Charles Warren, The Sheriff Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHIJKLMNHOPQRS TE UVWXYBZA2B2C2 FD2E2F2G2H2D2I2SD2J2 OD2OBOHOXOK2L2M2N2OO 2 F2P2Q2R2P2S2T2U2OV2O H2OOR2OW2OX2Y2OO Z2A3OPNOB3C3D3OOE3F3 O Z2G3O OA3CH3CCI3R2OCCJ3CK3 OOCFOCCOR2 CP2L3R2M3CR2R2N3CCR2 OOO3N3P2O CCCCK2NOCP3COL3Q3R2O R3K3R2 CCOS3K2OOR2OK3HYO R2COOT3CCOCC3CR2U3OV 3 CW3OOOE3J OCOOAR2YX3OC3N3R2OY3 COZ3C3OCCOCOPOCOCC3A P2OCOOA4B4C4OD4 CCP2PCCOC R2OCCE4CC3OF O3R2OY3COCCOOOR2F4L2 OW3CF4CX3N3NB4O N3COCM2C HOOOON3OCNH2OC3 COOOG4OCH4CI4OCP2R2 OQ3YJ4K4OWN3CN3X3CCC K3 OAOOACCB4C L4NR2OOM4N3 P2R2OCR2O OR2K4B4COFN3H4OK3CCO H CN4V3 OK3N3J4O HR2COR3AM3CR2OOO4N3C ON3CR3OAP4C P3Q4CN3R4R4N3S4OT4U4 COI have seen twenty men hanged hung myself | A |
Two in this jail with whom I talked the night | B |
Before they had the rope knotted behind | C |
The ear to break the neck These two I hanged | D |
One guilty and defiant taking chops | E |
Four cups of coffee just an hour before | F |
We swung him off the other trembling pale | G |
Protesting innocence but guilty too | H |
Both wore the same look in the middle watch | I |
I tell you what it is You take a steer | J |
And windlass him to where the butcher stands | K |
With hammer ready for the blow and knife | L |
To slit the throat after the hammer falls | M |
Well there's a moment when the steer is standing | N |
Head neck strained side ways eyes rolled side ways too | H |
Fixed bright seen this way but another way | O |
A film seems spreading on them That's the look | P |
They wear a corpse like pallor and their tongues | Q |
Are loose sprawl in their mouths lie paralyzed | R |
Against their teeth or fall back in their throats | S |
Which make them cough and stop for words and close | T |
Dry lips with little pops | E |
- | |
There's something else | U |
Their minds are out of them like a rubber band | V |
Stretched from the place it's pinned about to break | W |
And all the time they try to draw it back | X |
And give it utterance with that sprawling tongue | Y |
And lips too dry for words They hold it tight | B |
As a woman giving birth holds to the sheet | Z |
Tied to the bed's head pulls the sheet to end | A2 |
The agony and the reluctance of the child | B2 |
That pauses dreads to enter in this world | C2 |
- | |
So was it with Fred Taylor But before | F |
The high Court shook his hope he talked to me | D2 |
Freely and fully saying many times | E2 |
What could the world expect of him beside | F2 |
Some violence or murder He had borrowed | G2 |
The books his lawyers used to fight for him | H2 |
And read for hours and days about heredity | D2 |
And in our talks he said mix red and violet | I2 |
You have the color purple Strike two notes | S |
You have a certain chord and nature made me | D2 |
By rules as mathematical as they use | J2 |
In mixing drugs or gases Then he'd say | O |
Look at this table and he'd show to me | D2 |
A diagram of chickens how blue fowls | O |
Come from a cross of black with one of white | B |
With black splashed feathers Look at the blues he'd say | O |
They mate and of four chickens two are blue | H |
And one is black and one is white These blues | O |
Produce in that proportion But the black | X |
And white have chickens white and black you see | O |
In equal numbers Don't you see that I | K2 |
Was caught in mathematics jotted down | L2 |
Upon a slate before I came to earth | M2 |
They could have picked my forbears on a slate | N2 |
Forecast my soul its tendencies if they | O |
Had been that devilish And so he talked | O2 |
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Well then he heard that Elenor Murray died | F2 |
And told me that her grandmother that woman | P2 |
Known for her queerness and her lively soul | Q2 |
To eighty years and more was grandmother | R2 |
To his father and this Elenor Murray cousin | P2 |
To his father There you have it he exclaimed | S2 |
She killed herself and I know why he said | T2 |
She loved someone This love is in our blood | U2 |
And overflows or spurts between the logs | O |
You dam it with or fully stayed grows green | V2 |
With summer scum breeds frogs and spotted snakes | O |
- | |
He was a study and I studied him | H2 |
I'd sit beside his cell and read some words | O |
From his confession ask why did you this | O |
His crime was monstrous but he won me over | R2 |
I wished to help the boy for boy he was | O |
Just nineteen and I pitied him At last | W2 |
His story seemed as clear as when you see | O |
The truth behind poor words that say as much | X2 |
As words can say you see you get the truth | Y2 |
And know it even if you never pass | O |
The truth to others | O |
- | |
Lord This girl he killed | Z2 |
Knew not the power she played with Why she sat | A3 |
Like a child upon the asp's nest picking flowers | O |
Or as a child will pet a mad dog Look | P |
You come into my life what do you bring | N |
