Captain Craig Ii Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGGEHGIJGGGKLJM NEOPQ RSTUVGGWGXYZQGGGGCA2 GSB2 SPC2GGEWGD2GE2F2G2H2 I2GJ2GE2K2GGGGL2M2N2 HGGO2GO2WP2Q2R2S2T2G UU2G ZV2RW2GGGCGO2V2GGP2G X2GTY2TP2GZ2GGA3B3DG C3D3GE3GF3G3GTGO2P2 OF3GH3 C2GGDI3P2P2GJ3P2P2C2 K3L3V2P2DGF3P2EP2GGE 3M3GN3GGNGP2O3M3GP3R GGQ3GQR3S3T3NN3AU3GG V3W3WGGGN3X3Y3EGM3GX 3GGGGP2GQG3Z3GTA4B4C 4DDWB3GCJP2TP2D4E4M3 NTPDR2R2GPR2A3P2GR2P GGGF4EGR2H3R2PGGP2GG 4C2R2GTR2GGP2GR2G P2GALR2P2C2GR2GP2GB4 GH4GGGP2GR2G4GGM3S3 C2GC2QR2CR2GR2R2H3R2 GR2R2GI4P2R2R2R2NGTG GP2 R2R2P2R2R2R2RGA3PJ4R 2R2R2R2R2Y GO3R2P2K4L4W2GM3R2R2 GM4N4GG O4B4R2P2C2P4P2M3A3LR 2M3R2R2I4R2R2R2RQP2R 2R2Q4GGR2P2ER2GR4R2S 4GR2R2C2T4 R2R2R2LR2R2 N2Y3R2D4R2R2R2R2 TP2R2 GHHGGHHG R2GNR2G R2R2NP2U4R2P2NR2PC2T P3GGGNR2R2GR2G V4R2R2QS2R2ER2ETB4B4 GB4R2B3R2 TB4B4B4V4P2V4N P2R2NGB4R2NR2GGP2R2G R2TQR2 R2TR2T R2R2T R2TGR2T TB4W4GP2RR2O3P2 P3R2R2P3P2P2G B4P3R2 TGG NX4TGB4GGGY4R2TP2P3G GNGGGP2P3GGGR2R2G R2B4P3R2P3P3GGR2YGW2 R2P3R2R2Y2D2P2R2GGR2 R2R2P3TP2B4R2P3B4R2R 2 R2NR2R2P3R2R2P3TB4Z4 R2 B4R2R2U4P3P3R2GTGNR2 P2R2Y2P2R2GP2GB4P3R2 B4R2P3R2B4R2R2 GR2GGP3R2 GR2R2R2P2R2R2R2P3GP3 GNP2GR2G P3 P3 P3P3P3 P2R2P3R2P3 P3R2P3 P3P3P3R2 R2R2R2R2R2R2R2 GP3G R2 R2R2 R2R2 R2R2R2P3P2R2G P2R2R2R2R2GP3Yet that ride had an end as all rides have | A |
And the days coming after took the road | B |
That all days take though never one of them | C |
Went by but I got some good thought of it | D |
For Captain Craig Not that I pitied him | E |
Or nursed a mordant hunger for his presence | F |
But what I thought what Killigrew still thinks | G |
An irremediable cheerfulness | G |
Was in him and about the name of him | E |
And I fancy that it may be most of all | H |
For cheer in them that I have saved his letters | G |
I like to think of him and how he looked | I |
Or should have looked in his renewed estate | J |
Composing them They may be dreariness | G |
Unspeakable to you that never saw | G |
The Captain but to five or six of us | G |
Who knew him they are not so bad as that | K |
It may be we have smiled not always where | L |
The text itself would seem to indicate | J |
Responsive titillation on our part | M |
Yet having smiled at all we have done well | N |
Knowing that we have touched the ghost of him | E |
He tells me that he thinks of nothing now | O |
That he would rather do than be himself | P |
Wisely alive So let us heed this man | Q |
- | |
The world that has been old is young again | R |
The touch that faltered clings and this is May | S |
So think of your decrepit pensioner | T |
As one who cherishes the living light | U |
Forgetful of dead shadows He may gloat | V |
And he may not have power in his arms | G |
To make the young world move but he has eyes | G |
And ears and he can read the sun Therefore | W |
Think first of him as one who vegetates | G |
In tune with all the children who laugh best | X |
And longest through the sunshine though far off | Y |
Their laughter and unheard for 't is the child | Z |
O friend that with his laugh redeems the man | Q |
Time steals the infant but the child he leaves | G |
And we we fighters over of old wars | G |
We men we shearers of the Golden Fleece | G |
Were brutes without him brutes to tear the scars | G |
Of one another's wounds and weep in them | C |
And then cry out on God that he should flaunt | A2 |
For life such anguish and flesh wretchedness | G |
But let the brute go roaring his own way | S |
We do not need him and he loves us not | B2 |
- | |
I cannot think of anything to day | S |
That I would rather do than be myself | P |
Primevally alive and have the sun | C2 |
Shine into me for on a day like this | G |
When chaff parts of a man's adversities | G |
Are blown by quick spring breezes out of him | E |
When even a flicker of wind that wakes no more | W |
Than a tuft of grass or a few young yellow leaves | G |
Comes like the falling of a prophet's breath | D2 |
On altar flames rekindled of crushed embers | G |
Then do I feel now do I feel within me | E2 |
No dreariness no grief no discontent | F2 |
No twinge of human envy But I beg | G2 |
That you forego credentials of the past | H2 |
For these illuminations of the present | I2 |
Or better still to give the shadow justice | G |
You let me tell you something I have yearned | J2 |
In many another season for these days | G |
And having them with God's own pageantry | E2 |
