The Parish Register - Part I: Baptisms Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCCDDEEDDDF DGGDDDDHHIIDDJJKKLLD MMNNOOPPDDDDQQDDRRSS DDMMTTUUDDVVWXYYZA2H HB2B2C2C2D2D2DD E2JJF2F2VVG2G2MMH2H2 I2I2J2J2K2K2L2L2DDDD M2D M2FFD2D2K2K2N2N2IIK2 K2K2K2O2P2CQ2R2R2K2 DDK2K2S2S2K2K2T2T2U2 U2V2V2W2W2K2K2K2K2K2 K2DDDDDRRX2X2K2K2K2K 2DF DDDIIK2K2LLDDE K2K2Y2Y2V2The year revolves and I again explore | A |
The simple Annals of my Parish poor | B |
What Infant members in my flock appear | C |
What Pairs I bless'd in the departed year | C |
And who of Old or Young or Nymphs or Swains | D |
Are lost to Life its pleasures and its pains | D |
No Muse I ask before my view to bring | E |
The humble actions of the swains I sing | E |
How pass'd the youthful how the old their days | D |
Who sank in sloth and who aspired to praise | D |
Their tempers manners morals customs arts | D |
What parts they had and how they 'mploy'd their | F |
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parts | D |
By what elated soothed seduced depress'd | G |
Full well I know these Records give the rest | G |
Is there a place save one the poet sees | D |
A land of love of liberty and ease | D |
Where labour wearies not nor cares suppress | D |
Th' eternal flow of rustic happiness | D |
Where no proud mansion frowns in awful state | H |
Or keeps the sunshine from the cottage gate | H |
Where young and old intent on pleasure throng | I |
And half man's life is holiday and song | I |
Vain search for scenes like these no view appears | D |
By sighs unruffled or unstain'd by tears | D |
Since vice the world subdued and waters drown'd | J |
Auburn and Eden can no more be found | J |
Hence good and evil mixed but man has skill | K |
And power to part them when he feels the will | K |
Toil care and patience bless th' abstemious few | L |
Fear shame and want the thoughtless herd pursue | L |
Behold the Cot where thrives th' industrious | D |
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swain | M |
Source of his pride his pleasure and his gain | M |
Screen'd from the winter's wind the sun's last ray | N |
Smiles on the window and prolongs the day | N |
Projecting thatch the woodbine's branches stop | O |
And turn their blossoms to the casement's top | O |
All need requires is in that cot contain'd | P |
And much that taste untaught and unrestrain'd | P |
Surveys delighted there she loves to trace | D |
In one gay picture all the royal race | D |
Around the walls are heroes lovers kings | D |
The print that shows them and the verse that sings | D |
Here the last Louis on his throne is seen | Q |
And there he stands imprison'd and his Queen | Q |
To these the mother takes her child and shows | D |
What grateful duty to his God he owes | D |
Who gives to him a happy home where he | R |
Lives and enjoys his freedom with the free | R |
When kings and queens dethroned insulted tried | S |
Are all these blessings of the poor denied | S |
There is King Charles and all his Golden Rules | D |
Who proved Misfortune's was the best of schools | D |
And there his Son who tried by years of pain | M |
Proved that misfortunes may be sent in vain | M |
The Magic mill that grinds the gran'nams young | T |
Close at the side of kind Godiva hung | T |
She of her favourite place the pride and joy | U |
Of charms at once most lavish and most coy | U |
By wanton act the purest fame could raise | D |
And give the boldest deed the chastest praise | D |
There stands the stoutest Ox in England fed | V |
There fights the boldest Jew Whitechapel bred | V |
And here Saint Monday's worthy votaries live | W |
In all the joys that ale and skittles give | X |
Now lo on Egypt's coast that hostile fleet | Y |
By nations dreaded and by NELSON beat | Y |
And here shall soon another triumph come | Z |
A deed of glory in a deed of gloom | A2 |
Distressing glory grievous boon of fate | H |
The proudest conquest at the dearest rate | H |
On shelf of deal beside the cuckoo clock | B2 |
Of cottage reading rests the chosen stock | B2 |
Learning we lack not books but have a kind | C2 |
For all our wants a meat for every mind | C2 |
The tale for wonder and the joke for whim | D2 |
The half sung sermon and the half groan'd hymn | D2 |
No need of classing each within its place | D |
The feeling finger in the dark can trace | D |
'First from the corner farthest from the wall ' | - |
Such all the rules and they suffice for all | E2 |
There pious works for Sunday's use are found | J |
Companions for that Bible newly bound | J |
That Bible bought by sixpence weekly saved | F2 |
Has choicest prints by famous hands engraved | F2 |
Has choicest notes by many a famous head | V |
Such as to doubt have rustic readers led | V |
Have made them stop to reason WHY and HOW | G2 |
And where they once agreed to cavil now | G2 |
