Tired Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEF CGHIJKLMNOPQARSDA TUVWXPRYZA2RB2WC2C2B 2D2E2F2G2 H2I2J2C2C2K2L2C2M2L2 N2C2C2C2L2PO2C2P2L2 RQ2N2R2L2C2L2C2N2C2C 2C2L2S2C2N2C2C2D2L2L 2C2C2L2RG2T2U2V2RW2L 2C2S2G2L2C2X2C2 C2L2Y2RZ2A3Y2L2B3C2Z C3D3L2C2L2RC2L2E3L2C 2F3G3L2C2 S2S2H3 C2N2L2L2RL2F3N2C2L2C 2N2L2L2C2F2C2WI3W2C2 J3L2L2PRL2U2B3K3L3 Q2L2C2G3C2M3C2 S2C2L2RN3O3C2P3L2P3C 2L3O3C2C2L2K| No not to night dear child I cannot go | A |
| I'm busy tired they knew I should not come | B |
| you do not need me there Dear be content | C |
| and take your pleasure you shall tell me of it | D |
| There go to don your miracles of gauze | E |
| and come and show yourself a great pink cloud | F |
| - | |
| So she has gone with half a discontent | C |
| but it will die before her curls are shaped | G |
| and she'll go forth intent on being pleased | H |
| and take her ponderous pastime like the rest | I |
| patient delightedly prepared to talk | J |
| in the right voice for the right length of time | K |
| on any thing that anybody names | L |
| prepared to listen with the proper calm | M |
| to any song that anybody sings | N |
| wedged in their chairs all soberness and smiles | O |
| one steady sunshine like an August day | P |
| a band of very placid revellers | Q |
| glad to be there but gladder still to go | A |
| She like the rest it seems so strange to me | R |
| my simple peasant girl my nature's grace | S |
| one with the others my wood violet | D |
| stuck in a formal rose box at a show | A |
| - | |
| Well since it makes her happier True I thought | T |
| the artless girl come from her cottage home | U |
| knowing no world beyond her village streets | V |
| come stranger into our elaborate life | W |
| with such a blithe and wondering ignorance | X |
| as a young child's who sees new things all day | P |
| would learn it my way and would turn to me | R |
| out of the solemn follies What are these | Y |
| why must we live by drill and laugh by drill | Z |
| may we not be ourselves then you and I | A2 |
| I thought she would have nestled here by me | R |
| I cannot feign and let me stay with you | B2 |
| I thought she would have shed about my life | W |
| the unalloyed sweet freshness of the fields | C2 |
| pure from your cloying fashionable musks | C2 |
| but she will do what other ladies do | B2 |
| my sunburnt Madge I saw with skirts pinned up | D2 |
| carrying her father's dinner where he sat | E2 |
| to take his noon day rest beneath the hedge | F2 |
| and followed slowly for her clear loud song | G2 |
| - | |
| And she did then she says as others did | H2 |
| who were her like 'Tis logical enough | I2 |
| as every woman lives tush as we all | J2 |
| following such granted patterns for our souls | C2 |
| as for our hats and coats she lived by rules | C2 |
| how to be as her neighbours though I trained | K2 |
| to my own different code discerned it not | L2 |
| mistaking other laws for lawlessness | C2 |
| like raw and hasty travellers and now | M2 |
| why should she in a new world all unapt | L2 |
| to judge its judgments take so much on her | N2 |
| she did not in her old world pick and choose | C2 |
| her pleasures and her tastes her aims her faiths | C2 |
| breaking her smooth path with the thorny points | C2 |
| of upstart questions She is just a bird | L2 |
| born in a wicker cage and brought away | P |
| into a gilded one she does not pine | O2 |
| to make her nest in uncontrolled far woods | C2 |
| but unconceiving freedom chirrups on | P2 |
| content to see her prison bars so bright | L2 |
| - | |
| Yes best for her and if not best for me | R |
| I've my fault in it too she's logical | Q2 |
| but what am I who having chosen her | N2 |
| for being all unlike the tutored type | R2 |
| next try and mould her to it chose indeed | L2 |
| my violet for being not a rose | C2 |
| then bade it hold itself as roses do | L2 |
| that passers by may note no difference | C2 |
| The peasant ways must go the homely burr | N2 |
| the quaint strong English ancient classic turns | C2 |
| mixed up with rustic blunders and misuse | C2 |
| old grammar shot with daring grammarlessness | C2 |
| the village belle's quick pertness toss of head | L2 |
| and shriek of saucy laughter graces there | S2 |
| and which a certain reckless gracefulness | C2 |
| half hoydenish half fawnlike made in her | N2 |
| graces in even my eyes there the ease | C2 |
| of quick companionship the unsoftened no's | C2 |
| the ready quarrels ready makings up | D2 |
| all these must go I would not have her mocked | L2 |
| among the other women who have learned | L2 |
| sweet level speech and quiet courtesies | C2 |
| and then they jarred upon me like the noise | C2 |
| of music out of rule which heard at first | L2 |
| took the fresh ear with novel melody | R |
| but makes you restless listened to too long | G2 |
