Fragmentary Scenes From The Road To Avernus: An Unpublished Dramatic Lyric Poem Rhyme Scheme and Analysis
Rhyme Scheme: AB C DEFEFGEGEEE EHEEGEGEEE EIEIIJIJJJ EKEKIIIIII EL EM EIIMMEENNEEOO DE EEM DJ M DPP EQREEMMSSTTII DI EICCUVVJJE NEWEEEEXCCYIYEEIIZEE ECEECCA2YYY ZJ I YII YZZ YEE YEE YZZB2B2ZZ YYY YYY YYY YI YIY YY YII YYYYZ Y YIIC2C2 YC2 ZI E ZD2E2D2E2 YEYE YE Y YYYYYIEIEYZYZEEEE YYF2YF2YEYEYEYEYYYY EYScene I | A |
Discontent | B |
- | |
Laurence Raby | C |
- | |
- | |
- | |
Laurence | D |
I said to young Allan M'Ilveray | E |
Beside the swift swirls of the North | F |
When in lilac shot through with a silver ray | E |
We haul'd the strong salmon fish forth | F |
Said only He gave us some trouble | G |
To land him and what does he weigh | E |
Our friend has caught one that weighs double | G |
The game for the candle won't pay | E |
Us to day | E |
We may tie up our rods and away | E |
- | |
I said to old Norman M'Gregor | E |
Three leagues to the west of Glen Dhu | H |
I had drawn with a touch of the trigger | E |
The best bead that ever I drew | E |
Said merely For birds in the stubble | G |
I once had an eye I could swear | E |
He's down but he's not worth the trouble | G |
Of seeking You once shot a bear | E |
In his lair | E |
'Tis only a buck that lies there | E |
- | |
I said to Lord Charles only last year | E |
The time that we topp'd the oak rail | I |
Between Wharton's plough and Whynne's pasture | E |
And clear'd the big brook in Blakesvale | I |
We only at Warburton's double | I |
He fell then I finish'd the run | J |
And kill'd clean said So bursts a bubble | I |
That shone half an hour in the sun | J |
What is won | J |
Your sire clear'd and captured a gun | J |
- | |
I said to myself in true sorrow | E |
I said yestere'en A fair prize | K |
Is won and it may be to morrow | E |
'Twill not seem so fair in thine eyes | K |
Real life is a race through sore trouble | I |
That gains not an inch on the goal | I |
And bliss an intangible bubble | I |
That cheats an unsatisfied soul | I |
And the whole | I |
Of the rest an illegible scroll | I |
- | |
- | |
Scene VII | E |
Two Exhortations | L |
- | |
A Shooting box in the West of Ireland A Bedchamber | E |
Laurence Raby and Melchior Night | M |
- | |
- | |
Melchior | E |
Surely in the great beginning God made all things good and still | I |
That soul sickness men call sinning entered not without His will | I |
Nay our wisest have asserted that as shade enhances light | M |
Evil is but good perverted wrong is but the foil of right | M |
Banish sickness then you banish joy for health to all that live | E |
Slay all sin all good must vanish good being but comparative | E |
Sophistry you say yet listen look you skyward there 'tis known | N |
Worlds on worlds in myriads glisten larger lovelier than our own | N |
This has been and this still shall be here as there in sun or star | E |
These things are to be and will be those things were to be and are | E |
Man in man's imperfect nature is by imperfection taught | O |
Add one cubit to your stature if you can by taking thought | O |
- | |
Laurence | D |
Thus you would not teach that peasant though he calls you father | E |
- | |
Melchior True | E |
I should magnify this present mystify that future too | E |
We adapt our conversation always to our hearer's light | M |
- | |
Laurence | D |
I am not of your persuasion | J |
- | |
Melchior Yet the difference is but slight | M |
- | |
Laurence | D |
I even I say He who barters worldly weal for heavenly worth | P |
He does well your saints and martyrs were examples here on earth | P |
- | |
Melchior | E |
Aye in earlier Christian ages while the heathen empire stood | Q |
When the war 'twixt saints and sages cried aloud for saintly blood | R |
Christ was then their model truly Now if all were meek and pure | E |
Save the ungodly and the unruly would the Christian Church endure | E |
Shall the toiler or the fighter dream by day and watch by night | M |
