A Legend Of Cologne Poem Rhyme Scheme and Analysis
Rhyme Scheme: AAAAAAAAAABCADEEAAAA FFFGGGHHGIIGDJG GGIIKKKLLLKKMNMAAMMO OBBOOKK LLOOOKKGGKGKKGGGLL KKKGGGGGKKDJGGAAKKK OOOPPPKKKGGG GGGQQQKKKLLLGGGKKKDD DAAAAAAAAAMMMAAAAAAF FFKKK KKKAAAGGGRRRFFF KKKKKKGGGSSSTTT FFFMMMFFFGGG KKKKKAAADDD KKKOOOKKKKKKAAA UUUVVVGKGGUUU VDVAAAAAA MMMAAAMMM GGGAAAGGGKKK GGGKKKOOOAbove the bones | A |
St Ursula owns | A |
And those of the virgins she chaperons | A |
Above the boats | A |
And the bridge that floats | A |
And the Rhine and the steamers' smoky throats | A |
Above the chimneys and quaint tiled roofs | A |
Above the clatter of wheels and hoofs | A |
Above Newmarket's open space | A |
Above that consecrated place | A |
Where the genuine bones of the Magi seen are | B |
And the dozen shops of the real Farina | C |
Higher than even old Hohestrasse | A |
Whose houses threaten the timid passer | D |
Above them all | E |
Through scaffolds tall | E |
And spires like delicate limbs in splinters | A |
The great Cologne's | A |
Cathedral stones | A |
Climb through the storms of eight hundred winters | A |
- | |
Unfinished there | F |
In high mid air | F |
The towers halt like a broken prayer | F |
Through years belated | G |
Unconsummated | G |
The hope of its architect quite frustrated | G |
Its very youth | H |
They say forsooth | H |
With a quite improper purpose mated | G |
And every stone | I |
With a curse of its own | I |
Instead of that sermon Shakespeare stated | G |
Since the day its choir | D |
Which all admire | J |
By Cologne's Archbishop was consecrated | G |
- | |
Ah THAT was a day | G |
One well might say | G |
To be marked with the largest whitest stone | I |
To be found in the towers of all Cologne | I |
Along the Rhine | K |
From old Rheinstein | K |
The people flowed like their own good wine | K |
From Rudesheim | L |
And Geisenheim | L |
And every spot that is known to rhyme | L |
From the famed Cat's Castle of St Goarshausen | K |
To the pictured roofs of Assmannshausen | K |
And down the track | M |
From quaint Schwalbach | N |
To the clustering tiles of Bacharach | M |
From Bingen hence | A |
To old Coblentz | A |
From every castellated crag | M |
Where the robber chieftains kept their swag | M |
The folk flowed in and Ober Cassel | O |
Shone with the pomp of knight and vassal | O |
And pouring in from near and far | B |
As the Rhine to its bosom draws the Ahr | B |
Or takes the arm of the sober Mosel | O |
So in Cologne knight squire and losel | O |
Choked up the city's gates with men | K |
From old St Stephen to Zint Marjen | K |
- | |
What had they come to see Ah me | L |
I fear no glitter of pageantry | L |
Nor sacred zeal | O |
For Church's weal | O |
Nor faith in the virgins' bones to heal | O |
Nor childlike trust in frank confession | K |
Drew these who dyed in deep transgression | K |
Still in each nest | G |
On every crest | G |
Kept stolen goods in their possession | K |
But only their gout | G |
For something new | K |
More rare than the roast of a wandering Jew | K |
Or to be exact | G |
To see in fact | G |
A Christian soul in the very act | G |
Of being damned secundum artem | L |
By the devil before a soul could part 'em | L |
- | |
For a rumor had flown | K |
Throughout Cologne | K |
That the church in fact was the devil's own | K |
That its architect | G |
Being long suspect | G |
Had confessed to the Bishop that he had wrecked | G |
Not only his OWN soul but had lost | G |
The VERY FIRST CHRISTIAN SOUL that crossed | G |
The sacred threshold and all in fine | K |
For that very beautiful design | K |
Of the wonderful choir | D |
They were pleased to admire | J |
And really he must be allowed to say | G |
To speak in a purely business way | G |
That taking the ruling market prices | A |
Of souls and churches in such a crisis | A |
It would be shown | K |
And his Grace must own | K |
It was really a BARGAIN for Cologne | K |
- | |
Such was the tale | O |
That turned cheeks pale | O |
With the thought that the enemy might prevail | O |
And the church doors snap | P |
With a thunderclap | P |
On a Christian soul in that devil's trap | P |
But a wiser few | K |
Who thought that they knew | K |
Cologne's Archbishop replied Pooh pooh | K |
Just watch him and wait | G |
And as sure as fate | G |
You'll find that the Bishop will give checkmate | G |
- | |
One here might note | G |
How the popular vote | G |
As shown in all legends and anecdote | G |
Declares that a breach | Q |
Of trust to o'erreach | Q |
The devil is something quite proper for each | Q |
And really if you | K |
Give the devil his due | K |
In spite of the proverb it's something you'll rue | K |
But to lie and deceive him | L |
To use and to leave him | L |
From Job up to Faust is the way to receive him | L |
Though no one has heard | G |
It ever averred | G |
That the Father of Lies ever yet broke HIS word | G |
But has left this position | K |
In every tradition | K |
To be taken alone by the truth loving Christian | K |
Bom from the tower | D |
It is the hour | D |
The host pours in in its pomp and power | D |
Of banners and pyx | A |
And high crucifix | A |
And crosiers and other processional sticks | A |
And no end of Marys | A |
In quaint reliquaries | A |
