The Shadow Of God Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCADAEFADAGHIAAJKLM NOPAQADAARSDADTUVWB AXAHJYZA2AB2C2DD2AE2 A F2AAAATAAG2TAB2H2SI2 J2AAHK2AL2 M2AAAJN2JDO2 P2Q2LMDJR2AD A AAJS2AAAAT A TDWM2JIAAA A AQAAAT2Q2TADASAAAAAD 2 A AJAAAAWM2A A TH2U2SAAAAV2 DW2X2Y2AAAADAO2CAAM2 H2EZ2 AQL2Q2L2H2AAA AADAAATBA3 A B3M2EV2C3D2D3Q2A E3DB2C3DAF3D2J G3DDDM2H2QAH3A DH3I3AJ3M2JAQ2| To Moh cs | A |
| in the marshlands still in the pouring rain | B |
| August th where those summoned | C |
| and hastily gathered died in thousands | A |
| in the space of a moment the chronicler | D |
| scribbles in the safety of distance | A |
| cruel panthers in a moment to hell's pit | E |
| That day the guns chained wheel to wheel | F |
| smoke and the cries of men and horses | A |
| the knights shot from their saddles armour | D |
| dragging them into the mire the hooves | A |
| stamping them in the infantry butchered | G |
| in the space of a moment the swift | H |
| routine of retreat slaughter and rout | I |
| the space of a moment No prisoners | A |
| the wails of the wounded the dying becks | A |
| brimmed with blood and the young king | J |
| thrown from his horse drowned in his breastplate | K |
| Thereafter Suleyman recalls he sat on the field | L |
| in the pouring rain on his glittering throne | M |
| to the long applause of his army I am | N |
| Sultan Suleyman Han son of Sultan Selim Han | O |
| son of Sultan Bayezid Han The shadow of God | P |
| And they butcher the captives dig the pits | A |
| to bury their own brave dead horses and men | Q |
| thousand whose last rainy day was this | A |
| and the other dead lie in the rain or scatter | D |
| their bones in the wetlands and the reedgrass | A |
| Whatever birds pecked out their eyes | A |
| their names are no matter nor the stream | R |
| they drowned in nor the name of the planet | S |
| whose soft brown body they shovelled in after | D |
| Thereafter the land burns and the churches | A |
| thereafter women and slaves and silver | D |
| And thereafter pronounces the historian | T |
| his quill's tip brushing his cheek his point | U |
| squeaking over the page the lamp's glint | V |
| on his inkhorn the long Turkish night | W |
| the tomb of the nation dug in the rain | B |
| - | |
| In the space of a moment in the centuries | A |
| moments pile into leaf over leaf | X |
| season by season as the winters pass | A |
| and the wars roll over and the borders shift | H |
| it is ploughland old bones surfacing | J |
| at the hoe's edge and the plough's iron | Y |
| scapulae and vertebrae rising in a flat | Z |
| wide fenced country laid open to the wind | A2 |
| prowled by the tractors of the collectives | A |
| and the same wandering birds black earth | B2 |
| through white snow wind beaten scarecrow | C2 |
| and the white silence of another winter | D |
| It is a museum of bones in the thick boney | D2 |
| stew of each other where some bird sings | A |
| in the evergreens and a boy rings a bell | E2 |
| in the long white silence that follows | A |
| - | |
| It is a field of poles upright at a pit's rim | F2 |
| carved into cruel faces chiselled in grimaces | A |
| spiked helmeted horned a ragged line of posts | A |
| that are totems of men straggling off into trees | A |
| some aslant the long necks of horses | A |
| rearing from snow They are flail and bludgeon | T |
| and battleaxe calvaries of yokes and the bows | A |
| of the swift horsemen the trailed arms | A |
| of the willow tree They are the crescent moon | G2 |
| and the star the cross the crown the turban | T |
| and the tarboosh gnarled glances of soldiers | A |
| the figures of dead men rising from the earth | B2 |
| Suleyman with a basket of heads at his pommel | H2 |
| and the dead king Lajos in his blue bonnet | S |
| Overhead the high jets in the clear blue | I2 |
| corridor of cloudless sky above Serbia | J2 |
| flying the line of the great rivers | A |
| whose names are the same though the names | A |
| of the empires and the nations shift | H |
| on the maps South of here not far | K2 |
| in the debateable lands of the warring states | A |
| the bones are again rising in the mud | L2 |
| - | |
| - | |
| - | |
| Very fast very slow the music | M2 |
| a lament from the villages | A |
| a music come down from the mountains | A |
| called across rivers across plains | A |
| ah no joking and no joking | J |
| a gift for the kolo bridegroom | N2 |
| the thieves they are singing | J |
| dance my love dance faster | D |
| faster till we fall down | O2 |
| - | |
| The reedgrass that will be thatch | P2 |
| first snowy fields turned in the plough | Q2 |
| A line of trucks in a white field | L |
| waiting for grain not yet sown | M |
| end of the winter quarter | D |
| end of the season of craving | J |
| the river's ice drifting south | R2 |
| snow collapsing from the buildings | A |
| the days of the death of King Winter | D |
| - | |
| The Bus j r s | A |
| - | |
| Time to take to the streets | A |
| wearing the skins of beasts | A |
| masks years in the making offspring | J |
| of the old whisperers in the hearth | S2 |
| kin to the devotees of trees | A |