Oh rather give me commentators plain | M |
Who with no deep researches vex the brain | M |
Who from the dark and doubtful love to run | H2 |
And hold their glimmering tapers to the sun | H2 |
Who simple truth with nine fold reasons back | I2 |
And guard the point no enemies attack | I2 |
Bunyan's famed Pilgrim rests that shelf upon | J2 |
A genius rare but rude was honest John | J2 |
Not one who early by the Muse beguiled | K2 |
Drank from her well the waters undefiled | K2 |
Not one who slowly gained the hill sublime | L2 |
Then often sipp'd and little at a time | L2 |
But one who dabbled in the sacred springs | D |
And drank them muddy mix'd with baser things | D |
Here to interpret dreams we read the rules | D |
Science our own and never taught in schools | D |
In moles and specks we Fortune's gifts discern | M2 |
And Fate's fix'd will from Nature's wanderings | D |
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learn | M2 |
Of Hermit Quarll we read in island rare | F |
Far from mankind and seeming far from care | F |
Safe from all want and sound in every limb | D2 |
Yes there was he and there was care with him | D2 |
Unbound and heap'd these valued tomes beside | K2 |
Lay humbler works the pedlar's pack supplied | K2 |
Yet these long since have all acquired a name | N2 |
The Wandering Jew has found his way to fame | N2 |
And fame denied to many a labour'd song | I |
Crowns Thumb the Great and Hickathrift the strong | I |
There too is he by wizard power upheld | K2 |
Jack by whose arm the giant brood were quell'd | K2 |
His shoes of swiftness on his feet he placed | K2 |
His coat of darkness on his loins he braced | K2 |
His sword of sharpness in his hand he took | O2 |
And off the heads of doughty giants stroke | P2 |
Their glaring eyes beheld no mortal near | C |
No sound of feet alarm'd the drowsy ear | Q2 |
No English blood their Pagan sense could smell | R2 |
But heads dropt headlong wondering why they fell | R2 |
These are the Peasant's joy when placed at | K2 |
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ease | D |
Half his delighted offspring mount his knees | D |
To every cot the lord's indulgent mind | K2 |
Has a small space for garden ground assign'd | K2 |
Here till return of morn dismiss'd the farm | S2 |
The careful peasant plies the sinewy arm | S2 |
Warm'd as he works and casts his look around | K2 |
On every foot of that improving ground | K2 |
It is his own he sees his master's eye | T2 |
Peers not about some secret fault to spy | T2 |
Nor voice severe is there nor censure known | U2 |
Hope profit pleasure they are all his own | U2 |
Here grow the humble cives and hard by them | V2 |
The leek with crown globose and reedy stem | V2 |
High climb his pulse in many an even row | W2 |
Deep strike the ponderous roots in soil below | W2 |
And herbs of potent smell and pungent taste | K2 |
Give a warm relish to the night's repast | K2 |
Apples and cherries grafted by his hand | K2 |
And cluster'd nuts for neighbouring market stand | K2 |
Nor thus concludes his labour near the cot | K2 |
The reed fence rises round some fav'rite spot | K2 |
Where rich carnations pinks with purple eyes | D |
Proud hyacinths the least some florist's prize | D |
Tulips tall stemm'd and pounced auriculas rise | D |
Here on a Sunday eve when service ends | D |
Meet and rejoice a family of friends | D |
All speak aloud are happy and are free | R |
And glad they seem and gaily they agree | R |
What though fastidious ears may shun the speech | X2 |
Where all are talkers and where none can teach | X2 |
Where still the welcome and the words are old | K2 |
And the same stories are for ever told | K2 |
Yet theirs is joy that bursting from the heart | K2 |
Prompts the glad tongue these nothings to impart | K2 |
That forms these tones of gladness we despise | D |
That lifts their steps that sparkles in their | F |
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eyes | D |
That talks or laughs or runs or shouts or plays | D |
And speaks in all their looks and all their ways | D |
Fair scenes of peace ye might detain us long | I |
But vice and misery now demand the song | I |
And turn our view from dwellings simply neat | K2 |
To this infected Row we term our Street | K2 |
Here in cabal a disputatious crew | L |
Each evening meet the sot the cheat the shrew | L |
Riots are nightly heard the curse the cries | D |
Of beaten wife perverse in her replies | D |
While shrieking children hold each threat'ning | E |
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hand | K2 |
And sometimes life and sometimes food demand | K2 |
Boys in their first stol'n rags to swear begin | Y2 |
And girls who heed not dress are skill'd in gin | Y2 |
Snarers and sm | V2 |
George Crabbe
(1)
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