Forsaking All Others Part 5 Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCBC DCDDBDB A CEF GHIH G JK LMNM A OPOP BPBP CNNC QR Q STTS HUVH AWW N XYXYZNZN A2PA2PB2YB2YNPNP A C2HC2C2H D2HD2D2H E2HE2E2H F2HF2F2H A GNFNVG2GG2H2NNNGNI2N H2J2GJ2GEK2EYL2J NNH2N A MAM JNJN M2N2M2 NB2N TAT PNPN O2P2O2 PNP PQ2PN R2ES2 R2 NEPER2N L2T2L2T2AR2AR2APANR2 M2YM2YPR2PR2U2R2U2R2 V2W2 NV2I | A |
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TRAINED nurses trained nurses everywhere | B |
Trained nurses by night trained nurses by day | C |
In the corridors on the stair | B |
Looking for towels carrying a tray | C |
Saying 'you mustn't ' 'you must ' 'you may ' | - |
Smooth as to hair stiff as to skirt | D |
Kind in a cool impersonal way | C |
Angels of mercy bright eyed alert | D |
Hard young angels sent to avert | D |
That older angel of dark despair | B |
Stiff starched angels a trifle curt | D |
Trained nurses trained nurses everywhere | B |
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II | A |
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A WHITE figure spoke from the doorway | C |
In a tone deliberately bright | E |
'Would you like to see the patient | F |
For a moment and say goodnight ' | - |
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Shepherded in like a stranger | G |
He stood beside her bed | H |
Gazed at those pale blank eyelids | I |
In that carven ivory head | H |
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Took her hand and heard her | G |
Murmur 'Is that you Jim ' | - |
But he knew she was very tired | J |
Tired even of him | K |
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Too much spent with the struggle | L |
Of drawing breath to afford | M |
A brief smile utterly weary | N |
And more than utterly bored | M |
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III | A |
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NEVER before had Ruth been out of reach | O |
Barriers had been but only of his making | P |
Now she had passed beyond the power of speech | O |
Quite quite indifferent that his heart was breaking | P |
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Here in the bedroom that he used to share | B |
She lived day after day averse to living | P |
Indifferent unforgiving unaware | B |
That he had any need of her forgiving | P |
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IV | - |
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AT first Lee wrote to him every day | C |
Tactful letters that let him see | N |
She knew very well he would rather be | N |
With her but it wasn't the thing to say | C |
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Tactful letters at first and then | Q |
Letters less tactful and more sincere | R |
Ending 'Why don't you write to me dear ' | - |
Write to me over and over again | Q |
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But he could not answer her piteous call | S |
Not exactly that he forgot | T |
Their love but only that she had not | T |
Any reality for him at all | S |
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She seemed like a pleasant book he had read | H |
Read and enjoyed but the printed page | U |
Cannot compete with the heritage | V |
Of Nature the living and Oh the dead | H |
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At last he sent her a brief reply | A |
'I cannot write or eat or sleep | W |
Just now I am going through the deep | W |
Waters Forgive me dear Lee Good bye ' | - |
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V | N |
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THEN a night came | X |
When in sleep broken | Y |
He heard his name | X |
Suddenly spoken | Y |
Into his dream | Z |
Horrors flocked thickly | N |
Was that a scream | Z |
'Better come quicklyl' | N |
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Cold was his room | A2 |
And his hands shaking | P |
Out of the gloom | A2 |
Dawn was just breaking | P |
Dawn cool and green | B2 |
Over the ocean | Y |
Never more seen | B2 |
Without emotion | Y |
Of death agony | N |
Somebody crying | P |
All dawns that dawn when he | N |
Knew Ruth was dying | P |
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VI | A |
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WHAT can you do with a woman's things | C2 |
After a woman is dead | H |
Not the bracelets and rings and strings | C2 |
Of pearls but the small unvalued things | C2 |
What can I do Wayne said | H |
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What can you do with a woman's dresses | D2 |
After a woman is dead | H |
Hanging limp in the cedar presses | D2 |
They are part of herself her pretty dresses | D2 |
What can I do Wayne said | H |
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What can you do with a woman's shoes | E2 |
After a woman is dead | H |
Shoes that perhaps you helped her choose | E2 |
Poor little empty half worn shoes | E2 |
What can I do Wayne said | H |
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What can you do with her brush and comb | F2 |
After a woman is dead | H |
What in God's name can you do with her home | F2 |
And her loss and her love and her brush and comb | F2 |
What can I do Wayne said | H |
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VII | A |
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UP a little river | G |
Where salmon used to play | N |
Not twenty miles distant | F |
