The Atlas Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABBABAAAACAAADAEABFA GHIDIBJGJDDKDLMNMOPD PBQEQHDAD AARSAAADEAAATAATABAA AUAAAVVSALLWVBXLAVVD VSV VLLAABBAAAABBDDAALLB BAAVV AAABBDBAAYAAAAAVVAAA AWAZAZAABBDVBLLVVAAB DD VA2B2A2B2DDDDALALZC2 D2C2ADADE2VF2V| I The King of Cuckooz | A |
| THE King of Cuckooz Contrey | B |
| Hangs peaked above Argier | B |
| With Janzaries and Marabutts | A |
| To bid a sailor fear | B |
| With lantern eyed astrologers | A |
| Who walk upon the walls | A |
| And ram with stars their basilisks | A |
| Instead of cannon balls | A |
| And in that floating castle | C |
| I tell you it is so | A |
| Five thousand naked Concubines | A |
| With dulcimers do go | A |
| Each rosy nose anoints a tile | D |
| Bang bang the fort salutes | A |
| When He the King of Cuckooz Land | E |
| Comes forth in satin boots | A |
| Each rosy darling flies before | B |
| When he desires his tent | F |
| Or like a tempest driving flowers | A |
| Inspects a battlement | G |
| And this I spied by moonlight | H |
| Behind a royal bamboo | I |
| That Monarch in a curricle | D |
| Which ninety virgins drew | I |
| That Monarch drinking nectar | B |
| Lord God my tale attest | J |
| Milked from a snow white elephant | G |
| As white as your white breast | J |
| And this is no vain fable | D |
| As other knaves may lie | D |
| Have I not got that Fowl aboard | K |
| Which no man may deny | D |
| The King's own hunting falcon | L |
| I limed across the side | M |
| When by the Bayes of Africa | N |
| King James's Fleet did ride | M |
| What crest is there emblazoned | O |
| Whose mark is this I beg | P |
| Stamped on the silver manacle | D |
| Around that dainty leg | P |
| Let this be news to you my dear | B |
| How Man should be revered | Q |
| Though I'm no King of Cuckooz Land | E |
| Behold as fierce a beard | Q |
| I have as huge an appetite | H |
| As deep a kiss my girl | D |
| And somewhere for the hand that seeks | A |
| Perhaps a Sultan's pearl | D |
| - | |
| Post Roads | A |
| POST ROADS that clapped with tympan heels | A |
| Of tilburies and whiskys rapidly spanking | R |
| Where's now the tireless ghost of Ogilby | S |
| Post roads | A |
| That buoyed the rich and plunging springs | A |
| Of coaches vaster than Escurials | A |
| Where now does Ogilby propel that Wheel | D |
| What milestones does he pause to reprimand | E |
| In what unmapped savanna of dumb shades | A |
| Ye know not ye are silent brutish ducts | A |
| Numbed by the bastinadoes of iron boots | A |
| Three hundred years asnore Do you forget | T |
| The phaetons and fiacres flys and breaks | A |
| The world of dead men staring out of glass | A |
| That drummed upon your bones Do you forget | T |
| Those nostrils oozing smoke those floating tails | A |
| Those criniers whipped with air | B |
| And kidnapped lights | A |
| Floats of rubbed yellow towed from window panes | A |
| Rushing their lozenges through headlong stones | A |
| And smells of hackneys mohair sour with damp | U |
| Leather and slopped madeira partridge pies | A |
| Long buried under floors and yawning Fares | A |
| With bumping flap dark spatulas of cards | A |
| 'Knave takes the ten oh God I wish that it | V |
| I wish that it was Guildford' | V |
| Ogilby | S |
| Did not forget could not escape such ecstacies | A |
| Even in the monasteries of mensuration | L |
| Could not forget the roads that he had gone | L |
| In fog and shining air Each line was joy | W |
| Each computation a beatitude | V |
| A diagram of Ogilby's eye and ear | B |
| With soundings for the nose Wherefore I think | X |
| Wherefore I think some English gentleman | L |
| Some learned doctor of the steak houses | A |
| Ending late dinner having strolled outside | V |
| To quell the frivolous hawthorn may behold | V |
| There in the moonshine rolling up an hill | D |
| Steered by no fleshly hand with spokes of light | V |
| The Wheel John Ogilby's Wheel the WHEEL hiss by | S |
| Measuring mileposts of eternity | V |
| - | |
| Dutch Seacoast | V |
| No wind of Life may strike within | L |
| This little country's crystal bin | L |
| Nor calendar compute the days | A |
