The Waltz Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCCDDEEDDFF GHIIIIJJDDIIII CCKKLLDDII MMIIDDNOPPIIDDII DDII IIQQIIDDIIRRIIIIDDDD DDDDSSDDDDTTUU IIVVDDRRIIWWDDJJ UUMMIIDDXXSSII YYDDZZUUII HHA2A2DDB2B2C2C2DDII HHDDD2E2IIIIIIIIDUII DDIID2D2UUIIUUUUURRI IIIUURRKKDDRRF2F2G2G 2DDH2H2DDDDMMI2I2YYU U HHJ2J2DDIIIIYYDD DDQQDDYYUUDDDDHHMM YYE2K2L2GKKII| Muse of the many twinkling feet whose charms | A |
| Are now extended up from legs to arms | A |
| Terpsichore too long misdeemed a maid | B |
| Reproachful term bestowed but to upbraid | B |
| Henceforth in all the bronze of brightness shine | C |
| The least a Vestal of the Virgin Nine | C |
| Far be from thee and thine the name of Prude | D |
| Mocked yet triumphant sneered at unsubdued | D |
| Thy legs must move to conquer as they fly | E |
| If but thy coats are reasonably high | E |
| Thy breast if bare enough requires no shield | D |
| Dance forth sans armour thou shalt take the field | D |
| And own impregnable to most assaults | F |
| Thy not too lawfully begotten Waltz | F |
| - | |
| Hail nimble Nymph to whom the young hussar | G |
| The whiskered votary of Waltz and War | H |
| His night devotes despite of spur and boots | I |
| A sight unmatched since Orpheus and his brutes | I |
| Hail spirit stirring Waltz beneath whose banners | I |
| A modern hero fought for modish manners | I |
| On Hounslow's heath to rival Wellesley's fame | J |
| Cocked fired and missed his man but gained his aim | J |
| Hail moving muse to whom the fair one's breast | D |
| Gives all it can and bids us take the rest | D |
| Oh for the flow of Busby or of Fitz | I |
| The latter's loyalty the former's wits | I |
| To energise the object I pursue | I |
| And give both Belial and his Dance their due | I |
| - | |
| Imperial Waltz imported from the Rhine | C |
| Famed for the growth of pedigrees and wine | C |
| Long be thine import from all duty free | K |
| And Hock itself be less esteemed than thee | K |
| In some few qualities alike for Hock | L |
| Improves our cellar thou our living stock | L |
| The head to Hock belongs thy subtler art | D |
| Intoxicates alone the heedless heart | D |
| Through the full veins thy gentler poison swims | I |
| And wakes to Wantonness the willing limbs | I |
| - | |
| Oh Germany how much to thee we owe | M |
| As heaven born Pitt can testify below | M |
| Ere cursed Confederation made thee France's | I |
| And only left us thy d d debts and dances | I |
| Of subsidies and Hanover bereft | D |
| We bless thee still George the Third is left | D |
| Of kings the best and last not least in worth | N |
| For graciously begetting George the Fourth | O |
| To Germany and Highnesses serene | P |
| Who owe us millions don't we owe the Queen | P |
| To Germany what owe we not besides | I |
| So oft bestowing Brunswickers and brides | I |
| Who paid for vulgar with her royal blood | D |
| Drawn from the stem of each Teutonic stud | D |
| Who sent us so be pardoned all her faults | I |
| A dozen dukes some kings a Queen and Waltz | I |
| - | |
| But peace to her her Emperor and Diet | D |
| Though now transferred to Buonapart egrave 's fiat | D |
| Back to my theme O muse of Motion say | I |
| How first to Albion found thy Waltz her way | I |
| - | |
| Borne on the breath of Hyperborean gales | I |
| From Hamburg's port while Hamburg yet had mails | I |
| Ere yet unlucky Fame compelled to creep | Q |
| To snowy Gottenburg was chilled to sleep | Q |
| Or starting from her slumbers deigned arise | I |
| Heligoland to stock thy mart with lies | I |
| While unburnt Moscow yet had news to send | D |
| Nor owed her fiery Exit to a friend | D |
| She came Waltz came and with her certain sets | I |
| Of true despatches and as true Gazettes | I |
| Then flamed of Austerlitz the blest despatch | R |
| Which Moniteur nor Morning Post can match | R |
| And almost crushed beneath the glorious news | I |
| Ten plays and forty tales of Kotzebue's | I |
| One envoy's letters six composer's airs | I |
| And loads from Frankfort and from Leipsic fairs | I |
| Meiners' four volumes upon Womankind | D |
| Like Lapland witches to ensure a wind | D |
| Brunck's heaviest tome for ballast and to back it | D |
| Of Heyn egrave such as should not sink the packet | D |
| - | |
| Fraught with this cargo and her fairest freight | D |
| Delightful Waltz on tiptoe for a Mate | D |
| The welcome vessel reached the genial strand | D |
| And round her flocked the daughters of the land | D |
| Not decent David when before the ark | S |
| His grand Pas seul excited some remark | S |