To make me glad for them yes I have cursed | K2 |
The sunlight and the breezes and the leaves | G |
To think of men on stretchers or on beds | G |
Or on foul floors things without shapes or names | G |
Made human with paralysis and rags | G |
Or some poor devil on a battle field | L2 |
Left undiscovered and without the strength | M2 |
To drag a maggot from his clotted mouth | N2 |
Or women working where a man would fall | H |
Flat breasted miracles of cheerfulness | G |
Made neuter by the work that no man counts | G |
Until it waits undone children thrown out | O2 |
To feed their veins and souls on offal Yes | G |
I have had half a mind to blow my brains out | O2 |
Sometimes and I have gone from door to door | W |
Ragged myself trying to do something | P2 |
Crazy I hope But what has this to do | Q2 |
With Spring Because one half of humankind | R2 |
Lives here in hell shall not the other half | S2 |
Do any more than just for conscience' sake | T2 |
Be miserable Is this the way for us | G |
To lead these creatures up to find the light | U |
Or to be drawn down surely to the dark | U2 |
Again Which is it What does the child say | G |
- | |
But let us not make riot for the child | Z |
Untaught nor let us hold that we may read | V2 |
The sun but through the shadows nor again | R |
Be we forgetful ever that we keep | W2 |
The shadows on their side For evidence | G |
I might go back a little to the days | G |
When I had hounds and credit and grave friends | G |
To borrow my books and set wet glasses on them | C |
And other friends of all sorts grave and gay | G |
Of whom one woman and one man stand out | O2 |
From all the rest this morning The man said | V2 |
One day as we were riding 'Now you see | G |
There goes a woman cursed with happiness | G |
Beauty and wealth health horses everything | P2 |
That she could ask or we could ask is hers | G |
Except an inward eye for the dim fact | X2 |
Of what this dark world is The cleverness | G |
God gave her or the devil cautions her | T |
That she must keep the china cup of life | Y2 |
Filled somehow and she fills it runs it over | T |
Claps her white hands while some one does the sopping | P2 |
With fingers made she thinks for just that purpose | G |
Giggles and eats and reads and goes to church | Z2 |
Makes pretty little penitential prayers | G |
And has an eighteen carat crucifix | G |
Wrapped up in chamois skin She gives enough | A3 |
You say but what is giving like hers worth | B3 |
What is a gift without the soul to guide it | D |
Poor dears and they have cancers Oh she says | G |
And away she works at that new altar cloth | C3 |
For the Reverend Hieronymus Mackintosh | D3 |
Third person Jerry Jerry she says can say | G |
Such lovely things and make life seem so sweet | E3 |
Jerry can drink also And there she goes | G |
Like a whirlwind through an orchard in the springtime | F3 |
Throwing herself away as if she thought | G3 |
The world and the whole planetary circus | G |
Were a flourish of apple blossoms Look at her | T |
And here is this infernal world of ours | G |
And hers if only she might find it out | O2 |
Starving and shrieking sickening suppurating | P2 |
Whirling to God knows where But look at her ' | - |
- | |
And after that it came about somehow | O |
Almost as if the Fates were killing time | F3 |
That she the spendthrift of a thousand joys | G |
Rode in her turn with me and in her turn | H3 |
Made observations 'Now there goes a man ' | - |
She said 'who feeds his very soul on poison | C2 |
No matter what he does or where he looks | G |
He finds unhappiness or if he fails | G |
To find it he creates it and then hugs it | D |
Pygmalion again for all the world | I3 |
Pygmalion gone wrong You know I think | P2 |
If when that precious animal was young | P2 |
His mother or some watchful aunt of his | G |
Had spanked him with Pendennis and Don Juan | J3 |
And given him the Lady of the Lake | P2 |
Or Cord and Creese or almost anything | P2 |
There might have been a tonic for him Listen | C2 |
When he was possibly nineteen years old | K3 |
He came to me and said I understand | L3 |
You are in love yes that is what he said | V2 |
But never mind it won't last very long | P2 |
It never does we all get over it | D |
We have this clinging nature for you see | G |
The Great Bear shook himself once on a time | F3 |
And the world is one of many that let go | P2 |
