Aurora Leigh: Book Fourth Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHIJKLMNOPQRST KUTVWTXY ZA2B2C2D2E2F2G2H2I2J 2K2L2F2M2N2 O2ATK2P2QQ2Q2TQ2R2S2 T2K2 U2J2V2W2SX2Y2YZ2IA3B 3J2Y2C3A2WY2 V2D3YE3F3G3H3VI3Z2J3 E2NK3NQ2L3M3UN2KJ2U2 B2I2J3 N3O3Z2P3YQ3G R3YB2S3T3U3V3W3Y X3Y3TZ3 A4I3B4X2S2C4SED4E4F4 G4 F2SCH4I4J4W3K4L4M4N4 O4J3P4Q4R4S4T4U3 U4B2V4JZ3NW4X4Y4Z4PU 2B3EV2 N4A3 PZ2R3C2 YR3M4EB2F4H4P2R3Z2PA 4B3SA4 F2Q2J3C2YL3SR3O3YYI3 V Y4R2 QB3PN2YC2YI3Y3B2SW3Q 2NKXB2H4E2L2YE2Z2KE2 E2Q2E2E2L3E2TRY A4NY E2 A4Y P3 YA4E2WJ3E2A4 U3A4 J2X3R3Y4R3E2E2 QE2U2E2E2E2E2 E2A4U2E2E2E2TYTZ3 A4A4U2PE2E2E2E2A2E2E 2A4A4E2C E2KCA4E2SS E2KYE2YA4 U2C2E2E2E2E2U2E2E2E2 YE2A4 A4E2E2E2A4E2E2PE2E2V A4E2SYA4E2A4 A4E2Y A4F4SE2E2E2A4E2SWE2I 2E2E2E2E2 A4Y4A4 SE2E2E2E2 I4E2E2E2E2PE2E2A4PE2 E2YE2PA4 YA4E2 C2J2Z3TE2E2A4E2E2E2E 2R3Y KS E2E2E2TE2TA4A4E2SE2E 2E2E2TE2I2E2YTE2E2E2 K2PKE2YE2PE2 E2VE2 WYA4 TSA4SA4A4E2E2E2YR3TT E2A4E2TYE2 E2 A4E2YTA4A4E2A4YTE2YE 2 Y4 R3E2 T E2TE2R3R3 Y Y4 Y YA4 Y4R3R3E2TE2A4SA4R3Y4 A4R3TSE2R3E2E2R3E2A4 Y4 TE2A4E2E2YE2E2R3 R3 E2A4TY4E2A4YE2E2R3E2 E2A4T3E2E2E2TE2E2A4T E2 TE2A4E2 E2TR3SPA4TA4R3A4E2A4 R3 R3A4A4E2PT TE2TTPE2E2E2SA4TR3E2 YA4E2E2R3R3T Y4A4E2TE2 SY4 R3E2Y E2A4E2TT YE2A4YYTTE2A4VY E2E2E2E2R3 A4E2 R3R3E2E2E2 R3 R3 R3T E2E2E2E2Y PR3YE2E2 Y4 E2E2YYYPYTYR3YR3TYA4 TYYA4YA4YA4YYYYA4 A4 Y PTYA4TYY YYT YYE2TR3YR3YYYY A4YYSA4P YTR3Y R3E2YYYYR3YR3 TA4 YYYYYR3YYYA4Y R3 PYYA4YYR3 YYYA4YYYYY A4A4PYYYYYYYYR3Y TYVA4Y YE2R3R3YR3R3R3They met still sooner 'Twas a year from thence | A |
That Lucy Gresham the sick sempstress girl | B |
Who sewed by Marian's chair so still and quick | C |
And leant her head upon its back to cough | D |
More freely when the mistress turning round | E |
The others took occasion to laugh out | F |
Gave up at last Among the workers spoke | G |
A bold girl with black eyebrows and red lips | H |
You know the news Who's dying do you think | I |
Our Lucy Gresham I expected it | J |
As little as Nell Hart's wedding Blush not Nell | K |
Thy curls be red enough without thy cheeks | L |
And some day there'll be found a man to dote | M |
On red curls Lucy Gresham swooned last night | N |
Dropped sudden in the street while going home | O |
And now the baker says who took her up | P |
And laid her by her grandmother in bed | Q |
He'll give her a week to die in Pass the silk | R |
Let's hope he gave her a loaf too within reach | S |
For otherwise they'll starve before they die | T |
That funny pair of bedfellows Miss Bell | K |
I'll thank you for the scissors The old crone | U |
Is paralytic that's the reason why | T |
Our Lucy's thread went faster than her breath | V |
Which went too quick we all know Marian Erle | W |
Why Marian Erle you're not the fool to cry | T |
Your tears spoil Lady Waldemar's new dress | X |
You piece of pity | Y |
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Marian rose up straight | Z |
And breaking through the talk and through the work | A2 |
Went outward in the face of their surprise | B2 |
To Lucy's home to nurse her back to life | C2 |
Or down to death She knew by such an act | D2 |
All place and grace were forfeit in the house | E2 |
Whose mistress would supply the missing hand | F2 |
With necessary not inhuman haste | G2 |
And take no blame But pity too had dues | H2 |
She could not leave a solitary soul | I2 |
To founder in the dark while she sat still | J2 |
And lavished stitches on a lady's hem | K2 |
As if no other work were paramount | L2 |
Why God thought Marian has a missing hand | F2 |
This moment Lucy wants a drink perhaps | M2 |
Let others miss me never miss me God | N2 |
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So Marian sat by Lucy's bed content | O2 |
With duty and was strong for recompense | A |
To hold the lamp of human love arm high | T |
To catch the death strained eyes and comfort them | K2 |
Until the angels on the luminous side | P2 |
Of death had got theirs ready And she said | Q |
If Lucy thanked her sometimes called her kind | Q2 |
It touched her strangely Marian Erle called kind | Q2 |
What Marian beaten and sold who could not die | T |
'Tis verily good fortune to be kind | Q2 |
Ah you she said who are born to such a grace | R2 |
Be sorry for the unlicensed class the poor | S2 |
Reduced to think the best good fortune means | T2 |
That others simply should be kind to them | K2 |
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From sleep to sleep when Lucy had slid away | U2 |
So gently like the light upon a hill | J2 |
Of which none names the moment that it goes | V2 |
Though all see when 'tis gone a man came in | W2 |
And stood beside the bed The old idiot wretch | S |
Screamed feebly like a baby overlain | X2 |
Sir sir you won't mistake me for the corpse | Y2 |
Don't look at me sir never bury me | Y |
Although I lie here I'm alive as you | Z2 |
Except my legs and arms I eat and drink | I |
And understand that you're the gentleman | A3 |
Who fits the funerals up Heaven speed you sir | B3 |
And certainly I should be livelier still | J2 |
If Lucy here sir Lucy is the corpse | Y2 |
Had worked more properly to buy me wine | C3 |
But Lucy sir was always slow at work | A2 |
I shan't lose much by Lucy Marian Erle | W |
Speak up and show the gentleman the corpse | Y2 |
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And then a voice said Marian Erle She rose | V2 |
It was the hour for angels there stood hers | D3 |
She scarcely marvelled to see Romney Leigh | Y |
As light November snows to empty nests | E3 |
As grass to graves as moss to mildewed stones | F3 |
As July suns to ruins through the rents | G3 |
As ministering spirits to mourners through a loss | H3 |
As Heaven itself to men through pangs of death | V |
He came uncalled wherever grief had come | I3 |
And so said Marian Erle we met anew | Z2 |
And added softly so we shall not part | J3 |
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He was not angry that she had left the house | E2 |
Wherein he placed her Well she had feared it might | N |
Have vexed him Also when he found her set | K3 |
On keeping though the dead was out of sight | N |
That half dead half alive body left behind | Q2 |
With cankerous heart and flesh which took your best | L3 |
And cursed you for the little good it did | M3 |
Could any leave the bed rid wretch alone | U |
So joyless she was thankless even to God | N2 |
Much more to you he did not say 'twas well | K |
Yet Marian thought he did not take it ill | J2 |
Since day by day he came and every day | U2 |
She felt within his utterance and his eyes | B2 |
A closer tenderer presence of the soul | I2 |
Until at last he said We shall not part | J3 |
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On that same day was Marian's work complete | N3 |
She had smoothed the empty bed and swept the floor | O3 |
Of coffin sawdust set the chairs anew | Z2 |
The dead had ended gossip in and stood | P3 |
In that poor room so cold and orderly | Y |
The door key in her hand prepared to go | Q3 |
As they had howbeit not their way He spoke | G |
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Dear Marian of one clay God made us all | R3 |
And though men push and poke and paddle in't | Y |
As children play at fashioning dirt pies | B2 |
And call their fancies by the name of facts | S3 |
Assuming difference lordship privilege | T3 |
When all's plain dirt they come back to it at last | U3 |
The first grave digger proves it with a spade | V3 |
And pats all even Need we wait for this | W3 |
You Marian and I Romney | Y |
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She at that | X3 |
Looked blindly in his face as when one looks | Y3 |
Through driving autumn rains to find the sky | T |
He went on speaking | Z3 |
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Marian I being born | A4 |
What men call noble and you issued from | I3 |