| Not love lorn Quixote when his Sancho thought | D |
| The knight's Fandango friskier than it ought | D |
| Not soft Herodias when with winning tread | D |
| Her nimble feet danced off another's head | D |
| Not Cleopatra on her Galley's Deck | T |
| Displayed so much of leg or more of neck | T |
| Than Thou ambrosial Waltz when first the Moon | U |
| Beheld thee twirling to a Saxon tune | U |
| - | |
| To You ye husbands of ten years whose brows | I |
| Ache with the annual tributes of a spouse | I |
| To you of nine years less who only bear | V |
| The budding sprouts of those that you shall wear | V |
| With added ornaments around them rolled | D |
| Of native brass or law awarded gold | D |
| To You ye Matrons ever on the watch | R |
| To mar a son's or make a daughter's match | R |
| To You ye children of whom chance accords | I |
| Always the Ladies and sometimes their Lords | I |
| To You ye single gentlemen who seek | W |
| Torments for life or pleasures for a week | W |
| As Love or Hymen your endeavours guide | D |
| To gain your own or snatch another's bride | D |
| To one and all the lovely Stranger came | J |
| And every Ball room echoes with her name | J |
| - | |
| Endearing Waltz to thy more melting tune | U |
| Bow Irish Jig and ancient Rigadoon | U |
| Scotch reels avaunt and Country dance forego | M |
| Your future claims to each fantastic toe | M |
| Waltz Waltz alone both legs and arms demands | I |
| Liberal of feet and lavish of her hands | I |
| Hands which may freely range in public sight | D |
| Where ne'er before but pray put out the light | D |
| Methinks the glare of yonder chandelier | X |
| Shines much too far or I am much too near | X |
| And true though strange Waltz whispers this remark | S |
| My slippery steps are safest in the dark | S |
| But here the Muse with due decorum halts | I |
| And lends her longest petticoat to Waltz | I |
| - | |
| Observant Travellers of every time | Y |
| Ye Quartos published upon every clime | Y |
| say shall dull Romaika's heavy round | D |
| Fandango's wriggle or Bolero's bound | D |
| Can Egypt's Almas tantalising group | Z |
| Columbia's caperers to the warlike Whoop | Z |
| Can aught from cold Kamschatka to Cape Horn | U |
| With Waltz compare or after Waltz be born | U |
| Ah no from Morier's pages down to Galt's | I |
| Each tourist pens a paragraph for Waltz | I |
| - | |
| Shades of those Belles whose reign began of yore | H |
| With George the Third's and ended long before | H |
| Though in your daughters' daughters yet you thrive | A2 |
| Burst from your lead and be yourselves alive | A2 |
| Back to the Ball room speed your spectred host | D |
| Fool's Paradise is dull to that you lost | D |
| No treacherous powder bids Conjecture quake | B2 |
| No stiff starched stays make meddling fingers ache | B2 |
| Transferred to those ambiguous things that ape | C2 |
| Goats in their visage women in their shape | C2 |
| No damsel faints when rather closely pressed | D |
| But more caressing seems when most caressed | D |
| Superfluous Hartshorn and reviving Salts | I |
| Both banished by the sovereign cordial Waltz | I |
| - | |
| Seductive Waltz though on thy native shore | H |
| Even Werter's self proclaimed thee half a whore | H |
| Werter to decent vice though much inclined | D |
| Yet warm not wanton dazzled but not blind | D |
| Though gentle Genlis in her strife with Sta euml l | D2 |
| Would even proscribe thee from a Paris ball | E2 |
| The fashion hails from Countesses to Queens | I |
| And maids and valets waltz behind the scenes | I |
| Wide and more wide thy witching circle spreads | I |
| And turns if nothing else at least our heads | I |
| With thee even clumsy cits attempt to bounce | I |
| And cockney's practise what they can't pronounce | I |
| Gods how the glorious theme my strain exalts | I |
| And Rhyme finds partner Rhyme in praise of Waltz | I |
| Blest was the time Waltz chose for her d eacute but | D |
| The Court the Regent like herself were new | U |
| New face for friends for foes some new rewards | I |
| New ornaments for black and royal Guards | I |
| New laws to hang the rogues that roared for bread | D |
| New coins most new to follow those that fled | D |
| New victories nor can we prize them less | I |
| Though Jenky wonders at his own success | I |
| New wars because the old succeed so well | D2 |
| That most survivors envy those who fell | D2 |
| New mistresses no old and yet 'tis true | U |
| Though they be old the thing is something new | U |
| Each new quite new except some ancient tricks | I |