Turn the left cheek to the smiter smitten rudely on the right | M |
Strong men must encounter bad men so called saints of latter days | S |
Have been mostly pious madmen lusting after righteous praise | S |
Or the thralls of superstition doubtless worthy some reward | T |
Since they came by their condition hardly of their free accord | T |
'Tis but madness sad and solemn that these fakir Christians feel | I |
Saint Stylites on his column gratified a morbid zeal | I |
- | |
Laurence | D |
By your showing good is really on a par of worth with ill | I |
- | |
Melchior | E |
Nay I said not so I merely tell you both some ends fulfil | I |
Priestly vows were my vocation fast and vigil wait for me | C |
You must work and face temptation Never should the strong man flee | C |
Though God wills the inclination with the soul at war to be Pauses | U |
In the strife 'twixt flesh and spirit while you can the spirit aid | V |
Should you fall not less your merit be not for a fall afraid | V |
Whatsoe'er most right most fit is you shall do When all is done | J |
Chaunt the noble Nunc Dimittis Benedicimur my son | J |
Exit Melchior | E |
- | |
Laurence alone | N |
Why do I provoke these wrangles Melchior talks as well he may | E |
With the tongues of men and angels | W |
Takes up a pamphlet What has this man got to say | E |
Reads Sic sacerdos fatur ejus nomen quondam erat Burgo | E |
Mala mens est caro pejus anima infirma ergo | E |
I nunc ora sine mora orat etiam Sancta Virgo | E |
Thinks | X |
Speaks So it seems they mean to make her wed the usurer Nathan Lee | C |
Poor Estelle her friends forsake her what has this to do with me | C |
Glad I am at least that Helen still refuses to discard | Y |
Her through tales false gossips tell | I |
in spite or heedlessness 'Tis hard | Y |
Lee the Levite some few years back Herbert horsewhipp'd him the cur | E |
Show'd his teeth and laid his ears back Now his wealth has purchased her | E |
Must his baseness mar her brightness Shall the callous cunning churl | I |
Revel in the rosy whiteness of that golden headed girl | I |
Thinks and smokes | Z |
Reads Cito certe venit vitae finis sic sacerdos fatur | E |
Nunc audite omnes ite vobis fabula narratur | E |
Nunc orate et laudate laudat etiam Alma Mater | E |
Muses Such has been and such shall still be | C |
here as there in sun or star | E |
These things are to be and will be those things were to be and are | E |
If I thought that speech worth heeding I should Nay it seems to me | C |
More like Satan's special pleading than like Gloria Domine | C |
Lies down on his couch | A2 |
Reads Et tuquoque frater meus facta mala quod fecisti | Y |
Denique confundit Deus omnes res quas tetegisti | Y |
Nunc si unquam nunc aut nunquam sanguine adjuro Christi | Y |
- | |
Scene IX | Z |
In the Garden | J |
- | |
Aylmer's Garden near the Lake Laurence Raby and Estelle | I |
- | |
- | |
He | Y |
Come to the bank where the boat is moor'd to the willow tree low | I |
Bertha the baby won't notice Brian the blockhead won't know | I |
- | |
She | Y |
Bertha is not such a baby sir as you seem to suppose | Z |
Brian a blockhead he may be more than you think for he knows | Z |
- | |
He | Y |
This much at least of your brother from the beginning he knew | E |
Somewhat concerning that other made such a fool of by you | E |
- | |
She | Y |
Firmer those bonds were and faster Frank was my spaniel my slave | E |
You you would fain be my master mark you the difference is grave | E |
- | |
He | Y |
Call me your spaniel your starling take me and treat me as these | Z |
I would be anything darling aye whatsoever you please | Z |
Brian and Basil are punting leave them their dice and their wine | B2 |
Bertha is butterfly hunting surely one hour shall be mine | B2 |
See I have done with all duty see I can dare all disgrace | Z |
Only to look at your beauty feasting my eyes on your face | Z |
- | |
