The White Cliffs Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCBCDEDEDFDF ADDGGHHIIJJKKLMNNOOP PQQJJBBB ADDRRSSTTUUVVWWUU TTDDXXBBYYYP PBBZZB GGA2A2QB2C2C2D2D2 D2E2F2E2F2DQDQG2H2G2 H2 D2DI2DI2WJ2WJ2DK2DK2 D2L2D2L2 D2J2M2J2M2NJ2NJ2J2DJ 2D D2D2N2DN2O2FDFP2J2D2 J2D2P2Q2P2 D2J2D2J2D2J2J2DJ2DJ2 R2R2 WS2WS2T2T2 J2U2U2J2V2J2V2J2J2 J2J2P2P2 P2P2P2P2W2W2P2 D2D2P2P2 J2J2 J2X2WNWJ2WD2DP2DWD G2P2D2P2P2P2 D2Q2| I | A |
| I have loved England dearly and deeply | B |
| Since that first morning shining and pure | C |
| The white cliffs of Dover I saw rising steeply | B |
| Out of the sea that once made her secure | C |
| I had no thought then of husband or lover | D |
| I was a traveller the guest of a week | E |
| Yet when they pointed 'the white cliffs of Dover' | D |
| Startled I found there were tears on my cheek | E |
| I have loved England and still as a stranger | D |
| Here is my home and I still am alone | F |
| Now in her hour of trial and danger | D |
| Only the English are really her own | F |
| - | |
| II | A |
| It happened the first evening I was there | D |
| Some one was giving a ball in Belgrave Square | D |
| At Belgrave Square that most Victorian spot | G |
| Lives there a novel reader who has not | G |
| At some time wept for those delightful girls | H |
| Daughters of dukes prime ministers and earls | H |
| In bonnets berthas bustles buttoned basques | I |
| Hiding behind their pure Victorian masks | I |
| Hearts just as hot hotter perhaps than those | J |
| Whose owners now abandon hats and hose | J |
| Who has not wept for Lady Joan or Jill | K |
| Loving against her noble parent's will | K |
| A handsome guardsman who to her alarm | L |
| Feels her hand kissed behind a potted palm | M |
| At Lady Ivry's ball the dreadful night | N |
| Before his regiment goes off to fight | N |
| And see him the next morning in the park | O |
| Complete in busbee marching to embark | O |
| I had read freely even as a child | P |
| Not only Meredith and Oscar Wilde | P |
| But many novels of an earlier day | Q |
| Ravenshoe Can You Forgive Her Vivien Grey | Q |
| Ouida The Duchess Broughton's Red As a Rose | J |
| Guy Livingstone Whyte Melville Heaven knows | J |
| What others Now I thought I was to see | B |
| Their habitat though like the Miller of Dee | B |
| I cared for none and no one cared for me | B |
| - | |
| - | |
| III | A |
| A light blue carpet on the stair | D |
| And tall young footmen everywhere | D |
| Tall young men with English faces | R |
| Standing rigidly in their places | R |
| Rows and rows of them stiff and staid | S |
| In powder and breeches and bright gold braid | S |
| And high above them on the wall | T |
| Hung other English faces all | T |
| Part of the pattern of English life | U |
| General Sir Charles and his pretty wife | U |
| Admirals Lords Lieutenant of Shires | V |
| Men who were served by these footmen's sires | V |
| At their great parties none of them knowing | W |
| How soon or late they would all be going | W |
| In plainer dress to a sterner strife | U |
| Another pattern of English life | U |
| - | |
| I went up the stairs between them all | T |
| Strange and frightened and shy and small | T |
| And as I entered the ballroom door | D |
| Saw something I had never seen before | D |
| Except in portraits a stout old guest | X |
| With a broad blue ribbon across his breast | X |
| That blue as deep as the southern sea | B |
| Bluer than skies can ever be | B |
| The Countess of Salisbury Edward the Third | Y |
| No damn merit the Duke I heard | Y |
| My own voice saying 'Upon my word | Y |
| The garter ' and clapped my hands like a child | P |
| - | |
| Some one beside me turned and smiled | P |
| And looking down at me said 'I fancy | B |
| You're Bertie's Australian cousin Nancy | B |
| He toId me to tell you that he'd be late | Z |
| At the Foreign Office and not to wait | Z |
| Supper for him but to go with me | B |
| And try to behave as if I were he ' | - |
| I should have told him on the spot | G |
| That I had no cousin that I was not | G |
| Australian Nancy that my name | A2 |
| Was Susan Dunne and that I came | A2 |
| From a small white town on a deep cut bay | Q |
| In the smallest state in the U S A | B2 |
| I meant to tell him but changed my mind | C2 |
| I needed a friend and he seemed kind | C2 |
| So I put my gloved hand into his glove | D2 |
| And we danced together and fell in love | D2 |
| - | |
| IV | D2 |
| Young and in love how magical the phrase | E2 |
| How magical the fact Who has not yearned | F2 |
| Over young lovers when to their amaze | E2 |
| They fall in love and find their love returned | F2 |
| And the lights brighten and their eyes are clear | D |
| To see God's image in their common clay | Q |
| Is it the music of the spheres they hear | D |
| Is it the prelude to that noble play | Q |
| The drama of Joined Lives Ah they forget | G2 |
| They cannot write their parts the bell has rung | H2 |