Why everything that made your life all pains | O |
All raptures disappointments wisdom learned | B3 |
You bring to me But do you show them no | C3 |
You hide them maybe some of them and leave | D3 |
Myself to learn you by the hardest means | O |
And bing A something in you or in me | O |
Out of a past explodes or better still | E3 |
Extends a claw from out the buttoned coat | F3 |
And rips a face | O |
- | |
So this poor girl was killed | Z2 |
And by an innocent coquetry evoked | G3 |
The claw that tore her breast away | O |
- | |
One day | O |
As I passed by his cell I stopped and sat | A3 |
What was the first thing entering in your mind | C |
From which you trace your act And he said Well | H3 |
Almost from the beginning all my mind | C |
Was on her from the moment I awaked | C |
Until I slept and often I awoke | I3 |
At two or three o'clock with thoughts of her | R2 |
And through the day I thought of nothing else | O |
Sometimes I could not eat At school my thought | C |
Stretched out of me to her could not be pulled | C |
Back to the lesson I could read a page | J3 |
As it were Greek not understand a word | C |
But just the moment I was with her then | K3 |
My soul re entered me I was at peace | O |
And happy oh so happy In the days | O |
When we were separated my unrest | C |
Took this form that I must be with her or | F |
If that could not be then some other place | O |
Was better than the place I was I strained | C |
Lived in a constant strain found no content | C |
With anything or place could find no peace | O |
Except with her | R2 |
- | |
Right from the first I had | C |
Two minds two hearts concerning her and one | P2 |
Was confidence and one was doubt one love | L3 |
One hatred And one purpose was to serve her | R2 |
Guard her and care for her one said destroy | M3 |
Ruin or kill her Sitting by her side | C |
Except as I shall say I loved her trusted her | R2 |
Away from her I doubted her and hated her | R2 |
But at the dances when I saw her smile | N3 |
Up at another man the storming blood | C |
Roared in my brain for wondering about | C |
The words they said He might be holding her | R2 |
Too close to him or as I watched I saw | O |
His knee indent her skirt between her knees | O |
That might be when she smiled Then going home | O3 |
I'd ask her what he said She'd only smile | N3 |
And keep a silence that I could not open | P2 |
With any pry of questions | O |
- | |
Well we quarreled | C |
About this boy she danced with So I said | C |
I'll leave her never see her I'll go find | C |
Another girl forget her Sunday next | C |
I saw her driving with this fellow I | K2 |
Was walking in the road they passed me laughing | N |
She turned about and waved her hand at me | O |
That night I lay awake and tossed and thought | C |
Where are they now What are they doing now | P3 |
He's kissing her upon the lips I've kissed | C |
Or worse perhaps I have been fooled she lies | O |
Within his arms and gives him what for love | L3 |
I never asked her never dared to ask | Q3 |
This brought Fred Taylor's story to the murder | R2 |
In point of madness anyway Some business | O |
Broke in our visit here Another time | R3 |
I sat with him and questioned him again | K3 |
About the night he killed her | R2 |
- | |
Well he said | C |
I told you that we quarreled So I fought | C |
To free myself of thought of her no use | O |
I tried another girl it wouldn't work | S3 |
For at the dance I took this girl to I | K2 |
Saw Gertrude with this fellow and the madness | O |
Came over me in blackness hurricanes | O |
Until I found myself in front of her | R2 |
Where she was seated asking for a dance | O |
She smiled and rose and danced with me And then | K3 |
As the dance ended May I come to see you | H |
I'm sorry for my words came from my tongue | Y |
In spite of will She laughed and said to me | O |
'If you'll behave yourself ' | - |
- | |
I went to see her | R2 |
But came away more wretched than I went | C |
She seemed to have sweet secrets in her silence | O |
And eyes too calm the secrets hid themselves | O |
At first I could not summon up the strength | T3 |
To ask her questions but at last I did | C |
And then she only shook her head and laughed | C |
And spoke of something else She had a way | O |
Of mixing up the subjects till my mind | C |
Forgot the very thing I wished to know | C3 |
Or dulled its edges so if I remembered | C |
I could not ask it so to bring the answer | R2 |
I wished from her I came away so weak | U3 |
I scarce could walk fell into sleep at once | O |
But woke at three o'clock and could not sleep | V3 |
- | |
Before this quarrel we had been engaged | C |
And at this evening's end I brought it up | W3 |
'What shall we do Are you engaged to me | O |
Will you renew it ' And she said to me | O |
'We still are young it's better to be free | O |
Let's play and dance Be gay for if you will | E3 |
I'll go with you but when you're gloomy dear | J |