A little village lay | N |
Ruth's native village | V |
Where Wayne used to go | G2 |
To see his mother's mother | G |
Many years ago | G2 |
Here in a churchyard | H2 |
With pines along the wall | N |
And a wooden church steeple | N |
Almost too tall | N |
Here in September | G |
On a bright clear day | N |
Among the graves of sailors | I2 |
They laid Ruth away | N |
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In this same churchyard | H2 |
Sitting on the stones | J2 |
He had first said he loved her | G |
In young shaken tones | J2 |
That had been September | G |
But not this bright light | E |
Between the pine needles | K2 |
The stars shone white | E |
Such a little maiden | Y |
Such a young man | L2 |
'I love you ' And she answered | J |
'I don't see how you can ' | - |
They had been so happy | N |
They had not cared at all | N |
That the place was a churchyard | H2 |
With pines along the wall | N |
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VIII | A |
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WAYNE stood bareheaded on the churchyard sward | M |
By the open grave under the open sky | A |
'I am the resurrection and the life saith the Lord | M |
He who believeth in Me shall never die ' | - |
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Beautiful terrible service He heard a word | J |
Here and there and then he would drift away | N |
To other memories and things not heard | J |
Ruth's laugh when she used to laugh so little and gay | N |
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'When thou with rebukes dost chasten a man from sin ' | - |
Was it sin that had parted him from Ruth | M2 |
Was sin the secret corrosion that entered in | N2 |
Likea moth fretting the garment of love in youth | M2 |
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Too late too late He heard the parson say | N |
'Before I go hence and be no more seen | B2 |
A thousand years in thy sight is but as yesterday | N |
Too late too late 'As grass in the morning green ' | - |
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'Was it Ruth he was leaving here in the churchyard plot | T |
Could it be Ruth who had gone not saying good bye | A |
'What advantageth it me if the dead rise not | T |
Let us eat and drink for to morrow we die ' | - |
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How can a man help eating and drinking | P |
Die to morrow To day if he had his will | N |
How many years must he spend in thinking thinking | P |
Of the thing which someone has said that all men kill | N |
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Well he could bear what he must bear even the sound | O2 |
Of earth on a coffin falling What must be must | P2 |
'We therefore commit her body to the ground | O2 |
Ashes to ashes earth to earth dust to dust ' | - |
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Prayers Would they never be done these killing | P |
Rites for the dead Ah there was the organ's roll | N |
From the little church and children's voices shrilling | P |
Piping Ruth's favourite hymn 'Hark hark my soul ' | - |
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'Hark hark my soul Angelic songs are swelling | P |
O'er earth's green fields and ocean's wave beat shore | Q2 |
How sweet the truth those blessed strains are telling | P |
Of that new life where sin shall be no morel | N |
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Angels of Jesus | R2 |
Angels of light | E |
Singing to welcome | S2 |
The pilgrims of the night ' | - |
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IX | R2 |
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'Dear Lee | N |
I've tried so many times to write | E |
And now I must write for I sail next week | P |
For Italy Sardinia I might | E |
Go on to Egypt later and the Greek Islands | R2 |
I may be several years away | N |
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'I loved you Lee I wonder if I can | L2 |
Explain at all what's happened From your wealth | T2 |
You gave me freely more than any man | L2 |
Has ever had beauty wit youth and health | T2 |
I loved you passionately and now my wife | A |
Is dead One might expect a mild distress | R2 |
A briefly pensive mood Instead my life | A |
Is shattered is dissolved is meaningless | R2 |
She whom of late I thought so little of | A |
And saw so little was I find the spring | P |
Of all I did and felt even of my love | A |
Of you What an insane incredible thingl | N |
But there it is | R2 |
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'Dear Lee this is the truth | M2 |
That any marriage founded on devotion | Y |
Though that devotion die as mine for Ruth | M2 |
Is not a state but a unique emotion | Y |
Potent unalterable not romantic | P |
Love though romantic love is where it starts | R2 |
Marriage begins only when those hot frantic | P |
Fires have finished welding human hearts | R2 |
It is not love friendship or partnership | U2 |
But this emotion marriage of a force | R2 |
That when it once has held you in its grip | U2 |
Nothing will free you wholly not divorce | R2 |
Or death for these destroy not it but you | V2 |
As I am now destroyed | W2 |
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'Beware dear Lee | N |
Of a true marriage if you are not true | V2 |
Yourself or you will be destroyed like me ' | - |
Alice Duer Miller
(1)
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