The noble people though the tyrannous sword | B4 |
Which pierced Christ's heart has cleft the world in twain | X2 |
'Twixt class and class opposing rich to poor | S2 |
Shall we keep parted Not so Let us lean | C4 |
And strain together rather each to each | S |
Compress the red lips of this gaping wound | E |
As far as two souls can ay lean and league | D4 |
I from my superabundance from your want | E4 |
You joining in a protest 'gainst the wrong | F4 |
On both sides | G4 |
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All the rest he held her hand | F2 |
In speaking which confused the sense of much | S |
Her heart against his words beat out so thick | C |
They might as well be written on the dust | H4 |
Where some poor bird escaping from hawk's beak | I4 |
Has dropped and beats its shuddering wings the lines | J4 |
Are rubbed so yet 'twas something like to this | W3 |
That they two standing at the two extremes | K4 |
Of social classes had received one seal | L4 |
Been dedicate and drawn beyond themselves | M4 |
To mercy and ministration he indeed | N4 |
Through what he knew and she through what she felt | O4 |
He by man's conscience she by woman's heart | J3 |
Relinquishing their several 'vantage posts | P4 |
Of wealthy ease and honourable toil | Q4 |
To work with God at love And since God willed | R4 |
That putting out his hand to touch this ark | S4 |
He found a woman's hand there he'd accept | T4 |
The sign too hold the tender fingers fast | U3 |
And say 'My fellow worker be my wife ' | - |
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She told the tale with simple rustic turns | U4 |
Strong leaps of meaning in her sudden eyes | B2 |
That took the gaps of any imperfect phrase | V4 |
Of the unschooled speaker I have rather writ | J |
The thing I understood so than the thing | Z3 |
I heard so And I cannot render right | N |
Her quick gesticulation wild yet soft | W4 |
Self startled from the habitual mood she used | X4 |
Half sad half languid like dumb creatures now | Y4 |
A rustling bird and now a wandering deer | Z4 |
Or squirrel 'gainst the oak gloom flashing up | P |
His sidelong burnished head in just her way | U2 |
Of savage spontaneity that stir | B3 |
Abruptly the green silence of the woods | |
And make it stranger holier more profound | E |
As Nature's general heart confessed itself | |
Of life and then fell backward on repose | V2 |
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I kissed the lips that ended So indeed | N4 |
He loves you Marian | A3 |
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Loves me She looked up | P |
With a child's wonder when you ask him first | |
Who made the sun a puzzled blush that grew | Z2 |
Then broke off in a rapid radiant smile | |
Of sure solution Loves me he loves all | R3 |
And me of course He had not asked me else | |
To work with him for ever and be his wife | C2 |
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Her words reproved me This perhaps was love | |
To have its hands too full of gifts to give | |
For putting out a hand to take a gift | |
To love so much the perfect round of love | |
Includes in strict conclusion being loved | |
As Eden dew went up and fell again | |
Enough for watering Eden Obviously | Y |
She had not thought about his love at all | R3 |
The cataracts of her soul had poured themselves | M4 |
And risen self crowned in rainbow would she ask | |
Who crowned her it sufficed that she was crowned | E |
With women of my class 'tis otherwise | B2 |
We haggle for the small change of our gold | |
And so much love accord for so much love | |
Rialto prices Are we therefore wrong | F4 |
If marriage be a contract look to it then | |
Contracting parties should be equal just | H4 |
But if a simple fealty on one side | P2 |
A mere religion right to give is all | R3 |
And certain brides of Europe duly ask | |
To mount the pile as Indian widows do | Z2 |
The spices of their tender youth heaped up | P |
The jewels of their gracious virtues worn | A4 |
More gems more glory to consume entire | B3 |
For a living husband as the man's alive | |
Not dead the woman's duty by so much | S |
Advanced in England beyond Hindostan | A4 |
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I sat there musing till she touched my hand | F2 |
With hers as softly as a strange white bird | |
She feared to startle in touching You are kind | Q2 |
But are you peradventure vexed at heart | J3 |
Because your cousin takes me for a wife | C2 |
I know I am not worthy nay in truth | |
I'm glad on't since for that he chooses me | Y |
He likes the poor things of the world the best | L3 |
I would not therefore if I could be rich | S |
It pleasures him to stoop for buttercups | |
I would not be a rose upon the wall | R3 |
A queen might stop at near the palace door | O3 |
To say to a courtier 'Pluck that rose for me | Y |
'It's prettier than the rest ' O Romney Leigh | Y |
I'd rather far be trodden by his foot | |
Than lie in a great queen's bosom | I3 |
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Out of breath | V |
She paused | |
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Sweet Marian do you disavow | Y4 |
The roses with that face | R2 |
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She dropped her head | Q |
As if the wind had caught that flower of her | B3 |
And bent it in the garden then looked up | P |
With grave assurance Well you think me bold | |
But so we all are when we're praying God | N2 |
And if I'm bold yet lady credit me | Y |
That since I know myself for what I am | |
Much fitter for his handmaid than his wife | C2 |
I'll prove the handmaid and the wife at once | |
Serve tenderly and love obediently | Y |
And be a worthier mate perhaps than some | I3 |
Who are wooed in silk among their learned books | Y3 |
While I shall set myself to read his eyes | B2 |
Till such grow plainer to me than the French | S |
To wisest ladies Do you think I'll miss | W3 |
A letter in the spelling of his mind | Q2 |
No more than they do when they sit and write | N |
Their flying words with flickering wild fowl tails | |
Nor ever pause to ask how many t's | |
Should that be y or i they know't so well | K |
I've seen them writing when I brought a dress | X |
And waited floating out their soft white hands | |
On shining paper But they're hard sometimes | |
For all those hands we've used out many nights | |
And worn the yellow daylight into shreds | |
Which flapped and shivered down our aching eyes | B2 |
Till night appeared more tolerable just | H4 |
That pretty ladies might look beautiful | |
Who said at last 'You're lazy in that house | E2 |
'You're slow in sending home the work I count | L2 |
'I've waited near an hour for't ' Pardon me | Y |
I do not blame them madam nor misprize | E2 |
They are fair and gracious ay but not like you | Z2 |
Since none but you has Mister Leigh's own blood | |
Both noble and gentle and without it well | K |
They are fair I said so fair it scarce seems strange | |
That flashing out in any looking glass | E2 |
The wonder of their glorious brows and breasts | E2 |
They're charmed so they forget to look behind | Q2 |
And mark how pale we've grown we pitiful | |
Remainders of the world And so perhaps | E2 |
If Mister Leigh had chosen a wife from these | E2 |
She might although he's better than her best | L3 |
And dearly she would know it steal a thought | |
Which should be all his an eye glance from his face | E2 |
To plunge into the mirror opposite | |
In search of her own beauty's pearl while I | T |
Ah dearest lady serge will outweigh silk | R |
For winter wear when bodies feel a cold | |
And I'll be a true wife to your cousin Leigh | Y |
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Before I answered he was there himself | |