| with missing looked for rhythms So I teach | T2 |
| or let her learn the way to speak to look | U2 |
| to walk to sit to dance to sing to laugh | V2 |
| and then the prized dissimilarity | R |
| was outer husk and not essential core | W2 |
| my wife is just the wife my any friend | L2 |
| selects among my any friend's good girls | C2 |
| a duplicate except that here and there | S2 |
| the rendering's faulty or touched in too strong | G2 |
| my little rugged bit of gold I mined | L2 |
| cleared from its quartz and dross and pieced for use | C2 |
| with recognized alloy is minted down | X2 |
| one of a million stamped and current coins | C2 |
| - | |
| My poor dear Madge it half seems treasonous | C2 |
| to let regret touch any thought of you | L2 |
| loyal and loving to me as you are | Y2 |
| and you are very very dear to me | R |
| I could not spare you would not change your love | Z2 |
| to have the rich ideal of my hope | A3 |
| in any other woman as you are | Y2 |
| I love you being you And for the rest | L2 |
| if I my theory's too eager fool | B3 |
| mistook the freedom of blunt ignorance | C2 |
| for one with freedom of the instructed will | Z |
| and took yours for a nature made to keep | C3 |
| its hardiness in culture gaining strength | D3 |
| to be itself more fully if I looked | L2 |
| for some rare perfectness of natural gifts | C2 |
| developing not changed pruned and not dwarfed | L2 |
| if I believed you would be that to me | R |
| so many men have sung by women's names | C2 |
| and known no woman for where is your fault | L2 |
| who did but give yourself as you were then | E3 |
| and with so true a giving Violet | L2 |
| whose is the blame if rooted from your place | C2 |
| where you grew truly to your natural law | F3 |
| set by my hand in artificial soil | G3 |
| bound to unwonted props whose blame if you | L2 |
| are not quite violet and not quite rose | C2 |
| - | |
| She's happy though I think she does not bear | S2 |
| the pain of my mistake and shall not bear | S2 |
| and she'll not ever guess of a mistake | H3 |
| - | |
| Mistake 'tis a hard word Well let it pass | C2 |
| it shall not wrong her for was it in her | N2 |
| or in myself I was mistaken most | L2 |
| What I who have been bold to hurl revolt | L2 |
| at great Queen Bugaboo Society | R |
| did I not teach her suit and service first | L2 |
| wincing when she infringed some useless law | F3 |
| do I not wince to day beside the fire | N2 |
| at every word or gesture she shall use | C2 |
| not scheduled in the warrant what to do | L2 |
| do I not bid her have the table thus | C2 |
| assort such viands use such furniture | N2 |
| wear such a stuff at morning such at night | L2 |
| all to the warrant of Queen Bugaboo | L2 |
| and feel a something missing when she fails | C2 |
| a discord setting all my teeth on edge | F2 |
| Why what a score of small observances | C2 |
| mere fashionable tricks are to my life | W |
| the butter on the bread without which salve | I3 |
| the bit's too coarse to swallow what a score | W2 |
| of other small observances and tricks | C2 |
| worn out of fashion or not yet come in | J3 |
| reek worse than garlic to my pampered taste | L2 |
| making the wholesomest food too difficult | L2 |
| And that which in an ancient yesterday | P |
| was but some great man's humour is to me | R |
| duty by rote to day I had not felt | L2 |
| my own life that punctilious copy book | U2 |
| writ to stock patterns set to all a school | B3 |
| I have called usual lives but my poor Madge | K3 |
| has unawares informed me of myself | L3 |
| - | |
| We can no other 'tis as natural | Q2 |
| to men to take this artificial kind | L2 |
| as to the flowers which grown in neighbour ranks | C2 |
| taste the same winds and feed on the same soil | G3 |
| to take inoculation by the bees | C2 |
| of one another's dyes and be alike | M3 |
| in new unlikeness to their primal types | C2 |
| - | |
| Our gift is imitation and to share | S2 |
| the subtle current of all sympathies | C2 |
| we breathe each other's thoughts as in a crowd | L2 |
| we breathe each other's breaths unconsciously | R |
| and if there could be a mere human man | N3 |
| to singly be creator make the thing | O3 |
| which none has hoped for near him say the things | C2 |
| which none has thought beside him were there one | P3 |
| to be the god we claim in our rash word | L2 |
| original needs were he such a one | P3 |
| as we call savage one apart in woods | C2 |
| and friendless deserts planning by himself | L3 |
| some first instinctive art or questioning | O3 |
| blank ignorance and wonder into thoughts | C2 |
| And as for us the men who live in days | C2 |
| when what the West has whispered finds the East | L2 |
| across an ocean in a breath of time | K |
Augusta Davies Webster
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