An Epistle To Dr. Moore Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCC DEEFFGGHHII JJKKLLMMNNOOPQRR SSTQC GGMMUUCCQQVVMMWX YYZZHHA2A2B2B2C2C2D2 D2WVYY CDDDLLCCMMTTE2E2D2D2 DDTQ OOF2F2G2G2LLH2H2HHI2 KJ2J2K2K2IIL2L2ZZWXZ ZEEM2M2OOAAKKN2N2O2O 2 P2P2Q2Q2R2KNNIIS2S2P 2P2T2T2H2H2 U2U2V2V2W2W2X2X2Y2Z2 A3A3B3C3D3E3TT UUIIYYRRCCL2L2F3F3G3 G3D2D2GG H3H3I3I3HHLLS2J3 K3K3L3L3OOM2M2M3M3KK N3FO3O3P3Q3Whether dispensing hope and ease | A |
To the pale victim of disease | A |
Or in the social crowd you sit | B |
And charm the group with sense and wit | B |
Moore's partial ear will not disdain | C |
Attention to my artless strain | C |
- | |
An Epistle To Dr Moore Author Of A View Of Society And Manners In France Switzerland And Germany | D |
I mean no giddy heights to climb | E |
And vainly toil to be sublime | E |
While every line with labour wrought | F |
Is swell'd with tropes for want of thought | F |
Nor shall I call the Muse to shed | G |
Castalian drops upon my head | G |
Or send me from Parnassian bowers | H |
A chaplet wove of fancy's flowers | H |
At present all such aid I slight | I |
My heart instructs me how to write | I |
- | |
That softer glide my hours along | J |
That still my griefs are sooth'd by song | J |
That still my careless numbers flow | K |
To your successful skill I owe | K |
You who when sickness o'er me hung | L |
And languor had my lyre unstrung | L |
With treasures of the healing art | M |
With friendship's ardor at your heart | M |
From sickness snatch'd her early prey | N |
And bade fair health the goddess gay | N |
With sprightly air and winning grace | O |
With laughing eye and rosy face | O |
Accustom'd when you call to hear | P |
On her light pinion hasten near | Q |
And swift restore with influence kind | R |
My weaken'd frame my drooping mind | R |
- | |
With like benignity and zeal | S |
The mental malady to heal | S |
To stop the fruitless hopeless tear | T |
The life you lengthen'd render dear | Q |
To charm by fancy's powerful vein | C |
'The written troubles of the brain ' | - |
From gayer scenes compassion led | G |
Your frequent footsteps to my shed | G |
And knowing that the Muses' art | M |
Has power to ease an aching heart | M |
You sooth'd that heart with partial praise | U |
And I before too fond of lays | U |
While others pant for solid gain | C |
Grasp at a laurel sprig in vain | C |
You could not chill with frown severe | Q |
The madness to my soul so dear | Q |
For when Apollo came to store | V |
Your mind with salutary lore | V |
The god I ween was pleas'd to dart | M |
A ray from Pindus on your heart | M |
Your willing bosom caught the fire | W |
And still is partial to the lyre | X |
- | |
But now from you at distance plac'd | Y |
Where Epping spreads a woody waste | Y |
Tho' unrestrain'd my fancy flies | Z |
And views in air her fabrics rise | Z |
And paints with brighter bloom the flowers | H |
Bids Dryads people all the bowers | H |
And Echoes speak from every hill | A2 |
And Naiads pour each little rill | A2 |
And bands of Sylphs with pride unfold | B2 |
Their azure plumage mix'd with gold | B2 |
My heart remembers with a sigh | C2 |
That you are now no longer nigh | C2 |
The magic scenes no more engage | D2 |
I quit them for your various page | D2 |
Where with delight I traverse o'er | W |
The foreign paths you trod before | V |
Ah not in vain those paths you trac'd | Y |
With heart to feel with powers to taste | Y |
- | |
Amid the ever jocund train | C |
Who sport upon the banks of Seine | D |
In your light Frenchman pleas'd I see | D |
His nation's gay epitome | D |
Whose careless hours glide smooth along | L |
Who charms MISFORTUNE with a song | L |
She comes not as on Albion's plain | C |
With death and madness in her train | C |
For here her keenest sharpest dart | M |
May raze but cannot pierce the heart | M |
Yet he whose spirit light as air | T |
Calls life a jest and laughs at care | T |
Feels the strong force of pity's voice | E2 |
And bids afflicted love rejoice | E2 |
Love such as fills the poet's page | D2 |
Love such as form'd the golden age | D2 |
FANCHON thy grateful look I see | D |
I share thy joys I weep with thee | D |
What eye has read without a tear | T |
A tale to nature's heart so dear | Q |
- | |
There dress'd in each sublimer grace | O |
Geneva's happy scene I trace | O |
Her lake from whose broad bosom thrown | F2 |
Rushes the loud impetuous Rhone | F2 |
And bears his waves with mazy sweep | G2 |
In rapid torrents to the deep | G2 |
Oh for a Muse less weak of wing | L |
High on yon Alpine steeps to spring | L |
And tell in verse what they disclose | H2 |
As well as you have told in prose | H2 |
How wrapt in snows and icy showers | H |
Eternal winter horrid lowers | H |