And yet the creature lives and there you see him | E |
And he would have this life no fairer thing | P2 |
Than a certain time for numerous marionettes | G |
To do the Dance of Death Give him a rose | G |
And he will tell you it is very sweet | E3 |
But only for a day Most wonderful | M3 |
Show him a child or anything that laughs | G |
And he begins at once to crunch his wormwood | N3 |
And then runs on with his realities | G |
What does he know about realities | G |
Who sees the truth of things almost as well | N |
As Nero saw the Northern Lights Good gracious | G |
Can't you do something with him Call him something | P2 |
Call him a type and that will make him cry | O3 |
One of those not at all unusual | M3 |
Prophetic would be Delphic manger snappers | G |
That always get replaced when they are gone | P3 |
Or one of those impenetrable men | R |
Who seem to carry branded on their foreheads | G |
We are abstruse but not quite so abstruse | G |
As possibly the good Lord may have wished | Q3 |
One of those men who never quite confess | G |
That Washington was great the kind of man | Q |
That everybody knows and always will | R3 |
Shrewd critical facetious insincere | S3 |
And for the most part harmless I'm afraid | T3 |
But even then you might be doing well | N |
To tell him something ' And I said I would | N3 |
So in one afternoon you see we have | A |
The child in absence or to say the least | U3 |
In ominous defect and in excess | G |
Commensurate likewise Now the question is | G |
Not which was right and which was wrong for each | V3 |
By virtue of one sidedness was both | W3 |
But rather to my mind as heretofore | W |
Is it better to be blinded by the lights | G |
Or by the shadows By the lights you say | G |
The shadows are all devils and the lights | G |
Gleam guiding and eternal Very good | N3 |
But while you say so do not quite forget | X3 |
That sunshine has a devil of its own | Y3 |
And one that we for the great craft of him | E |
But vaguely recognize The marvel is | G |
That this persuasive and especial devil | M3 |
By grace of his extreme transparency | G |
Precludes all common vision of him yet | X3 |
There is one way to glimpse him and a way | G |
As I believe to test him granted once | G |
That we have ousted prejudice which means | G |
That we have made magnanimous advance | G |
Through self acquaintance Not an easy thing | P2 |
For some of us impossible may be | G |
For most of us the woman and the man | Q |
I cited for example would have wrought | G3 |
The most intractable conglomerate | Z3 |
Of everything if they had set themselves | G |
To analyze themselves and not each other | T |
If only for the sake of self respect | A4 |
They would have come to no place but the same | B4 |
Wherefrom they started one would have lived awhile | C4 |
In paradise without defending it | D |
And one in hell without enjoying it | D |
And each had been dissuaded neither more | W |
Nor less thereafter There are such on earth | B3 |
As might have been composed primarily | G |
For mortal warning he was one of them | C |
And she the devil makes us hesitate | J |
'T is easy to read words writ well with ink | P2 |
That makes a good black mark on smooth white paper | T |
But words are done sometimes with other ink | P2 |
Whereof the smooth white paper gives no sign | D4 |
Till science brings it out and here we come | E4 |
To knowledge and the way to test a devil | M3 |
- | |
To most of us you say and you say well | N |
This demon of the sunlight is a stranger | T |
But if you break the sunlight of yourself | P |
Project it and observe the quaint shades of it | D |
I have a shrewd suspicion you may find | R2 |
That even as a name lives unrevealed | R2 |
In ink that waits an agent so it is | G |
The devil or this devil hides himself | P |
To all the diagnoses we have made | R2 |
Save one The quest of him is hard enough | A3 |
As hard as truth but once we seem to know | P2 |
That his compound obsequiousness prevails | G |
Unferreted within us we may find | R2 |
That sympathy which aureoles itself | P |
To superfluity from you and me | G |
May stand against the soul for five or six | G |
Persistent and indubitable streaks | G |
Of irritating brilliance out of which | F4 |
A man may read if he have knowledge in him | E |
Proportionate attest of ignorance | G |
