The Apology Poem Rhyme Scheme and Analysis
Rhyme Scheme: A B CCDDEEFFGGHHIIJJKKLL MMNNOOPPHHQQRRMMHHSS TTUUVVWXYYZZCCQQOOA2 A2TTZZB2B2C2C2UUD2D2 TTE2E2F2G2IIH2H2TTI2 I2J2K2TTZZA2A2L2L2IM 2N2N2N2TTO2O2SP2A2A2 TTF2F2KKUUH2H2CCQQI2 I2TTQ2Q2O2O2R2R2TTS2 OOT2T2TTU2U2V2V2YYC2 C2W2I2X2X2O2O2QQPPKK Y2Y2IIKKMMTTZ2Z2Y2Y2 C2C2A3B3| ADDRESSED TO THE CRITICAL REVIEWERS | A |
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| Tristitiam et Metus HORACE | B |
| - | |
| Laughs not the heart when giants big with pride | C |
| Assume the pompous port the martial stride | C |
| O'er arm Herculean heave the enormous shield | D |
| Vast as a weaver's beam the javelin wield | D |
| With the loud voice of thundering Jove defy | E |
| And dare to single combat what A fly | E |
| And laugh we less when giant names which shine | F |
| Establish'd as it were by right divine | F |
| Critics whom every captive art adores | G |
| To whom glad Science pours forth all her stores | G |
| Who high in letter'd reputation sit | H |
| And hold Astraea like the scales of wit | H |
| With partial rage rush forth oh shame to tell | I |
| To crush a bard just bursting from the shell | I |
| Great are his perils in this stormy time | J |
| Who rashly ventures on a sea of rhyme | J |
| Around vast surges roll winds envious blow | K |
| And jealous rocks and quicksands lurk below | K |
| Greatly his foes he dreads but more his friends | L |
| He hurts me most who lavishly commends | L |
| Look through the world in every other trade | M |
| The same employment's cause of kindness made | M |
| At least appearance of good will creates | N |
| And every fool puffs off the fool he hates | N |
| Cobblers with cobblers smoke away the night | O |
| And in the common cause e'en players unite | O |
| Authors alone with more than savage rage | P |
| Unnatural war with brother authors wage | P |
| The pride of Nature would as soon admit | H |
| Competitors in empire as in wit | H |
| Onward they rush at Fame's imperious call | Q |
| And less than greatest would not be at all | Q |
| Smit with the love of honour or the pence | R |
| O'errun with wit and destitute of sense | R |
| Should any novice in the rhyming trade | M |
| With lawless pen the realms of verse invade | M |
| Forth from the court where sceptred sages sit | H |
| Abused with praise and flatter'd into wit | H |
| Where in lethargic majesty they reign | S |
| And what they won by dulness still maintain | S |
| Legions of factious authors throng at once | T |
| Fool beckons fool and dunce awakens dunce | T |
| To 'Hamilton's the ready lies repair | U |
| Ne'er was lie made which was not welcome there | U |
| Thence on maturer judgment's anvil wrought | V |
| The polish'd falsehood's into public brought | V |
| Quick circulating slanders mirth afford | W |
| And reputation bleeds in every word | X |
| A critic was of old a glorious name | Y |
| Whose sanction handed merit up to fame | Y |
| Beauties as well as faults he brought to view | Z |
| His judgment great and great his candour too | Z |
| No servile rules drew sickly taste aside | C |
| Secure he walk'd for Nature was his guide | C |
| But now oh strange reverse our critics bawl | Q |
| In praise of candour with a heart of gall | Q |
| Conscious of guilt and fearful of the light | O |
| They lurk enshrouded in the vale of night | O |
| Safe from detection seize the unwary prey | A2 |
| And stab like bravoes all who come that way | A2 |
| When first my Muse perhaps more bold than wise | T |
| Bade the rude trifle into light arise | T |
| Little she thought such tempests would ensue | Z |
| Less that those tempests would be raised by you | Z |
| The thunder's fury rends the towering oak | B2 |
| Rosciads like shrubs might 'scape the fatal stroke | B2 |
| Vain thought a critic's fury knows no bound | C2 |
| Drawcansir like he deals destruction round | C2 |
| Nor can we hope he will a stranger spare | U |
| Who gives no quarter to his friend Voltaire | U |
| Unhappy Genius placed by partial Fate | D2 |
| With a free spirit in a slavish state | D2 |
| Where the reluctant Muse oppress'd by kings | T |
| Or droops in silence or in fetters sings | T |
| In vain thy dauntless fortitude hath borne | E2 |
| The bigot's furious zeal and tyrant's scorn | E2 |
| Why didst thou safe from home bred dangers steer | F2 |
| Reserved to perish more ignobly here | G2 |
| Thus when the Julian tyrant's pride to swell | I |
| Rome with her Pompey at Pharsalia fell | I |
| The vanquish'd chief escaped from Caesar's hand | H2 |
| To die by ruffians in a foreign land | H2 |
| How could these self elected monarchs raise | T |
| So large an empire on so small a base | T |
| In what retreat inglorious and unknown | I2 |
| Did Genius sleep when Dulness seized the throne | I2 |
| Whence absolute now grown and free from awe | J2 |
| She to the subject world dispenses law | K2 |
| Without her licence not a letter stirs | T |