You are not company for a girl ' | - |
- | |
Dear me | O |
Here was I five feet nine and could have crushed | C |
Her little body with my giant arms | O |
And yet in strength that counts the mind that moves | O |
The body but much more can move itself | A |
And other minds she was a spirit power | R2 |
And I but just a derrick slowly swung | Y |
By an engine smaller noisy with its chug | X3 |
And cloudy with its smoke bituminous | O |
That night however she engaged to go | C3 |
To dance with me a week hence But meanwhile | N3 |
The hellish thing comes on the morning after | R2 |
Thus chum of mine who testified John Luce | O |
Came to me with the story that this man | Y3 |
That Gertrude danced with told him O my God | C |
That Gertrude hinted she would come across | O |
Give him the final bliss That was the proof | Z3 |
They brought out in the trial as you know | C3 |
The fellow said it damn him whether she | O |
Made such a promise who knows Would to God | C |
I knew before you hang me There I stood | C |
And heard this story felt my arteries | O |
Lock as you'd let canal gates down my heart | C |
Beat for deliverance from the bolted streams | O |
That night I could not sleep but found a book | P |
Just think of this for fate Under my eyes | O |
There comes an ancient story out of Egypt | C |
Thyamis fearing he would die and lose | O |
The lovely Chariclea strikes her dead | C |
Then kills himself some thousands of years ago | C3 |
It's all forgotten now I say to self | A |
Who cares what matters it the thing was done | P2 |
And served its end The story stuck with me | O |
But the next night and the next night I stole out | C |
To spy on Gertrude by the path in the grass | O |
Lay for long hours And on the third night saw | O |
At half past eight or nine this fellow come | A4 |
And take her walking in the darkness where | B4 |
I could have touched them as they walked the path | C4 |
But could not follow for the moon which rose | O |
Besides I lost them | D4 |
- | |
Well the time approached | C |
Of the dance and still I brooded then resolved | C |
My hatred now was level with the cauldron | P2 |
With bubbles crackling So the spade I took | P |
Hidden beneath the seat may show forethought | C |
They caught the jury with that argument | C |
And forethought does it show but who made me | O |
To have such forethought | C |
- | |
Then I called for her | R2 |
And took her to the dance I was most gay | O |
Because the load was lifted from my mind | C |
And I had found relief And so we danced | C |
And she danced with this fellow I was calm | E4 |
Believed somehow he had not had her yet | C |
And if his knee touched hers why let it go | C3 |
Nothing beyond shall happen even this | O |
Shall not be any more | F |
- | |
We started home | O3 |
Before we reached that clump of woods I asked her | R2 |
If she would marry me She laughed at me | O |
I asked her if she loved that other man | Y3 |
She said you are a silly boy and laughed | C |
And then I asked her if she'd marry me | O |
And if she would not why she would not do it | C |
We came up to the woods and she was silent | C |
I could not make her speak I stopped the horse | O |
She sat all quiet I could see her face | O |
Under the brilliance of the moon I saw | O |
A thin smile on her face and then I struck her | R2 |
And from the floor grabbed up the iron wrench | F4 |
And struck her took her out and laid her down | L2 |
And did what was too horrible they say | O |
To do and keep my life To finish up | W3 |
I reached back for the iron wrench first felt | C |
Her breast to find her heart no use of wrench | F4 |
She was already dead I took the spade | C |
Scraped off the leaves between two trees and dug | X3 |
And buried her and said 'My Chariclea | N3 |
No man shall have you ' Then I drove till morning | N |
And after some days reached Missouri where | B4 |
They caught me | O |
- | |
So Fred Taylor told me all | N3 |
Filled in the full confession that he made | C |
And which they used in court with looks and words | O |
Scarce to be reproduced but to the last | C |
He said the mathematics of his birth | M2 |
Accounted for his deed | C |
- | |
Is it not true | H |
If you resolved the question that the jury | O |
Resolved did he know right from wrong did he | O |
Know what he did the jury answered truly | O |
To give the rope to him Or if you say | O |
These mathematics may be true and still | N3 |
A man like that is better out of way | O |
And saying so become the very spirit | C |
And reason which slew Gertrude disregarding | N |
The devil of heredity which clutched him | H2 |
As he put by the reason we obey | O |
It may be well enough I do not know | C3 |
- | |
Now for last night before this morning fixed | C |
To swing him off His lawyers went to see | O |
The governor to win reprieval perhaps | O |
A commutation I could see his eyes | O |
