The Celebrated Woman - An Epistle By A Married Man Poem Rhyme Scheme and Analysis
Rhyme Scheme: AA BCBDEEFFGGHH DDIIJJKKLBLB KKMMDDNNGGGGGGOOPPQQ GGRSRS BBTTBBUUVV WWNXNXYYKKZKZKBBA2A2 B2B2RR C2C2DDGGGGD2D2 KKDDB2NBBKKE2E2 KKF2F2G2G2GGH2H2I2I2 J2J2 K2K2QQ L2L2M2M2NN NKNWKFKFN2N2XXF2KF2K F2F2BB DDH2H2O2G2GGDDBMBMRP 2RP2 GNGN Q2Q2VVNQ2BBGGGGR2R2F 2F2Q2Q2S2S2Q2Q2T2NT2 NWWU2U2Q2Q2V2U2V2U2 BU2| A | |
| A | |
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| - | |
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| Can I my friend with thee condole | B |
| Can I conceive the woes that try men | C |
| When late repentance racks the soul | B |
| Ensnared into the toils of hymen | D |
| Can I take part in such distress | E |
| Poor martyr most devoutly Yes | E |
| Thou weep'st because thy spouse has flown | F |
| To arms preferred before thine own | F |
| A faithless wife I grant the curse | G |
| And yet my friend it might be worse | G |
| Just hear another's tale of sorrow | H |
| And in comparing comfort borrow | H |
| - | |
| What dost thou think thyself undone | D |
| Because thy rights are shared with one | D |
| O happy man be more resigned | I |
| My wife belongs to all mankind | I |
| My wife she's found abroad at home | J |
| But cross the Alps and she's at Rome | J |
| Sail to the Baltic there you'll find her | K |
| Lounge on the Boulevards kind and kinder | K |
| In short you've only just to drop | L |
| Where'er they sell the last new tale | B |
| And bound and lettered in the shop | L |
| You'll find my lady up for sale | B |
| - | |
| She must her fair proportions render | K |
| To all whose praise can glory lend her | K |
| Within the coach on board the boat | M |
| Let every pedant take a note | M |
| Endure for public approbation | D |
| Each critic's close investigation | D |
| And brave nay court it as a flattery | N |
| Each spectacled Philistine's battery | N |
| Just as it suits some scurvy carcase | G |
| In which she hails an Aristarchus | G |
| Ready to fly with kindred souls | G |
| O'er blooming flowers or burning coals | G |
| To fame or shame to shrine or gallows | G |
| Let him but lead sublimely callous | G |
| A Leipsic man confound the wretch | O |
| Has made her topographic sketch | O |
| A kind of map as of a town | P |
| Each point minutely dotted down | P |
| Scarce to myself I dare to hint | Q |
| What this d d fellow wants to print | Q |
| Thy wife howe'er she slight the vows | G |
| Respects at least the name of spouse | G |
| But mine to regions far too high | R |
| For that terrestrial name is carried | S |
| My wife's The famous Ninon I | R |
| The gentleman that Ninon married | S |
| - | |
| It galls you that you scarce are able | B |
| To stake a florin at the table | B |
| Confront the pit or join the walk | T |
| But straight all tongues begin to talk | T |
| O that such luck could me befall | B |
| Just to be talked about at all | B |
| Behold me dwindling in my nook | U |
| Edged at her left and not a look | U |
| A sort of rushlight of a life | V |
| Put out by that great orb my wife | V |
| - | |
| Scarce is the morning gray before | W |
| Postman and porter crowd the door | W |
| No premier has so dear a levee | N |
| She finds the mail bag half its trade | X |
| My God the parcels are so heavy | N |
| And not a parcel carriage paid | X |
| But then the truth must be confessed | Y |
| They're all so charmingly addressed | Y |
| Whate'er they cost they well requite her | K |
| To Madame Blank the famous writer | K |
| Poor thing she sleeps so soft and yet | Z |
| 'Twere worth my life to spare her slumber | K |
| Madame from Jena the Gazette | Z |
| The Berlin Journal the last number | K |
| Sudden she wakes those eyes of blue | B |
| Sweet eyes fall straight on the Review | B |
| I by her side all undetected | A2 |
| While those cursed columns are inspected | A2 |
| Loud squall the children overhead | B2 |
| Still she reads on till all is read | B2 |
| At last she lays that darling by | R |
| And asks What makes the baby cry | R |
| - | |
| Already now the toilet's care | C2 |
| Claims from her couch the restless fair | C2 |
| The toilet's care the glass has won | D |
| Just half a glance and all is done | D |
| A snappish pettish word or so | G |
| Warns the poor maid 'tis time to go | G |
| Not at her toilet wait the Graces | G |
| Uncombed Erynnys takes their places | G |
| So great a mind expands its scope | D2 |
| Far from the mean details of soap | D2 |
| - | |
| Now roll the coach wheels to the muster | K |
| Now round my muse her votaries cluster | K |
| Spruce Abbe Millefleurs Baron Herman | D |
| The English Lord who don't know German | D |
| But all uncommonly well read | B2 |
| From matchless A to deathless Z | N |
| Sneaks in the corner shy and small | B |
| A thing which men the husband call | B |
| While every fop with flattery fires her | K |
| Swears with what passion he admires her | K |
| 'Passion ' 'admire ' and still you're dumb | E2 |
