The Dunciad: Book I. Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCCDDEEFFGGHHIIJK LLHHMNHHOPHHQRSTPPHH UVWWOOXXYYZA2B2B2DDH HQQHHC2C2D2D2E2E2WWH HNNF2F2G2G2F2F2H2H2I 2I2J2 GGH2H2KK2HHDDH2H2H2H 2L2L2LLM2M2N2N2HHH2H 2H2H2HHHHHHLLHHHHHHZ ZO2O2JHK2K2P2P2HHOOH HQ2KR2P2OL2HHS2S2H2H 2H2H2H2H2H2H2KQ2HHHH H2H2ZZT2T2HHHO2The Mighty Mother and her son who brings | A |
The Smithfield muses to the ear of kings | A |
I sing Say you her instruments the great | B |
Called to this work by Dulness Jove and Fate | B |
You by whose care in vain decried and cursed | C |
Still Dunce the second reigns like Dunce the first | C |
Say how the Goddess bade Britannia sleep | D |
And poured her spirit o er the land and deep | D |
In eldest time e er mortals writ or read | E |
E er Pallas issued from the Thunderer s head | E |
Dulness o er all possessed her ancient right | F |
Daughter of Chaos and eternal Night | F |
Fate in their dotage this fair idiot gave | G |
Gross as her sire and as her mother grave | G |
Laborious heavy busy bold and blind | H |
She ruled in native anarchy the mind | H |
Still her old empire to restore she tries | I |
For born a goddess Dulness never dies | I |
O thou whatever title please thine ear | J |
Dean Drapier Bickerstaff or Gulliver | K |
Whether thou choose Cervantes serious air | L |
Or laugh and shake in Rabelais easy chair | L |
Or praise the court or magnify mankind | H |
Or thy grieved country s copper chains unbind | H |
From thy Boeotia though her power retires | M |
Mourn not my SWIFT at ought our realm acquires | N |
Here pleased behold her mighty wings out spread | H |
To hatch a new Saturnian age of lead | H |
Close to those walls where Folly holds her throne | O |
And laughs to think Monroe would take her down | P |
Where o er the gates by his famed by father s hand | H |
Great Cibber s brazen brainless brothers stand | H |
One cell there is concealed from vulgar eye | Q |
The cave of poverty and poetry | R |
Keen hollow winds howl through the bleak recess | S |
Emblem of music caused by emptiness | T |
Hence bards like Proteus long in vain tied down | P |
Escape in monsters and amaze the town | P |
Hence miscellanies spring the weekly boast | H |
Of Curll s chaste press and Lintot s rubric post | H |
Hence hymning Tyburn s elegiac lines | U |
Hence Journals Medleys Merc ries Magazines | V |
Sepulchral lies our holy walls to grace | W |
And new Year odes and all the Grub Street race | W |
In clouded majesty here Dulness shone | O |
Four guardian virtues round support her throne | O |
Fierce champion Fortitude that knows no fears | X |
Of hisses blows or want or loss of ears | X |
Calm Temperance whose blessings those partake | Y |
Who hunger and who thirst for scribbling sake | Y |
Prudence whose glass presents th approaching goal | Z |
Poetic justice with her lifted scale | A2 |
Where in nice balance truth with gold she weighs | B2 |
And solid pudding against empty praise | B2 |
Here she beholds the chaos dark and deep | D |
Where nameless somethings in their causes sleep | D |
Till genial Jacob or a warm third day | H |
Call forth each mass a poem or a play | H |
How hints like spawn scarce quick in embryo lie | Q |
How new born nonsense first is taught to cry | Q |
Maggots half formed in rhyme exactly meet | H |
And learn to crawl upon poetic feet | H |
Here one poor word an hundred clenches makes | C2 |
And ductile dullness new meanders takes | C2 |
There motley images her fancy strike | D2 |
Figures ill paired and similes unlike | D2 |
She sees a mob of metaphors advance | E2 |
Pleased with the madness of the mazy dance | E2 |
How tragedy and comedy embrace | W |
How farce and epic get a jumbled race | W |
How time himself stands still at her command | H |
Realms shift their place and ocean turns to land | H |
Here gay description Egypt glads with showers | N |
Or gives to Zembla fruits to Barca flowers | N |
Glittering with ice here hoary hills are seen | F2 |
There painted valleys of eternal green | F2 |
In cold December fragrant chaplets blow | G2 |
And heavy harvests nod beneath the snow | G2 |
All these and more the cloud compelling Queen | F2 |
Beholds through fogs that magnify the scene | F2 |
She tinselled o er in robes of varying hues | H2 |
With self applause her wild creation views | H2 |
Sees momentary monsters rise and fall | I2 |
And with her own fools colours gilds them all | I2 |
Twas on the day when | J2 |
- | |
rich and grave | G |
Like Cimon triumphed both on land and wave | G |
