Something For The Touts, The Nuns, The Grocery Clerks, And You . . . Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEEEEAFGEHGIAJKLH GMEANOPQIERQ ASKEEETUUVEWEUWEHEHX YNUEZEZEE A2ZZUZNEB2C2HEA2UWD2 ZE2UZF2G2VZUH2 UNI2UJ2UEVUNZEZF2QH2 VHVD2EK2ZZGF2L2HGGGZ G2M2L2EIEEN2F2C2FEA2 I ZEEIO2P2H2HUUQ2G GGR2 Gwe have everything and we have nothing | A |
and some men do it in churches | B |
and some men do it by tearing butterflies | C |
in half | D |
and some men do it in Palm Springs | E |
laying it into butterblondes | E |
with Cadillac souls | E |
Cadillacs and butterflies | E |
nothing and everything | A |
the face melting down to the last puff | F |
in a cellar in Corpus Christi | G |
there's something for the touts the nuns | E |
the grocery clerks and you | H |
something at a m something in the library | G |
something in the river | I |
everything and nothing | A |
in the slaughterhouse it comes running along | J |
the ceiling on a hook and you swing it | K |
one | L |
two | H |
three | G |
and then you've got it worth of dead | M |
meat its bones against your bones | E |
something and nothing | A |
it's always early enough to die and | N |
it's always too late | O |
and the drill of blood in the basin white | P |
it tells you nothing at all | Q |
and the gravediggers playing poker over | I |
a m coffee waiting for the grass | E |
to dismiss the frost | R |
they tell you nothing at all | Q |
- | |
we have everything and we have nothing | A |
days with glass edges and the impossible stink | S |
of river moss worse than shit | K |
checkerboard days of moves and countermoves | E |
fagged interest with as much sense in defeat as | E |
in victory slow days like mules | E |
humping it slagged and sullen and sun glazed | T |
up a road where a madman sits waiting among | U |
bluejays and wrens netted in and sucked a flakey | U |
grey | V |
good days too of wine and shouting fights | E |
in alleys fat legs of women striving around | W |
your bowels buried in moans | E |
the signs in bullrings like diamonds hollering | U |
Mother Capri violets coming out of the ground | W |
telling you to forget the dead armies and the loves | E |
that robbed you | H |
days when children say funny and brilliant things | E |
like savages trying to send you a message through | H |
their bodies while their bodies are still | X |
alive enough to transmit and feel and run up | Y |
and down without locks and paychecks and | N |
ideals and possessions and beetle like | U |
opinions | E |
days when you can cry all day long in | Z |
a green room with the door locked days | E |
when you can laugh at the breadman | Z |
because his legs are too long days | E |
of looking at hedges | E |
- | |
and nothing and nothing the days of | A2 |
the bosses yellow men | Z |
with bad breath and big feet men | Z |
who look like frogs hyenas men who walk | U |
as if melody had never been invented men | Z |
who think it is intelligent to hire and fire and | N |
profit men with expensive wives they possess | E |
like acres of ground to be drilled | B2 |
or shown off or to be walled away from | C2 |
the incompetent men who'd kill you | H |
because they're crazy and justify it because | E |
it's the law men who stand in front of | A2 |
windows feet wide and see nothing | U |
men with luxury yachts who can sail around | W |
the world and yet never get out of their vest | D2 |
pockets men like snails men like eels men | Z |
like slugs and not as good | E2 |
and nothing getting your last paycheck | U |
at a harbor at a factory at a hospital at an | Z |
aircraft plant at a penny arcade at a | F2 |
barbershop at a job you didn't want | G2 |
anyway | V |
income tax sickness servility broken | Z |
arms broken heads all the stuffing | U |
come out like an old pillow | H2 |
- | |
we have everything and we have nothing | U |
some do it well enough for a while and | N |
then give way fame gets them or disgust | I2 |
or age or lack of proper diet or ink | U |
across the eyes or children in college | J2 |
or new cars or broken backs while skiing | U |
in Switzerland or new politics or new wives | E |
or just natural change and decay | V |
the man you knew yesterday hooking | U |
for ten rounds or drinking for three days and | N |
three nights by the Sawtooth mountains now | Z |
just something under a sheet or a cross | E |
or a stone or under an easy delusion | Z |
or packing a bible or a golf bag or a | F2 |
briefcase how they go how they go all | Q |
the ones you thought would never go | H2 |
- | |
days like this like your day today | V |
maybe the rain on the window trying to | H |
get through to you what do you see today | V |
what is it where are you the best | D2 |
days are sometimes the first sometimes | E |
the middle and even sometimes the last | K2 |
the vacant lots are not bad churches in | Z |
Europe on postcards are not bad people in | Z |
wax museums frozen into their best sterility | G |
are not bad horrible but not bad the | F2 |
cannon think of the cannon and toast for | L2 |
breakfast the coffee hot enough you | H |
know your tongue is still there three | G |
geraniums outside a window trying to be | G |
red and trying to be pink and trying to be | G |
geraniums no wonder sometimes the women | Z |
cry no wonder the mules don't want | G2 |
to go up the hill are you in a hotel room | M2 |
in Detroit looking for a cigarette one more | L2 |
good day a little bit of it and as | E |
the nurses come out of the building after | I |
their shift having had enough eight nurses | E |
with different names and different places | E |
to go walking across the lawn some of them | N2 |
want cocoa and a paper some of them want a | F2 |
hot bath some of them want a man some | C2 |
of them are hardly thinking at all enough | F |
and not enough arcs and pilgrims oranges | E |
gutters ferns antibodies boxes of | A2 |
tissue paper | I |
- | |
in the most decent sometimes sun | Z |
there is the softsmoke feeling from urns | E |
and the canned sound of old battleplanes | E |
and if you go inside and run your finger | I |
along the window ledge you'll find | O2 |
dirt maybe even earth | P2 |
and if you look out the window | H2 |
there will be the day and as you | H |
get older you'll keep looking | U |
keep looking | U |
sucking your tongue in a little | Q2 |
ah ah no no maybe | G |
- | |
some do it naturally | G |
some obscenely | G |
everywhere | R2 |
- | |
- | |
Submitted by Dylan Skola | G |
Charles Bukowski
(1)
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Write your comment about Something For The Touts, The Nuns, The Grocery Clerks, And You . . . poem by Charles Bukowski
Sarah Landig: I see the juxtaposition beginning in the title of the poem. Admittedly, I googled touts. I never heard that word before. He's addressing the poem to people in different walks of life thereby showing that this is a message for everyone. From the pious to the agressive, to the everyday clerk and to "you" which could be anything at all. I feel the general theme is that of a type of void filling. The filling of your days with whatever everything means to you. A sense of the days of nothingness. A sense that it all amounts to nothing in the end. It made me ask myself what means everything and what means nothing in my own life. It almost felt like Bukowski was checking me when he starts in with the questions. days like this. like your day today.
maybe the rain on the window trying to
get through to you. what do you see today?
what is it? where are you?
I think about this concept often. I guess it just brings up for me the question of what fills my own void with what I want to be inside? What memories do I want to carry with me and how many days do I want to spend working a mundane job doing mundane shit? Are those memories I want to carry around to the grave?
I love
are you in a hotel room
in Detroit looking for a cigarette? one more
good day. a little bit of it.
I remember moments like this. That seem like nothing but are everything in retrospect.
We have everything. We have nothing. It's a concept that applies to everybody universally.
Beautiful poem. I find it inspiring instead of depressing.
Best Poems of Charles Bukowski