I think he had been standing in the room | |
And listened probably to half her talk | |
Arrested turned to stone as white as stone | A4 |
Will tender sayings make men look so white | N |
He loves her then profoundly | Y |
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You are here | |
Aurora Here I meet you We clasped hands | E2 |
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Even so dear Romney Lady Waldemar | |
Has sent me in haste to find a cousin of mine | A4 |
Who shall be | Y |
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Lady Waldemar is good | P3 |
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Here's one at least who is good I sighed and touched | |
Poor Marian's happy head as doglike she | Y |
Most passionately patient waited on | A4 |
A tremble for her turn of greeting words | E2 |
I've sat a full hour with your Marian Erle | W |
And learnt the thing by heart and from my heart | J3 |
Am therefore competent to give you thanks | E2 |
For such a cousin | A4 |
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You accept at last | U3 |
A gift from me Aurora without scorn | A4 |
At last I please you How his voice was changed | |
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You cannot please a woman against her will | J2 |
And once you vexed me Shall we speak of that | X3 |
We'll say then you were noble in it all | R3 |
And I not ignorant let it pass And now | Y4 |
You please me Romney when you please yourself | |
So please you be fanatical in love | |
And I'm well pleased Ah cousin at the old hall | R3 |
Among the gallery portraits of our Leighs | E2 |
We shall not find a sweeter signory | |
Than this pure forehead's | E2 |
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Not a word he said | Q |
How arrogant men are Even philanthropists | E2 |
Who try to take a wife up in the way | U2 |
They put down a subscription cheque if once | E2 |
She turns and says I will not tax you so | E2 |
Most charitable sir feel ill at ease | E2 |
As though she had wronged them somehow I suppose | E2 |
We women should remember what we are | |
And not throw back an obolus inscribed | |
With C sar's image lightly I resumed | |
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It strikes me some of those sublime Vandykes | E2 |
Were not too proud to make good saints in heaven | A4 |
And if so then they're not too proud to day | U2 |
To bow down now the ruffs are off their necks | E2 |
And own this good true noble Marian yours | E2 |
And mine I'll say For poets bear the word | |
Half poets even are still whole democrats | E2 |
Oh not that we're disloyal to the high | T |
But loyal to the low and cognisant | |
Of the less scrutable majesties For me | Y |
I comprehend your choice I justify | T |
Your right in choosing | Z3 |
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No no no he sighed | |
With a sort of melancholy impatient scorn | A4 |
As some grown man who never had a child | |
Puts by some child who plays at being a man | A4 |
You did not do not cannot comprehend | |
My choice my ends my motives nor myself | |
No matter now we'll let it pass you say | U2 |
I thank you for your generous cousinship | P |
Which helps this present I accept for her | |
Your favourable thoughts We're fallen on days | E2 |
We two who are not poets when to wed | |
Requires less mutual love than common love | |
For two together to bear out at once | E2 |
Upon the loveless many Work in pairs | E2 |
In galley couplings or in marriage rings | E2 |
The difference lies in the honour not the work | A2 |
And such we're bound to I and she But love | |
You poets are benighted in this age | |
The hour's too late for catching even moths | E2 |
You've gnats instead love love's fool paradise | E2 |
Is out of date like Adam's Set a swan | A4 |
To swim the Trenton rather than true love | |
To float its fabulous plumage safely down | A4 |
The cataracts of this loud transition time | |
Whose roar for ever henceforth in my ears | E2 |
Must keep me deaf to music | C |
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There I turned | |
And kissed poor Marian out of discontent | |
The man had baffled chafed me till I flung | |
For refuge to the woman as sometimes | E2 |
Impatient of some crowded room's close smell | K |
You throw a window open and lean out | |
To breathe a long breath in the dewy night | |
And cool your angry forehead She at least | |
Was not built up as walls are brick by brick | C |
Each fancy squared each feeling ranged by line | A4 |
The very heat of burning youth applied | |
To indurate form and system excellent bricks | E2 |
A well built wall which stops you on the road | |
And into which you cannot see an inch | S |
Although you beat your head against it pshaw | S |
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Adieu I said for this time cousins both | |
And cousin Romney pardon me the word | |
Be happy oh in some esoteric sense | E2 |
Of course I mean no harm in wishing well | K |
Adieu my Marian may she come to me | Y |
Dear Romney and be married from my house | E2 |
It is not part of your philosophy | Y |
To keep your bird upon the blackthorn | A4 |
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Ay | U2 |
He answered but it is I take my wife | C2 |
Directly from the people and she comes | E2 |
As Austria's daughter to imperial France | E2 |
Betwixt her eagles blinking not her race | E2 |
From Margaret's Court at garret height to meet | |
And wed me at Saint James's nor put off | |
Her gown of serge for that The things we do | |
We do we'll wear no mask as if we blushed | |
Dear Romney you're the poet I replied | |
But felt my smile too mournful for my word | |
And turned and went Ay masks I thought beware | |
Of tragic masks we tie before the glass | E2 |
Uplifted on the cothurn half a yard | |
Above the natural stature we would play | U2 |
Heroic parts to ourselves and end perhaps | E2 |
As impotently as Athenian wives | E2 |
Who shrieked in fits at the Eumenides | E2 |
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His foot pursued me down the stair At least | |
You'll suffer me to walk with you beyond | |
These hideous streets these graves where men alive | |
Packed close with earthworms burr unconsciously | Y |
About the plague that slew them let me go | E2 |
The very women pelt their souls in mud | |
At any woman who walks here alone | A4 |
How came you here alone you are ignorant | |
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We had a strange and melancholy walk | |
The night came drizzling downward in dark rain | A4 |
And as we walked the colour of the time | |
The act the presence my hand upon his arm | |
His voice in my ear and mine to my own sense | E2 |
Appeared unnatural We talked modern books | E2 |
And daily papers Spanish marriage schemes | E2 |
And English climate was't so cold last year | |
And will the wind change by to morrow morn | A4 |
Can Guizot stand is London full is trade | |
Competitive has Dickens turned his hinge | |
A pinch upon the fingers of the great | |
And are potatoes to grow mythical | |
Like moly will the apple die out too | |
Which way is the wind to night south east due east | |
We talked on fast while every common word | |
Seemed tangled with the thunder at one end | |
And ready to pull down upon our heads | E2 |
A terror out of sight And yet to pause | E2 |
Were surelier mortal we tore greedily up | P |
All silence all the innocent breathing points | E2 |
As if like pale conspirators in haste | |
We tore up papers where our signatures | E2 |
Imperilled us to an ugly shame or death | V |
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I cannot tell you why it was 'Tis plain | A4 |
We had not loved nor hated wherefore dread | |
To spill gunpowder on ground safe from fire | |