| The curtain rises and the stage is set | G2 |
| For tragedy they were in love and young | H2 |
| - | |
| V | D2 |
| We went to the Tower | D |
| We went to the Zoo | I2 |
| We saw every flower | D |
| In the gardens at Kew | I2 |
| We saw King Charles a prancing | W |
| On his long tailed horse | J2 |
| And thought him more entrancing | W |
| Than better kings of course | J2 |
| At a strange early hour | D |
| In St James's palace yard | K2 |
| We watched in a shower | D |
| The changing of the guard | K2 |
| And I said what a pity | D2 |
| To have just a week to spend | L2 |
| When London is a city | D2 |
| Whose beauties never end | L2 |
| - | |
| VI | D2 |
| When the sun shines on England it atones | J2 |
| For low hung leaden skies and rain and dim | M2 |
| Moist fogs that paint the verdure on her stones | J2 |
| And fill her gentle rivers to the brim | M2 |
| When the sun shines on England shafts of light | N |
| Fall on far towers and hills and dark old trees | J2 |
| And hedge bound meadows of a green as bright | N |
| As bright as is the blue of tropic seas | J2 |
| When the sun shines it is as if the face | J2 |
| Of some proud man relaxed his haughty stare | D |
| And smiled upon us with a sudden grace | J2 |
| Flattering because its coming is so rare | D |
| - | |
| VII | D2 |
| The English are frosty | D2 |
| When you're no kith or kin | N2 |
| Of theirs but how they alter | D |
| When once they take you in | N2 |
| The kindest the truest | O2 |
| The best friends ever known | F |
| It's hard to remember | D |
| How they froze you to a bone | F |
| They showed me all London | P2 |
| Johnnie and his friends | J2 |
| They took me to the country | D2 |
| For long week ends | J2 |
| I never was so happy | D2 |
| I never had such fun | P2 |
| I stayed many weeks in England | Q2 |
| Instead of just one | P2 |
| - | |
| VIII | D2 |
| John had one of those English faces | J2 |
| That always were and will always be | D2 |
| Found in the cream of English places | J2 |
| Till England herself sink into the sea | D2 |
| A blond bowed face with prominent eyes | J2 |
| A little bit bluer than English skies | J2 |
| You see it in ruffs and suits of armour | D |
| You see it in wigs of many styles | J2 |
| Soldier and sailor judge and farmer | D |
| That face has governed the British Isles | J2 |
| By the power for good or ill bestowed | R2 |
| Only on those who live by code | R2 |
| - | |
| Oh that inflexible code of living | W |
| That seems so easy and unconstrained | S2 |
| The Englishman's code of taking and giving | W |
| Rights and privileges pre ordained | S2 |
| Based since English life began | T2 |
| On the prime importance of being a man | T2 |
| - | |
| IX | J2 |
| And what a voice he had gentle profound | U2 |
| Clear masculine I melted at the sound | U2 |
| Oh English voices are there any words | J2 |
| Those tones to tell those cadences to teach | V2 |
| As song of thrushes is to other birds | J2 |
| So English voices are to other speech | V2 |
| Those pure round 'o's ' those lovely liquid 'l's' | J2 |
| Ring in the ears like sound of Sabbath bells | J2 |
| - | |
| Yet I have loathed those voices when the sense | J2 |
| Of what they said seemed to me insolence | J2 |
| As if the dominance of the whole nation | P2 |
| Lay in that clear correct enunciation | P2 |
| - | |
| Many years later I remember when | P2 |
| One evening I overheard two men | P2 |
| In Claridge's white waistcoats coats I know | P2 |
| Were built in Bond Street or in Savile Row | P2 |
| So calm so confident so finely bred | W2 |
| Young gods in tails and this is what they said | W2 |
| 'Not your first visit to the States ' 'Oh no | P2 |
| I'd been to Canada two years ago ' | - |
| Good God I thought have they not heard that we | D2 |
| Were those queer colonists who would be free | D2 |
| Who took our desperate chance and fought and won | P2 |
| Under a colonist called Washington | P2 |
| - | |
| One does not lose one's birthright it appears | J2 |
| I had been English then for many years | J2 |
| - | |
| X | J2 |
| We went down to Cambridge | X2 |
| Cambridge in the spring | W |
| In a brick court at twilight | N |
| We heard the thrushes sing | W |
| And we went to evening service | J2 |
| In the chapel of the King | W |
| The library of Trinity | D2 |
| The quadrangle of Clare | D |
| John bought a pipe from Bacon | P2 |
| And I acquired there | D |
| The Anecdotes of Painting | W |
| From a handcart in the square | D |
| - | |
| The Playing fields at sunset | G2 |
| Were vivid emerald green | P2 |
| The elms were tall and mighty | D2 |
| And many youths were seen | P2 |
| Carefree young gentlemen | P2 |
| In the Spring of 'Fourteen | P2 |
| - | |
| XI | D2 |
| London just before dawn immense and | Q2 |
Alice Duer Miller
(1)
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About The White Cliffs
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