Hypocrisy good heartedness conceit | R2 |
Indifference by which a man may learn | H3 |
That even courage may not make him glad | R2 |
For laughter when that laughter is itself | P |
The tribute of recriminating groans | G |
Nor are the shapes of obsolescent creeds | G |
Much longer to flit near enough to make | P2 |
Men glad for living in a world like this | G |
For wisdom courage knowledge and the faith | G4 |
Which has the soul and is the soul of reason | C2 |
These are the world's achievers And the child | R2 |
The child that is the saviour of all ages | G |
The prophet and the poet the crown bearer | T |
Must yet with Love's unhonored fortitude | R2 |
Survive to cherish and attain for us | G |
The candor and the generosity | G |
By leave of which we smile if we bring back | P2 |
The first revealing flash that wakened us | G |
When wisdom like a shaft of dungeon light | R2 |
Came searching down to find us | G |
- | |
Halfway back | P2 |
I made a mild allusion to the Fates | G |
Not knowing then that ever I should have | A |
Dream visions of them painted on the air | L |
Clotho Lachesis Atropos Faint hued | R2 |
They seem but with a faintness never fading | P2 |
Unblurred by gloom unshattered by the sun | C2 |
Still with eternal color colorless | G |
They move and they remain The while I write | R2 |
These very words I see them Atropos | G |
Lachesis Clotho and the last is laughing | P2 |
When Clotho laughs Atropos rattles her shears | G |
But Clotho keeps on laughing just the same | B4 |
Some time when I have dreamed that Atropos | G |
Has laughed I'll tell you how the colors change | H4 |
The colors that are changeless colorless | G |
I fear I may have answered Captain Craig's | G |
Epistle Number One with what he chose | G |
Good humoredly but anxiously to take | P2 |
For something that was not all reverence | G |
From Number Two it would have seemed almost | R2 |
As if the flanges of the old man's faith | G4 |
Had slipped the treacherous rails of my allegiance | G |
Leaving him by the roadside humorously | G |
Upset with nothing more convivial | M3 |
To do than be facetious and austere | S3 |
- | |
If you decry Don C eacute sar de Bazan | C2 |
There is an imperfection in your vitals | G |
Flamboyant and old fashioned Overdone | C2 |
Romantico robustious Dear young man | Q |
There are fifteen thousand ways to be one sided | R2 |
And I have indicated two of them | C |
Already Now you bait me with a third | R2 |
As if it were a spider with nine legs | G |
But what it is that you would have me do | R2 |
What fatherly wrath you most anticipate | R2 |
I lack the needed impulse to discern | H3 |
Though I who shape no songs of any sort | R2 |
I who have made no music thrilled no canvas | G |
I who have added nothing to the world | R2 |
The world would reckon save long squandered wit | R2 |
Might with half pardonable reverence | G |
Beguile my faith maybe to the forlorn | I4 |
Extent of some sequestered murmuring | P2 |
Anent the vanities No doubt I should | R2 |
If mine were the one life that I have lived | R2 |
But with a few good glimpses I have had | R2 |
Of heaven through the little holes in hell | N |
I can half understand what price it is | G |
The poet pays at one time and another | T |
For those indemnifying interludes | G |
That are to be the kernel in what lives | G |
To shrine him when the new born men come singing | P2 |
- | |
So do I comprehend what I have read | R2 |
From even the squeezed items of account | R2 |
Which I have to my credit in that book | P2 |
Whereof the leaves are ages and the text | R2 |
Eternity What do I care to day | R2 |
For pages that have nothing I have lived | R2 |
And I have died and I have lived again | R |
And I am very comfortable Yes | G |
Though I look back through barren years enough | A3 |
To make me seem as I transmute myself | P |
In downward retrospect from what I am | J4 |
As unproductive and as unconvinced | R2 |
Of living bread and the soul's eternal draught | R2 |
As a frog on a Passover cake in a streamless desert | R2 |
Still do I trust the light that I have earned | R2 |
And having earned received You shake your head | R2 |
But do not say that you will shake it off | Y |
- | |
Meanwhile I have the flowers and the grass | G |
My brothers here the trees and all July | O3 |
To make me joyous Why do you shake your head | R2 |