Perhaps we had lived too closely to diverge | |
So absolutely leave two clocks they say | E2 |
Wound up to different hours upon one shelf | |
And slowly through the interior wheels of each | S |
The blind mechanic motion sets itself | |
A throb to feel out for the mutual time | |
It was not so with us indeed while he | Y |
Struck midnight I kept striking six at dawn | A4 |
While he marked judgment I redemption day | E2 |
And such exception to a general law | |
Imperious upon inert matter even | A4 |
Might make us each to either insecure | |
A beckoning mystery or a troubling fear | |
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I mind me when we parted at the door | |
How strange his good night sounded like good night | |
Beside a deathbed where the morrow's sun | A4 |
Is sure to come too late for more good days | E2 |
And all that night I thought Goodnight said he | Y |
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And so a month passed Let me set it down | A4 |
At once I have been wrong I have been wrong | F4 |
We are wrong always when we think too much | S |
Of what we think or are albeit our thoughts | E2 |
Be verily bitter as self sacrifice | E2 |
We're no less selfish If we sleep on rocks | E2 |
Or roses sleeping past the hour of noon | A4 |
We're lazy This I write against myself | |
I had done a duty in the visit paid | |
To Marian and was ready otherwise | E2 |
To give the witness of my presence and name | |
Whenever she should marry Which I thought | |
Sufficed I even had cast into the scale | |
An overweight of justice toward the match | S |
The Lady Waldemar had missed her tool | |
Had broken it in the lock as being too straight | |
For a crooked purpose while poor Marian Erle | W |
Missed nothing in my accents or my acts | E2 |
I had not been ungenerous on the whole | I2 |
Nor yet untender so enough I felt | |
Tired overworked this marriage somewhat jarred | |
Or if it did not all the bridal noise | E2 |
The pricking of the map of life with pins | E2 |
In schemes of Here we'll go and There we'll stay | E2 |
And Everywhere we'll prosper in our love | |
Was scarce my business let them order it | |
Who else should care I threw myself aside | |
As one who had done her work and shuts her eyes | E2 |
To rest the better | |
- | |
- | |
I who should have known | A4 |
Forereckoned mischief Where we disavow | Y4 |
Being keeper to our brother we're his Cain | A4 |
- | |
- | |
I might have held that poor child to my heart | |
A little longer 'twould have hurt me much | S |
To have hastened by its beats the marriage day | E2 |
And kept her safe meantime from tampering hands | E2 |
Or peradventure traps What drew me back | |
From telling Romney plainly the designs | E2 |
Of Lady Waldemar as spoken out | |
To me me Had I any right ay right | |
With womanly compassion and reserve | |
To break the fall of woman's impudence | E2 |
To stand by calmly knowing what I knew | |
And hear him call her good | |
- | |
- | |
Distrust that word | |
There is none good save God said Jesus Christ | |
If He once in the first creation week | I4 |
Called creatures good for ever afterward | |
The Devil only has done it and his heirs | E2 |
The knaves who win so and the fools who lose | E2 |
The word's grown dangerous In the middle age | |
I think they called malignant fays and imps | E2 |
Good people A good neighbour even in this | E2 |
Is fatal sometimes cuts your morning up | P |
To mincemeat of the very smallest talk | |
Then helps to sugar her bohea at night | |
With your reputation I have known good wives | E2 |
As chaste or nearly so as Potiphar's | E2 |
And good good mothers who would use a child | |
To better an intrigue good friends beside | |
Very good who hung succinctly round your neck | |
And sucked your breath as cats are fabled to do | |
By sleeping infants And we all have known | A4 |
Good critics who have stamped out poet's hope | P |
Good statesmen who pulled ruin on the state | |
Good patriots who for a theory risked a cause | E2 |
Good kings who disembowelled for a tax | E2 |
Good popes who brought all good to jeopardy | Y |
Good Christians who sat still in easy chairs | E2 |
And damned the general world for standing up | P |
Now may the good God pardon all good men | A4 |
- | |
- | |
How bitterly I speak how certainly | Y |
The innocent white milk in us is turned | |
By much persistent shining of the sun | A4 |
Shake up the sweetest in us long enough | |
With men it drops to foolish curd too sour | |
To feed the most untender of Christ's lambs | E2 |
- | |
- | |
I should have thought a woman of the world | |
Like her I'm meaning centre to herself | |
Who has wheeled on her own pivot half a life | C2 |
In isolated self love and self will | J2 |
As a windmill seen at distance radiating | Z3 |
Its delicate white vans against the sky | T |
So soft and soundless simply beautiful | |
Seen nearer what a roar and tear it makes | E2 |
How it grinds and bruises if she loves at last | |
Her love's a re adjustment of self love | |
No more a need felt of another's use | E2 |
To her one advantage as the mill wants grain | A4 |
The fire wants fuel the very wolf wants prey | E2 |
And none of these is more unscrupulous | E2 |
Than such a charming woman when she loves | E2 |
She'll not be thwarted by an obstacle | |
So trifling as her soul is much less yours | E2 |
Is God a consideration she loves you | |
Not God she will not flinch for Him indeed | |
She did not for the Marchioness of Perth | |
When wanting tickets for the fancy ball | R3 |
She loves you sir with passion to lunacy | Y |
She loves you like her diamonds almost | |
- | |
- | |
Well | K |
A month passed so and then the notice came | |
On such a day the marriage at the church | S |
I was not backward | |
- | |
- | |
Half Saint Giles in frieze | E2 |
Was bidden to meet Saint James in cloth of gold | |
And after contract at the altar pass | E2 |
To eat a marriage feast on Hampstead Heath | |
Of course the people came in uncompelled | |
Lame blind and worse sick sorrowful and worse | E2 |
The humours of the peccant social wound | |
All pressed out poured down upon Pimlico | T |
Exasperating the unaccustomed air | |
With a hideous interfusion You'd suppose | E2 |
A finished generation dead of plague | T |
Swept outward from their graves into the sun | A4 |
The moil of death upon them What a sight | |
A holiday of miserable men | A4 |
Is sadder than a burial day of kings | E2 |
They clogged the streets they oozed into the church | S |
In a dark slow stream like blood To see that sight | |
The noble ladies stood up in their pews | E2 |
Some pale for fear a few as red for hate | |
Some simply curious some just insolent | |
And some in wondering scorn What next what next | |
These crushed their delicate rose lips from the smile | |
That misbecame them in a holy place | E2 |
With broidered hems of perfumed handkerchiefs | E2 |
Those passed the salts with confidence of eyes | E2 |
And simultaneous shiver of moir silk | T |
While all the aisles alive and black with heads | E2 |
Crawled slowly toward the altar from the street | |
As bruised snakes crawl and hiss out of a hole | I2 |
With shuddering involution swaying slow | E2 |
From right to left and then from left to right | |
In pants and pauses What an ugly crest | |
Of faces rose upon you everywhere | |
From that crammed mass you did not usually | Y |
See faces like them in the open day | |
They hide in cellars not to make you mad | |
As Romney Leigh is Faces O my God | |
We call those faces men's and women's ay | |
And children's babies hanging like a rag | T |
Forgotten on their mother's neck poor mouths | E2 |
Wiped clean of mother's milk by mother's blow | E2 |
Before they are taught her cursing Faces phew | |
We'll call them vices festering to despairs | E2 |
