Variations At Home And Abroad Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGFHIJKKLML NEELBOLODNDPLQRSBLEL TEUVLBLLWXYJZLA2BLNL LUEB2BC2D2LJE2JF2 SG2BEH2G2ENI2J2J2LEG 2K2 EPL2LEBND2NBEM2LN2A2 LO2P2Q2R2LLA2BLS2LP2 ELIt takes a lot of a person's life | A |
To be French or English or American | B |
Or Italian And to be at any age To live at any certain time | C |
The Polish born resident of Manhattan is not merely a representative of | D |
general humanity | E |
And neither is this Sicilian fisherman stringing his bait | F |
Or to be any gender born where or when | G |
Betty holding a big plate | F |
Karen crossing her post World War Two legs | H |
And smiling across the table | I |
These three Italian boys age about twenty gesturing and talking | J |
And laughing after they get off the train | K |
Seem fifty percent Italian and the rest percent just plain | K |
Human race | L |
O mystery of growing up O history of going to school | M |
O lovers O enchantments | L |
- | |
The subject is not over because the photograph is over | N |
The photographer sits down Murnau makes the movie | E |
Everything is a little bit off but has a nationality | E |
The oysters won't help the refugees off the boats | L |
Only other human creatures will The phone rings and the Albanian | B |
nationalist sits down | O |
When he gets up he hasn't become a Russian migr or a German circus | L |
clown | O |
A woman is carrying a basket a beautiful sight She is in and of | D |
Madagascar | N |
The uniformed Malay policeman sniffs the beer barrel that the brothers of | D |
Ludwig are bringing close to him | P |
All humanity likes to get drunk Are differences then all on the surface | L |
But even every surface gets hot | Q |
In the sun It may be that the surface is where we are all alike | R |
But man and woman show that this isn't true | S |
We will get by though The train is puffing at the station | B |
But the station isn't puffing at the train This difference allows for a sense | L |
of community | E |
As when people feel really glad to have cats and dogs | L |
And some even a few mice in the chimney We are not alone | T |
In the universe and the diversity causes comfort as well as difficulty | E |
To be Italian takes at least half the day To be Chinese seven eighths of it | U |
Only at evening when Chang Ho repast over sits down to smoke | V |
Is he exclusively human in the way the train is exclusively itself when it is | L |
in motion | B |
But that's to say it wrongly His being human is also his being seven eighths | L |
Chinese | L |
Falling in love one may get say twenty percent back | W |
Toward universality though that is probably all Then when love's gone | X |
One's Nigerianness increases or one's quality of being of Nepal | Y |
An American may start out wishing | J |
To be everybody or that everybody were the same | Z |
Which makes him or her at least eighty percent American Dixit Charles | L |
Peguy circa | A2 |
The good Lord created the French so that certain aspects of His creation | B |
Wouldn't go unnoticed Like the taste of wheat sirrah Or the Japanese | L |
So that someplace on earth there would be people who were | N |
Writing haiku But think of the human body with its arms | L |
Its nose its eyes its brain often subject to alarms | L |
Think how much energy work and time have gone into it | U |
To give us such a variegated kind of humanity | E |
It takes fifteen seconds this morning to be a man | B2 |
Twenty to be an old one four to be an American | B |
Two to be a college graduate and four or five hours to write | C2 |
And what's more I love you half of every hour for weeks or months for | D2 |
this | L |
Nine hundred seconds to be an admirer of Italian Renaissance painting | J |
Sixteen hours to be someone awake | E2 |
One is recognizably American male and of a certain generation Nothing | J |
takes these markers away | F2 |
- | |
Even if I live in Indonesia as a native in a hut someone coming through | S |
there | G2 |
Will certainly gasp and say Why you're an American | B |
My optimism my openness my lack of a sense of history | E |
My distinctive facial muscles ready to look angry or sad or sympathetic | H2 |
In a moment and not quite know where to go from there | G2 |
My assuming that anything is possible my deep sense of superiority | E |
And inferiority at the same time my lack of culture | N |
Except for the bookish kind my way of acting with the dog come here | I2 |
Spotty God damn | J2 |
All these and hundreds more declare me to be what I am | J2 |
It's burdensome but also inevitable I think so | L |
Expatriates have had some success with the plastic surgery | E |
Of absence and departure But it is never absolute And then they must bear | G2 |
the new identity as well | K2 |
- | |
Irish or Russian the individuality in them is often mistaken for nationality | E |
The Russian finding a soul in the army officer the Irishman finding in him | P |
someone with whom he can drink | L2 |
Consider the Volga boatman One can only guess | L |
But probably about ninety percent Russian eighty percent man and thirty | E |
percent boatman Russian man and boatman | B |
A good person for the job a Russian man of the river | N |
This dog is two fifths wolf and less than one thousandth a husband or | D2 |
father | N |
Dogs resist nationality by being breeds This one is simply Alsatian | B |
Though he may father forth a puppy | E |
Who seems totally something else if for example he the Alsatian is attracted | M2 |
To a poodle with powerful DNA The puppy runs up to the Italian boys | L |
who smile | N2 |
Thinking it would be fun to take it to Taormina | A2 |
Where they work in the hotel and to teach it tricks | L |
A Frenchwoman marvels at this scene | O2 |
The woman bends down to the dog and speaks to it in French | P2 |
This is hopeful and funny To the dog all human languages are a perfumed | Q2 |
fog | R2 |
He wags and rises on his back legs One Italian boy praises him Bravo | L |
canino | L |
Underneath there is the rumble of the metro train The boy looks at the | A2 |
woman | B |
Life offers them these entangling moments as who on a bicycle goes | L |
past | S2 |
It is a Congolese with the savannah on his shoulders | L |
And the sky in his heart but his words as he passes are in French | P2 |
Bonjour m'sieu dames and goes speeding off with his identity | E |
His Congolese millennial selfhood unchanging and changing place | L |
Kenneth Koch
(1)
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