess | K2 |
- | |
Lipstick heels tight sweater leather anklet | A2 |
- | |
The story has no point but stillness itself absence in a school desk | L2 |
The hacked and scratched names visible in the varnished wood | A2 |
- | |
No one there the bell with its ring after ring echo | H2 |
- | |
In class I remember she would look back at me with a gaze deeper | R |
Than calm blanker than a pond's scummed motionless surface | T |
Beneath which there was nothing nothing taking the shape of someone | N |
- | |
Who had already drowned but could not die so sat in class | M2 |
Because she had to because that was the law | N2 |
- | |
Mrs Avery went on on at the blackboard so we could know | H2 |
Who Magellan Vizcaino had been or sometimes she would make | O2 |
- | |
The boy who spoke only Spanish read from a book | U |
Watch him as he used his forefinger to point at each syllable | P2 |
- | |
He would read read mispronounce stumble over go on | Q2 |
- | |
- | |
And this isn't much of a story either but it's one I know | H2 |
- | |
One afternoon in August two black widow spiders bit Ediesto Huerta | A2 |
He killed them both went on working | J |
- | |
Went on swinging the boxes up to me In a few minutes the sweat | A2 |
Bathed his face until it glistened still he went on working | J |
And when I asked him to stop he would not instead | A2 |
- | |
Seemed to begin to dance slowly in the rhythms of the work | R2 |
Swing heft turning back for another box then | S2 |
- | |
Swing heft turning back again And within a half hour or so | H2 |
- | |
Without him resting once but merely swinging box after box | T2 |
- | |
Of peaches up to me in the heat the fever broke | U2 |
- | |
- | |
In the middle of turning away again he stopped dancing | J |
He stopped working He seemed to be listening to something then | S2 |
- | |
He passed out fell flat on his back It looked as if he had gone to sleep | V2 |
For a moment I let the idling tractor sputter die by the time | W2 |
- | |
I reached him he had awakened in the next moment his face | X2 |
- | |
Began twitching his arms legs danced to something without music | Y2 |
And then stiffened his jaws clenched his eyes fluttered open | N |
And turned a pure white I made a stick from a peach limb tore | Z2 |
- | |
The leaves shoots off it stuck it between his teeth | E2 |
- | |
As I heard one was supposed to in this way almost | A2 |
Killed him by suffocation so took the stick out threw it away | A3 |
- | |
And later lifted him by the one arm he extended to me pulled him up onto | A2 |
The bed of the trailer He dangled his legs off the rear of it | A2 |
- | |
We sat there saying nothing | J |
- | |
It was so quiet we could hear the birds around us in the trees | B3 |
- | |
And then he turned to me addressing me in a name as old as childhood | A2 |
Said 'Hey Cowboy you wanna cigarette ' | - |
- | |
- | |
In the story no one can remember whether it was car theft or burglary | B |
But in fact Ediesto Huerta was tried convicted of something so afterward | A2 |
Became motionless silent in the web spun around him by misfortune | N |
- | |
In the penitentiary the lights stay on forever | R |
- | |
Cell after cell after cell they call their names out caught in time | W2 |
- | |
Ring after ring echo | H2 |
- | |
In the story the girl always dies of spider bites | C3 |
When in fact she disappeared by breaking into the jagged pieces of glass | M2 |
Littering the roadsides glinting in the empty light that shines there | I |
- | |
All we are is representation what we appear to be are are not | A2 |
And representation is all we remember | R |
- | |
Something hesitating looking back caught for a moment | A2 |
- | |
God in the design on a spider's belly standing for time infinity | B |
Looks back looks back just once then never again | S2 |
- | |
We go without a trace I am thinking We go there's no one there | I |
No one to meet us on the long drive lined with orange trees | B3 |
Cypresses the bleaching fronds of palm trees | B3 |
- | |
And though the town is still there when I return to it when I'm gone | D3 |
The track is empty beside the station the station is boarded up | E3 |
Boarded over the town is overgrown with leaves with weeds | F3 |
- | |
Tall as windowsills window glass out dark inside the shops | G3 |
- | |
The classrooms school are gone the bell the rope | H3 |
To ring it with the boy reading form the book forefinger | R |
On a syllable he can't pronounce stumbles over again again | S2 |
- | |
- | |
All we are is representation what we are are not | A2 |
- | |
Clear then going dark again all we are | I3 |
Is the design or insignia that misrepresents what we are stays | J3 |
- | |
Behind looks back at us without expression empty road in sunlight | A2 |
I once drove in a ' Jimmy truck with three tons of fruit | A2 |
On it the flooring beneath the | A2 |
Larry Levis
(1)
Poem topics: , Print This Poem , Rhyme Scheme
Submit Spanish Translation
Submit German Translation
Submit French Translation
Write your comment about Elegy For Whatever Had A Pattern In It poem by Larry Levis
Best Poems of Larry Levis