| Tubed in their capsule of soft glaze | A |
| Naked and rinsed the bubble clear | B |
| Canals of Amsterdam appear | B |
| The blue tiled turrets china clocks | A |
| And glittering beaks of weathercocks | A |
| A gulf of sweet and winking hoops | A |
| Whereon there ride poops | A |
| With flying mouths and fleeting hair | B |
| Of saints hung up like candles there | B |
| Fox coloured mansions lean and tall | D |
| That burst in air but never fall | D |
| Whose bolted shadows row by row | A |
| Float changeless on the stones below | A |
| Sky full of ships bay full of town | L |
| A port of waters jellied brown | L |
| Such is the world no tide may stir | B |
| Sealed by the great cartographer | B |
| O could he but clap up like this | A |
| My decomposed metropolis | A |
| Those other countries of the mind | V |
| So tousled dark and undefined | V |
| - | |
| Mermaids | A |
| ONCE Mermaids mocked your ships | A |
| With wet and scarlet lips | A |
| And fish dark difficult hips Conquistador | B |
| Then Ondines danced with Sirens on the shore | B |
| Then from his cloudy stall you heard the Kraken call | D |
| And mad with twisting flame the Firedrake roar | B |
| Such old established Ladies | A |
| No mariner eyed askance | A |
| But coming on deck would swivel his neck | Y |
| To watch the darlings dance | A |
| Or in the gulping dark of nights | A |
| Would cast his tranquil eyes | A |
| On singular kinds of Hermaphrodites | A |
| Without the least surprise | A |
| Then portulano maps were scrolled | V |
| With compass roses green and gold | V |
| That fired the stiff old Needle with their dyes | A |
| And wagged their petals over parchment skies | A |
| Then seas were full of Dolphins' fins | A |
| Full of swept bones and flying Jinns | A |
| Beaches were filled with Anthropophagi | W |
| And Antient Africa with Palanquins | A |
| Then sailors with a flaked and rice pale flesh | Z |
| Staring from maps in sweet and poisoned places | A |
| Diced the old Skeleton afresh | Z |
| In brigs no bigger than their moon bunched faces | A |
| Those well known and respected Harpies | A |
| Dance no more on the shore to and fro | B |
| All that has ended long ago | B |
| Nor do they sing outside the captain's porthole | D |
| A proceeding fiercely reprehended | V |
| By the governors of the P O | B |
| Nor do they tumble in the sponges of the moon | L |
| For the benefit of tourists in the First Saloon | L |
| Nor fork their foaming lily fins below the side | V |
| On the ranges of the ale clear tide | V |
| And scientists now with binocular eyes | A |
| Remark in a tone of complacent surprise | A |
| 'Those pisciform mammals pure Spectres I fear | B |
| Must be Doctor Gerbrandus's Mermaids my dear ' | - |
| But before they can cause the philosopher trouble | D |
| They are GONE like the cracking of a bubble | D |
| - | |
| The Seafight | V |
| HERE in a gulf of golden leaf | A2 |
| You'll find a seafight ringed with flame | B2 |
| Cannons that cry Tirduf Tirduf | A2 |
| Daggers that collop guns that maim | B2 |
| Jaws beaked with blood men flung to hell | D |
| Men blasting trumpets men that flee | D |
| Men crimped by death and under all | D |
| Old patient baleful spying Sea | D |
| Old Sea that in a dicebox rolls | A |
| Their trundling skulls their jacks of bone | L |
| That sucks them out of broken hulls | A |
| When other mumbling mouths have gone | L |
| Old hungry Sea that holds our flesh | Z |
| In the huge forceps of the storm | C2 |
| And they are given to the fish | D2 |
| And we plucked forth and we made warm | C2 |
| But ye that kill why heed the face | A |
| Of Ocean Not alone you slay | D |
| Since deeper seas are dammed in space | A |
| And fiercer storms can scream in clay | D |
| Existence has as bitter teeth | E2 |
| But we can always find a minute | V |
| For the festivities of death | F2 |
| Who sail upon this dangerous planet | V |
Kenneth Slessor
(1)
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The Atlas is a poem by Kenneth Slessor. This page includes the poem text, poet information, related topics, comments, and similar poems.
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