Why do you laugh because you are so young | P2 |
Do you think if you laugh hard enough the truth | K4 |
Will go to sleep Do you think of any couch | L4 |
Made soft enough to put the truth to sleep | W2 |
Do you think there are no proper comedies | G |
But yours that have the fashion For example | M3 |
Do you think that I forget or shall forget | R2 |
One friendless fat fantastic nondescript | R2 |
Who knew the ways of laughter on low roads | G |
A vagabond a drunkard and a sponge | M4 |
But always a free creature with a soul | N4 |
I bring him back though not without misgivings | G |
And caution you to damn him sparingly | G |
- | |
Count Pretzel von W uuml rzburger the Obscene | O4 |
The beggar may have had another name | B4 |
But no man to my knowledge ever knew it | R2 |
Was a poet and a skeptic and a critic | P2 |
And in his own mad manner a musician | C2 |
He found an old piano in a bar room | P4 |
And it was his career three nights a week | P2 |
From ten o'clock till twelve to make it rattle | M3 |
And then when I was just far down enough | A3 |
To sit and watch him with his long straight hair | L |
And pity him and think he looked like Liszt | R2 |
I might have glorified a musical | M3 |
Steam engine or a xylophone The Count | R2 |
Played half of everything and 'improvised' | R2 |
The rest he told me once that he was born | I4 |
With a genius in him that 'prohibited | R2 |
Complete fidelity ' and that his art | R2 |
'Confessed vagaries ' therefore But I made | R2 |
Kind reckoning of his vagaries then | R |
I had the whole great pathos of the man | Q |
To purify me and all sorts of music | P2 |
To give me spiritual nourishment | R2 |
And cerebral athletics for the Count | R2 |
Played indiscriminately with an f | Q4 |
And with incurable presto cradle songs | G |
And carnivals spring songs and funeral marches | G |
The Marseillaise and Schubert's Serenade | R2 |
And always in a way to make me think | P2 |
Procrustes had the germ of music in him | E |
And when this interesting reprobate | R2 |
Began to talk then there were more vagaries | G |
He made a reeking fetich of all filth | R4 |
Apparently but there was yet revealed | R2 |
About him through his words and on his flesh | S4 |
That ostracizing nimbus of a soul's | G |
Abject apologetic purity | R2 |
That phosphorescence of sincerity | R2 |
Which indicates the curse and the salvation | C2 |
Of a life wherein starved art may never perish | T4 |
- | |
One evening I remember clearliest | R2 |
Of all that I passed with him Having wrought | R2 |
With his nerve ploughing ingenuity | R2 |
The Tr auml umerei into a Titan's nightmare | L |
The man sat down across the table from me | R2 |
And all at once was ominously decent | R2 |
' The more we measure what is ours to use ' | - |
He said then wiping his froth plastered mouth | N2 |
With the inside of his hand ' the less we groan | Y3 |
For what the gods refuse I've had that sleeved | R2 |
A decade for you Now but one more stein | D4 |
And I shall be prevailed upon to read | R2 |
The only sonnet I have ever made | R2 |
And after that if you propitiate | R2 |
Gambrinus I shall play you that Andante | R2 |
As the world has never heard it played before ' | - |
So saying he produced a piece of paper | T |
Unfolded it and read 'SONNET UNIQUE | P2 |
DE PRETZEL VON WURZBURGER DIT L'OBSC Eacute NE | R2 |
- | |
'Carmichael had a kind of joke disease | G |
And he had queer things fastened on his wall | H |
There are three green china frogs that I recall | H |
More potently than anything for these | G |
Three frogs have demonstrated by degrees | G |
What curse was on the man to make him fall | H |
They are not ordinary frogs at all | H |
They are the Frogs of Aristophanes | G |
- | |
'God how he laughed whenever he said that | R2 |
And how we caught from one another's eyes | G |
The flash of what a tongue could never tell | N |
We always laughed at him no matter what | R2 |
The joke was worth But when a man's brain dies | G |
We are not always glad Poor Carmichael ' | - |
- | |
'I am a sowbug and a necrophile ' | - |
Said Pretzel 'and the gods are growing old | R2 |
The stars are singing Golden hair to gray | R2 |
Green leaf to yellow leaf or chlorophyl | N |
To xanthophyl to be more scientific | P2 |
So speed me one more stein You may believe | U4 |
That I'm a mendicant but I am not | R2 |
For though it look to you that I go begging | P2 |