Pomps without guilt of bloodless swords and maces | H2 |
Glad chains warm furs broad banners and broad faces | H2 |
Now night descending the proud scene was o er | K |
But lived in Settle s numbers one day more | K2 |
Now mayors and shrieves all hushed and satiate lay | H |
Yet eat in dreams the custard of the day | H |
While pensive poets painful vigils keep | D |
Sleepless themselves to give their readers sleep | D |
Much to the mindful Queen the feast recalls | H2 |
What city swans once sung within the walls | H2 |
Much she revolves their arts their ancient praise | H2 |
And sure succession down from Heywood s days | H2 |
She saw with joy the line immortal run | L2 |
Each sire impressed and glaring in his son | L2 |
So watchful Bruin forms with plastic care | L |
Each growing lump and brings it to a bear | L |
She saw old Prynne in restless Daniel shine | M2 |
And Eusden eke out Blackmore s endless line | M2 |
She saw slow Philips creep like Tate s poor page | N2 |
And all the mighty mad in Dennis rage | N2 |
In each she marks her image full expressed | H |
But chief in BAY S monster breeding breast | H |
Bays formed by nature stage and town to bless | H2 |
And act and be a coxcomb with success | H2 |
Dulness with transport eyes the lively dunce | H2 |
Remembering she herself was pertness once | H2 |
Now shame to fortune an ill run at play | H |
Blanked his bold visage and a thin third day | H |
Swearing and supperless the hero sate | H |
Blasphemed his gods the dice and damned his fate | H |
Then gnawed his pen then dashed it on the ground | H |
Sinking from thought to thought a vast profound | H |
Plunged for his sense but found no bottom there | L |
Yet wrote and floundered on in mere despair | L |
Round him much embryo much abortion lay | H |
Much future ode and abdicated play | H |
Nonsense precipitate like running lead | H |
That slipped through cracks and zigzags of the head | H |
All that on folly frenzy could beget | H |
Fruits of dull heat and sooterkins of wit | H |
Next o er his books his eyes began to roll | Z |
In pleasing memory of all he stole | Z |
How here he sipped how there he plundered snug | O2 |
And sucked all o er like an industrious bug | O2 |
Here lay poor Fletcher s half eat scenes and here | J |
The frippery of crucified Moli re | H |
There hapless Shakespeare yet of Tibbald sore | K2 |
Wished he had blotted for himself before | K2 |
The rest on outside merit but presume | P2 |
Or serve like other fools to fill a room | P2 |
Such with their shelves as due proportion hold | H |
Or their fond parents dressed in red and gold | H |
Or where the pictures for the page atone | O |
And Quarles is saved by beauties not his own | O |
Here swells the shelf with Ogibly the great | H |
There stamped with arms Newcastle shines complete | H |
Here all his suffering brotherhood retire | Q2 |
And scape the martyrdom of jakes and fire | K |
A Gothic library Of Greece and Rome | R2 |
Well purged and worthy Settle Banks and Broome | P2 |
But high above more solid learning shone | O |
The classics of an age that heard of none | L2 |
There Caxton slept with Wynkyn at his side | H |
One clasped in wood and one in strong cow hide | H |
There saved by spice like mummies many a year | S2 |
Dry bodies of divinity appear | S2 |
De Lyra there a dreadful front extends | H2 |
And here the groaning shelves Philemon bends | H2 |
Of these twelve volumes twelve of amplest size | H2 |
Redeemed from tapers and defrauded pies | H2 |
Inspired he seizes these an altar raise | H2 |
An hetatomb of pure unsullied lays | H2 |
That altar crowns a folio commonplace | H2 |
Founds the whole pile of all his works the base | H2 |
Quartos octavos shape the lessening pyre | K |
A twisted birthday ode completes the spire | Q2 |
Then he Great tamer of all human art | H |
First in my care and ever at my heart | H |
Dulness Whose good old cause I yet defend | H |
With whom my muse began with whom shall end | H |
E er since Sir Fopling s periwig was praise | H2 |
To the last honours of the butt and bays | H2 |
O thou of business the directing soul | Z |
To this our head like bias to the bowl | Z |
Which as more ponderous made its aim more true | T2 |
Obliquely waddling to the mark in view | T2 |
O ever gracias to perplexed mankind | H |
Still spread a healing mist before the mind | H |
And lest we err by wit s wild dancing light | H |
Secu | O2 |
Alexander Pope
(1)
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