Or sorrows petrifying to vices not | |
A finger touch of God left whole on them | K2 |
All ruined lost the countenance worn out | |
As the garment the will dissolute as the act | |
The passions loose and draggling in the dirt | |
To trip a foot up at the first free step | P |
Those faces 'twas as if you had stirred up hell | K |
To heave its lowest dreg fiends uppermost | |
In fiery swirls of slime such strangled fronts | E2 |
Such obdurate jaws were thrown up constantly | Y |
To twit you with your race corrupt your blood | |
And grind to devilish colours all your dreams | E2 |
Henceforth though haply you should drop asleep | P |
By clink of silver waters in a muse | E2 |
On Raffael's mild Madonna of the Bird | |
- | |
- | |
I've waked and slept through many nights and days | E2 |
Since then but still that day will catch my breath | V |
Like a nightmare There are fatal days indeed | |
In which the fibrous years have taken root | |
So deeply that they quiver to their tops | E2 |
Whene'er you stir the dust of such a day | |
- | |
- | |
My cousin met me with his eyes and hand | |
And then with just a word that Marian Erle | W |
Was coming with her bridesmaids presently | Y |
Made haste to place me by the altar stair | |
Where he and other noble gentlemen | A4 |
And high born ladies waited for the bride | |
- | |
- | |
We waited It was early there was time | |
For greeting and the morning's compliment | |
And gradually a ripple of women's talk | T |
Arose and fell and tossed about a spray | |
Of English s's soft as a silent hush | S |
And notwithstanding quite as audible | |
As louder phrases thrown out by the men | A4 |
Yes really if we need to wait in church | S |
We need to talk there She 'tis Lady Ayr | |
In blue not purple that's the dowager | |
She looks as young She flirts as young you mean | A4 |
Why if you had seen her upon Thursday night | |
You'd call Miss Norris modest You again | A4 |
I waltzed with you three hours back Up at six | E2 |
Up still at ten scarce time to change one's shoes | E2 |
I feel as white and sulky as a ghost | |
So pray don't speak to me Lord Belcher No | E2 |
I'll look at you instead and it's enough | |
While you have that face In church my lord fie fie | |
Adair you stayed for the Division Lost | |
By one The devil it is I'm sorry for't | Y |
And if I had not promised Mistress Grove | |
You might have kept your word to Liverpool | |
Constituents must remember after all | R3 |
We're mortal We remind them of it Hark | T |
The bride comes here she comes in a stream of milk | T |
There Dear you are asleep still don't you know | E2 |
The five Miss Granvilles always dressed in white | |
To show they're ready to be married Lower | |
The aunt is at your elbow Lady Maud | |
Did Lady Waldemar tell you she had seen | A4 |
This girl of Leigh's No wait 'twas Mistress Brookes | E2 |
Who told me Lady Waldemar told her | |
No 'twasn't Mistress Brookes She's pretty Who | |
Mistress Brookes Lady Waldemar How hot | |
Pray is't the law to day we're not to breathe | |
You're treading on my shawl I thank you sir | |
They say the bride's a mere child who can't read | |
But knows the things she shouldn't with wide awake | T |
Great eyes I'd go through fire to look at her | |
You do I think And Lady Waldemar | |
You see her sitting close to Romney Leigh | Y |
How beautiful she looks a little flushed | |
Has taken up the girl and methodised | |
Leigh's folly Should I have come here you suppose | E2 |
Except she'd asked me She'd have served him more | |
By marrying him herself | |
- | |
- | |
Ah there she comes | E2 |
The bride at last | |
- | |
- | |
Indeed no Past eleven | A4 |
She puts off her patched petticoat to day | |
And puts on Mayfair manners so begins | E2 |
By setting us to wait Yes yes this Leigh | Y |
Was always odd it's in the blood I think | T |
His father's uncle's cousin's second son | A4 |
Was was you understand me and for him | |
He's stark has turned quite lunatic upon | A4 |
This modern question of the poor the poor | |
An excellent subject when you're moderate | |
You've seen Prince Albert's model lodging house | E2 |
Does honour to his Royal Highness Good | |
But would he stop his carriage in Cheapside | |
To shake a common fellow by the fist | |
Whose name was Shakespeare No We draw a line | A4 |
And if we stand not by our order we | Y |
In England we fall headlong Here's a sight | |
A hideous sight a most indecent sight | |
My wife would come sir or I had kept her back | T |
By heaven sir when poor Damiens' trunk and limbs | E2 |
Were torn by horses women of the court | |
Stood by and stared exactly as to day | |
On this dismembering of society | Y |
With pretty troubled faces | E2 |
- | |
- | |
Now at last | |
She comes now | Y4 |
- | |
- | |
Where who sees you push me sir | |
Beyond the point of what is mannerly | R3 |
You're standing madam on my second flounce | E2 |
I do beseech you | |
- | |
- | |
No it's not the bride | |
Half past eleven How late The bride groom mark | T |
Gets anxious and goes out | |
- | |
- | |
And as I said | |
These Leighs our best blood running in the rut | |
It's something awful We had pardoned him | |
A simple misalliance got up aside | |
For a pair of sky blue eyes the House of Lords | E2 |
Has winked at such things and we've all been young | T |
But here's an intermarriage reasoned out | |
A contract carried boldly to the light | |
To challenge observation pioneer | |
Good acts by a great example 'twixt the extremes | E2 |
Of martyrised society on the left | |
The well born on the right the merest mob | |
To treat as equals 'tis anarchical | R3 |
It means more than it says 'tis damnable | R3 |
Why sir we can't have even our coffee good | |
Unless we strain it | |
- | |
- | |
Here Miss Leigh | Y |
- | |
- | |
Lord Howe | Y4 |
You're Romney's friend What's all this waiting for | |
- | |
- | |
I cannot tell The bride has lost her head | |
And way perhaps to prove her sympathy | Y |
With the bridegroom | |
- | |
- | |
What you also disapprove | |
- | |
- | |
Oh I approve of nothing in the world | |
He answered not of you still less of me | Y |
Nor even of Romney though he's worth us both | |
We're all gone wrong The tune in us is lost | |
And whistling down back alleys to the moon | A4 |
Will never catch it | |
- | |
- | |
Let me draw Lord Howe | Y4 |
A born aristocrat bred radical | R3 |
And educated socialist who still | R3 |
Goes floating on traditions of his kind | |
Across the theoretic flood from France | E2 |
Though like a drenched Noah on a rotten deck | T |
Scarce safer for his place there He at least | |
Will never land on Ararat he knows | E2 |
To recommence the world on the new plan | A4 |
Indeed he thinks said world had better end | |
He sympathises rather with the fish | S |
Outside than with the drowned paired beasts within | A4 |
Who cannot couple again or multiply | R3 |
And that's the sort of Noah he is Lord Howe | Y4 |
He never could be anything complete | |
Except a loyal upright gentleman | A4 |
A liberal landlord graceful diner out | |
And entertainer more than hospitable | R3 |
Whom authors dine with and forget the hock | T |
Whatever he believes and it is much | S |
But nowise certain now here and now there | |
He still has sympathies beyond his creed | |
Diverting him from action In the House | E2 |
No party counts upon him while for all | R3 |
His speeches have a noticeable weight | |
Men like his books too he has written books | E2 |
Which safe to lie beside a bishop's chair | |
At times outreach themselves with jets of fire | |
At which the foremost of the progressists | E2 |
May warm audacious hands in passing by | R3 |
Of stature over tall lounging for ease | E2 |
Light hair that seems to carry a wind in it | |
And eyes that when they look on you will lean | A4 |