Had two lights in them one was like a lantern | G4 |
With the globe greased which showed he could not see | O |
Himself in death tomorrow what is that | C |
In the soul that cannot see itself in death | H4 |
No to morrow continuation the wall the end | C |
And yet this very smear upon the globe | I4 |
Was death's half fleshless hand which rubbed across | O |
His senses and his hope The other light | C |
Was weirdly bright for terror expectation | P2 |
Of good news from the governor | R2 |
- | |
For his lawyers | O |
Were in these hours petitioning He would ask | Q3 |
No news No word What is the time His tongue | Y |
Would fall back in his throat we saw the strain | J4 |
Of his stretched soul He'd sit upon his couch | K4 |
Hands clasped head down Arise and hold the bars | O |
Himself fling on the couch face down and shake | W |
But when he heard the hammers ring that nail | N3 |
The scaffold into shape he whirled around | C |
Like a rat in a cage And when the sand bag fell | N3 |
That tested out the rope a muffled thug | X3 |
And the rope creaked he started up and moaned | C |
You're getting ready and his body shivered | C |
His white hands could not hold the bars he reeled | C |
And fell upon the couch again | K3 |
- | |
Suppose | O |
There was no whiskey and no morphia | A |
Except for what the parsons think fit use | O |
A poor weak fellow not a Socrates | O |
Must march the gallows walk with every nerve | A |
Up bristled like a hair in fright This night | C |
Was much too horrible for me At last | C |
I had the doctor dope him unaware | B4 |
And for a time he slept | C |
- | |
But when the dawn | L4 |
Looked through the little windows near the ceiling | N |
Cob webbed and grimed with light like sanded water | R2 |
And echoes started in the corridors | O |
Of feet and objects moved then all at once | O |
He sprang up from his sleep and gave a groan | M4 |
Half yell that shook us all | N3 |
- | |
A clergyman | P2 |
Came soon to pray with him and he grew calmer | R2 |
And said O pray for her but pray for me | O |
That I may see her when this riddle world | C |
No longer stands between us slipped from her | R2 |
And soon from me | O |
- | |
For breakfast he took coffee | O |
A piece of toast no more The sickening hour | R2 |
Approaches he is sitting on his couch | K4 |
Bent over head in hands dazed or in prayer | B4 |
My deputy reads the warrant while I stand | C |
At one side so to hear but not to see | O |
And then my clerk comes quickly through the door | F |
That opens from the office in the jail | N3 |
Runs up the iron steps all out of breath | H4 |
And almost shouts The governor telephones | O |
To stop the sentence is commuted Then | K3 |
I grew as weak as the culprit took the warrant | C |
And stepped up to the cell's door coughed inhaled | C |
And after getting breath I said Good news | O |
The governor has saved you | H |
- | |
Then he laughed | C |
Half fell against the bars and like a rag | N4 |
Sank in a heap | V3 |
- | |
I don't know to this day | O |
What moved the governor For crazy men | K3 |
Are hanged sometimes To day he leaves the jail | N3 |
We take him where the criminal insane | J4 |
Are housed at our expense | O |
- | |
- | |
- | |
So Merival heard the sheriff As he knew | H |
The governor's mind and how the governor | R2 |
Gave heed to public thought or what is deemed | C |
The public thought what's printed in the press | O |
He wondered at the governor For no crime | R3 |
Had stirred the county like this crime And if | A |
A jury and the courts adjudged this boy | M3 |
Of nineteen in his mind what was the right | C |
Of interference by the governor | R2 |
So Merival was puzzled They were chums | O |
The governor and Merival in old days | O |
Had known club life together ate and drank | O4 |
Together in the days when Merival | N3 |
Came to Chicago living down the hurt | C |
He took from her who left him In those days | O |
The governor was struggling Merival | N3 |
Had helped with friends and purse and later helped | C |
The governor's ambition from the time | R3 |
He went to congress So the two were friends | O |
With memories and secrets for the stuff | A |
Of friendship glad renewal of the surge | P4 |
Of lasting friendship when they met | C |
- | |
And now | P3 |
He sensed a secret meant to bring it forth | Q4 |
And telegraphed the governor who said | C |
I'll see you in Chicago Merival | N3 |
Went up to see the governor and talk | R4 |
They had not met for months for leisured talk | R4 |
And now the governor said I'll tell you all | N3 |
And make it like a drama I'll bring in | S4 |
My wife who figured in this murder case | O |
It was this way It's nearly one o'clock | T4 |
I'm back from hearing lawyers plead I wish | U4 |
To make this vivid so you'll get my mind | C |
I tell you what I said to her It's this | O |
Edgar Lee Masters
(1)
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