The truth is I go giving giving all | N |
My strength and all my personality | R2 |
My wisdom and experience all myself | P |
To make it final for your preservation | C2 |
Though I be not the one thing or the other | T |
Though I strike between the sunset and the dawn | P3 |
Though I be cliff rubbed wreckage on the shoals | G |
Of Circumstance doubt not that I comprise | G |
Far more than my appearance Here he comes | G |
Now drink to good old Pretzel Drink down Pretzel | N |
Quousque tandem Pretzel and O Lord | R2 |
How long But let regret go hang the good | R2 |
Die first and of the poor did many cease | G |
To be Beethoven after Wordsworth Prosit | R2 |
There were geniuses among the trilobites | G |
And I suspect that I was one of them ' | - |
How much of him was earnest and how much | V4 |
Fantastic I know not nor do I need | R2 |
Profounder knowledge to exonerate | R2 |
The squalor or the folly of a man | Q |
Than consciousness though even the crude laugh | S2 |
Of indigent Priapus follow it | R2 |
That I get good of him And if you like him | E |
Then some time in the future past a doubt | R2 |
You'll have him in a book make metres of him | E |
To the great delight of Mr Killigrew | T |
And the grief of all your kinsmen Christian shame | B4 |
And self confuted Orientalism | B4 |
For the more sagacious of them vulture tracks | G |
Of my Promethean bile for the rest of them | B4 |
And that will be a joke There's nothing quite | R2 |
So funny as a joke that's lost on earth | B3 |
And laughed at by the gods Your devil knows it | R2 |
- | |
I come to like your Mr Killigrew | T |
And I rejoice that you speak well of him | B4 |
The sprouts of human blossoming are in him | B4 |
And useful eyes if he will open them | B4 |
But one thing ails the man He smiles too much | V4 |
He comes to see me once or twice a week | P2 |
And I must tell him that he smiles too much | V4 |
If I were Socrates it would be simple | N |
- | |
Epistle Number Three was longer coming | P2 |
I waited for it even worried for it | R2 |
Though Killigrew and of his own free will | N |
Had written reassuring little scraps | G |
From time to time and I had valued them | B4 |
The more for being his The Sage he said | R2 |
From all that I can see is doing well | N |
I should say very well Three meals a day | R2 |
Siestas and innumerable pipes | G |
Not to the tune of water on the stones | G |
But rather to the tune of his own Ego | P2 |
Which seems to be about the same as God | R2 |
But I was always weak in metaphysics | G |
And pray therefore that you be lenient | R2 |
I'm going to be married in December | T |
And I have made a poem that will scan | Q |
So Plunket says You said the other wouldn't | R2 |
- | |
Augustus Plunket Ph D | R2 |
And oh the Bishop's daughter | T |
A very learned man was he | R2 |
And in twelve weeks he got her | T |
- | |
And oh she was as fair to see | R2 |
As pippins on the pippin tree | R2 |
Tu tui tibi te chubs in the mill water | T |
- | |
Connotative succinct and erudite | R2 |
Three dots to boot Now goodman Killigrew | T |
May wind an epic one of these glad years | G |
And after that who knoweth but the Lord | R2 |
The Lord of Hosts who is the King of Glory | T |
- | |
Still when the Captain's own words were before me | T |
I seemed to read from them or into them | B4 |
The protest of a mortuary joy | W4 |
Not all substantiating Killigrew's | G |
Off hand assurance The man's face came back | P2 |
The while I read them and that look again | R |
Which I had seen so often came back with it | R2 |
I do not know that I can say just why | O3 |
But I felt the feathery touch of something wrong | P2 |
- | |
Since last I wrote and I fear weeks have gone | P3 |
Too far for me to leave my gratitude | R2 |
Unuttered for its own acknowledgment | R2 |
I have won without the magic of Amphion | P3 |
Without the songs of Orpheus or Apollo | P2 |
The frank regard and with it if you like | P2 |
The fledged respect of three quick footed friends | G |
'Nothing is there more marvelous than man ' | - |
Said Sophocles and I say after him | B4 |
'He traps and captures all inventive one | P3 |
The light birds and the creatures of the wold | R2 |
And in his nets the fishes of the sea ' | - |
Once they were pictures painted on the air | T |
Faint with eternal color colorless | G |