Upon the mountain's awful brow | I2 |
While purple summer blooms below | K |
How icy structures rear their forms | J2 |
Pale products of ten thousand storms | J2 |
Where the full sun beam powerless falls | K2 |
On crystal arches columns walls | K2 |
Yet paints the proud fantastic height | I |
With all the various hues of light | I |
Why is no poet call'd to birth | L2 |
In such a favour'd spot of earth | L2 |
How high his vent'rous Muse might rise | Z |
And proudly scorn to ask supplies | Z |
From the Parnassian hill the fire | W |
Of verse Mont Blanc might well inspire | X |
O SWITZERLAND how oft these eyes | Z |
Desire to view thy mountains rise | Z |
How fancy loves thy steeps to climb | E |
So wild so solemn so sublime | E |
And o'er thy happy vales to roam | M2 |
Where freedom rears her humble home | M2 |
Ah how unlike each social grace | O |
Which binds in love thy manly race | O |
The HOLLANDERS phlegmatic ease | A |
Too cold to love too dull to please | A |
Who feel no sympathetic woe | K |
Nor sympathetic joy bestow | K |
But fancy words are only made | N2 |
To serve the purposes of trade | N2 |
And when they neither buy nor sell | O2 |
Think silence answers quite as well | O2 |
- | |
Now in his happiest light is seen | P2 |
VOLTAIRE when evening chas'd his spleen | P2 |
And plac'd at supper with his friends | Q2 |
The playful flash of wit descends | Q2 |
Of names renown'd you clearly shew | R2 |
The finer traits we wish to know | K |
To Prussia's martial clime I stray | N |
And see how FREDERIC spends the day | N |
Behold him rise at dawning light | I |
To form his troops for future fight | I |
Thro' the firm ranks his glances pierce | S2 |
Where discipline with aspect fierce | S2 |
And unrelenting breast is seen | P2 |
Degrading man to a machine | P2 |
My female heart delights to turn | T2 |
Where GREATNESS seems not quite so stern | T2 |
Mild on th' IMPERIAL BROW she glows | H2 |
And lives to soften human woes | H2 |
- | |
But lo on ocean's stormy breast | U2 |
I see majestic VENICE rest | U2 |
While round her spires the billows rave | V2 |
Inverted splendours gild the wave | V2 |
Fair liberty has rear'd with toil | W2 |
Her fabric on this marshy soil | W2 |
She fled those banks with scornful pride | X2 |
Where classic Po devolves her tide | X2 |
Yet here her unrelenting laws | Y2 |
Are deaf to nature's freedom's cause | Z2 |
Unjust they seal'd FOSCARI'S doom | A3 |
An exile in his early bloom | A3 |
And he who bore the rack unmov'd | B3 |
Divided far from those he lov'd | C3 |
From all the social hour can give | D3 |
From all that make it bliss to live | E3 |
These worst of ills refus'd to bear | T |
And died the victim of despair | T |
- | |
An eye of wonder let me raise | U |
While on imperial ROME I gaze | U |
But oh no more in glory bright | I |
She fills with awe th' astonish'd sight | I |
Her mould'ring fanes in ruin trac'd | Y |
Lie scatter'd on Campania's waste | Y |
Nor only these alas we find | R |
The wreck involves the human mind | R |
The lords of earth now drag a chain | C |
Beneath a pontiff's feeble reign | C |
The soil that gave a Cato birth | L2 |
No longer yields heroic worth | L2 |
Whose image lives but on the bust | F3 |
Or consecrates the medal's rust | F3 |
Yet if no heart of modern frame | G3 |
Glows with the antient hero's flame | G3 |
The dire Arena's horrid stage | D2 |
Is banish'd from this milder age | D2 |
Those savage virtues too are fled | G |
At which the human feelings bled | G |
- | |
While now at Virgil's tomb you bend | H3 |
O let me on your steps attend | H3 |
Kneel on the turf that blossoms round | I3 |
And kiss with lips devout the ground | I3 |
I feel how oft his magic powers | H |
Shed pleasure on my lonely hours | H |
Tho' hid from me the classic tongue | L |
In which his heav'nly strain was sung | L |
In Dryden's tuneful lines I pierce | S2 |
The shaded beauties of his verse | J3 |
- | |
Bright be the rip'ning beam that shines | K3 |
Fair FLORENCE on thy purple vines | K3 |
And ever pure the fanning gale | L3 |
That pants in Arno's myrtle vale | L3 |
Here when the barb'rous northern race | O |
Dire foes to every muse and grace | O |
Had doom'd the banish'd arts to roam | M2 |
The lovely wand'rers found a home | M2 |
And shed round Leo's triple crown | M3 |
Unfading rays of bright renown | M3 |
Who e'er has felt his bosom glow | K |
With knowledge or the wish to know | K |
Has e'er from books with transport caught | N3 |
The rich accession of a thought | F |
Perceiv'd with conscious pride he feels | O3 |
The sentiment which taste reveals | O3 |
Let all who joys like these possess | P3 |
Thy vale enchant | Q3 |
Helen Maria Williams
(1)
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