| New white sticks gold sticks broom sticks all new sticks | I |
| With vests or ribands decked alike in hue | U |
| New troopers strut new turncoats blush in blue | U |
| So saith the Muse my what say you | U |
| Such was the time when Waltz might best maintain | U |
| Her new preferments in this novel reign | U |
| Such was the time nor ever yet was such | R |
| Hoops are more and petticoats not much | R |
| Morals and Minuets Virtue and her stays | I |
| And tell tale powder all have had their days | I |
| The Ball begins the honours of the house | I |
| First duly done by daughter or by spouse | I |
| Some Potentate or royal or serene | U |
| With Kent's gay grace or sapient Gloster's mien | U |
| Leads forth the ready dame whose rising flush | R |
| Might once have been mistaken for a blush | R |
| From where the garb just leaves the bosom free | K |
| That spot where hearts were once supposed to be | K |
| Round all the confines of the yielded waist | D |
| The strangest hand may wander undisplaced | D |
| The lady's in return may grasp as much | R |
| As princely paunches offer to her touch | R |
| Pleased round the chalky floor how well they trip | F2 |
| One hand reposing on the royal hip | F2 |
| The other to the shoulder no less royal | G2 |
| Ascending with affection truly loyal | G2 |
| Thus front to front the partners move or stand | D |
| The foot may rest but none withdraw the hand | D |
| And all in turn may follow in their rank | H2 |
| The Earl of Asterisk and Lady Blank | H2 |
| Sir Such a one with those of fashion's host | D |
| For whose blest surnames vide Morning Post | D |
| Or if for that impartial print too late | D |
| Search Doctors' Commons six months from my date | D |
| Thus all and each in movement swift or slow | M |
| The genial contact gently undergo | M |
| Till some might marvel with the modest Turk | I2 |
| If nothing follows all this palming work | I2 |
| True honest Mirza you may trust my rhyme | Y |
| Something does follow at a fitter time | Y |
| The breast thus publicly resigned to man | U |
| In private may resist him if it can | U |
| - | |
| O ye who loved our Grandmothers of yore | H |
| Fitzpatrick Sheridan and many more | H |
| And thou my Prince whose sovereign taste and will | J2 |
| It is to love the lovely beldames still | J2 |
| Thou Ghost of Queensberry whose judging Sprite | D |
| Satan may spare to peep a single night | D |
| Pronounce if ever in your days of bliss | I |
| Asmodeus struck so bright a stroke as this | I |
| To teach the young ideas how to rise | I |
| Flush in the cheek and languish in the eyes | I |
| Rush to the heart and lighten through the frame | Y |
| With half told wish and ill dissembled flame | Y |
| For prurient Nature still will storm the breast | D |
| Who tempted thus can answer for the rest | D |
| - | |
| But ye who never felt a single thought | D |
| For what our Morals are to be or ought | D |
| Who wisely wish the charms you view to reap | Q |
| Say would you make those beauties quite so cheap | Q |
| Hot from the hands promiscuously applied | D |
| Round the slight waist or down the glowing side | D |
| Where were the rapture then to clasp the form | Y |
| From this lewd grasp and lawless contact warm | Y |
| At once Love's most endearing thought resign | U |
| To press the hand so pressed by none but thine | U |
| To gaze upon that eye which never met | D |
| Another's ardent look without regret | D |
| Approach the lip which all without restraint | D |
| Come near enough if not to touch to taint | D |
| If such thou lovest love her then no more | H |
| Or give like her caresses to a score | H |
| Her Mind with these is gone and with it go | M |
| The little left behind it to bestow | M |
| - | |
| Voluptuous Waltz and dare I thus blaspheme | Y |
| Thy bard forgot thy praises were his theme | Y |
| Terpsichore forgive at every Ball | E2 |
| My wife now waltzes and my daughters shall | K2 |
| My son or stop 'tis needless to inquire | L2 |
| These little accidents should ne'er transpire | G |
| Some ages hence our genealogic tree | K |
| Will wear as green a bough for him as me | K |
| Waltzing shall rear to make our name amends | I |
| Grandsons for me in heirs to all his friends | I |
George Gordon Lord Byron
(1)
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About The Waltz
The Waltz is a poem by George Gordon Lord Byron. This page includes the poem text, poet information, related topics, comments, and similar poems.
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