But now they are not pictures they are fowls | G |
- | |
At first they stood aloof and cocked their small | N |
Smooth prudent heads at me and made as if | X4 |
With a cryptic idiotic melancholy | T |
To look authoritative and sagacious | G |
But when I tossed a piece of apple to them | B4 |
They scattered back with a discord of short squawks | G |
And then came forward with a craftiness | G |
That made me think of Eden Atropos | G |
Came first and having grabbed the morsel up | Y4 |
Ran flapping far away and out of sight | R2 |
With Clotho and Lachesis hard after her | T |
But finally the three fared all alike | P2 |
And next day I persuaded them with corn | P3 |
In a week they came and had it from my fingers | G |
And looked up at me while I pinched their bills | G |
And made them sneeze Count Pretzel's Carmichael | N |
Had said they were not ordinary birds | G |
At all and they are not they are the Fates | G |
Foredoomed of their own insufficiency | G |
To be assimilated Do not think | P2 |
Because in my contented isolation | P3 |
It suits me at this time to be jocose | G |
That I am nailing reason to the cross | G |
Or that I set the bauble and the bells | G |
Above the crucible for I do nought | R2 |
Say nought but with an ancient levity | R2 |
That is the forbear of all earnestness | G |
- | |
The cross I said I had a dream last night | R2 |
A dream not like to any other dream | B4 |
That I remember I was all alone | P3 |
Sitting as I do now beneath a tree | R2 |
But looking not as I am looking now | P3 |
Against the sunlight There was neither sun | P3 |
Nor moon nor do I think of any stars | G |
Yet there was light and there were cedar trees | G |
And there were sycamores I lay at rest | R2 |
Or should have seemed at rest within a trough | Y |
Between two giant roots A weariness | G |
Was on me and I would have gone to sleep | W2 |
But I had not the courage If I slept | R2 |
I feared that I should never wake again | P3 |
And if I did not sleep I should go mad | R2 |
And with my own dull tools which I had used | R2 |
With wretched skill so long hack out my life | Y2 |
And while I lay there tortured out of death | D2 |
Faint waves of cold as if the dead were breathing | P2 |
Came over me and through me and I felt | R2 |
Quick fearful tears of anguish on my face | G |
And in my throat But soon and in the distance | G |
Concealed importunate there was a sound | R2 |
Of coming steps and I was not afraid | R2 |
No I was not afraid then I was glad | R2 |
For I could feel with every thought the Man | P3 |
The Mystery the Child a footfall nearer | T |
Then when he stood before me there was no | P2 |
Surprise there was no questioning I knew him | B4 |
As I had known him always and he smiled | R2 |
'Why are you here ' he asked and reaching down | P3 |
He took up my dull blades and rubbed his thumb | B4 |
Across the edges of them and then smiled | R2 |
Once more 'I was a carpenter ' I said | R2 |
'But there was nothing in the world to do ' | - |
'Nothing ' said he 'No nothing ' I replied | R2 |
'But are you sure ' he asked 'that you have skill | N |
And are you sure that you have learned your trade | R2 |
No you are not ' He looked at me and laughed | R2 |
As he said that but I did not laugh then | P3 |
Although I might have laughed 'They are dull ' said he | R2 |
'They were not very sharp if they were ground | R2 |
But they are what you have and they will earn | P3 |
What you have not So take them as they are | T |
Grind them and clean them put new handles to them | B4 |
And then go learn your trade in Nazareth | Z4 |
Only be sure that you find Nazareth ' | - |
'But if I starve what then ' said I He smiled | R2 |
- | |
Now I call that as curious a dream | B4 |
As ever Meleager's mother had | R2 |
neas Alcibiades or Jacob | |
I'll not except the scientist who dreamed | R2 |
That he was Adam and that he was Eve | U4 |
At the same time or yet that other man | P3 |
Who dreamed that he was schylus reborn | P3 |
To clutch combine compensate and adjust | R2 |
The plunging and unfathomable chorus | G |
Wherein we catch like a bacchanale through thunder | T |
The chanting of the new Eumenides | G |
Implacable renascent farcical | N |
Triumphant and American He did it | R2 |
But did it in a dream When he awoke | P2 |
One phrase of it remained one verse of it | R2 |
Went singing through the remnant of his life | Y2 |