| And all the captive criss cross row is hers | T |
| The Stagyrite who rules from Nature drew | Z |
| Opinions gave but gave his reasons too | Z |
| Our great Dictators take a shorter way | A2 |
| Who shall dispute what the Reviewers say | A2 |
| Their word's sufficient and to ask a reason | L2 |
| In such a state as theirs is downright treason | L2 |
| True judgment now with them alone can dwell | I |
| Like Church of Rome they're grown infallible | M2 |
| Dull superstitious readers they deceive | N2 |
| Who pin their easy faith on critic's sleeve | N2 |
| And knowing nothing everything believe | N2 |
| But why repine we that these puny elves | T |
| Shoot into giants we may thank ourselves | T |
| Fools that we are like Israel's fools of yore | O2 |
| The calf ourselves have fashion'd we adore | O2 |
| But let true Reason once resume her reign | S |
| This god shall dwindle to a calf again | P2 |
| Founded on arts which shun the face of day | A2 |
| By the same arts they still maintain their sway | A2 |
| Wrapp'd in mysterious secrecy they rise | T |
| And as they are unknown are safe and wise | T |
| At whomsoever aim'd howe'er severe | F2 |
| The envenom'd slander flies no names appear | F2 |
| Prudence forbids that step then all might know | K |
| And on more equal terms engage the foe | K |
| But now what Quixote of the age would care | U |
| To wage a war with dirt and fight with air | U |
| By interest join'd the expert confederates stand | H2 |
| And play the game into each other's hand | H2 |
| The vile abuse in turn by all denied | C |
| Is bandied up and down from side to side | C |
| It flies hey presto like a juggler's ball | Q |
| Till it belongs to nobody at all | Q |
| All men and things they know themselves unknown | I2 |
| And publish every name except their own | I2 |
| Nor think this strange secure from vulgar eyes | T |
| The nameless author passes in disguise | T |
| But veteran critics are not so deceived | Q2 |
| If veteran critics are to be believed | Q2 |
| Once seen they know an author evermore | O2 |
| Nay swear to hands they never saw before | O2 |
| Thus in 'The Rosciad ' beyond chance or doubt | R2 |
| They by the writing found the writers out | R2 |
| That's Lloyd's his manner there you plainly trace | T |
| And all the Actor stares you in the face | T |
| By Colman that was written on my life | S2 |
| The strongest symptoms of the 'Jealous Wife ' | - |
| That little disingenuous piece of spite | O |
| Churchill a wretch unknown perhaps might write | O |
| How doth it make judicious readers smile | T2 |
| When authors are detected by their style | T2 |
| Though every one who knows this author knows | T |
| He shifts his style much oftener than his clothes | T |
| Whence could arise this mighty critic spleen | U2 |
| The Muse a trifler and her theme so mean | U2 |
| What had I done that angry Heaven should send | V2 |
| The bitterest foe where most I wish'd a friend | V2 |
| Oft hath my tongue been wanton at thy name | Y |
| And hail'd the honours of thy matchless fame | Y |
| For me let hoary Fielding bite the ground | C2 |
| So nobler Pickle stands superbly bound | C2 |
| From Livy's temples tear the historic crown | W2 |
| Which with more justice blooms upon thine own | I2 |
| Compared with thee be all life writers dumb | X2 |
| But he who wrote the Life of Tommy Thumb | X2 |
| Who ever read 'The Regicide ' but swore | O2 |
| The author wrote as man ne'er wrote before | O2 |
| Others for plots and under plots may call | Q |
| Here's the right method have no plot at all | Q |
| Who can so often in his cause engage | P |
| The tiny pathos of the Grecian stage | P |
| Whilst horrors rise and tears spontaneous flow | K |
| At tragic Ha and no less tragic Oh | K |
| To praise his nervous weakness all agree | Y2 |
| And then for sweetness who so sweet as he | Y2 |
| Too big for utterance when sorrows swell | I |
| The too big sorrows flowing tears must tell | I |
| But when those flowing tears shall cease to flow | K |
| Why then the voice must speak again you know | K |
| Rude and unskilful in the poet's trade | M |
| I kept no Naiads by me ready made | M |
| Ne'er did I colours high in air advance | T |
| Torn from the bleeding fopperies of France | T |
| No flimsy linsey woolsey scenes I wrote | Z2 |
| With patches here and there like Joseph's coat | Z2 |
| Me humbler themes befit secure for me | Y2 |
| Let play wrights smuggle nonsense duty free | Y2 |
| Secure for me ye lambs ye lambkins bound | C2 |
| And frisk and frolic o'er the fairy ground | C2 |
| Secure for me thou pretty little fawn | A3 |
| Lick Sylvia's hand and crop the | B3 |
Charles Churchill
(1)
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About The Apology
The Apology is a poem by Charles Churchill. This page includes the poem text, poet information, related topics, comments, and similar poems.
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