She | Y |
Look at me aye till your eyes ache How let me ask will it end | Y |
Neither for your sake nor my sake but for the sake of my friend | Y |
- | |
He | Y |
Is she your friend then I own it this is all wrong and the rest | Y |
Frustra sed anima monet caro quod fortius est | Y |
- | |
She | Y |
Not quite so close Laurence Raby not with your arm round my waist | Y |
Something to look at I may be nothing to touch or to taste | Y |
- | |
He | Y |
Wilful as ever and wayward why did you tempt me Estelle | I |
- | |
She | Y |
You misinterpret each stray word you for each inch take an ell | I |
Lightly all laws and ties trammel me I am warn'd for all that | Y |
- | |
He aside | Y |
Perhaps she will swallow her camel when she has strained at her gnat | Y |
- | |
She | Y |
Therefore take thought and consider weigh well as I do the whole | I |
You for mere beauty a bidder say would you barter a soul | I |
- | |
He | Y |
Girl That may happen but this is after this welcome the worst | Y |
Blest for one hour by your kisses let me be evermore curs'd | Y |
Talk not of ties to me reckless here every tie I discard | Y |
Make me your girdle your necklace | Z |
- | |
She Laurence you kiss me too hard | Y |
- | |
He | Y |
Aye 'tis the road to Avernus n'est ce pas vrai donc ma belle | I |
There let them bind us or burn us mais le jeu vaut la chandelle | I |
Am I your lord or your vassal Are you my sun or my torch | C2 |
You when I look at you dazzle yet when I touch you you scorch | C2 |
- | |
She | Y |
Yonder are Brian and Basil watching us fools from the porch | C2 |
- | |
- | |
Scene X | Z |
After the Quarrel | I |
- | |
Laurence Raby's Chamber Laurence enters a little the worse for liquor | E |
- | |
- | |
Laurence | Z |
He never gave me a chance to speak | D2 |
And he call'd her worse than a dog | E2 |
The girl stood up with a crimson cheek | D2 |
And I fell'd him there like a log | E2 |
- | |
I can feel the blow on my knuckles yet | Y |
He feels it more on his brow | E |
In a thousand years we shall all forget | Y |
The things that trouble us now | E |
- | |
- | |
Scene XI | Y |
Ten Paces Off | E |
- | |
An open country Laurence Raby and Forrest Brian Aylmer and Prescot | Y |
- | |
- | |
Forrest | Y |
I've won the two tosses from Prescot | Y |
Now hear me and hearken and heed | Y |
And pull that vile flower from your waistcoat | Y |
And throw down that beast of a weed | Y |
I'm going to give you the signal | I |
I gave Harry Hunt at Boulogne | E |
The morning he met Major Bignell | I |
And shot him as dead as a stone | E |
For he must look round on his right hand | Y |
To watch the white flutter that stops | Z |
His aim for it takes off his sight and | Y |
I cough while the handkerchief drops | Z |
And you keep both eyes on his figure | E |
Old fellow and don't take them off | E |
You've got the sawhandled hair trigger | E |
You sight him and shoot when I cough | E |
- | |
Laurence aside | Y |
Though God will never forgive me | Y |
Though men make light of my name | F2 |
Though my sin and my shame outlive me | Y |
I shall not outlast my shame | F2 |
The coward does he mean to miss me | Y |
His right hand shakes like a leaf | E |
Shall I live for my friends to hiss me | Y |
Of fools and of knaves the chief | E |
Shall I live for my foes to twit me | Y |
He has master'd his nerve again | E |
He is firm he will surely hit me | Y |
Will he reach the heart or the brain | E |
One long look eastward and northward | Y |
One prayer Our Father which art | Y |
And the cough chimes in with the fourth word | Y |
And I shoot skyward the heart | Y |
- | |
- | |
Last Scene | E |
Exeunt | Y |
Adam Lindsay Gordon
(1)
Poem topics: , Print This Poem , Rhyme Scheme
Submit Spanish Translation
Submit German Translation
Submit French Translation
Write your comment about Fragmentary Scenes From The Road To Avernus: An Unpublished Dramatic Lyric poem by Adam Lindsay Gordon
Best Poems of Adam Lindsay Gordon