Like a bag pipe through a mad house He died young | P2 |
And if I ponder the small history | R2 |
That I have gleaned of him by scattered roads | G |
The more do I rejoice that he died young | P2 |
That measure would have chased him all his days | G |
Defeated him deposed him wasted him | B4 |
And shrewdly ruined him though in that ruin | P3 |
There would have lived as always it has lived | R2 |
In ruin as in failure the supreme | B4 |
Fulfilment unexpressed the rhythm of God | R2 |
That beats unheard through songs of shattered men | P3 |
Who dream but cannot sound it He declined | R2 |
From all that I have ever learned of him | B4 |
With absolute good humor No complaint | R2 |
No groaning at the burden which is light | R2 |
No brain waste of impatience 'Never mind ' | - |
He whispered 'for I might have written Odes ' | - |
- | |
Speaking of odes now makes me think of ballads | G |
Your admirable Mr Killigrew | R2 |
Has latterly committed what he calls | G |
A Ballad of London London 'Town ' of course | G |
And he has wished that I pass judgment on | P3 |
He says there is a 'generosity' | R2 |
About it and a 'sympathetic insight ' | - |
And there are strong lines in it so he says | G |
But who am I that he should make of me | R2 |
A judge You are his friend and you know best | R2 |
The measure of his jingle I am old | R2 |
And you are young Be sure I may go back | P2 |
To squeak for you the tunes of yesterday | R2 |
On my old fiddle or what's left of it | R2 |
And give you as I'm able a young sound | R2 |
But all the while I do it I remain | P3 |
One of Apollo's pensioners and yours | G |
An usher in the Palace of the Sun | P3 |
A candidate for mattocks and trombones | G |
The brass band will be indispensable | N |
A patron of high science but no critic | P2 |
So I shall have to tell him I suppose | G |
That I read nothing now but Wordsworth Pope | |
Lucretius Robert Burns and William Shakespeare | R2 |
Now this is Mr Killigrew's performance | G |
- | |
'Say do you go to London Town | P3 |
You with the golden feather ' | - |
'And if I go to London Town | P3 |
With my golden feather ' | - |
'These autumn roads are bright and brown | P3 |
The season wears a russet crown | P3 |
And if you go to London Town | P3 |
We'll go down together ' | - |
- | |
I cannot say for certain but I think | P2 |
The brown bright nightingale was half assuaged | R2 |
Before your Mr Killigrew was born | P3 |
If I have erred in my chronology | R2 |
No matter for the feathered man sings now | P3 |
- | |
'Yes I go to London Town' | P3 |
Merrily waved the feather | R2 |
'And if you go to London Town | P3 |
Yes we'll go together ' | - |
- | |
So in the autumn bright and brown | P3 |
Just as the year began to frown | P3 |
All the way to London Town | P3 |
Rode the two together | R2 |
- | |
'I go to marry a fair maid' | R2 |
Lightly swung the feather | R2 |
'Pardie a true and loyal maid' | R2 |
Oh the swinging feather | R2 |
'For us the wedding gold is weighed | R2 |
For us the feast will soon be laid | R2 |
We'll make a gallant show ' he said | R2 |
'She and I together ' | - |
- | |
The feathered man may do a thousand things | G |
And all go smiling but the feathered man | P3 |
May do too much Now mark how he continues | G |
- | |
'And you you go to London Town ' | - |
Breezes waved the feather | R2 |
'Yes I go to London Town ' | - |
Ah the stinging feather | R2 |
'Why do you go my merry blade | R2 |
Like me to marry a fair maid ' | - |
'Why do I go God knows ' he said | R2 |
And on they rode together | R2 |
- | |
Now you have read it through and you know best | R2 |
What worth it has We fellows with gray hair | R2 |
Who march with sticks to music that is gray | R2 |
Judge not your vanguard fifing You are one | P3 |
To judge and you will tell me what you think | P2 |
Barring the Town the Fair Maid and the Feather | R2 |
The dialogue and those parentheses | G |
You cherish it undoubtedly 'Pardie ' | - |
You call it with a few conservative | |
Allowances an excellent small thing | P2 |
For patient inexperience to do | R2 |
Derivative you say still rather pretty | R2 |
But what is wrong with Mr Killigrew | R2 |
Is he in love or has he read Rossetti | R2 |
Forgive me I am old and garrulous | G |
When are you coming back to Tilbury Town | P3 |
Edwin Arlington Robinson
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