| Lord bless your soul the worst's to come | E2 |
| - | |
| I'm forced to bow as I'm a sinner | K |
| And hope the rogue will stay to dinner | K |
| But oh at dinner there's the sting | F2 |
| I see my cellar on the wing | F2 |
| You know if Burgundy is dear | G2 |
| Mine once emerged three times a year | G2 |
| And now to wash these learned throttles | G |
| In dozens disappear the bottles | G |
| They well must drink who well do eat | H2 |
| I've sunk a capital on meat | H2 |
| Her immortality I fear a | I2 |
| Death blow will prove to my Madeira | I2 |
| It has given alas a mortal shock | J2 |
| To that old friend my Steinberg hock | J2 |
| - | |
| If Faust had really any hand | K2 |
| In printing I can understand | K2 |
| The fate which legends more than hint | Q |
| The devil take all hands that print | Q |
| - | |
| And what my thanks for all a pout | L2 |
| Sour looks deep sighs but what about | L2 |
| About O that I well divine | M2 |
| That such a pearl should fall to swine | M2 |
| That such a literary ruby | N |
| Should grace the finger of a booby | N |
| - | |
| Spring comes behold sweet mead and lea | N |
| Nature's green splendor tapestries o'er | K |
| Fresh blooms the flower and buds the tree | N |
| Larks sing the woodland wakes once more | W |
| The woodland wakes but not for her | K |
| From Nature's self the charm has flown | F |
| No more the Spring of earth can stir | K |
| The fond remembrance of our own | F |
| The sweetest bird upon the bough | N2 |
| Has not one note of music now | N2 |
| And oh how dull the grove's soft shade | X |
| Where once as lovers then we strayed | X |
| The nightingales have got no learning | F2 |
| Dull creatures how can they inspire her | K |
| The lilies are so undiscerning | F2 |
| They never say how they admire her | K |
| - | |
| In all this jubilee of being | F2 |
| Some subject for a point she's seeing | F2 |
| Some epigram to be impartial | B |
| Well turned there may be worse in Martial | B |
| - | |
| But hark the goddess stoops to reason | D |
| The country now is quite in season | D |
| I'll go What to our country seat | H2 |
| No Travelling will be such a treat | H2 |
| Pyrmont's extremely full I hear | O2 |
| But Carlsbad's quite the rage this year | G2 |
| Oh yes she loves the rural Graces | G |
| Nature is gay in watering places | G |
| Those pleasant spas our reigning passion | D |
| Where learned Dons meet folks of fashion | D |
| Where each with each illustrious soul | B |
| Familiar as in Charon's boat | M |
| All sorts of fame sit cheek by jowl | B |
| Pearls in that string the table d'hote | M |
| Where dames whom man has injured fly | R |
| To heal their wounds or to efface them | P2 |
| While others with the waters try | R |
| A course of flirting just to brace them | P2 |
| - | |
| Well there O man how light thy woes | G |
| Compared with mine thou need'st must see | N |
| My wife undaunted greatly goes | G |
| And leaves the orphans seven to me | N |
| - | |
| O wherefore art thou flown so soon | Q2 |
| Thou first fair year Love's honeymoon | Q2 |
| All dream too exquisite for life | V |
| Home's goddess in the name of wife | V |
| Reared by each grace yet but to be | N |
| Man's household Anadyomene | Q2 |
| With mind from which the sunbeams fall | B |
| Rejoice while pervading all | B |
| Frank in the temper pleased to please | G |
| Soft in the feeling waked with ease | G |
| So broke as native of the skies | G |
| The heart enthraller on my eyes | G |
| So saw I like a morn of May | R2 |
| The playmate given to glad my way | R2 |
| With eyes that more than lips bespoke | F2 |
| Eyes whence sweet words I love thee broke | F2 |
| So Ah what transports then were mine | Q2 |
| I led the bride before the shrine | Q2 |
| And saw the future years revealed | S2 |
| Glassed on my hope one blooming field | S2 |
| More wide and widening more were given | Q2 |
| The angel gates disclosing heaven | Q2 |
| Round us the lovely mirthful troop | T2 |
| Of children came yet still to me | N |
| The loveliest merriest of the group | T2 |
| The happy mother seemed to be | N |
| Mine by the bonds that bind us more | W |
| Than all the oaths the priest before | W |
| Mine by the concord of content | U2 |
| When heart with heart is music blent | U2 |
| When as sweet sounds in unison | Q2 |
| Two lives harmonious melt in one | Q2 |
| When sudden O the villain came | V2 |
| Upon the scene a mind profound | U2 |
| A bel esprit who whispered Fame | V2 |
| And shook my card house to the ground | U2 |
| - | |
| What have I now instead of all | B |
| The Ed | U2 |
Friedrich Schiller
(1)
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About The Celebrated Woman - An Epistle By A Married Man
The Celebrated Woman - An Epistle By A Married Man is a poem by Friedrich Schiller. This page includes the poem text, poet information, related topics, comments, and similar poems.
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