To gladden the souls of all true antiquaries | A |
And an Osculum Pacis | A |
A myth to the masses | A |
Who trusted their bones more to mail and cuirasses | A |
All borne by the throng | M |
Who are marching along | M |
To the square of the Dom with processional song | M |
With the flaring of dips | A |
And bending of hips | A |
And the chanting of hundred perfunctory lips | A |
And some good little boys | A |
Who had come up from Neuss | A |
And the Quirinuskirche to show off their voice | A |
All march to the square | F |
Of the great Dom and there | F |
File right and left leaving alone and quite bare | F |
A covered sedan | K |
Containing so ran | K |
The rumor the victim to take off the ban | K |
- | |
They have left it alone | K |
They have sprinkled each stone | K |
Of the porch with a sanctified Eau de Cologne | K |
Guaranteed in this case | A |
To disguise every trace | A |
Of a sulphurous presence in that sacred place | A |
Two Carmelites stand | G |
On the right and left hand | G |
Of the covered sedan chair to wait the command | G |
Of the prelate to throw | R |
Up the cover and show | R |
The form of the victim in terror below | R |
There's a pause and a prayer | F |
Then the signal and there | F |
Is a WOMAN by all that is good and is fair | F |
- | |
A woman and known | K |
To them all one must own | K |
TOO WELL KNOWN to the many to day to be shown | K |
As a martyr or e'en | K |
As a Christian A queen | K |
Of pleasance and revel of glitter and sheen | K |
So bad that the worst | G |
Of Cologne spake up first | G |
And declared 'twas an outrage to suffer one curst | G |
And already a fief | S |
Of the Satanic chief | S |
To martyr herself for the Church's relief | S |
But in vain fell their sneer | T |
On the mob who I fear | T |
On the whole felt a strong disposition to cheer | T |
- | |
A woman and there | F |
She stands in the glare | F |
Of the pitiless sun and their pitying stare | F |
A woman still young | M |
With garments that clung | M |
To a figure though wasted with passion and wrung | M |
With remorse and despair | F |
Yet still passing fair | F |
With jewels and gold in her dark shining hair | F |
And cheeks that are faint | G |
'Neath her dyes and her paint | G |
A woman most surely but hardly a saint | G |
- | |
She moves She has gone | K |
From their pity and scorn | K |
She has mounted alone | K |
The first step of stone | K |
And the high swinging doors she wide open has thrown | K |
Then pauses and turns | A |
As the altar blaze burns | A |
On her cheeks and with one sudden gesture she spurns | A |
Archbishop and Prior | D |
Knight ladye and friar | D |
And her voice rings out high from the vault of the choir | D |
- | |
O men of Cologne | K |
What I WAS ye have known | K |
What I AM as I stand here One knoweth alone | K |
If it be but His will | O |
I shall pass from Him still | O |
Lost curst and degraded I reckon no ill | O |
If still by that sign | K |
Of His anger divine | K |
One soul shall he saved He hath blessed more than mine | K |
O men of Cologne | K |
Stand forth if ye own | K |
A faith like to this or more fit to atone | K |
And take ye my place | A |
And God give you grace | A |
To stand and confront Him like me face to face | A |
- | |
She paused Yet aloof | U |
They all stand No reproof | U |
Breaks the silence that fills the celestial roof | U |
One instant no more | V |
She halts at the door | V |
Then enters A flood from the roof to the floor | V |
Fills the church rosy red | G |
She is gone | K |
But instead | G |
Who is this leaning forward with glorified head | G |
And hands stretched to save | U |
Sure this is no slave | U |
Of the Powers of Darkness with aspect so brave | U |
- | |
They press to the door | V |
But too late All is o'er | D |
Naught remains but a woman's form prone on the floor | V |
But they still see a trace | A |
Of that glow in her face | A |
That they saw in the light of the altar's high blaze | A |
On the image that stands | A |
With the babe in its hands | A |
Enshrined in the churches of all Christian lands | A |
- | |
A Te Deum sung | M |
A censer high swung | M |
With praise benediction and incense wide flung | M |
Proclaim that the CURSE | A |
IS REMOVED and no worse | A |
Is the Dom for the trial in fact the REVERSE | A |
For instead of their losing | M |
A soul in abusing | M |
The Evil One's faith they gained one of his choosing | M |
- | |
Thus the legend is told | G |
You will find in the old | G |
Vaulted aisles of the Dom stiff in marble or cold | G |
In iron and brass | A |
In gown and cuirass | A |
The knights priests and bishops who came to that Mass | A |
And high o'er the rest | G |
With her babe at her breast | G |
The image of Mary Madonna the blest | G |
But you look round in vain | K |
On each high pictured pane | K |
For the woman most worthy to walk in her train | K |
- | |
Yet standing to day | G |
O'er the dust and the clay | G |
'Midst the ghosts of a life that has long passed away | G |
With the slow sinking sun | K |
Looking softly upon | K |
That stained glass procession I scarce miss the one | K |
That it does not reveal | O |
For I know and I feel | O |
That these are but shadows the woman was real | O |
Bret Harte
(1)
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