Their whole weight half in indolence and half | |
In wishing you unmitigated good | |
Until you know not if to flinch from him | |
Or thank him 'Tis Lord Howe | Y4 |
- | |
- | |
We're all gone wrong | T |
Said he and Romney that dear friend of ours | E2 |
Is nowise right There's one true thing on earth | |
That's love he takes it up and dresses it | |
And acts a play with it as Hamlet did | |
To show what cruel uncles we have been | A4 |
And how we should be uneasy in our minds | E2 |
While he Prince Hamlet weds a pretty maid | |
Who keeps us too long waiting we'll confess | E2 |
By symbol to instruct us formally | Y |
To fill the ditches up 'twixt class and class | E2 |
And live together in phalansteries | E2 |
What then he's mad our Hamlet clap his play | R3 |
And bind him | |
- | |
- | |
Ah Lord Howe this spectacle | R3 |
Pulls stronger at us than the Dane's See there | |
The crammed aisles heave and strain and steam with life | |
Dear heaven what life | |
- | |
- | |
Why yes a poet sees | E2 |
Which makes him different from a common man | A4 |
I too see somewhat though I cannot sing | T |
I should have been a poet only that | |
My mother took fright at the ugly world | |
And bore me tongue tied If you'll grant me now | Y4 |
That Romney gives us a fine actor piece | E2 |
To make us merry on his marriage morn | A4 |
The fable's worse than Hamlet's I'll concede | |
The terrible people old and poor and blind | |
Their eyes eat out with plague and poverty | Y |
From seeing beautiful and cheerful sights | E2 |
We'll liken to a brutalised King Lear | |
Led out by no means to clear scores with wrongs | E2 |
His wrongs are so far back he has forgot | |
All's past like youth but just to witness here | |
A simple contract he upon his side | |
And Regan with her sister Goneril | R3 |
And all the dappled courtiers and courtfools | E2 |
On their side Not that any of these would say | E2 |
They're sorry neither What is done is done | A4 |
And violence is now turned privilege | T3 |
As cream turns cheese if buried long enough | |
What could such lovely ladies have to do | |
With the old man there in those ill odorous rags | E2 |
Except to keep the wind side of him Lear | |
Is flat and quiet as a decent grave | |
He does not curse his daughters in the least | |
Be these his daughters Lear is thinking of | |
His porridge chiefly is it getting cold | |
At Hampstead will the ale be served in pots | E2 |
Poor Lear poor daughters Bravo Romney's play | E2 |
A murmur and a movement drew around | |
A naked whisper touched us Something wrong | T |
What's wrong The black crowd as an overstrained | |
Cord quivered in vibration and I saw | E2 |
Was that his face I saw his Romney Leigh's | E2 |
Which tossed a sudden horror like a sponge | |
Into all eyes while himself stood white upon | A4 |
The topmost altar stair and tried to speak | T |
And failed and lifted higher above his head | |
A letter as a man who drowns and gasps | E2 |
- | |
- | |
My brothers bear with me I am very weak | T |
I meant but only good Perhaps I meant | |
Too proudly and God snatched the circumstance | E2 |
And changed it therefore There's no marriage none | A4 |
She leaves me she departs she disappears | E2 |
I lose her Yet I never forced her 'ay ' | - |
To have her 'no' so cast into my teeth | |
In manner of an accusation thus | E2 |
My friends you are dismissed Go eat and drink | T |
According to the programme and farewell | R3 |
He ended There was silence in the church | S |
We heard a baby sucking in its sleep | P |
At the farthest end of the aisle Then spoke a man | A4 |
Now look to it coves that all the beef and drink | T |
Be not filched from us like the other fun | A4 |
For beer's spilt easier than a woman's lost | |
This gentry is not honest with the poor | |
They bring us up to trick us Go it Jim | |
A woman screamed back I'm a tender soul | R3 |
I never banged a child at two years old | |
And drew blood from him but I sobbed for it | |
Next moment and I've had a plague of seven | A4 |
I'm tender I've no stomach even for beef | |
Until I know about the girl that's lost | |
That's killed mayhap I did misdoubt at first | |
The fine lord meant no good by her or us | E2 |
He maybe got the upper hand of her | |
By holding up a wedding ring and then | A4 |
A choking finger on her throat last night | |
And just a clever tale to keep us still | R3 |
As she is poor lost innocent 'Disappear ' | - |
Who ever disappears except a ghost | |
And who believes a story of a ghost | |
I ask you would a girl go off instead | |
Of staying to be married a fine tale | R3 |
A wicked man I say a wicked man | A4 |
For my part I would rather starve on gin | A4 |
Than make my dinner on his beef and beer | |
At which a cry rose up We'll have our rights | E2 |
We'll have the girl the girl Your ladies there | |
Are married safely and smoothly every day | |
And she shall not drop through into a trap | P |
Because she's poor and of the people shame | |
We'll have no tricks played off by gentlefolk | T |
We'll see her righted | |
- | |
- | |
Through the rage and roar | |
I heard the broken words which Romney flung | T |
Among the turbulent masses from the ground | |
He held still with his masterful pale face | E2 |
As huntsmen throw the ration to the pack | T |
Who falling on it headlong dog on dog | T |
In heaps of fury rend it swallow it up | P |
With yelling hound jaws his indignant words | E2 |
His suppliant words his most pathetic words | E2 |
Whereof I caught the meaning here and there | |
By his gesture torn in morsels yelled across | E2 |
And so devoured From end to end the church | S |
Rocked round us like the sea in storm and then | A4 |
Broke up like the earth in earthquake Men cried out | |
Police and women stood and shrieked for God | |
Or dropped and swooned or like a herd of deer | |
For whom the black woods suddenly grow alive | |
Unleashing their wild shadows down the wind | |
To hunt the creatures into corners back | T |
And forward madly fled or blindly fell | R3 |
Trod screeching underneath the feet of those | E2 |
Who fled and screeched | |
- | |
- | |
The last sight left to me | Y |
Was Romney's terrible calm face above | |
The tumult the last sound was Pull him down | A4 |
Strike kill him Stretching my unreasoning arms | E2 |
As men in dreams who vainly interpose | E2 |
'Twixt gods and their undoing with a cry | R3 |
I struggled to precipitate myself | |
Head foremost to the rescue of my soul | R3 |
In that white face till some one caught me back | T |
And so the world went out I felt no more | |
- | |
- | |
What followed was told after by Lord Howe | Y4 |
Who bore me senseless from the strangling crowd | |
In church and street and then returned alone | A4 |
To see the tumult quelled The men of law | E2 |
Had fallen as thunder on a roaring fire | |
And made all silent while the people's smoke | T |
Passed eddying slowly from the emptied aisles | E2 |
- | |
- | |
Here's Marian's letter which a ragged child | |
Brought running just as Romney at the porch | S |
Looked out expectant of the bride He sent | |
The letter to me by his friend Lord Howe | Y4 |
Some two hours after folded in a sheet | |
On which his well known hand had left a word | |
Here's Marian's letter | |
- | |
- | |
Noble friend dear saint | |
Be patient with me Never think me vile | R3 |
Who might to morrow morning be your wife | |
But that I loved you more than such a name | |
Farewell my Romney Let me write it once | E2 |
My Romney | Y |
- | |
- | |
'Tis so pretty a coupled word | |
I have no heart to pluck it with a blot | |
We say 'my God' sometimes upon our knees | E2 |
Who is not therefore vexed so bear with it | |
And me I know I'm foolish weak and vain | A4 |
Yet most of all I'm angry with myself | |
For losing your last footstep on the stair | |