| and certain stones and all rivers | A |
| lord of the vines and beasts | A |
| our lady of the wild things the old gods | A |
| who never made it into heaven | T |
| - | |
| Bus s | A |
| - | |
| They step out of the unwritten | T |
| the unremembered out of Illyria | D |
| out of the south the dark the flight | W |
| and the distant remembrance of panic | M2 |
| the horned hoof footed hard drinking | J |
| god of the shepherds They step out | I |
| through the winter streets in masks | A |
| horns in sheepskins and bandoliers | A |
| with their bells and their rattles | A |
| - | |
| Bus s | A |
| - | |
| With their antlers tall in the skins | A |
| of beasts belled shaggy moustache men | Q |
| huge with their clubs and horns | A |
| wild in their tall wooden masks | A |
| coming on from the distance | A |
| all the years they have travelled | T2 |
| out of the unwritten the agrapha | Q2 |
| the history of the forgotten | T |
| the long shadows of the lost gods | A |
| At noon they have crossed the river | D |
| they have taken the streets | A |
| filled with organized riot | S |
| the ruckus of men in the male dance | A |
| the clatter and rattle of flails | A |
| the interminable clanging of bells | A |
| rain clanking into buckets | A |
| in mockery taking their ways | A |
| through the orders of anarchy | D2 |
| - | |
| Bus s | A |
| - | |
| Fierce and yet not fierce | A |
| joking and yet not joking | J |
| this is the management of chaos | A |
| the war of the great ratchets | A |
| the battle of the bells upright animals | A |
| striding through the streets | A |
| through the cold falling sunlight | W |
| in a wild skirling music | M2 |
| bearing the skulls of animals | A |
| - | |
| Bus s | A |
| - | |
| Others come as veiled hooded women | T |
| a brown friar another the devil | H2 |
| a joker in a Russian tank mask | U2 |
| a Groucho Marx an Austrian helmet | S |
| And these others ghosts in dirty sheets | A |
| rags sackcloth and ashes and stocking masks | A |
| bunched in knots of impudent silence | A |
| young men scattering the girls | A |
| the dead risen from the dead | V2 |
| - | |
| Centuries ago the traveller | D |
| Evliya elebi warned his far flung | W2 |
| wandering countrymen of the masked | X2 |
| madmen of Moh cs in the marshland | Y2 |
| in their shaggy jackets and bells | A |
| and their faceless faces | A |
| they are devils devils | A |
| in the place of devils | A |
| no one should go there | D |
| In their own legend of themselves | A |
| they chased the Turks out of town | O2 |
| in terror In the ill disciplined | C |
| shaggy masked half drunk ranks | A |
| among pitchforks and whirling clubs | A |
| the carved severed head on a stick | M2 |
| of a janissary moustache top knot skull | H2 |
| goes round and round in the racket | E |
| and the gathering fire and the dusk | Z2 |
| - | |
| How years ago they were fearless | A |
| in the place of defeat and rose again | Q |
| how years ago a pig's blood painted | L2 |
| a cross in the town square and how | Q2 |
| the masks stained in animal blood | L2 |
| and the wild cries and the kolo | H2 |
| was their resistance How once | A |
| they were one with the beasts | A |
| one with men one with the gods | A |
| - | |
| Rutting and butting as beasts | A |
| sticks for pricks bells balls | A |
| and under the mask is another | D |
| and another they are Bus s | A |
| three days of the year Bus s | A |
| parading their ragged squads | A |
| to the square where the cannon | T |
| from that year of the rain | B |
| thunders mud and rags and smoke | A3 |
| - | |
| Bus s | A |
| - | |
| Come nightfall on the third day | B3 |
| of marching and mayhem and music | M2 |
| that is Shrovetide the fire's lit | E |
| in the square King Winter is dead | V2 |
| carted off in a coffin and burned | C3 |
| On the coffin in flowery | D2 |
| Hungarian script it's sold | D3 |
| our country it's sold we have | Q2 |
| nothing left but our fathers' pricks | A |
| - | |
| Where does this music come from | E3 |
| an old woman asks From all round her | D |
| from everywhere from earth | B2 |
| from the wind from the long turned | C3 |
| furrows of defeat the old sorrow | D |
| the old joy the songs | A |
| of the long gone into the dark | F3 |
| It's sold our country | D2 |
| and all the thieves are laughing | J |
| - | |
| Time to march one last time | G3 |
| on the town and burn winter | D |
| with bells and cannon and fire | D |
| round and around the tottering square | D |
| masked men and horses the music | M2 |
| round and round the kolo | H2 |
| the dancing of the hairy men | Q |
| and winter goes up in the flames | A |
| the tall smoke climbing the sky | H3 |
| Bus s | A |
| - | |
| The sliver of moon the first star | D |
| on the pale blue flag of the sky | H3 |
| as the sparks flare and die At the edge | I3 |
| of the embers of memory the borders | A |
| of hearing bells laughter a child | J3 |
| a cough girls singing the swift music | M2 |
| in the ashes of the evening | J |
| whisps of voices at a distance | A |
| in that far off | Q2 |
Ken Smith
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