That last time of your coming yesterday | |
The very first time I lost step of yours | E2 |
Its sweetness comes the next to what you speak | T |
But yesterday sobs took me by the throat | |
And cut me off from music | T |
- | |
- | |
Mister Leigh | Y |
You'll set me down as wrong in many things | E2 |
You've praised me sir for truth and now you'll learn | A4 |
I had not courage to be rightly true | |
I once began to tell you how she came | |
The woman and you stared upon the floor | |
In one of your fixed thoughts which put me out | |
For that day After some one spoke of me | Y |
So wisely and of you so tenderly | Y |
Persuading me to silence for your sake | T |
Well well it seems this moment I was wrong | T |
In keeping back from telling you the truth | |
There might be truth betwixt us two at least | |
If nothing else And yet 'twas dangerous | E2 |
Suppose a real angel came from heaven | A4 |
To live with men and women he'd go mad | |
If no considerate hand should tie a blind | |
Across his piercing eyes 'Tis thus with you | |
You see us too much in your heavenly light | |
I always thought so angel and indeed | |
There's danger that you beat yourself to death | V |
Against the edges of this alien world | |
In some divine and fluttering pity | Y |
- | |
- | |
Yes | E2 |
It would be dreadful for a friend of yours | E2 |
To see all England thrust you out of doors | E2 |
And mock you from the windows You might say | |
Or think that's worse 'There's some one in the house | E2 |
I miss and love still ' Dreadful | R3 |
- | |
- | |
Very kind | |
I pray you mark was Lady Waldemar | |
She came to see me nine times rather ten | A4 |
So beautiful she hurts one like the day | |
Let suddenly on sick eyes | E2 |
- | |
- | |
Most kind of all | R3 |
Your cousin ah most like you Ere you came | |
She kissed me mouth to mouth I felt her soul | R3 |
Dip through her serious lips in holy fire | |
God help me but it made me arrogant | |
I almost told her that you would not lose | E2 |
By taking me to wife though ever since | E2 |
I've pondered much a certain thing she asked | |
'He loves you Marian ' in a sort of mild | |
Derisive sadness as a mother asks | E2 |
Her babe 'You'll touch that star you think ' | - |
- | |
- | |
Farewell | R3 |
I know I never touched it | |
- | |
- | |
This is worst | |
Babes grow and lose the hope of things above | |
A silver threepence sets them leaping high | R3 |
But no more stars mark that | |
- | |
- | |
I've writ all night | |
Yet told you nothing God if I could die | R3 |
And let this letter break off innocent | |
Just here But no for your sake | T |
- | |
- | |
Here's the last | |
I never could be happy as your wife | |
I never could be harmless as your friend | |
I never will look more into your face | E2 |
Till God says 'Look ' I charge you seek me not | |
Nor vex yourself with lamentable thoughts | E2 |
That peradventure I have come to grief | |
Be sure I'm well I'm merry I'm at ease | E2 |
But such a long way long way long way off | |
I think you'll find me sooner in my grave | |
And that's my choice observe For what remains | E2 |
An over generous friend will care for me | Y |
And keep me happy happier | |
- | |
- | |
There's a blot | |
This ink runs thick we light girls lightly weep | P |
And keep me happier was the thing to say | |
Than as your wife I could be O my star | |
My saint my soul for surely you're my soul | R3 |
Through whom God touched me I am not so lost | |
I cannot thank you for the good you did | |
The tears you stopped which fell down bitterly | Y |
Like these the times you made me weep for joy | |
At hoping I should learn to write your notes | E2 |
And save the tiring of your eyes at night | |
And most for that sweet thrice you kissed my lips | E2 |
Saying 'Dear Marian ' | - |
- | |
- | |
'Twould be hard to read | |
This letter for a reader half as learn'd | |
But you'll be sure to master it in spite | |
Of ups and downs My hand shakes I am blind | |
I'm poor at writing at the best and yet | |
I tried to make my g's the way you showed | |
Farewell Christ love you Say 'poor Marian' now | Y4 |
- | |
- | |
Poor Marian wanton Marian was it so | E2 |
Or so For days her touching foolish lines | E2 |
We mused on with conjectural fantasy | Y |
As if some riddle of a summer cloud | |
On which one tries unlike similitudes | Y |
Of now a spotted Hydra skin cast off | |
And now a screen of carven ivory | Y |
That shuts the heavens' conventual secrets up | P |
From mortals overbold We sought the sense | Y |
She loved him so perhaps such words mean love | |
That worked on by some shrewd perfidious tongue | T |
And then I thought of Lady Waldemar | |
She left him not to hurt him or perhaps | Y |
She loved one in her class or did not love | |
But mused upon her wild bad tramping life | |
Until the free blood fluttered at her heart | |
And black bread eaten by the roadside hedge | |
Seemed sweeter than being put to Romney's school | R3 |
Of philanthropical self sacrifice | Y |
Irrevocably Girls are girls beside | |
Thought I and like a wedding by one rule | R3 |
You seldom catch these birds except with chaff | |
They feel it almost an immoral thing | T |
To go out and be married in broad day | |
Unless some winning special flattery should | |
Excuse them to themselves for't No one parts | Y |
Her hair with such a silver line as you | |
One moonbeam from the forehead to the crown | A4 |
Or else You bite your lip in such a way | |
It spoils me for the smiling of the rest | |
And so on Then a worthless gaud or two | |
To keep for love a ribbon for the neck | T |
Or some glass pin they have their weight with girls | Y |
And Romney sought her many days and weeks | Y |
He sifted all the refuse of the town | A4 |
Explored the trains inquired among the ships | Y |
And felt the country through from end to end | |
No Marian Though I hinted what I knew | |
A friend of his had reasons of her own | A4 |
For throwing back the match he would not hear | |
The lady had been ailing ever since | Y |
The shock had harmed her Something in his tone | A4 |
Repressed me something in me shamed my doubt | |
To a sigh repressed too He went on to say | |
That putting questions where his Marian lodged | |
He found she had received for visitors | Y |
Besides himself and Lady Waldemar | |
And that once me a dubious woman dressed | |
Beyond us both the rings upon her hands | Y |
Had dazed the children when she threw them pence | Y |
She wore her bonnet as the queen might hers | Y |
To show the crown they said a scarlet crown | A4 |
Of roses that had never been in bud | |
- | |
- | |
When Romney told me that for now and then | A4 |
He came to tell me how the search advanced | |
His voice dropped I bent forward for the rest | |
The woman had been with her it appeared | |
At first from week to week then day by day | |
And last 'twas sure | |
- | |
- | |
I looked upon the ground | |
To escape the anguish of his eyes and asked | |
As low as when you speak to mourners new | |
Of those they cannot bear yet to call dead | |
If Marian had as much as named to him | |
A certain Rose an early friend of hers | Y |
A ruined creature | |
- | |
- | |
Never Starting up | P |
He strode from side to side about the room | |
Most like some prisoned lion sprung awake | T |
Who has felt the desert sting him through his dreams | Y |
What was I to her that she should tell me aught | |
A friend was I a friend I see all clear | |
Such devils would pull angels out of heaven | A4 |
Provided they could reach them 'tis their pride | |
And that's the odds 'twixt soul and body plague | T |
The veriest slave who drops in Cairo's street | |
Cries 'Stand off from me' to the passengers | Y |
While these blotched souls are eager to infect | |
And blow their bad breath in a sister's face | Y |
As if they got some ease by it | |
- | |
- | |
I broke through | |
Some natures catch no plagues I've read of babes | Y |
Found whole and sleeping by the spotted breast | |
Of one a full day dead I hold it true | |
As I'm a woman and know womanhood | |
That Marian Erle however lured from place | Y |
Deceived in way keeps pure in aim and heart | |
As snow that's drifted from the garden bank | T |
To the open road | |
- | |
- | |
'Twas hard to hear him laugh | |
The figure's happy Well a dozen carts | Y |
And trampers will secure you presently | Y |
A fine white snow drift Leave it there your snow | E2 |
'Twill pass for soot ere sunset Pure in aim | |
She's pure in aim I grant you like myself | |
Who thought to take the world upon my back | T |
To carry it o'er a chasm of social ill | R3 |
And end by letting slip through impotence | Y |
A single soul a child's weight in a soul | R3 |
Straight down the pit of hell yes I and she | Y |
Have reason to be proud of our pure aims | Y |
Then softly as the last repenting drops | Y |
Of a thunder shower he added The poor child | |
Poor Marian 'twas a luckless day for her | |
When first she chanced on my philanthropy | Y |
- | |
- | |
He drew a chair beside me and sat down | A4 |
And I instinctively as women use | Y |
Before a sweet friend's grief when in his ear | |
They hum the tune of comfort though themselves | Y |
Most ignorant of the special words of such | S |
And quiet so and fortify his brain | A4 |
And give it time and strength for feeling out | |
To reach the availing sense beyond that sound | |
Went murmuring to him what if written here | |
Would seem not much yet fetched him better help | P |
Than peradventure if it had been more | |
- | |
- | |
I've known the pregnant thinkers of our time | |
And stood by breathless hanging on their lips | Y |
When some chromatic sequence of fine thought | |
In learned modulation phrased itself | |
To an unconjectured harmony of truth | |
And yet I've been more moved more raised I say | |
By a simple word a broken easy thing | T |
A three years' infant might at need repeat | |
A look a sigh a touch upon the palm | |
Which meant less than I love you than by all | R3 |
The full voiced rhetoric of those master mouths | Y |
- | |
- | |
Ah dear Aurora he began at last | |
His pale lips fumbling for a sort of smile | R3 |
Your printer's devils have not spoilt your heart | |
That's well And who knows but long years ago | E2 |
When you and I talked you were somewhat right | |
In being so peevish with me You at least | |
Have ruined no one through your dreams Instead | |
You've helped the facile youth to live youth's day | |
With innocent distraction still perhaps | Y |
Suggestive of things better than your rhymes | Y |
The little shepherd maiden eight years old | |
I've seen upon the mountains of Vaucluse | Y |
Asleep i' the sun her head upon her knees | Y |
The flocks all scattered is more laudable | R3 |
Than any sheep dog trained imperfectly | Y |
Who bites the kids through too much zeal | R3 |
- | |
- | |
I look | T |
As if I had slept then | A4 |
- | |
- | |
He was touched at once | Y |
By something in my face Indeed 'twas sure | |
That he and I despite a year or two | |
Of younger life on my side and on his | Y |
The heaping of the years' work on the days | Y |
The three hour speeches from the member's seat | |
The hot committees in and out of doors | Y |
The pamphlets Arguments Collective Views | Y |
Tossed out as straw before sick houses just | |
To show one's sick and so be trod to dirt | |
And no more use through this world's underground | |
The burrowing groping effort whence the arm | |
And heart come torn 'twas sure that he and I | R3 |
Were after all unequally fatigued | |
That he in his developed manhood stood | |
A little sunburnt by the glare of life | |
While I it seemed no sun had shone on me | Y |
So many seasons I had missed my Springs | Y |
My cheeks had pined and perished from their orbs | Y |
And all the youth blood in them had grown white | |
As dew on autumn cyclamens alone | A4 |
My eyes and forehead answered for my face | Y |
- | |
- | |
He said Aurora you are changed are ill | R3 |
- | |
- | |
Not so my cousin only not asleep | P |
I answered smiling gently Let it be | Y |
You scarcely found the poet of Vaucluse | Y |
As drowsy as the shepherds What is art | |
But life upon the larger scale the higher | |
When graduating up in a spiral line | A4 |
Of still expanding and ascending gyres | Y |
It pushes toward the intense significance | Y |
Of all things hungry for the Infinite | |
Art's life and where we live we suffer and toil | R3 |
- | |
- | |
He seemed to sift me with his painful eyes | Y |
You take it gravely cousin you refuse | Y |
Your dreamland's right of common and green rest | |
You break the mythic turf where danced the nymphs | Y |
With crooked ploughs of actual life let in | A4 |
The axes to the legendary woods | Y |
To pay the poll tax You are fallen indeed | |
On evil days you poets if yourselves | Y |
Can praise that art of yours no otherwise | Y |
And if you cannot better take a trade | |
And be of use 'twere cheaper for your youth | |
Of use I softly echoed there's the point | |
We sweep about for ever in argument | |
Like swallows which the exasperate dying year | |
Sets spinning in black circles round and round | |
Preparing for far flights o'er unknown seas | Y |
And we where tend we | Y |
- | |
- | |
Where he said and sighed | |
The whole creation from the hour we are born | A4 |
Perplexes us with questions Not a stone | A4 |
But cries behind us every weary step | P |
'Where where ' I leave stones to reply to stones | Y |
Enough for me and for my fleshly heart | |
To hearken the invocations of my kind | |
When men catch hold upon my shuddering nerves | Y |
And shriek 'What help what hope what bread i' the house | Y |
'What fire i' the frost ' There must be some response | Y |
Though mine fail utterly This social Sphinx | Y |
Who sits between the sepulchres and stews | Y |
Makes mock and mow against the crystal heavens | Y |
And bullies God exacts a word at least | |
From each man standing on the side of God | |
However paying a sphinx price for it | |
We pay it also if we hold our peace | Y |
In pangs and pity Let me speak and die | R3 |
Alas you'll say I speak and kill instead | |
I pressed in there The best men doing their best | |
Know peradventure least of what they do | |
Men usefullest i' the world are simply used | |
The nail that holds the wood must pierce it first | |
And He alone who wields the hammer sees | Y |
The work advanced by the earliest blow Take heart | |
- | |
- | |
Ah if I could have taken yours he said | |
But that's past now Then rising I will take | T |
At least your kindness and encouragement | |
I thank you Dear be happy Sing your songs | Y |
If that's your way but sometimes slumber too | |
Nor tire too much with following out of breath | V |
The rhymes upon your mountains of Delight | |
Reflect if Art be in truth the higher life | |
You need the lower life to stand upon | A4 |
In order to reach up unto that higher | |
And none can stand a tip toe in the place | Y |
He cannot stand in with two stable feet | |
Remember then for Art's sake hold your life | |
- | |
- | |
We parted so I held him in respect | |
I comprehended what he was in heart | |
And sacrificial greatness Ay but he | Y |
Supposed me a thing too small to deign to know | E2 |
He blew me plainly from the crucible | R3 |
As some intruding interrupting fly | R3 |
Not worth the pains of his analysis | Y |
Absorbed on nobler subjects Hurt a fly | R3 |
He would not for the world he's pitiful | R3 |
To flies even Sing says he and tease me still | R3 |
If that's your way poor insect That's your way |
Elizabeth Barrett Browning
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